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Girls, Girls, Girls the Prostitute in Roman New Comedy and the Pro
Xavier University Exhibit Honors Bachelor of Arts Undergraduate 2016-4 Girls, Girls, Girls The rP ostitute in Roman New Comedy and the Pro Caelio Nicholas R. Jannazo Xavier University, Cincinnati, OH Follow this and additional works at: http://www.exhibit.xavier.edu/hab Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, and the Other Classics Commons Recommended Citation Jannazo, Nicholas R., "Girls, Girls, Girls The rP ostitute in Roman New Comedy and the Pro Caelio" (2016). Honors Bachelor of Arts. Paper 16. http://www.exhibit.xavier.edu/hab/16 This Capstone/Thesis is brought to you for free and open access by the Undergraduate at Exhibit. It has been accepted for inclusion in Honors Bachelor of Arts by an authorized administrator of Exhibit. For more information, please contact [email protected]. Xavier University Girls, Girls, Girls The Prostitute in Roman New Comedy and the Pro Caelio Nick Jannazo CLAS 399-01H Dr. Hogue Jannazo 0 Table of Contents Introduction ......................................................................................................................................2 Chapter 1: The meretrix in Plautus ..................................................................................................7 Chapter 2: The meretrix in Terence ...............................................................................................15 Chapter 3: Context of Pro Caelio -
Cultural History of the Lunar and Solar Eclipse in the Early Roman Empire
Cultural History of the Lunar and Solar Eclipse in the Early Roman Empire Richard C. Carrier The regularity and consistency of human imagination may be first displayed in the beliefs connected with eclipses. It is well known that these phenomena, to us now crucial instances of the exactness of natural laws, are, throughout the lower stages of civilization, the very embodiment of miraculous disaster.1 Fifteen hundred years have not yet passed since Greece numbered and named the stars and yet many nations today only know the heavens by their appearance, and do not yet understand why the moon fails or how it is overshadowed.2 More than fifteen hundred years separates these two remarks. Each reveals a gulf between the learned and unlearned, but for Tylor it is a contrast between today and long ago, or here and far away, while for Seneca it is a contrast between the wise and the vulgar, who live in the same time and place. For the lunar and solar eclipse is a phenomenon where the strongest and clearest divide appears between the educated Roman and the common multitude. In contrast with almost everything else in Roman experience, from earthquakes to disease, eclipses of sun and moon can be understood in their entirety, and explained with mathematical precision, without the aid of advanced technology or modern scientific methods. But to those who lacked the encouragement to employ careful observation and physical explanation, and who lacked the breadth of information available to the literate, the eclipse was the most awesome and dire event in human experience. -
Download the Mother in Law, ISSN 0953-7961, Terence, Aris & Phillips
The Mother in Law, ISSN 0953-7961, Terence, Aris & Phillips % Humanities, 1990, 0856683744, 9780856683749, 170 pages. DOWNLOAD HERE The plays of Terence , Terence, 1927, Drama, 363 pages. Mother-in-law , Ann Toland Serb, 1978, Family & Relationships, 169 pages. The brothers (Adelphoe) , Terence, 1962, Drama, 59 pages. Heautontimorumenos or, The self-tormentor of Terence, Terence, Henry Thomas Riley, , , 62 pages. Andria the first comoedie of Terence, in English : a furtherance for the attainment vnto the right knowledge, & true proprietie, of the Latin tong ..., Terence, Maurice Kyffin, , , . The Mother-in-law , Eve Makis, 2006, Fiction, 345 pages. A cautionary tale вЂ― intelligent, accessible and darkly funny вЂ― about the dangers of living with your mother-in-law, from the author ofEat, Drink and Be Married. You can .... Adelphae , Terence, 1976, Drama, 259 pages. An edition of the Latin comedy, "The Brothers", with introduction and detailed commentary.. Terence's comedies: translated into English, together with the ..., Volume 2 translated into English, together with the original Latin, from the best editions, on the opposite pages : also critical and explanatory notes to which is prefixed a dissertation on the life and writings of Terence : containing an enquiry into the rise and progress of dramatic poetry in Greece and Rome, with remarks on the comic measure, Terence, Thomas Cooke, 1748, , . Heauton Timorumenos , Terence, John Carew Rolfe, 1891, Drama, 61 pages. Andria et Heauton timorumenos , Terence, 1888, , 265 pages. P. Terenti Afri Phormio , Terence, 1890, , 66 pages. De Hecyrae Terentianae origine, Volume 1, Issue 10 , Francis Hildebrandt, 1884, , 51 pages. Three of the comedies of Terence Andria, Adelphi and Phormio, Terence, , Drama, 183 pages. -
Terence's Plays
chapter 2 Terence’s Plays: Commentary and Illustration from Manuscript to Print 2.1 Terence as an Educational Classic: Text and Commentary from Antiquity to Medieval and Renaissance Europe Publius Terentius Afer, or Terence, was the author of six plays which premiered in Rome between 166 and 160 bc— Andria, Heauton timorumenos, Eunuchus, Phormio, Hecyra, and Adelphoe. Some information on the circumstances of the production of each play can be obtained from the didascaliae,1 while the prologues reveal that they were produced in a vibrant and at times vitriolic literary environment. A biographical tradition concerning Terence only devel- oped much later; in the early second century ad Suetonius wrote a Life, which was subsequently supplemented and attached to the commentary of Aelius Donatus (for which see below), while in Late Antiquity it appears that another very brief Life, known as the Vita Ambrosiana, was composed, which provides a few facts independent of the Life found in Donatus.2 In these traditions, we are told that Terence came originally from Carthage in Northern Africa (hence his cognomen, Afer, or ‘the African’); that he was taken to Rome at a young age as a slave, and was adopted and freed there by a senator, Terentius Lucanus, from whom he took his name, and by whom he was educated; that he subsequently was befriended by some of the leading figures in Roman society associated with Scipio Africanus Aemilianus (185/ 4– 129 bc); and that he died young on a trip to Greece, where he had gone in order to purchase more comedies to translate. -
Pliny's "Vesuvius" Narratives (Epistles 6.16, 6.20)
Edinburgh Research Explorer Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20) Citation for published version: Berry, D 2008, Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20). in F Cairns (ed.), Papers of the Langford Latin Seminar . vol. 13, Francis Cairns Publications Ltd, pp. 297-313. Link: Link to publication record in Edinburgh Research Explorer Document Version: Early version, also known as pre-print Published In: Papers of the Langford Latin Seminar Publisher Rights Statement: ©Berry, D. (2008). Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20). In F. Cairns (Ed.), Papers of the Langford Latin Seminar . (pp. 297-313). Francis Cairns Publications Ltd. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 LETTERS FROM AN ADVOCATE: Pliny’s ‘Vesuvius’ Narratives (Epp. 6.16, 6.20)* D.H. BERRY University of Edinburgh To us in the modern era, the most memorable letters of Pliny the Younger are Epp. 6.16 and 6.20, addressed to Cornelius Tacitus. -
The War of the Generations: When Adulescentes and Senes 1 Act Unexpectedly
THE WAR OF THE GENERATIONS: WHEN ADULESCENTES AND SENES 1 ACT UNEXPECTEDLY FRANTZESKA KATSARI This paper follows the progress of the pattern of the generational conflict in Plautus and Terence and outlines each author’s different approaches. The research will focus on Plautus’ Bacchides and Asinaria and Terence’s Adelphoe and Hecyra. In Plautus’ Bacchides adulescentes and senes become rivals, though unintentionally. The Bacchides sisters act as catalysts in order to reverse the pattern of the generational conflict. In the Asinaria, Plautus plays with the pattern of the senex amator, which turns upside down palliata’s stereotypical pattern of generational conflict. In the Adelphoe, Terence juxtaposes the results of two rival methods of education: the strict and the lenient methods. Finally, in the Hecyra, the paterfamilias has no control over what is going on and is kept in the dark. Both poets use the same pattern but in an unexpected way, which undoubtedly affects the comic result. Meanwhile they try to define the ideal father – son relationship with respect to communication and education. I. Introduction Adulescentes and senes are stereotypical characters of the fabula palliata and as a result their interaction has some expected features. According to Duckworth2 “The adulescens of Roman Comedy is presented in a sympathetic light; he is not caricatured and ridiculed as are so many other characters, especially in the comedies of Plautus. Occasionally the adulescens is married (e.g. Pamphilus in the Hecyra), but usually he is a young man whose love for a courtesan motivates the action (e.g. Ctesipho in the Adelphoe)”. This courtesan may be a slave girl, or a girl of a good family whom he has raped at an earlier time, prior to the opening of the 1 I would like to express my sincere thanks to Professor Sophia Papaioannou who read earlier drafts of this paper and offered useful advice that helped me improve and strengthen my arguments. -
Rhetorical and Dramatic Performance in Donatus' Commentary On
chapter 10 From the Stage to the Court: Rhetorical and Dramatic Performance in Donatus’ Commentary on Terence Beatrice da Vela Aelius Donatus’ Commentary on Terence (4th cent. ad) is the most complete late antique exegesis of Terence’s plays, commenting on five of them (Andria, Eunuchus, Adelphoe, Hecyra, Phormio) in full.1 Scholars have often used this work to shed light on Terence’s words and lines which are not sufficiently clear, or to reconstruct extra-textual features (particularly concerning delivery and performance). Besides commenting on Terence’s language and explain- ing the meaning of obscure references in the text (in a way which is very similar to another great late-antique commentary, that of Servius on Vergil), Aelius Donatus is particularly interested in performative elements, especially the different uses of the voice and the gestures of different parts of the body (primarily hands and face).2 The grammarian is able to describe extra-textual features of Terence’s text in detail, showing awareness of and sensibility to the peculiarity of drama as a genre.3 What remains to be determined is the 1 From now on, texts from the Donatus’ Commentary on Terence will be indicated by the abbre- viation Don., followed by the abbreviation for the name of Terence’s play (e.g. Don. Ad. shall be interpreted as Donatus’ commentary on Terence’s Adelphoe). To avoid ambiguity, each time Terence’s text is quoted, the abbreviation of the play is preceded by the abbreviation of the author (e.g. Ter. Ad.). 2 An example of a note on delivery: Don. -
Olbia Gearwheel
UNRAVELING THE MYSTERY OF THE ANCIENT OLBIA GEARWHEEL 9 January, 2016 - by April Holloway, London http://www.ancient-origins.net/artifacts-ancient-technology/unraveling-mystery-ancient-olbia- gearwheel-005136 https://www.facebook.com/ancientoriginsweb/ Home / Artifacts / Unraveling the Mystery of the Ancient Olbia Gearwheel 9 January, 2016 - 21:36 giopastore Unraveling the Mystery of the Ancient Olbia Gearwheel The restoration of the gearwheel found in Olbia (Sardinia, Italy) in 2006 by the Superintendence for Archaeological Heritage, dated between the mid-2nd century and the end of the 3rd century BC, has revealed a very important surprise: the teeth have a special curving which make them extraordinarily similar to the mathematically perfect profile used in modern gears. Moreover, the 1 unusual composition of the alloy (brass) was completely unexpected. As it turns out, the gear is very scientifically advanced despite being constructed before all other known mechanisms to date. Considering the perfect correlation between the scientific evidence and historical, literary and archaeological studies, it does not seem rash to conclude that the fragment from Olbia was an integral part of the Archimedes Planetarium (Orrery). The Archimedes Planetarium The Archimedes Planetarium was one of the most admired technical achievements in antiquity. The best information on this apparatus is given by Cicero, who writes that in the year 212 BC, when Syracuse was sacked by Roman troops, the consul Marcus Claudius Marcellus brought an apparatus constructed by Archimedes to Rome that reproduced the vault of the sky on a sphere, and another that predicted the apparent motions of the Sun, Moon and planets, thus corresponding to a modern planetarium. -
Aristocratic Identities in the Roman Senate from the Social War to the Flavian Dynasty
Aristocratic Identities in the Roman Senate From the Social War to the Flavian Dynasty By Jessica J. Stephens A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Greek and Roman History) in the University of Michigan 2016 Doctoral Committee: Professor David Potter, chair Professor Bruce W. Frier Professor Richard Janko Professor Nicola Terrenato [Type text] [Type text] © Jessica J. Stephens 2016 Dedication To those of us who do not hesitate to take the long and winding road, who are stars in someone else’s sky, and who walk the hillside in the sweet summer sun. ii [Type text] [Type text] Acknowledgements I owe my deep gratitude to many people whose intellectual, emotional, and financial support made my journey possible. Without Dr. T., Eric, Jay, and Maryanne, my academic career would have never begun and I will forever be grateful for the opportunities they gave me. At Michigan, guidance in negotiating the administrative side of the PhD given by Kathleen and Michelle has been invaluable, and I have treasured the conversations I have had with them and Terre, Diana, and Molly about gardening and travelling. The network of gardeners at Project Grow has provided me with hundreds of hours of joy and a respite from the stress of the academy. I owe many thanks to my fellow graduate students, not only for attending the brown bags and Three Field Talks I gave that helped shape this project, but also for their astute feedback, wonderful camaraderie, and constant support over our many years together. Due particular recognition for reading chapters, lengthy discussions, office friendships, and hours of good company are the following: Michael McOsker, Karen Acton, Beth Platte, Trevor Kilgore, Patrick Parker, Anna Whittington, Gene Cassedy, Ryan Hughes, Ananda Burra, Tim Hart, Matt Naglak, Garrett Ryan, and Ellen Cole Lee. -
Curriculum Vitae of Ruth Rothaus Caston March 2016 Dept. Of
Curriculum Vitae of Ruth Rothaus Caston March 2016 Dept. of Classical Studies 2160 Angell Hall, 435 S. State St. 1117 Lincoln Ave University of Michigan Ann Arbor, MI 48104 Ann Arbor, MI 48109 (734) 369-2699 (734) 764-1332 e-mail: [email protected] Employment University of Michigan, Dept. of Classical Studies, Associate Professor 2014- University of Michigan, Dept. of Classical Studies, Assistant Professor, 2008-2014 University of Michigan, Dept. of Classical Studies, Lecturer & Research Investigator, 2005-2008. University of California at Davis, Classics Program, Assistant Professor, 2000–2005. Education Brown University, 1995–2000; Ph.D. in Classics, 2000. The University of Texas at Austin, 1988–91; M.A. in Classics, 1990. Cornell University, 1984–88; B.A. in Classics, 1988. Academic Exchanges: 1994–95: DAAD Annual Grant Recipient, Universität Heidelberg. 1991–94: Visiting Scholar at Brown University. Summer 1989: Internationaler Ferienkurs, Universität Heidelberg. Spring 1987: The Intercollegiate Center for Classical Studies in Rome. Fall 1986: Classes at the Sorbonne, École des Sciences Politiques, Paris. Honors and Awards Michigan Humanities Award 2015-16. University Musical Society Mellon Faculty Fellow 2014-16. Life Member, Clare Hall, Elected Fall 2013. Visiting Fellow, Clare Hall, Cambridge, 2012-13. Loeb Classical Library Foundation Grant, 2003-4. Faculty Research Grants (UC Davis), 2000-1, 2003-4, 2004-5. University Fellowship (Brown University), Spring 1998, Fall 1998, Spring 1999. DAAD Annual Grant, Universität Heidelberg, 1994–95. Areas of Specialization Augustan poetry, Roman comedy, Roman satire, Ancient theories of the passions. Areas of Competence Greek & Roman rhetoric, the family in antiquity. Languages: Ancient Greek, Latin, French, German, Italian. -
Pliny, the Eruption of Vesuvius
CSCP Support Materials: Notes and Commentary Eduqas GCSE Latin Component 3A Latin Literature (Narratives) Pliny, The Eruption of Vesuvius For examination in 2020 and 2021 PUBLISHED BY THE CAMBRIDGE SCHOOL CLASSICS PROJECT Faculty of Education, University of Cambridge, 184 Hills Road, Cambridge, CB2 8PQ, UK http://www.CambridgeSCP.com © University of Cambridge School Classics Project, 2019 Copyright In the case of this publication, the CSCP is waiving normal copyright provisions in that copies of this material may be made free of charge and without specific permission so long as they are for educational or personal use within the school or institution which downloads the publication. All other forms of copying (for example, for inclusion in another publication) are subject to specific permission from the Project. Image Acknowledgments Image on pg. 9 ‘Vesuvius Looms’ courtesy of Paull Young [http://www.flickr.com/photos/paullyoung/429923584/in/photostream/] Images on pg. 15 courtesy of Big Albert [https://www.flickr.com/photos/52948047@N05/24356049443] and Andrea Schaffer from Sydney, Australia [CC BY 2.0 (https://creativecommons.org/licenses/by/2.0)] Image on pg. 26 courtesy of Wellcome Images [CC BY 4.0 (https://creativecommons.org/licenses/by/4.0)] All other images taken from Cambridge Latin Course resources. First published 2019 version date: 14/08/2019 Contents Introduction .............................................................................................................. 1 Pliny the Younger .................................................................................................. -
“How Strangely Chang'd”: the Re-Creation of Ovid by African
“How Strangely Chang’d”: The Re-creation of Ovid by African American Women Poets By Rachel C. Morrison Submitted to the graduate degree program in Classics and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ______________________________________ Chair: Emma Scioli ______________________________________ Pam Gordon ______________________________________ Tara Welch Date Approved: 10 May 2018 The thesis committee for Rachel C. Morrison certifies that this is the approved version of the following thesis: “How Strangely Chang’d”: The Re-creation of Ovid by African American Women Poets ______________________________________ Chair: Emma Scioli ______________________________________ Pam Gordon ______________________________________ Tara Welch Date Approved: 10 May 2018 ii Abstract This project examines the re-creation of Ovid by African American women poets. Phillis Wheatley, an enslaved Black woman writing in colonial America, engages with Ovid’s account of Niobe in her epyllion “Niobe in Distress.” Henrietta Cordelia Ray, who was active in the late nineteenth and early twentieth centuries, picks up where Wheatley left off in a sonnet called “Niobe.” Elsewhere, in “Echo’s Complaint,” Ray also imagines what Echo might say to Narcissus if she had full control over her words—an imaginative exercise that has resonances with Ovid’s Heroides. Finally, in her 1995 book Mother Love, the contemporary poet Rita Dove re-examines the tale of Demeter and Persephone from a number of different angles. In reworking the Metamorphoses, all three poets paint vivid images of vulnerable girls and bereft mothers. Moreover, Wheatley, Ray, and Dove play with Ovidian elements to explore themes of repetition, voice, motherhood, and power dynamics.