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Music Victoria Annual Report 2017
annual repoRt 017 2 Including Music Victoria’s strategic summary and other documents with 2017 updates. contents Details of 2017 AGM 03 Minutes of 2016 AGM 05 Chair’s Report 09 Chief Executive Officer’s Report 12 Treasurer’s Report 14 About Us 16 Mission Statement and Vision 16 Strategic Plan 19 Key Achievements 2017 20 Music Victoria Staff 21 Music Victoria Advocacy 23 Music Victoria Board 24 Subcommittees Advisory Panels The Age Music Victoria Awards and The After Party 28 Professional Development Program The Age MV Awards Programs 30 Good Music Neighbours Live Music Professionals Victorian Music Crawl Financial Report 33 Page 02 DETAILS OF 2017 AGM The Annual General Meeting of Contemporary individual membership, and one vote if you have a Music Victoria Inc. (‘Music Victoria’) will be held band, small business, non-profit, corporate, gold at the offices of Music Victoria, Level 1, 49 Tope or platinum membership). Street, South Melbourne, Victoria, 3205 from 6:00pm sharp, Thursday 7 December 2017 (doors Members will be able to vote on the election of from 5.30pm). four (4) members to the Board. All current financial members of Music Victoria Members will also vote on amendments to the are welcome and encouraged to attend. If your Rules of Association of Music Victoria (‘Rules’), membership has lapsed, you must renew by namely updating the Rules to refer to committee Wednesday 22 November 2017 if you wish to members/directors of Music Victoria, collectively, attend or vote at the AGM. as ‘the Board’, instead of ‘Committee of Management’. Members of Music Victoria who are financial members as at 23 November 2017 are eligible Music Victoria annual reports and a copy of the to vote in the election of members of the proposed amended Rules will be circulated to Committee of Management (‘Board’). -
Laura Harker & Paul Sullivan on Nick Cave and the 80S East
Behaviour 11 Extr me LaurA HArKer & PAul SullIvAn On Nick CAve AnD THe 80S East KreuzBerg SCene Photography by Peter gruchot 10 ecords), 24 April 1986 Studio session for the single ‘The Singer’ (Mute r Cutting a discreet diagonal between Kottbusser Tor and Oranienplatz, Dresdener Straße is one of the streets that provides blissful respite from east Kreuzberg’s constant hustle and bustle. Here, the noise of the traffic recedes and the street’s charms surge subtly into focus: fashion boutiques and indie cafés tucked into the ground floors of 19th Century Altbauten, the elegantly run-down Kino Babylon and the dark and seductive cocktail bar Würgeengel, the “exterminating angel”, a name borrowed from a surrealist film by luis Buñuel. It all looked very different in the 80s of course, when the Berlin Wall stood just under a kilometre away and the façades of these houses – now expensively renovated and worth a pretty penny – were still pockmarked by World War Two bulletholes. Mostly devoid of baths, the interiors heated by coal, their inhabitants – mostly Turkish immigrants – shivered and shuffled their way through the Berlin winter. 12 13 It was during this pre-Wende milieu that a tall, skinny and largely unknown Australian musician named Nicholas Edward Cave moved into no. 11. Aside from brief spells in apartments on naumannstraße (Schöneberg), yorckstraße, and nearby Oranienstraße, Cave spent the bulk of his seven on-and-off years in Berlin living in a tiny apartment alongside filmmaker and musician Christoph Dreher, founder of local outfit Die Haut. It was in this house that Cave wrote the lyrics and music for several Birthday Party and Bad Seeds albums, penned his debut novel (And The Ass Saw The Angel) and wielded a sizeable influence over Kreuzberg’s burgeoning post-punk scene. -
Dogs in Space Music Credits
THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo Johnn Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John Murphy Danila Stirpe James Rogers Jules Taylor Ollie Olsen 'Primitive Calculators' 'Marie Hoy & Friends' Terry Dooley Marie Hoy Denise Grant Loki Stuart Grant Tim Millikan David Light John Murphy Ollie Olsen Musical Director Ollie Olsen Strange Noises John Murphy Music Research Bruce Milne Music Recorded at Richmond Recorders by Tony Cohen Music mixed at A.A.V. by Ross Cockle "Rooms for the Memory" Remixed by Nick Launay 'Shivers Video Clip' directed by Paul Goldman and Evan English 3RRR I.D. Written & Produced by Martin Armiger Sung by Jane Clifton THE MUSIC 'Dog Food' Performed by Iggy Pop, James Osterman Music (BMI), Administered by Bug Music Group, (P) 1980, Arista Records Inc., Courtesy of Arista Records 'Frankie Teardrop' Courtesy of Stamphyl Revega 'Dogs in Space' Written by Sam Sejavka and Mike Lewis 'Win/Lose' Written by Ollie Olsen, Performed by Whirlywirld, Courtesy of Missing Link Records 'True Love' Performed by The Marching Girls, Courtesy of Missing Link Records 'Sky Saw' Written by Brian Eno, Courtesy of E.G. Records Ltd. and E.G. Music Ltd. 'Skullbrains' Written by Marcus Bergner and Marie Hoy 'Shivers' Written by Roland S. Howard, Performed by Boys Next Door Courtesy of Mushroom Records 'Diseases' Composed by Thrush and The C...s 'Pumping Ugly Muscle' Composed by The Primitive Calculators 'Window to the World' Written by Ollie Olsen, Performed by Whirlywirld 'Happy Birthday' and 'Mr. -
Sure Formula for Success Fremantlemedia's Tony Cohen
THE BUSINESS JOURNAL OF FILM, BROADCASTING, BROADBAND, PRODUCTION, DISTRIBUTION MARCH/APRIL 2011 VOL. 31 NO. 2 $9.75 In This Issue: MIP-Coming Serious Laughs L.A. Screenings ® NATPE’s Elevators www.videoage.org FremantleMedia’s Tony Cohen: Father & Daughter Teams: A Journalist With (Tele) Vision Sure Formula For Success BY BOB JENKINS BY DOM SERAFINI n a wide-ranging interview with VideoAge, FremantleMedia CEO Tony Cohen ranted, there are many more From France there were Gérard Oury reflected on his 32-year career, assessed what the future holds for the content father and son teams in the and Daniele Oury Thompson who industry and discussed how FremantleMedia has positioned itself to face what international entertainment collaborated on movies. Gérard died Cohen saw as a future that will be as exciting as it will be demanding. industry than there are father in 2006 at the age of 87, his daughter Cohen was appointed CEO when and daughter teams. Indeed, the London-based FremantleMedia we exhausted all (Continued on Page 36) was born in 2001. It was renamed after our resources IBritain’s Pearson Television sold its stakes just to come up with 24 of in RTL Group to Germany’s Bertelsmann. For Top Jobs In a Tough Mart Gsuch teams from 14 countries, A year earlier, Pearson Television had Execs Call On Top Job Finders merged with CLT-Ufa to create RTL and that was by including past Group. Pearson Television was created in players, such as Albert (Cubby) 1996, after the British media conglomerate and Barbara Broccoli. oward Lipson runs Lipson & Co. -
Labels' Woes Leave Acts, Managers Scrambling for New Deals
Artists & Music Labels' Woes Leave Acts, Managers Scrambling For New Deals BY J.R. REYNOLDS which terminates its relationship with yet to be drawn up, but both parties demise of Morgan Creek (Billboard, Warner Bros. March 31, continue to have agreed to sign a deal," says Bob Jan. 22) led to the group's own collapse. LOS ANGELES -The termination of face an uncertain future (Billboard, Merlis, senior VP/director of media re- "It was a frustrating situation for al- Warner Bros. Records' joint venture Feb. 19), although Mark Pucci, VP of lations for Warner Bros. Other Paisley most a year, because even though the with Paisley Park Records, the closing publicity and artist relations, says Ca- Park artists will be reviewed on a case - label wasn't putting out the band's al- of Chameleon Records, and Morgan pricorn will establish itself with an- by -case basis, he says. bum, they weren't releasing them from Creek's restructuring have left artist other label "by the time our deal with Collins is in the studio finishing her their contract." managers scrambling to find new Warner ends." album, for release later this year. Asher says it ultimately was the homes for their clients. Vocalist Tyler Collins, who was re- "I already had a close relationship COLLINS WILLIAMS frustration over its legal woes that led In some cases, the artists have cording her first album for Paisley with Benny Medina [senior VP of to the dissolution of Mary's Danish and signed on with other record companies. Park Records after leaving RCA, has A &R /GM, black music division] at January 1993, but has been without a its members' split from Asher. -
Phil Collins Anthology (Paperback) « LPJK7YBE1WJH
RQD6FUFOVHG6 » eBook \\ Phil Collins Anthology (Paperback) Phil Collins Anthology (Paperback) Filesize: 4.42 MB Reviews Completely among the finest book I have actually read through. It is probably the most remarkable book we have study. I discovered this book from my dad and i suggested this book to learn. (Georgiana Pacocha) DISCLAIMER | DMCA DZHSOHPDP4RX # Doc # Phil Collins Anthology (Paperback) PHIL COLLINS ANTHOLOGY (PAPERBACK) To read Phil Collins Anthology (Paperback) PDF, make sure you click the hyperlink below and download the ebook or have accessibility to other information which might be have conjunction with PHIL COLLINS ANTHOLOGY (PAPERBACK) ebook. Hal Leonard Publishing Corporation, United States, 2001. Paperback. Book Condition: New. 297 x 234 mm. Language: English . Brand New Book. (Piano/Vocal/Guitar Artist Songbook). Features 27 top hits from this pop icon s highly successful solo career, including: Against All Odds (Take a Look at Me Now) * Another Day in Paradise * Do You Remember * Easy Lover * I Don t Care Anymore * I Missed Again * In the Air Tonight * One More Night * Separate Lives * Sussudio * Take Me Home * Two Worlds * We Wait and We Wonder * You Can t Hurry Love * You ll Be in My Heart * and more. Read Phil Collins Anthology (Paperback) Online Download PDF Phil Collins Anthology (Paperback) 8TK3XD6PACSL Kindle « Phil Collins Anthology (Paperback) Other eBooks [PDF] And You Know You Should Be Glad (Paperback) Follow the web link under to download "And You Know You Should Be Glad (Paperback)" document. Save eBook » [PDF] Slavonic Rhapsody in D Major, B.86.1: Study Score (Paperback) Follow the web link under to download "Slavonic Rhapsody in D Major, B.86.1: Study Score (Paperback)" document. -
[B]Original Studio Albums[/B] 1981 - Face Value (Atlantic, 299 143) 01
[b]Original Studio Albums[/b] 1981 - Face Value (Atlantic, 299 143) 01. In The Air Tonight 02. This Must Be Love 03. Behind The Lines 04. The Roof Is Leaking 05. Droned 06. Hand In Hand 07. I Missed Again 08. You Know What I Mean 09. Thunder And Lightning 10. I'm Not Moving 11. If Leaving Me Is Easy 12. Tomorrow Never Knows 1982 - Hello, I Must Be Going! (WEA, 299 263) 01. I Don't Care Anymore 02. I Cannot Believe It's True 03. Like China 04. Do You Know, Do You Care 05. You Can't Hurry Love 06. It Don't Matter To Me 07. Thru These Walls 08. Don't Let Him Steal Your Heart Away 09. The West Side 10. Why Can't It Wait 'til Morning 1985 - No Jacket Required (WEA, 251 699-2) 01. Sussudio 02. Only You Know & I Know 03. Long Long Way To Go 04. I Don't Wanna Know 05. One More Night 06. Don't Lose My Number 07. Who Said I Would 08. Doesn't Anybody Stay Together Anymore 09. Inside Out 10. Take Me Home 11. We Said Hello Goodbye 1989 - But Seriously (WEA, 2292-56984-2) 01. Hang In Long Enough 02. That's Just The Way It Is 03. Do You Remember 04. Something Happened On The Way To Heaven 05. Colours 06. I Wish It Would Rain Down 07. Another Day In Paradise 08. Heat On The Street 09. All Of My Life 10. Saturday Night And Sunday Morning 11. -
Stephen Petronio Company
presents STEPHEN PETRONIO COMPANY Friday, June 15 & Saturday, June 16, 2012 at 8 pm Durham Performing Arts Center UNDERLAND Concept and Choreography Stephen Petronio Music Nick Cave Courtesy of EMI Music, Film & TV and Mute Song Ltd. Music Producer Tony Cohen Soundscape Paul Healy Costumes Tara Subkoff Visual Design Ken Tabachnick Video Mike Daly Assistant to the Artistic Director Gino Grenek Lighting Supervisor Joe Doran Production Stage Manager Veronica Falborn Performed by Stephen Petronio Company with Guest Artists Brandon Collwes & Reed Luplau Descent into Underland Stephen Petronio Mah Sanctum Davalois Fearon & Reed Luplau Mercy Strings Gino Grenek Wild World The Company Wild Wild World The Company The Carny Davalois Fearon, Joshua Green, Gino Grenek, Barrington Hinds, Natalie Mackessy, Jaqlin Medlock, Nicholas Sciscione, Emily Stone, Joshua Tuason Prelude to Weep Emily Stone The Weeping Song Davalois Fearon, Joshua Green, Barrington Hinds, Reed Luplau, Natalie Mackessy, Jaqlin Medlock, Nicholas Sciscione, Joshua Tuason The Ship Song: Davalois Fearon, Gino Grenek, Emily Stone, Joshua Tuason Stagger Lee: Duet: Barrington Hinds & Natalie Mackessy Quartet: Gino Grenek, Reed Luplau, Nicholas Sciscione, Joshua Tuason After Lee Solo: Joshua Green; The Company The Mercy Seat The Company Prelude to Death Davalois Fearon Death is Not the End The Company Running time: 60 minutes, performed without an intermission Casting subject to change UNDERLAND was commissioned by the Sydney Dance Company and had its world premiere at the Sydney Opera House on May 27, 2003. UNDERLAND has been made possible by the National Endowment for the Arts as part of American Masterpieces: Three Centuries of Artistic Genius. This presentation of Underland is made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and additional funding from The Andrew W. -
Smoke Em Music Credits
Cast: Band vocalist: Quinsy Maclean Drummer: Clayton Jacboson Bass guitar: Adam Lerner Lead guitar: Lindsay Brundson Saxophonist: Wain Fimo, aka Wain Fimeri "Live" Band Music Mulaim Vela & Quinsy Maclean Additional Music Mulaim Vela Music Recording and Mixing Mark Woods at Trees Studio Vocals Quinsy Maclean Guitars Mulaim Vela Drums Phillip Calvert Bass Adam Learner Quinsy Maclean Lyrics: After the jokey end title about radiation sickness and the producers warning against physical activities for those wishing to prolong their lives after a nuclear blast, end credits begin, and with it a song, which isn't identified by name in the credits. Lyrics heard in the film: Well, I'm down Yeah, I'm down I was riding high But now I'm rock bottom I've since discovered that vacates the problem I'm down … but I'm not out. I'm cursed … I'm so cursed … There's a black cat that's strollin' across my way It looks like my troubles are here to stay Well, I'm down …but I'm not out … I'm in rags, hey, I'm dressed in rags And this one's off the rack at St Vincent's de Paul I ain't gunna go to the opera no more Well I'm down …ah, but I'm not out … Every day, every day, I lit the fuse I get the blues I think of things I think of things to say to you If I should see you down the street, yeah (instrumental solo) Every day … every day I get the blues I get the blues, I'll think of things I think of things to say to you … If I should see you down the street Well, I'm cursed, I'm so cursed … There's a black cat that's strollin' across my way It looks like my troubles are here to stay Well, I'm down …but I'm not out … I'm down, well I'm so sound Ah, I was running high, but now I'm rock bottom Well I've since discovered that fate hates a problem Well I'm down … but I'm not out … Well I feel down, yeah I'm real down But I'm not out … Well I'm so down, yeah I'm low down But I'm not out! (Raucous brass slides down and out, followed by a little laughter) In the special DVD release, the song is identified as "I'm Down", coming from the group's album Flame. -
Chart-Chronology PHIL COLLINS
www.chart-history.net vdw56 PDF-file with all chart-entries plus covers on https://chart-history.net/cc/cc-phil-collins.pdf PHIL COLLINS Chart-Chronology Singles and Albums Germany United Kingdom From the 1950ies U S A to the current charts compiled by Volker Dörken Chart - Chronology The Top-100 Singles and Albums from Germany, the United Kingdom and the USA Phil Collins Philip David Charles Collins LVO (born 30 January 1951) is an English drummer, singer, songwriter, multi-instrumentalist, record producer, and actor. He was the drummer and singer of the rock band Genesis, and is also a solo artist. Singles 49 32 19 10 34 Longplay 23 20 15 8 81 B P Top 100 Top 40 Top 10 # 1 B P Top 100 Top 40 Top 10 # 1 1 11 37 21 11 2 1 45 22 18 14 5 1 8 36 27 13 3 1 26 16 14 12 6 1 15 27 21 14 7 1 10 14 11 6 2 Singles D G B U S A 1 In The Air Tonight 03/1981 1 1 01/1981 2 05/1981 19 2 I Missed Again 05/1981 23 03/1981 14 03/1981 19 3 If Leaving Me Is Easy 08/1981 61 05/1981 17 4 Thru' These Walls 10/1982 56 5 You Can't Hurry Love 01/1983 3 12/1982 1 2 11/1982 10 6 I Don't Care Anymore 02/1983 39 7 Don't Let Him Steal Your Heart Away 03/1983 45 8 I Cannot Believe It's True 05/1983 79 9 Why Can't It Wait 'Till Morning 05/1983 89 10 Against All Odds 05/1984 9 04/1984 2 02/1984 1 3 11 Easy Lover ►Philip Bailey & Phil Colins◄ 01/1985 5 03/1985 1 4 11/1984 2 12 Sussudio 02/1985 17 01/1985 12 05/1985 1 1 13 One More Night 04/1985 10 04/1985 4 02/1985 1 2 14 Don't Lose My Number 07/1985 4 15 Take Me Home 07/1985 19 03/1986 7 16 Separate Lives (Theme From "White -
U N I V E R S I T Ä T P a D E R B O R N
U n i v e r s i t ä t P a d e r b o r n Fakultät für Kulturwissenschaften Institut für Evangelische Theologie „And God is never far away“ – Spannende Theologie im Werk von Nick Cave Dissertationsschrift von Matthias Surall Am Laugrund 3 33098 Paderborn Erstgutachter: Prof. Dr. Harald Schroeter-Wittke, Institut für Evangelische Theologie an der Fakultät für Kulturwissenschaften der Universität Paderborn Zweitgutachterin: Privatdozentin Dr. Inge Kirsner, Institut für Evangelische Theologie an der Fakultät für Kulturwissenschaften der Universität Paderborn Mai 2014 Inhaltsverzeichnis I Vorwort V Abkürzungsverzeichnis VII 1. „He’s a ghost, he’s a god, he’s a man, he’s a guru” – Einleitung 1 1.1 Aufmerksame Gespanntheit, erregte Erwartung und fesselnde Entsprechung oder: spannende Zuordnungen und Relationen – Spannung als Kategorie 1 1.2 Angst vor dem Stillstand – Nick Caves biographische Fortentwicklung und künstlerische Wandlungsfähigkeit 3 1.3 Theologie in der Kunst und speziell in der Popkultur? Aspekte und Facetten spannender Theologie im Werk des Laientheologen Nick Cave 6 1.4 Methodische und hermeneutische Prolegomena 9 1.5 Zum Forschungsstand 11 1.5.1 Selbstverortung im bisherigen Diskurs zu Nick Cave 11 1.5.2 Anschluss an die Wahrnehmung und Erforschung popkultureller Phänomene in der Praktischen Theologie 24 2. Vom heiligen Huckleberry bis zum grabenden Lazarus. Das Hauptwerk. 27 2.1 „City of Refuge“ - Die Alben der Berliner Periode von 1984 – 1988 27 2.1.1 „Deep in the Desert of Despair“ – Von (Liebes)Leid und Ewigkeit oder „From -
Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright
Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright ~ One ~ Satan has possessed your Soul! ‘Tony is very devout in “God’s Lesson”. I cannot speak highly enough of Tony’s manners and behaviour. They are beyond reproach’. It was the sort of report card every parent liked to see. It was 1964. The Beatles were big and Tony Cohen was a Grade One student at St. Francis de Sales primary school, East Ringwood. The following year he took his first communion. The Beatles were still big and there seemed little to fear for the parents of this conscientious and attentive eight-year-old boy. The sisters who taught him at that early age would doubtless have been shocked at the life he would come to lead – a life that could hardly be described as devout. Tony Cohen was born on 4 June 1957 in the maternity ward of the Jessie MacPherson hospital in Melbourne. Now a place specializing in the treatment of cancer patients it was a general hospital then. He was christened Anthony Lawrence Cohen. His parents Philip and Margaret Cohen had been living in James Street, Windsor, but had moved to the outer eastern suburb of East Ringwood prior to the birth of their son. Philip Cohen was the son of Jewish immigrants who had left Manchester, England, and settled in Prahran, one of Melbourne’s inner eastern suburbs. Philip’s father had served in the First World War, survived and then migrated to Australia with his wife and infant son (Tony’s Uncle David).