Daliah Lavi - Portrait Einer Künstlerin - Angebot Für Redakteure Von Doku- Und Magazin-Beiträgen

Total Page:16

File Type:pdf, Size:1020Kb

Daliah Lavi - Portrait Einer Künstlerin - Angebot Für Redakteure Von Doku- Und Magazin-Beiträgen Daliah Lavi - Portrait einer Künstlerin - Angebot für Redakteure von Doku- und Magazin-Beiträgen „Eigentlich wollte ich Tänzerin werden ..., Daliahs Antwort: “Ich bin die Geschichte!“ gerührt über den herzlichen Empfang: gesetzt:„Am wichtigsten war und ist stets aber der Mensch macht Pläne und Gott “Das ist ein sehr schönes Gefühl!” die Familie“. lacht!“ erzählt uns Daliah 1993 in einer In den 60-ern dreht sie mit Weltstars wie Zu ihrem 60. Geburtstag trafen wir sie Konzertpause. Sie ist auf Deutschland- z.B.: Yul Brynner, Peter O’Toole, David dort wieder - unverändert: offen, natürlich, tournée, nimmt sich aber trotzdem Zeit für Niven und Dean Martin, in deutschen herzlich, klug und schön - eine faszinier- uns und unsere Fragen. Filmen u.a. mit Pierre Brice, Curd ende Frau! Nein, Star- Allüren waren ihr fremd, Jürgens, Martin Held, Thomas Fritsch Am 3. Mai 2017 ist Daliah im Alter von 74 obwohl sie zu den Großen des Showbusi- und anderen. Jahren dort in ihrer Wahlheimat in ness gehörte und mit vielen berühmten Über ihre Filmkarriere, die sie von Israel Ashville, North Carolina, verstorben. Kollegen gearbeitet hat, sowohl in ihrer über Paris, Rom, Hollywood, nach Film- als auch in ihrer Musikkarriere. London führt, erzählt sie aber weniger. Ihr größter Wunsch war Frieden: „Frieden Inhalte und Botschaft ihrer Lieder waren für mein kleines Land (Israel) und die 1952 wurde Daliah in dem kleinen, ganze Welt... Wenn alle Menschen im israelischen Dorf, wo sie mit ihrer Familie selben Moment nur 5 Minuten positiv lebte, entdeckt, als ein Team mit Kirk denken, würde das die Welt nachhaltig Douglas, John Banner und Alf Kjelin genau verändern.“ Daran glaubte sie fest und dort einen Film drehte. hat auch uns davon überzeugt. Diese drei sind es dann, die ihr das 1. 1993, in einer Zeit des weltweiten politischen Umbruchs, begleiteten wir sie In unserem Archiv finden Sie vieles über auf einer Deutschlandtournée und hatten diese faszinierende Künstlerin: Gelegenheit für viele, auch sehr persönli- - Konzert- und Talkshow-Mitschnitte che Fragen. - unveröffentlichte Interviews In dieser Zeit erschrecken Nachrichten - Sightseeing-Tour in Berlin & Potsdam aus Deutschland die ganze Welt: - B-roll von allen Locations (auch USA) NeoNazi-Gruppen formieren sich, - Kommentare der Künstlerin Asylantenheime brennen, Menschen - Fundierte Hintergrundinfos sterben in den Flammen, der Pöbel applaudiert – für Daliah als Jüdin Also alles, was für eine gute Reportage sicherlich beängstigende Bilder. Wird sie notwendig ist. ihr immer wichtiger. So ließ sie ihr Publi- ihre Tournee abbrechen und dieses Interesse an diesem Thema ? kum an ihren Gefühlen und ihrer Deutschland schnell verlassen? Dieses Projektangebot richtet sich an Lebenserfahrung teilhaben. „Nein, ich habe keine Angst, ich glaube, Feature-, Magazin- und Dokumentations- Ballett-Kleidchen schenken und die Ausbil- diese Jungs (damit meint sie die NeoNa- redakteure. Sollten Sie an diesem Thema dung zur Tänzerin in Stockholm ermögli- 1990 folgte Daliah einer Einladung des zis) haben mehr Angst vor uns als wir vor interessiert sein, senden Sie bitte eine e-mail chen. Mit 16, als ihr Vater stirbt, ist die Deutschen Fernsehfunks (DFF) nach Ihnen.“ sagt sie lächelnd. Als intelligente mit dem Stichwort “Daliah” an: erträumte Karriere beendet, noch bevor Berlin und konnte erstmalig im Osten der und überzeugte Pazifistin wird sie [email protected] sie richtig begann. Stadt auftreten. Alle früheren Versuche, Konflikte stets diplomatisch lösen wollen. Nachdruck und Vervielfältigung der redaktio- nellen Texte, einschließlich Speicherung und Als Daliah Kirk Douglas später eher ein Konzert in der ehemaligen DDR Nutzung nur mit Zustimmung von ARTVISION zufällig trifft, antwortete er auf ihre Frage, geben zu dürfen, waren fehlgeschlagen: Zu dieser Zeit lebte sie mit ihrer Familie IT & MEDIA GmbH. Die ganze oder teilweise ob er sich an das kleine Mädchen in Israel Sie hatte als Israelin keinen Zutritt. fernab des Showbusiness in North Caro- Verwertung von Texten und Textpassagen noch erinnere, etwas erstaunt: „Woher „Ich wusste gar nicht, dass mich die Leute lina, engagierte sich in sozialen Projekten (inkl. Einspeisung in Online-Dienste) durch kennen Sie denn die Geschichte?“ hier kennen“, staunt sie und ist sichtlich und hatte ihre Prioritäten ganz klar unberechtigte Dritte ist untersagt. ARTVISION IT & MEDIA GmbH ~ Katharinenstraße 19 B ~ D -10711 Berlin ~ Enrico Endruschat ~ Tel. 030/38 30 23 76 ~ FunkTel. 0173/952 52 84 ~ HRB 108977B Amtsgericht Berlin Charlottenburg WEB- & Mail-Access: www.artvision.tv - mailto:[email protected] & mailto:[email protected].
Recommended publications
  • Making Intangible Heritage: El Condor Pasa and Other Stories From
    MAKING INTANGIBLE HERITAGE Copyright Indiana University Press Copyright Indiana University Press MAKING INTANGIBLE HERITAGE El Condor Pasa and Other Stories from UNESCO Valdimar Tr. Hafstein INDIANA UNIVERSITY PRESS Copyright Indiana University Press This book is a publication of Cataloging information is available from the Library of Congress. Indiana University Press Office of Scholarly Publishing ISBN 978-0-253-03792-3 (hardback) Herman B Wells Library 350 ISBN 978-0-253-03793-0 (paperback) 1320 East 10th Street ISBN 978-0-253-03794-7 (ebook) Bloomington, Indiana 47405 USA 1 2 3 4 5 23 22 21 20 19 18 iupress.indiana.edu © 2018 by Valdimar Tr. Hafstein All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The paper used in this publica- tion meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. Manufactured in the United States of America Copyright Indiana University Press Contents vii 153 Prelude: Confessions of a Postlude: Intangible Heritage Folklorist as Diagnosis, Safeguarding as Treatment 1 1. Making Heritage: 161 Introduction Conclusion: If Intangible Heritage Is the Solution, What 21 Is the Problem? 2. Making Threats: The Condor’s Flight 169 Acknowledgments 53 3. Making Lists: 173 The Dance-Band in the Hospital Works Cited 91 197 4. Making Communities: Index Protection as Dispossession 127 5. Making Festivals: Folklorization Revisited Copyright Indiana University Press Copyright Indiana University Press CHAPTER 2 Making Threats The Condor’s Flight This is a book about intangible heritage—about how a new concept and category comes into being and goes to work in the world.
    [Show full text]
  • Midi Master Catalogue
    Song Title Song Artist Bella vera 883 Chiuditi nel cesso 883 Ci sono anch'io 883 Come deve andare 883 Come mai 883 Con dentro me 883 Eccoti 883 Fai come ti pare 883 Gli anni 883 Grazie mille 883 Hanno ucciso LUomo Ragno 883 Il mondo insieme a te 883 Io ci sarò 883 La dura legge del goal 883 La lunga estate caldissima 883 La regola dell'amico 883 Lo strano percorso 883 Luci di Natale 883 Me la caverò 883 Mix 883: Hanno ucciso l'uomo ragno/Con un deca/Sei un mito 883 Nella notte 883 Nient'altro che noi 883 Nord sud ovest est 883 Rotta per casa di Dio 883 Sei un mito 883 Senza averti qui 883 Tieni il tempo 883 Un giorno così 883 Una canzone d'amore 883 Uno in più 883 Viaggio al centro del mondo 883 Things We Do For Love 10 Cc More Than This 10,000 Maniacs Dreadlock Holiday 10cc I'm Not In Love 10cc The Things We Do For Love 10cc Simon says 1910 Fruitgum Company Simon says 1910 Fruitgum Company Dreams (Will Come Alive) 2 Brothers On The 4th Floor Here I go 2 Unlimited Let The Beat Control Your Body 2 Unlimited No limit 2 Unlimited No-One 2 Unlimited The real thing 2 Unlimited The Real Thing 2 Unlimited Lick It 20 Fingers Short Dick Man 20 Fingers Lean on me 2-4 Family Lean On Me 2-4 Family Lean On Me (With The Family) 2-4 Family Lean On Me (With The Family) (XG) 2-4 Family Stay 2-4 Family Jeans On 2Jam feat.
    [Show full text]
  • TCM Presents ... There's NO Place Like Hollywood
    THERE’S NO PLACE LIKE HOLLYWOOD The Definitive Classic Movie Memorabilia Auction MONDAY NOVEMBER 24, 2014 at 1pm NEW YORK TCM PRESENTS ... There’s NO PLACE LIKE HOLLYWOOD Monday November 24, 2014 at 1pm New York BONHAMS INQUIRIES Automated Results Service 580 Madison Avenue Catherine Williamson, Ph.D. +1 (800) 223 2854 New York, New York 10022 Director, Fine Books & Manuscripts/ bonhams.com Entertainment Memorabilia Online bidding will be available for +1 (323) 436 5442 this auction. For further information PREVIEW [email protected] please visit: Los Angeles www.bonhams.com/22196 Thursday November 6, 12pm to 5pm Lucy Carr, Associate Specialist Friday November 7, 12pm to 5pm Entertainment Memorabilia Please see pages 2 to 7 Saturday November 8, 12pm to 5pm +1 (323) 436 5467 for bidder information including Sunday November 9, 12pm to 5pm [email protected] Conditions of Sale, after-sale collection and shipment. New York Dana Hawkes, Consultant Thursday November 20, 12pm to 5pm Entertainment Memorabilia ILLUSTRATIONS Friday November 21, 10am to 5pm +1 (978) 283 1518 Front cover: Lots 83 (Photograph Saturday November 22, 12pm to 5pm [email protected] © Turner Entertainment Co.) and 251 Sunday November 23, 12pm to 5pm Inside front covers: Lots 291 and 347 Monday November 24, 10am to 1pm Katherine Schofield Session page: Lot 48 Head of Department, UK Inside back cover: Lot 244 BIDS Entertainment Memorabilia Back cover: Lot 128 +1 (212) 644 9001 +44 (0) 20 7393 3871 +1 (212) 644 9009 fax [email protected] To bid via the internet please Lisa Charlesworth visit www.bonhams.com Business Administrator +1 (323) 436 5410 SALE NUMBER: 22196 [email protected] Lots 1 - 376 CATALOG: Softcover $45 Limited edition hardcover $100 © 2014, Bonhams & Butterfields Auctioneers Corp.; All rights reserved.
    [Show full text]
  • January 16Th, 2010 Fred Bomar Collection Lot Description Price 9000
    January 16th, 2010 Fred Bomar Collection Lot Description Price (lot of 90+) San Francisco 49ers slabbed sports cards, includes some with autographs, players include Steve Young, Joe Montana, Patrick Willis, Kevan Barlow, Terrell Owens, Frank Gore, Jerry Rice, cards include rookie 9000 cards, slabbed fabric patches, etc., note: worth inspection $ 400 (lot of 200+) American football slabbed sports cards, includes some with autographs and cards not graded, players include Antonio Freeman, Curtis Enis, Natrone Means, Doug Feute, Doug Staley, Neil Smith, Skip Hicks, Drew Bledsoe, Deion Sanders, Mark Brunell, Troy Aikman, cards include rookie cards, etc., note: worth 9001 inspection $ 225 (lot of 300+) American football slabbed sports cards, includes some with autographs and cards not graded, players include Eric Dickerson, Joey Porter, Barry Sanders, Maurice Clarett, Doug Flutie, Randall Cunningham, 9002 Matt Cassell, Matt Ryan, cards include rookie cards, etc., note: worth inspection $ 425 (lot of 25) Oakland Raiders football slabbed sports cards, includes some with autographs and cards not graded, players include Johnnie Lee Higgins, Gene Upshaw, Jamarcus Russell, Nnamdi Asomugha, Tim Brown, 9003 cards include rookie cards, etc., note: worth inspection $ 75 (lot of 50+) Basketball slabbed sports cards, includes some with autographs and cards not graded, players 9004 include Dennis Johnson, Joe Smith, Don MacLean, Bernard King, Clyde Drexler, etc., note: worth inspection $ 150 (lot of 30+) Baseball slabbed sports cards, the majority are the
    [Show full text]
  • Film in the Language Arts Class. Developments in Classroom
    DOCUMENT RESUME ED 130 330. CS 203 047 AUTHOR Aquino, John TITLE Film in the Language Arts Class. Developmentsin Classroom Instruction. INSTITUTION National Education Association, Washington,D.C. PUB DATE 77 NOTE 53p. AVAILABLE FROM NEA Order Department, The Academic Building,Saw Mill Road, West Haven, Connecticut 06516 (Stock No. 1811-7-00, $2.50 paper, $5.00 cloth) EDRS PRICE MF-$0.83 Plus Postage. HC Not Available fromEDRS. DESCRIPTORS Film Criticism; *Films; Film Study; *LanguageArts; *Literature Appreciation; Secondary Education; Teaching Methods ABSTRACT In this booklet, the author discusses theways in which film may be used to extend and enrichthe study of literature and explores the rhetoric of film--how ituses visual symbols, similes, and other metaphors to give depthto its content, and how it can broaden characterization and emphasize the symbolic and aesthetic highlights of setting in sequences that last.onlyseconds. Topics of chapters are film and literature, films to extendor compare with works of literature, films as illustrations ofliterary techniques, and films instead of novels. A list of references,an annotated filmography, and a bibliographyare included. (JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from othersources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, itemsof marginal * * reproducibility are often encountered and this affectsthe quality * * of the microfiche and hardcopy reproductions ERIC makesavailable * * 7ia the ERIC Document Reproduction Service (EDRS).EDRS is not * responsible for the quality of the original document.Reproductions * * supplied by EDRS are the best that can be made fromthe original. * *********************************************************************** IN THE LANGUAGE ARTS CLASS PE RMISbION TO REPRODUCE THIS COPYRIGHTED MATERIAL BY MICRO.
    [Show full text]
  • Le Célèbre Ministre Des Finances De Louis XVI. LS 22/07/1777 À M. De Limay1. I
    110-170 € 1 - Jacques Necker: (1732-1804), le célèbre ministre des finances de Louis XVI. L.S. 22/07/1777 à M. de Limay1. Il a choisi M. Desvaux pour remplacer M. Devoglie2, à cause de l’ancienneté de ses services et pour rendre justice à ceux de son correspondant. « J’ai arrêté qu’en attendant qu’il vienne une inspection générale à vaquer, vous serez chargé d’inspecter votre généralité [Tours], celle d’Orléans et celle de Poitiers… » Il le prie de prioriser sa tournée sur les travaux des Ponts et Chaussées et ceux des ports maritimes de son nouveau département. 1p in-folio, bon état. 1Jean Cadet de Limay (1732-1802) deviendra inspecteur général des Ponts et Chaussées en 1780 puis sera chargé sous la Révolution de la direction des canaux d’Orléans et du Loing. 2Jean Baptiste de Voglie (1724-1777), ingénieur des Ponts et Chaussées et ingénieur en chef de la généralité de Tours, est alors fort malade. Il décédera trois mois après ce courrier. Il est à l’origine de l’actuel pont de Saumur et contribua à l’encyclopédie Diderot & d’Alembert sur le sujet des ponts. 230-340 € 2 - Charles Eugène de Lorraine, prince de Lambesc: (1751-1825), colonel propriétaire du Royal-Allemand, tristement célèbre pour la charge qu’il fit aux Tuileries le 12 juillet 1789. Rare P.A.S. De Lorraine Prince de Lambesc en français, Trèves 29/05/1790, en-tête manuscrit de la Cavalerie Etrangère du Royal Allemand. Mémoire pour le comte de La Tour du Pin afin d’obtenir un congé au baron de Speth, major en second de son régiment, 1p in-folio, bon état.
    [Show full text]
  • Journey Planet Journey Planet 14 - November 2012 James Bacon - Editor S- Chris Garcia
    Journey Planet Journey Planet 14 - November 2012 James Bacon - Editor s- Chris Garcia Articles Page 44 - Skyfall - Reviews by Ric Page 3 - Editorial - Chris Garcia & James Bretschneider Bacon Page 46 - The Committee on Evil Litera- Page 6 - Julie McMurray - International ture by James Bacon Woman of Mystery Page 48 - Contributors (celebrated by Page 8 - Gold Bond by Taral Wayne Chris Garcia) Page 11 - From Russia With Love: Thinking Art About Bond by Lynda E. Rucker Page 14 - Casino Royale by Daniel Kimmel Cover by Alan Beck Page 16 - Casino Royale: Novel vs. 2006 Page 5 by David Kim Film by Alissa McKersie Page 19 - The First 20 Minutes: How to Page 6 by Sarah Clour Show-not-Tell a Re-Boot by Chris Garcia Page 7 from Dover Clip-Art Page 21 - Bring on The Thugs: Timothy Dalton as James Bond by J. Daniel Sawyer Page 9 from Taral Wayne Page 24 - Bond and Scalectrix: The British Slot Car by James Bacon Page 18 by Howeird Page 26 - Bond Gets Beat by Christopher Page 20 & 36 by Hillary J Garcia Pearlman Page 28 - Bond: An Extraordinary Gentle- man by James Bacon Page 37 - 39 from Kevin Page 32 - A Quantum of Silliness by An- Roche drew Trembley Page 34 - Sterling Archer: Exploring Bond Page 40 by JC Vallacqua Through Satire by Christopher Hensley Page 42 by Bluekulele Page 37 - Shaken, Not Stirred by Kevin P. Roche Back Cover by Mo Starkey Page 41 - Let’s Remake The Bad Ones by Christopher J Garcia copyedited by Lynda E. Rucker Christopher J Garcia Much like Holmes and Dune, this is an issue I’ve wanted to do for a long time.
    [Show full text]
  • Report Raps Cover-Up Finance Figures Barred to Faculty the U9YSSEY48 VOL XLVII, No
    Bookstore committee Work hampered' Report raps cover-up Finance figures barred to faculty THE U9YSSEY48 VOL XLVII, No. 60 VANCOUVER, B.C., FRIDAY, MARCH 12, 1965 CA 4-3916 A faculty committee has rapped the adrninistration's re­ fusal to disclose financial information about the bookstore. And this refusal, the com­ Anti-calendar mittee says, is hampering any efforts to suggest realistic ways to improve the operation. Profs go It also raises the issue of whether financial information should or should not be pro­ vided frankly and openly to on trial responsible Faculty Associa­ tion bodies, says the report. A letter sent to Dr. John with class Macdonald during committee investigations said its report Courses, professors and labs would have little meaning if in UBC's faculty of science necessary financial informa­ face an anti-calendar rating tion was not provided. next year. TURNED DOWN Fourth year science student But the president turned Don York and friends have down the request for informa­ been distributing question­ tion. Macdonald said in a let­ naires during the last two days ter to the committee he would to get information for the anti- welcome any proposals from calendar. the committee but felt the man­ CYRIL BELSHAW The anti-calendar, a booklet agement itself should remain . 'cut prices' evaluating courses, profs and the responsibility of the admin­ labs from the student view, istration. should be ready before regis­ His letter added: 'Particular­ tration in September. ly as the bookstore accounting Book cost • • • is intimately related to our "We are gathering student overall goals for ancillary ser­ opinions so that we can find vices," <Housing-food-hospital.) areas of dissatisfaction, said The committee report points cuts urged York, retiring science under­ out that it is not possible to de­ grad president.
    [Show full text]
  • James Bond 007 - Casino Royale (1967)
    James Bond 007 - Casino Royale (1967) James Bond 007 - Casino Royale (Casino Royale) è un film del 1967 diretto dai registi John Huston, Kenneth Hughes, Val Guest, Robert Parrish, Joseph McGrath e dall'attore Richard Talmadge (non accreditato). Nato da un'idea del produttore Charles Feldman di produrre un film in concorrenza con la United Artists, utilizzando l'unico romanzo di Ian Fleming non sfruttato (al tempo) cinematograficamente da Albert Broccoli, si presenta come una parodia di James Bond. Interpreti e Personaggi: Peter Sellers: Evelyn Tremble (James Bond-007) Ursula Andress: Vesper Lynd (007) David Niven: Sir James Bond Orson Welles: Le Chiffre Joanna Pettet: Mata Bond Daliah Lavi: The Detainer (007) Woody Allen: Jimmy Bond (Dott. Noah) Deborah Kerr: Agente Mimi (Lady Fiona) William Holden: Ransome Charles Boyer: Le Grand John Huston: McTarry (M) Kurt Kasznar: Smernov George Raft: Sé stesso Jean-Paul Belmondo: Legionario francese Terence Cooper: Cooper (James Bond-007) Barbara Bouchet: Moneypenny Data di uscita: 13 aprile 1967 (Londra) Musica composta da: Burt Bacharach Tratto dal primo romanzo, 'Casino Royale', di Ian Fleming sul celebre agente segreto, scritto nel 1953 è, a detta di molti critici, Raimond Chandler in testa, il miglior testo sulle avventure di James Bond, tradotto in una versione cinematografica tra il serio e il faceto, non prodotta da Albert Broccoli (come Mai dire mai del 1983) e che vede all'opera ben 5 registi impegnati in un collant di episodi interpretati da una folta schiera di celebrità. Scritto a più mani da autorevoli firme non accreditate (Billy Wilder, Ben Hecht, Woody Allen e Peter Sellers) si identifica più per la stravaganza del soggetto improntato in una ironica descrizione del 'mondo di 007', che non per l'azione naturale tipica di tutti i film su James Bond.
    [Show full text]
  • Soap Box Race Sunday
    Our man in war — local soldier School days in the In memory of Civil War Little League baseball INSIDE: tells of basic training — Page 4 B old days —Page 15 B dead — Page 9 B draft results — Page 9 A ll'lth Year No. - 6 ST. JOHNS, MICHIGAN, THURSDAY, JUNE 2, 1966 2 SECTIONS - so PAGES 10 CENTS |r Memorial Day in St. Johns Soap box race Sunday Record field of 70 boys ready to race Annually one of the big events this year, and there will be 24 blast from ,an aerial bomb fired will take place' at an award! in St. Johns is the Soap Box first-round heats. Before the by Jerry Bunge. The invocation luncheon at St. Joseph's Social Derby, and this year's fourth an­ long afternoon of racing Is over will be followed by flag raising Hall following the race; Each nual derby promises to be no there wilt be 69 competitive ceremonies by Boy Scouts, with • boy in the race will receive a exception. races down the hill. Ross Myers as bugler. Retiring small derby trophy for his par­ A record number of 70 boys Jaycee President Don Roesner ticipation. Parents of the par­ —more than last year—are mak­ ' FOR^THOSE NOT in the race, will crown the new Soap Box ticipants are invited to the lunch­ ing final preparations with their much of the excitement of the day Derby queen!. Five girls are now eon. It will- consist of an in­ cars for the three-block run will be in the pre-race festivi­ still in the running for the queen formal meal rather than a ban­ down Clinton Avenue from State ties that again include crowning title; judges will make the de­ quet, and there will be no special Street to Railroad Street Sun­ of the Soap Box Derby queen, a cision Friday evening.
    [Show full text]
  • I Testi Della Paura E Dell'incubo
    I testi della paura e dell’incubo. Il cinema horror italiano dal 1960 al 1980. by Carlo Coen A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Italian Studies University of Toronto © Copyright by Carlo Coen, 2013 I testi della paura e dell’incubo. Il cinema horror italiano dal 1960 al 1980. Carlo Coen Doctor of Philosophy Department of Italian Studies University of Toronto 2013 Abstract Between 1960 and 1970 Italy undergoes a major anthropological change, triggered by the mass migration to the industrialized cities of the North from the rural areas that had been the cradle of an old and profoundly rooted culture. In this historical frame, the Italian film industry becomes the most powerful and successful in Europe, starting a period of dominance and unparalleled growth that lasted almost twenty years. Genre films represent the backbone of the industry, and horror films, even though not the majority in numeric terms, become a significant section of the Italian production; Italian horror films establish and define new trends for the genre, largely imitated and admired. The thesis analyzes and discusses these films against the broader background of the years spanning from 1960 to 1980. The most important theoretical issues concerning the subject of the research are dealt with in Chapter one, where intertextuality is viewed as the most stimulating characteristic of the genre. Through the analysis of the Gothic tradition and the enumeration of several semantic elements linked to the genre, the thesis finds in the concepts of authorship and parody its essential critical tools for the following chapters.
    [Show full text]
  • Oakland Post Photograph Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8cf9t8b No online items Guide to the Oakland Post Photograph Collection Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland &#x00A9; 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Oakland Post MS 169 1 Photograph Collection Guide to the Oakland Post Photograph Collection Collection number: MS 169 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 2015-01-03 Encoded by: Sean Heyliger &#x00A9; 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Oakland Post Photograph collection Dates: 1922-2005 Bulk Dates: 1963-1996 Collection number: MS 169 Creator: Oakland post. Collection Size: 56 linear feet (116 boxes + 1 oversized box) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The Oakland Post Photograph Collection consists of 11,797 photographs appearing in the Oakland Post newspaper between 1963-2005. A majority of the photographs are portraits of African American politicians, business and community leaders, entertainers, athletes, and community and social groups from Oakland, California. The collection documents significant social and political events in Oakland, California, including social protest movements during the 1960s-1980s, festivals and sporting events, visits to Oakland, California by notable figures such as Nelson Mandela and Bill Clinton, and activities of Oakland politicians. Languages: Languages represented in the collection: English Access No access restrictions.
    [Show full text]