Public Spectacle and Ceremony in Britain, 1851-2012 Ryan G
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Thatcher, Northern Ireland and Anglo-Irish Relations, 1979-1990
From ‘as British as Finchley’ to ‘no selfish strategic interest’: Thatcher, Northern Ireland and Anglo-Irish Relations, 1979-1990 Fiona Diane McKelvey, BA (Hons), MRes Faculty of Arts, Humanities and Social Sciences of Ulster University A thesis submitted in partial fulfilment of the requirements of the Ulster University for the degree of Doctor of Philosophy August 2018 I confirm that the word count of this thesis is less than 100,000 words excluding the title page, contents, acknowledgements, summary or abstract, abbreviations, footnotes, diagrams, maps, illustrations, tables, appendices, and references or bibliography Contents Acknowledgements i Abstract ii Abbreviations iii List of Tables v Introduction An Unrequited Love Affair? Unionism and Conservatism, 1885-1979 1 Research Questions, Contribution to Knowledge, Research Methods, Methodology and Structure of Thesis 1 Playing the Orange Card: Westminster and the Home Rule Crises, 1885-1921 10 The Realm of ‘old unhappy far-off things and battles long ago’: Ulster Unionists at Westminster after 1921 18 ‘For God's sake bring me a large Scotch. What a bloody awful country’: 1950-1974 22 Thatcher on the Road to Number Ten, 1975-1979 26 Conclusion 28 Chapter 1 Jack Lynch, Charles J. Haughey and Margaret Thatcher, 1979-1981 31 'Rise and Follow Charlie': Haughey's Journey from the Backbenches to the Taoiseach's Office 34 The Atkins Talks 40 Haughey’s Search for the ‘glittering prize’ 45 The Haughey-Thatcher Meetings 49 Conclusion 65 Chapter 2 Crisis in Ireland: The Hunger Strikes, 1980-1981 -
Mid-Century Gothic : the Agency and Intimacy of Un- Canny Objects in Post-War British Literature and Cul- Ture
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Mid-century gothic : the agency and intimacy of un- canny objects in post-war British literature and cul- ture https://eprints.bbk.ac.uk/id/eprint/40189/ Version: Public Version Citation: Mullen, Lisa (2016) Mid-century gothic : the agency and in- timacy of uncanny objects in post-war British literature and culture. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Mid-Century Gothic: The Agency and Intimacy of Uncanny Objects in Post-War British Literature and Culture by Lisa Mullen Thesis submitted to Birkbeck, University of London in fulfilment of the requirements for the degree of Doctor of Philosophy Birkbeck, University of London 2016 1 The work presented in this thesis is the candidate’s own. Signed __________________________________ Date ____________________________________ 2 ABSTRACT This thesis reassesses the years 1945-1955 as a hingepoint in British culture, a moment when literature, film and art responded to the wartime hiatus of consumer capitalism by resisting the turn towards conspicuous consumption and self- commodification. This resistance can be discerned in a gothic impulse in post-war culture, in which uncanny encounters with haunted, recalcitrant or overassertive objects proliferated, and provided a critique of the subject/object relationship on which consumerism was predicated. In the opening chapter, the ubiquity of bombsite rubble is brought into dialogue with mid-century mural painting both in literature and at the Festival of Britain. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
Salisbury Playhouse Salisbury Arts Centre Spring/Summer 2019 Season
SALISBURY PLAYHOUSE SALISBURY ARTS CENTRE SPRING/SUMMER 2019 SEASON THEATRE | DANCE | MUSIC | COMEDY | FILM | EXHIBITIONS | WORKSHOPS | CAFÉS www.wiltshirecreative.co.uk Ticket Sales 01722 320333 1 CONTENTS WELCOME 3 SEE MORE, PAY LESS 4 – 5 FEST WEST 2019 6 SALISBURY INTERNATIONAL ARTS FESTIVAL 7 ONE NIGHT EVENTS AT SALISBURY PLAYHOUSE 8 – 10 SALISBURY PLAYHOUSE | MAIN HOUSE 11 – 22 SALISBURY PLAYHOUSE | THE SALBERG 23 – 33 SALISBURY ARTS CENTRE 34 LIVE MUSIC 35 – 39 THEATRE & DANCE 40 – 43 COMEDY 44 – 45 SILVER SCREEN WEDNESDAY MATINEES 46 FILM NIGHTS 47 LIVE SCREENINGS 48 – 49 VISUAL ARTS EXHIBITIONS 50 – 51 TAKE PART 52 – 53 WORKSHOPS 54 – 58 BECOME A MEMBER & PARTNER WITH US 59 PRICING 60 – 61 EVENT DIARY 62 – 65 2 WELCOME Welcome to the Spring 2019 Season at Salisbury Playhouse and Salisbury Arts Centre. At Salisbury Playhouse we are thrilled to be working with Wales Millennium Centre to produce the first stage production of Agatha Christie’s The Mirror Crack’d (premiering here prior to a national tour) and with York Theatre Royal on a new production of the razor-sharp comedy about The Queen and Mrs Thatcher, Handbagged. We are also delighted to be presenting Barney Norris’s new adaptation of The Remains of the Day, the welcome return of Around the World in 80 Days (prior to a U.S. tour) and Northern Broadsides’ production of Much Ado About Nothing. At Salisbury Arts Centre there’s a packed programme of music, theatre, film, visual art and more, including music from Nick Harper, Cara Dillon and Girls Only Jazz Orchestra, dance from Rosie Kay and Yorke Dance and comedy from Alfie Moore and Stuart Goldsmith. -
City Research Online
Keeble, R. (1996). The Gulf War myth: a study of the press coverage of the 1991 Gulf conflict. (Unpublished Doctoral thesis, City University London) City Research Online Original citation: Keeble, R. (1996). The Gulf War myth: a study of the press coverage of the 1991 Gulf conflict. (Unpublished Doctoral thesis, City University London) Permanent City Research Online URL: http://openaccess.city.ac.uk/7932/ Copyright & reuse City University London has developed City Research Online so that its users may access the research outputs of City University London's staff. Copyright © and Moral Rights for this paper are retained by the individual author(s) and/ or other copyright holders. All material in City Research Online is checked for eligibility for copyright before being made available in the live archive. URLs from City Research Online may be freely distributed and linked to from other web pages. Versions of research The version in City Research Online may differ from the final published version. Users are advised to check the Permanent City Research Online URL above for the status of the paper. Enquiries If you have any enquiries about any aspect of City Research Online, or if you wish to make contact with the author(s) of this paper, please email the team at [email protected]. The Gulf war myth A study of the press coverage of the 1991 Gulf conflict by Richard Keeble PhD in Journalism May 1996; Department of Journalism, City University, London CONTENTS Abstract ix Acknowledgements x Introduction xi-iii A.1 The war problematic xi -
Justifications of Empire in the Fiction of British India
University of Pennsylvania ScholarlyCommons Honors Program in History (Senior Honors Theses) Department of History 4-20-2007 The White Author's Burden: Justifications of Empire in the Fiction of British India Leslie M. Reich University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/hist_honors Part of the History Commons Reich, Leslie M., "The White Author's Burden: Justifications of Empire in the Fiction of British India" (2007). Honors Program in History (Senior Honors Theses). 4. https://repository.upenn.edu/hist_honors/4 A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Lisa Mitchell This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hist_honors/4 For more information, please contact [email protected]. The White Author's Burden: Justifications of Empire in the Fiction of British India Abstract The White Author’s Burden: Justifications of Empire in the Fiction of British India identifies a transformation in Anglo-Indian literature by exploring various fictional works (including novels, short stories, and poems) written by British authors between 1800 and 1924. Before 1857 (the year of the widespread Indian Rebellions that challenged British rule), Anglo-Indian literature focused exclusively on British life in India. Interactions with Indians were minimal, if present at all. After this date, however, British authors began to portray India and Indians almost entirely in ways that justified their own rule. This shift in the literature suggests that the British felt a new need to justify their empire. This thesis focuses on three literary themes offered by British authors that served to legitimize British rule in India in the second half of the nineteenth century: (1) the state of Indian women; (2) the alleged rivalry between Hindus and Muslims; and (3) the perceived incompetence of educated Indians for political rule. -
Radio 4 Listings for 21 – 27 July 2012 Page 1 Of
Radio 4 Listings for 21 – 27 July 2012 Page 1 of 18 SATURDAY 21 JULY 2012 Presenter: Jules Hudson With its cavernous modern vistas and restaurants, outsiders Producer: Lizz Pearson. sometimes compare the British library to a busy airport. But it SAT 00:00 Midnight News (b01kt38l) is not: it is a five star resort for people who read. And like the The latest national and international news from BBC Radio 4. most popular resorts it has peak holiday seasons when eager Followed by Weather. SAT 06:30 Farming Today (b01kxzqr) readers must arrive early, put their metaphorical towel on a Farming Today This Week deck chair to guarantee intellectual sunshine that day. Before the doors open at 9.30 the queue outside snakes as far as the SAT 00:30 Book of the Week (b01kq345) Developing business opportunities in the countryside. The perpetual traffic jam that is the Euston Road. There are no seat Burying the Typewriter government says it is investing in rural enterprises with privileges. promises of super fast rural broadband. Doing business in the Episode 5 country is more expensive in many ways but there are Who said the library was an anachronism? advantages. Life is becoming untenable for the Bugan family and when a Charlotte Smith visits converted barns in Staffordshire to talk to Every day thousands of pages of novels and film scripts, courier is needed, it's Carmen who volunteers. businesses that have moved out of the town and into the doctorates and popular histories, poems and business plans are country. Sarah Falkingham visits a farm shop that is using a written here, unknown to anyone but the author. -
Name Date Essential Question 1: What Is the Relationship Between
G12U5_AIO_EQ Intro_218-222.fm Page 219 Tuesday, November 18, 2008 2:22 PM Name Date Unit 5 Introduction Essential Question 1: What is the relationship between place and literature? A. DIRECTIONS: Answer the questions about the first Essential Question in the Introduction about the relationship between place and literature. All the information you need is in the Unit 5 Introduction in your textbook. 1. Extent of the British Empire a. How much of the world was part of the British Empire at its height? b. What foreign nations had come under British rule? 2. Spirit of Exploration and Conquest a. What values were celebrated by Tennyson’s hero Ulysses? b. How did these values differ from those of the medieval age, as represented by Dante’s Divine Comedy? 3. Literature Reflecting Empire a. How was the ordinary British soldier portrayed in the poetry of Rudyard Kipling? b. What does Kipling’s “Recessional” warn against? B. DIRECTIONS: Answer the questions based on the Essential Question Vocabulary words. 1. What might be the negative results of one people’s conquest of another? 2. Why might a country be proud of its ability to establish an empire? 3. Why would someone near the end of life become concerned with the question of his or her legacy? All-in-One Workbook © Pearson Education, Inc. All rights reserved. 219 G12U5_AIO_EQ Intro_218-222.fm Page 220 Tuesday, November 11, 2008 7:16 PM Name Date Unit 5 Introduction Essential Question 2: How does literature shape or reflect society? A. DIRECTIONS: On the lines provided, answer the questions about the second Essential Question in the Introduction about the writer and society. -
University of South Carolina Upstate
University of South Carolina Upstate Commencement Exercises May 2, 2017 Academic Traditions The Processions Our commencement exercises will begin with an academic procession to the platform, a tradition dating to the great medieval universities of England. The audience is asked to rise when the processional begins and remain standing for the invocation. At the close of the ceremony, the audience is asked to stand and join in singing the first verse of the Alma Mater and remain standing in place for the benediction and the recessional. The music for the recessional is another academic tradition,Gaudeamus Igitur (“Let Us Rejoice”). The song originated in the German universities as a celebration of the joy of learning experienced by a university community of faculty, students, staff, alumni, and friends. Caps, Gowns, and Tassels The pageantry of an academic procession includes various customs of academic attire. The cap is traditionally a mortarboard with tassel, the color of which denotes the academic discipline in which the degree was earned. For instance, those earning bachelor of arts degrees wear white, golden yellow for bachelor of science degrees, drab for bachelor of science degrees in business administration, light blue for bachelor of arts and bachelor of science degrees in education, and apricot for bachelor of science degrees in nursing. Hoods The hood represents the institution from which the wearer earned his or her advanced degree and also indicates the academic discipline in which the degree was earned. The length of the hood for the master’s degree is three and a half feet. The length of the hood for the doctoral degree is four feet. -
English Or Anglo-Indian?: Kipling and the Shift in the Representation of the Colonizer in the Discourse of the British Raj
English or Anglo-Indian?: Kipling and the Shift in the Representation of the Colonizer in the Discourse of the British Raj Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Catherine Elizabeth Hart, M.A. Graduate Program in English The Ohio State University 2012 Dissertation Committee: Clare Simmons, Advisor Jill Galvan Amanpal Garcha Pranav Jani Copyright by Catherine Elizabeth Hart 2012 Abstract Using Rudyard Kipling as the focal point, my dissertation examines nineteenth- century discourse on English identity and imperialism through literature of the British Raj written in the 1840s through the 1930s. In my analysis of this literature, I identify a shift in the representation of the colonizer between English and Anglo-Indian in four distinct historical moments: pre-Rebellion (1857), post-Rebellion, the fin de siècle, and post- World War I. While the term Anglo-Indian can be used as a simple means of categorization—the Anglo-Indian is the English colonizer who lives in and conducts imperial work in India as opposed to one of the other British colonies—it also designates a distinct cultural identity and identifies the extent to which the colonizer has been affected by India and imperialism. As such, the terms Anglo-Indian and English, rather than being interchangeable, remain consistently antithetical in the literature with one obvious exception: the Kipling canon. In fact, it is only within the Kipling canon that the terms are largely synonymous; here, the Anglo-Indian colonizer is represented not only as a positive figure but also as a new and improved breed of Englishman. -
YKC Spotlight on Art Dookie.Pdf
Spotlight on Art Dookie Dookie by Lucy Dawson Copyright: The Kennel Club Arts Foundation This lovely pastel is of the Welsh Corgi Dookie by Lucy Dawson. Dookie was very special as he was the first Corgi owned by King George VI, Her Majesty The Queen’s father. It was because of Dookie that the then Princess Elizabeth fell in love with the breed and has become one of the longest established breeders of Corgis. Dookie, whose Kennel Name was Rozavel Golden Eagle was bred by Thelma Gray in 1933 and as we know was the first in a long line of Royal Corgis. Dookie was chosen by His Majesty King George VI because he had a slightly longer tail than his litter mates. This appealed to the then Princess Elizabeth as she wanted him to have something to wag so that she would know if he was pleased or not. The artist is Lucy Dawson. She was particularly well known for her book illustrations and also produced a number of postcards under the pseudonym ‘Mac’. Many will recognise this as the name that appears on a lot of her work. She drew this portrait of Dookie at Royal Lodge, Windsor. Dookie by Lucy Dawson Your activity The artist has used pastels for this portrait as she did with most of her work. Have a closer look at it - what do you like about it? It’s a lovely memory of a first childhood pet. Perhaps you could draw a memory you have of when you first got your dog? Maybe it could be the first time they came home, or with the first toy you bought them? Have fun creating a lovely memory to keep!. -
FV Master Title 3/29/14.Numbers
Fellowship Village Senior Living Library Master List !1" Alphabetized by title -3/29/14" Brickell, Christopher A-Z encyclopedia of garden plants Ref Strout, Elizabeth Abide with me missing fic Levin, Phyllis Lee Abigail Adams Bio Trillin, Calvin About Alice Bio Norwich, John Julius Absolute Monarchs: a History of the Papacy Hist Vincenzi, Penny Absolute scandal, An fic Oates, Joyce Carol Accursed, The M&T Scottoline, Lisa Accused M&T Bellow, Saul Adventures of Augie March, The fic Coudert, Jo Advice from a failure health Child, Lee Affair, The M&T Forsyth, Frederick Afghan, The M&T Moore, Mary Tyler After all Bio Anderson, Christopher After Diana Bio Sheldon, Sidney After the darkness LP Morgan, Janet Agatha Christie Bio Fields, Jennie Age of desire, The fic Walker, Karen Thompson Age of miracles, The fic Greenspan, Alan Age of Turbulence, The Bio Holmes, Richard Age of wonder, The Rh Macintyre, Ben Agent Zigzag Hist Macy, Mike Alaska Oversize Brokaw,Tom Album of memories Hist Coelho, Paulo Aleph fic Patterson, James Alex Cross, run LP Berry, Steve Alexandria link M&T Hoag, Tami Alibi man LP Cordery, Stacy A. Alice:Alice Roosevelt Longworth Bio Flagg, Fannie All girl filling station’s last reunion, The LP Barnet, Andrea All night party Hist Freethy, Barbara All she ever wanted fic Sebold, Alice Almost moon, The LP Cawley, James & Margaret Along the Delaware and Raritan Canal NJ Cawley, James Along the Old York Road NJ American Heritage Am. Heritage history of the 1920’s & 1930’s Hist Tyler, Anne Amateur marriage fic Time Life Amazon, The Travel Fellowship Village Senior Living Library Master List !2" Alphabetized by title -3/29/14" Time, Inc.