Dyeing Sutton Hoo Nordic Blonde: an Interpretation of Swedish Influences on the East Anglian Gravesite
DYEING SUTTON HOO NORDIC BLONDE: AN INTERPRETATION OF SWEDISH INFLUENCES ON THE EAST ANGLIAN GRAVESITE Casandra Vasu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2008 Committee: Andrew Hershberger, Advisor Charles E. Kanwischer © 2008 Casandra Vasu All Rights Reserved iii ABSTRACT Andrew Hershberger, Advisor Nearly seventy years have passed since the series of tumuli surrounding Edith Pretty’s estate at Sutton Hoo in Eastern Suffolk, England were first excavated, and the site, particularly the magnificent ship-burial and its associated pieces located in Mound 1, remains enigmatic to archaeologists and historians. Dated to approximately the early seventh century, the Sutton Hoo entombment retains its importance by illuminating a period of English history that straddles both myth and historical documentation. The burial also exists in a multicultural context, an era when Scandinavian influences factored heavily upon society in the British Isles, predominantly in the areas of art, religion and literature. Literary works such as the Old English epic of Beowulf, a tale of a Geatish hero and his Danish and Swedish counterparts, offer insight into the cultural background of the custom of ship-burial and the various accoutrements of Norse warrior society. Beowulf may hold an even more specific affinity with Sutton Hoo, in that a character from the tale, Weohstan, is considered to be an ancestor of the man commemorated in the ship- burial in Mound 1. Weohstan, whose allegiance lay with the Geats, was nonetheless a member of the Wægmunding clan, distant relations to the Swedish Scylfing dynasty.
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