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Another Round
Presents ANOTHER ROUND A film by Thomas Vinterberg 116 mins, Denmark, 2020 Language: Danish with English subtitles Official Selection: Cannes 2020 and TIFF 2020 Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com LOG LINE Another Round is a fun, moving, life-affirming and thought-provoking drama about friendship, freedom, love – and alcohol. SYNOPSIS There’s a theory that we should be born with a small amount of alcohol in our blood, and that modest inebriation opens our minds to the world around us, diminishing our problems and increasing our creativity. Heartened by that theory, Martin and three of his friends, all weary high school teachers, embark on an experiment to maintain a constant level of intoxication throughout the workday. If Churchill won WW2 in a heavy daze of alcohol, who knows what a few drops might do for them and their students? Initial results are positive, and the teachers’ little project turns into a genuine academic study. Both their classes and their results continue to improve, and the group feels alive again! As the units are knocked back, some of the participants see further improvement and others go off the rails. It becomes increasingly clear that while alcohol may have fueled great results in world history, some bold acts carry consequences. DIRECTOR’S INTENT THOMAS VINTERBERG “I never drink before breakfast.” The quote is from Churchill, who helped to defeat the Germans and win World War II, while under the excessive and constant influence of alcohol. -
Woman at War
Presents WOMAN AT WAR A film by Benedikt Erlingsson 100 mins, Iceland/France/Ukraine 2018 Language: Icelandic with English subtitles Official Selection: 2018 Critics’ Week, Cannes Canadian Distribution Canadian Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com SLOTMACHINE & GULLDRENGURINN PRESENT A FILM BY BENEDIKT ERLINGSSON SHORT SYNOPSIS LONG SYNOPSIS Halla declares a one-woman-war on the aluminium industry. She is prepared to Halla is a fifty-year-old independent woman. But behind the scenes of a quiet routine, risk everything to protect the pristine Icelandic Highlands she loves… Until an she leads a double life as a passionate environmental activist. Known to others only orphan unexpectedly enters her life. by her alias “The Woman of the Mountain,” Halla secretly wages a one-woman-war on the local aluminium industry. As Halla’s actions grow bolder, from petty vandalism to outright industrial sabotage, she succeeds in pausing the negotiations between the Icelandic government and the corporation building a new aluminium smelter. But right as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that changes everything. Her application to adopt a child has finally been accepted and there is a little girl waiting for her in Ukraine. As Halla prepares to abandon her role as saboteur and saviour of the Highlands to fulfil her dream of becoming a mother, she decides to plot one final attack to deal the aluminium industry a crippling blow. -
People of Snowy Mountain, People of the River: a Multi-Agency Ethnographic Overview and Compendium Relating to Tribes Associated with Clark County, Nevada
Portland State University PDXScholar Anthropology Faculty Publications and Presentations Anthropology 2012 People of Snowy Mountain, People of the River: A Multi-Agency Ethnographic Overview and Compendium Relating to Tribes Associated with Clark County, Nevada Douglas Deur Portland State University, [email protected] Deborah Confer University of Washington Follow this and additional works at: https://pdxscholar.library.pdx.edu/anth_fac Part of the Social and Cultural Anthropology Commons, and the Sustainability Commons Let us know how access to this document benefits ou.y Citation Details Deur, Douglas and Confer, Deborah, "People of Snowy Mountain, People of the River: A Multi-Agency Ethnographic Overview and Compendium Relating to Tribes Associated with Clark County, Nevada" (2012). Anthropology Faculty Publications and Presentations. 98. https://pdxscholar.library.pdx.edu/anth_fac/98 This Report is brought to you for free and open access. It has been accepted for inclusion in Anthropology Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pacific West Region: Social Science Series National Park Service Publication Number 2012-01 U.S. Department of the Interior PEOPLE OF SNOWY MOUNTAIN, PEOPLE OF THE RIVER: A MULTI-AGENCY ETHNOGRAPHIC OVERVIEW AND COMPENDIUM RELATING TO TRIBES ASSOCIATED WITH CLARK COUNTY, NEVADA 2012 Douglas Deur, Ph.D. and Deborah Confer LAKE MEAD AND BLACK CANYON Doc Searls Photo, Courtesy Wikimedia Commons -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Baltasar Kormákur
THE DEEP EEN FILM VAN BALTASAR KORMÁKUR WILD BUNCH WILLEMSSTRAAT 24B – 1015 JD – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx THE DEEP – BALTASAR KORMÁKUR PROJECT SUMMARY EEN PRODUCTIE VAN BLUEEYES PRODUCTIONS, FILMHUSET AS TAAL IJSLANDS LENGTE 95 MINUTEN ORIGINELE TITEL DJUPID GENRE DRAMA LAND VAN HERKOMST IJSLAND FILMMAKER BALTASAR KORMÁKUR HOOFDROLLEN ÓLAFUR DARRI ÓLAFSSON, JÓHANN G. JÓHANNSSON, BJÖRN THORS RELEASEDATUM 25 APRIL 2013 FESTIVALS TORONTO INTERNATIONAL FILMFESTIVAL – SPECIAL PRESENTATION KIJKWIJZER SYNOPSIS Als op een koude nacht in 1984 een vissersboot met zijn gehele bemanning aan boord zinkt, is er slechts één iemand die de schipbreuk op miraculeuze wijze weet te overleven. Het is wetenschappelijk onverklaarbaar aangezien Gulli zes uur in het ijskoude water heeft gelegen. Terwijl zijn bovennatuurlijke wil om te overleven hem tot nationale held van IJsland heeft gebombardeerd, herinnert Gulli de zwarte nacht als het moment waarop hij zijn vrienden en collega’s verloor. Gebaseerd op een waargebeurd verhaal. CAST GULLI ÓLAFUR DARRI ÓLAFSSON PALLI JÓHANN G. JÓHANNSSON HALLA PORBJÖRG HELGA PORGILSDÓTTIR GULLI’S FATHER THEODÓR JÚLÍUSSON GULLI’S MOTHER MARÍA SIGURDARDÓTTIR HANNES BJÖRN THORS LÁRUS PRÖSTUR LEÓ GUNNARSSON ERLINGUR GUDJÓN PEDERSEN RAGGI WALTER GRÍMSSON JÓN STEFÁN HALLUR STEFÁNSON CREW DIRECTOR BALTASAR KORMÁKUR SCREENPLAY BALTASAR KORMÁKUR JÓN ATLI JÓNASSON PRODUCER BALTASAR KORMÁKUR AGNES JOHANSEN EXECUTIVE PRODUCER LILJA PÁLMADÓTTIR DAVID LINDE CINEMATOGRAHER BERGSTEINN BJÖRGÚLFSSON EDITOR SVERRIR KRISTJÁNSSON ELÍSABET RONALDSDÓTTIR SOUND KJARTAN KJARTÁNSSON INGVAR LUNDBERG PRODUCTION DESIGNER ATLI GEIR GRÉTARSSON THE DEEP – BALTASAR KORMÁKUR THE DEEP - DIRECTOR’S NOTES I was just a teenager when this actually happened. Like everyone else in our small country I felt for all the people of the Westmann Islands who again had lost men at sea, but I was also fascinated by the news on the sole survivor. -
Viølences Le Nouveau Cinéma Danois
La Revue du Ciné-club universitaire, 2018, no 1 Viølences le nouveau cinéma danois Ciné-club Universitaire Illustration SOMMAIRE 1ère de couverture: Valhalla Rising, (Nicolas Winding Refn, 2009). Éditorial Groupe de travail du Ciné-club universitaire 1 Cerise Dumont Cerise Dumont, Manuel Vielma, Julien Praz, Diana Barbosa Pereira, Julien Dumoulin Division de la formation et des étudiants (DIFE) Activités culturelles de l’Université Aux origines de la violence responsable: Ambroise Barras 3 Diana Barbosa Pereira coordination et édition: Christophe Campergue graphisme: Julien Jespersen Thomas Vinterberg 7 Affaires de familles Julien Dumoulin Une conscience chez Lars von Trier? 14 Julien Praz Amor Omnia ou la volonté du 21 sacrifice Manuel Vielma Quand l’espace attaque les corps 29 Cerise Dumont Recevoir La Revue du Ciné-club universitaire gratuitement chez vous? Abonnez-vous! en 1 minute sur culture.unige.ch/revue Éditorial Par Cerise Dumont «Il y a quelque chose de pourri au royaume du Danemark.»1 William Shakespeare Ces mots de Shakespeare, la nouvelle génération et la perversion humaines sont pourtant des thé- de cinéastes danois semble les comprendre mieux matiques centrales dans un grand nombre de leurs que personne. Ils les réactualisent perpétuellement films, au point que l’on peut soupçonner leurs repré- et les hurlent à la face du monde dans des œuvres sentations de jouer un rôle d’exutoire. On retrouve frappantes de violence et de noirceur. Ces réalisa- d’ailleurs cette dimension quasi cathartique dans teurs portent un regard intransigeant sur leur pays de nombreuses autres productions culturelles scan- et leur culture. Ils n’épargnent rien ni personne dinaves. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Press Release Nordicouncilfilmprize Uk
Press Release: Nordic Council Film Prize 2018 Published 21.8.2018, 13.30 CET FIVE NORDIC FILMS HAVE BEEN NOMINATED FOR THE NORDIC COUNCIL FILM PRIZE 2018 Haugesund International Film Festival, August 21st. Today five films from the five Nordic countries (Denmark, Finland, Iceland, Norway and Sweden) have been announced as candidates for the Nordic Council Film Prize 2018 – a much coveted prize that has been awarded for the 15th time. In the field we see several well-known directors, such as Joachim Trier, Benedikt Erlingsson and Hlynur Palmason, whose films have all premiered in some of the most important international film festivals in 2017 and 2018. The nominees for the Nordic Council Film Prize 2018 are: Denmark: Winter Brothers (Vinterbrødre) by Hlynur Palmason (director / script / producer), Julie Waltersdorph Hansen, Per Damgaard Hansen and Anton Mani Svansson (producers). Finland: Euthanizer (Armomurhaaja) by Teemu Nikki (director / script / producer), Jani Poso and Teemu Nikki (producers). Iceland: Woman at War (Kona fer i strið) by Benedikt Erlingsson (director / script / producer), Olafur Egill Egilsson (script), Marianne Slot and Carine Leblanc (producers). Norway: Thelma (Thelma) by Joachim Trier (director / script), Eskil Vogt (script) and Thomas Robsahm (producer). Sweden: Ravens (Korparna) by Jens Assur (director / script / producer), Jan Marnell and Tom Persson (producers). ABOUT THE NORDIC COUNCIL FILM PRIZE 2018 The purpose of the Nordic Council Film Prize, which is the most coveted award in the Nordic countries, is to raise interest in the Nordic cultural community as well as to recognise outstanding artistic initiatives. The films are selected and nominated because of their high artistic quality and originality, and for the way they combine and elevate the many elements of film into a compelling and holistic work of art in Nordic culture. -
Travels of a Country Woman
Travels of a Country Woman By Lera Knox Travels of a Country Woman Travels of a Country Woman By Lera Knox Edited by Margaret Knox Morgan and Carol Knox Ball Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE iii Travels of a Country Woman © 2007 by Newfound Press, University of Tennessee Libraries All rights reserved. Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-1-8 ISBN-10: 0-9797292-1-1 Library of Congress Control Number: 2007934867 Knox, Lera, 1896- Travels of a country woman / by Lera Knox ; edited by Margaret Knox Morgan and Carol Knox Ball. xiv, 558 p. : ill ; 23 cm. 1. Knox, Lera, 1896- —Travel—Anecdotes. 2. Women journalists— Tennessee, Middle—Travel—Anecdotes. 3. Farmers’ spouses—Tennessee, Middle—Travel—Anecdotes. I. Morgan, Margaret Knox. II. Ball, Carol Knox. III. Title. PN4874 .K624 A25 2007 Book design by Martha Rudolph iv Dedicated to the Grandchildren Carol, Nancy, Susy, John Jr. v vi Contents Preface . ix A Note from the Newfound Press . xiii part I: The Chicago World’s Fair. 1 part II: Westward, Ho! . 89 part III: Country Woman Goes to Europe . -
The Hunt Thomas Vinterberg Susanne Bier Bille August Slug Invasion Cinefondation PAGE 2 / FILM#75 / CANNES ISSUE
Film is published#75 by the Danish Film institute / may 2012 Cannes issue 2012 THE HUNT THOMAS VINTERBERG SUSANNE BIER BILLE AUGUST SLUG INVASION CINEFONDATION PAGE 2 / FILM#75 / CANNES ISSUE 10 14 05 19 25 INSIDE 03 Editorial and short news 22 Tobias lindholm Writer on Vinterberg's Cannes competitor The Hunt 05 The Hunt by Thomas Vinterberg and the hit TV series Borgen, Tobias Lindholm has / Cannes Competition carved out a name for himself as a skilled storyteller. Film#75 Cannes issue The Hunt is the first collaboration between may 2012 Mads Mikkelsen and director Thomas Vinterberg 25 From The Kingdom to The Killing who shook the film world with his 1998 Cannes A modernisation strategy in the '90s in the drama Published by Danish Film Institute winner, the tough family drama The Celebration. department at national broadcaster DR laid the foun- Editor Susanna Neimann (SN) dation for the current golden age in Danish TV drama. Co-editor Annemarie Hørsman (AH) Editorial team Lars Fiil-Jensen (LFJ), 10 Susanne Bier Anders Budtz-Jørgensen (ABJ), Lizette Gram "With this film there is less of a difference between 28 You & me Forever Mygind, Christian Juhl Lemche who I am and what the movie is like," says Oscar Kaspar Munk deliberately started making You & Me Translations Glen Garner laureate Susanne Bier about Love Is All You Need. Forever without funding – he wanted to have ultimate Design Rasmus Koch Studio AD Morten Bak freedom to experiment with ideas and methods. Type Holton, Akzidenz-Grotesk, Cendia 14 Bille August Paper Munken Lynx 100 g Bille August uses a famous piece of Danish art history 30 The Bird Chase Printed by Rosendahls-Schultz Grafisk as the backdrop for his story about Marie Krøyer, "We tend to make family films too nice," says Christian Circulation 6,000 iSSN 1399-2813 (print version) a woman who challenged the conventions of society. -
FRI FRAKT!* Uppge Erbjudandekod Fram- 20B136A Knäppt Vid Din Bh! Beställning! A
FRI FRAKT!* Uppge erbjudandekod Fram- 20B136A knäppt vid din bh! beställning! A. * Max 1 gång/kund när du handlar för 300,-. Gäller t.om 2020.12.12. Kan ej kombineras med 299,- andra erbjudanden eller rabatter. 0,- Värde 399,- 3-PACK B. Från Max 1/order - så långt lagret räcker! 199,- C. Från 179,- Bra och prisvärda underkläder på www.ashild.se A. Framknäppt bh. Formsydd framnknäppt bh som sitter Plånbok och fantastiskt skönt och bekvämt. Brett ryggparti med korslagda sjal. band för bättre support. Fin spets fram. 90% polyamid, 20-0002 0,- 10% elastan. Tvätt 40°. 26-0474 vit B, C, D, E-kupa 75 - 115 cm 299,- B. Stretchtrosa. Spetsinfällning. Välsittande med mjuk resår i midja och benslut. 95% bomull, 5% elastan. Tvätt 60°. 26-0620 vit Stl. 38/40, 42/44 199,-/3-pack Stl. 46/48, 50/52 209,-/3-pack Stl. 54/56, 58/60 219,-/3-pack C Bh-topp. Skålad som en lättare bh. Mjuk micro-fiber utan sömmar ger utmärkt passform. Mycket behaglig. Snabbtorkande. 97% polyamid, 3% elastan. Fintvätt 40°. 26-0124 svart 26-0126 skin 26-0695 vit Stl. 38/40, 42/44 179,- Stl. 46/48, 50/52 189,- Stl. 54/56, 58/60 199,- Uppge kod 20B136A när du beställer! 033 - 41 80 00 www.ashild.se För att betala mot faktura, uppge personnummer. Aviavgift tillkommer med 19,-. I annat fall sänds ditt paket mot postförskott, f.n. 182,-. Lägsta ordervärde: 200,-. Frakt- och expeditionsavgift: 65,-. # 14 dagars returrätt. Fullständiga köpvillkor på www.ashild.se ART. NR STORL. ANTAL VARUSLAG FÄRG PRIS Namn: Frankeras ej Jag har handlat för 300,- och vill utnyttja mitt erbjudande Mottagaren betalar om FRI FRAKT på min order. -
The Palgrave Handbook of Screen Production
The Palgrave Handbook of Screen Production Edited by Craig Batty · Marsha Berry · Kath Dooley Bettina Frankham · Susan Kerrigan The Palgrave Handbook of Screen Production Craig Batty • Marsha Berry Kath Dooley • Bettina Frankham Susan Kerrigan Editors The Palgrave Handbook of Screen Production Editors Craig Batty Marsha Berry University of Technology Sydney RMIT University Sydney, NSW, Australia Melbourne, VIC, Australia Kath Dooley Bettina Frankham Curtin University University of Technology Sydney Bentley, WA, Australia Sydney, NSW, Australia Susan Kerrigan University of Newcastle Callaghan, NSW, Australia ISBN 978-3-030-21743-3 ISBN 978-3-030-21744-0 (eBook) https://doi.org/10.1007/978-3-030-21744-0 © The Editor(s) (if applicable) and The Author(s) 2019 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprint- ing, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, com- puter software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication.