Foundations of Projective Geometry
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Finite Projective Geometries 243
FINITE PROJECTÎVEGEOMETRIES* BY OSWALD VEBLEN and W. H. BUSSEY By means of such a generalized conception of geometry as is inevitably suggested by the recent and wide-spread researches in the foundations of that science, there is given in § 1 a definition of a class of tactical configurations which includes many well known configurations as well as many new ones. In § 2 there is developed a method for the construction of these configurations which is proved to furnish all configurations that satisfy the definition. In §§ 4-8 the configurations are shown to have a geometrical theory identical in most of its general theorems with ordinary projective geometry and thus to afford a treatment of finite linear group theory analogous to the ordinary theory of collineations. In § 9 reference is made to other definitions of some of the configurations included in the class defined in § 1. § 1. Synthetic definition. By a finite projective geometry is meant a set of elements which, for sugges- tiveness, are called points, subject to the following five conditions : I. The set contains a finite number ( > 2 ) of points. It contains subsets called lines, each of which contains at least three points. II. If A and B are distinct points, there is one and only one line that contains A and B. HI. If A, B, C are non-collinear points and if a line I contains a point D of the line AB and a point E of the line BC, but does not contain A, B, or C, then the line I contains a point F of the line CA (Fig. -
Desargues' Theorem and Perspectivities
Desargues' theorem and perspectivities A file of the Geometrikon gallery by Paris Pamfilos The joy of suddenly learning a former secret and the joy of suddenly discovering a hitherto unknown truth are the same to me - both have the flash of enlightenment, the almost incredibly enhanced vision, and the ecstasy and euphoria of released tension. Paul Halmos, I Want to be a Mathematician, p.3 Contents 1 Desargues’ theorem1 2 Perspective triangles3 3 Desargues’ theorem, special cases4 4 Sides passing through collinear points5 5 A case handled with projective coordinates6 6 Space perspectivity7 7 Perspectivity as a projective transformation9 8 The case of the trilinear polar 11 9 The case of conjugate triangles 13 1 Desargues’ theorem The theorem of Desargues represents the geometric foundation of “photography” and “per- spectivity”, used by painters and designers in order to represent in paper objects of the space. Two triangles are called “perspective relative to a point” or “point perspective”, when we can label them ABC and A0B0C0 in such a way, that lines fAA0; BB0;CC0g pass through a 1 Desargues’ theorem 2 common point P: Points fA; A0g are then called “homologous” and similarly points fB; B0g and fC;C0g. The point P is then called “perspectivity center” of the two triangles. The A'' B'' C' C A' P A B B' C'' Figure 1: “Desargues’ configuration”: Theorem of Desargues two triangles are called “perspective relative to a line” or “line perspective” when we can label them ABC and A0B0C0 , in such a way (See Figure 1), that the points of intersection of their sides C00 = ¹AB; A0B0º; A00 = ¹BC; B0C0º and B00 = ¹CA;C0 A0º are contained in the same line ": Sides AB and A0B0 are then called “homologous”, and similarly the side pairs ¹BC; B0C0º and ¹CA;C0 A0º: Line " is called “perspectivity axis” of the two triangles. -
Precise Image Registration and Occlusion Detection
Precise Image Registration and Occlusion Detection A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Science in the Graduate School of The Ohio State University By Vinod Khare, B. Tech. Graduate Program in Civil Engineering The Ohio State University 2011 Master's Examination Committee: Asst. Prof. Alper Yilmaz, Advisor Prof. Ron Li Prof. Carolyn Merry c Copyright by Vinod Khare 2011 Abstract Image registration and mosaicking is a fundamental problem in computer vision. The large number of approaches developed to achieve this end can be largely divided into two categories - direct methods and feature-based methods. Direct methods work by shifting or warping the images relative to each other and looking at how much the pixels agree. Feature based methods work by estimating parametric transformation between two images using point correspondences. In this work, we extend the standard feature-based approach to multiple images and adopt the photogrammetric process to improve the accuracy of registration. In particular, we use a multi-head camera mount providing multiple non-overlapping images per time epoch and use multiple epochs, which increases the number of images to be considered during the estimation process. The existence of a dominant scene plane in 3-space, visible in all the images acquired from the multi-head platform formulated in a bundle block adjustment framework in the image space, provides precise registration between the images. We also develop an appearance-based method for detecting potential occluders in the scene. Our method builds upon existing appearance-based approaches and extends it to multiple views. -
Set Theory. • Sets Have Elements, Written X ∈ X, and Subsets, Written a ⊆ X. • the Empty Set ∅ Has No Elements
Set theory. • Sets have elements, written x 2 X, and subsets, written A ⊆ X. • The empty set ? has no elements. • A function f : X ! Y takes an element x 2 X and returns an element f(x) 2 Y . The set X is its domain, and Y is its codomain. Every set X has an identity function idX defined by idX (x) = x. • The composite of functions f : X ! Y and g : Y ! Z is the function g ◦ f defined by (g ◦ f)(x) = g(f(x)). • The function f : X ! Y is a injective or an injection if, for every y 2 Y , there is at most one x 2 X such that f(x) = y (resp. surjective, surjection, at least; bijective, bijection, exactly). In other words, f is a bijection if and only if it is both injective and surjective. Being bijective is equivalent to the existence of an inverse function f −1 such −1 −1 that f ◦ f = idY and f ◦ f = idX . • An equivalence relation on a set X is a relation ∼ such that { (reflexivity) for every x 2 X, x ∼ x; { (symmetry) for every x; y 2 X, if x ∼ y, then y ∼ x; and { (transitivity) for every x; y; z 2 X, if x ∼ y and y ∼ z, then x ∼ z. The equivalence class of x 2 X under the equivalence relation ∼ is [x] = fy 2 X : x ∼ yg: The distinct equivalence classes form a partition of X, i.e., every element of X is con- tained in a unique equivalence class. Incidence geometry. -
Read to the Infinite and Back Again
TO THE INFINITE AND BACK AGAIN Part I Henrike Holdrege A Workbook in Projective Geometry To the Infinite and Back Again A Workbook in Projective Geometry Part I HENRIKE HOLDREGE EVOLVING SCIENCE ASSOCIATION ————————————————— A collaboration of The Nature Institute and The Myrin Institute 2019 Copyright 2019 Henrike Holdrege All rights reserved. Second printing, 2019 Published by the Evolving Science Association, a collaboration of The Nature Institute and The Myrin Institute The Nature Institute: 20 May Hill Road, Ghent, NY 12075 natureinstitute.org The Myrin Institute: 187 Main Street, Great Barrington, MA 01230 myrin.org ISBN 978-0-9744906-5-6 Cover painting by Angelo Andes, Desargues 10 Lines 10 Points This book, and other Nature Institute publications, can be purchased from The Nature Institute’s online bookstore: natureinstitute.org/store or contact The Nature Institute: [email protected] or 518-672-0116. Table of Contents INTRODUCTION 1 PREPARATIONS 4 TEN BASIC ENTITIES 6 PRELUDE Form and Forming 7 CHAPTER 1 The Harmonic Net and the Harmonic Four Points 11 INTERLUDE The Infinitely Distant Point of a Line 23 CHAPTER 2 The Theorem of Pappus 27 INTERLUDE A Triangle Transformation 36 CHAPTER 3 Sections of the Point Field 38 INTERLUDE The Projective versus the Euclidean Point Field 47 CHAPTER 4 The Theorem of Desargues 49 INTERLUDE The Line at Infinity 61 CHAPTER 5 Desargues’ Theorem in Three-dimensional Space 64 CHAPTER 6 Shadows, Projections, and Linear Perspective 78 CHAPTER 7 Homologies 89 INTERLUDE The Plane at Infinity 96 CLOSING 99 ACKNOWLEDGMENTS 101 BIBLIOGRAPHY 103 I n t r o d u c t i o n My intent in this book is to allow you, the reader, to engage with the fundamental concepts of projective geometry. -
A Gallery of Conics by Five Elements
Forum Geometricorum Volume 14 (2014) 295–348. FORUM GEOM ISSN 1534-1178 A Gallery of Conics by Five Elements Paris Pamfilos Abstract. This paper is a review on conics defined by five elements, i.e., either lines to which the conic is tangent or points through which the conic passes. The gallery contains all cases combining a number (n) of points and a number (5 − n) of lines and also allowing coincidences of some points with some lines. Points and/or lines at infinity are handled as particular cases. 1. Introduction In the following we review the construction of conics by five elements: points and lines, briefly denoted by (αP βT ), with α + β =5. In these it is required to construct a conic passing through α given points and tangent to β given lines. The six constructions, resulting by giving α, β the values 0 to 5 and considering the data to be in general position, are considered the most important ([18, p. 387]), and are to be found almost on every book about conics. It seems that constructions for which some coincidences are allowed have attracted less attention, though they are related to many interesting theorems of the geometry of conics. Adding to the six main cases those with the projectively different possible coincidences we land to 12 main constructions figuring on the first column of the classifying table below. The six added cases can be considered as limiting cases of the others, in which a point tends to coincide with another or with a line. The twelve main cases are the projectively inequivalent to which every other case can be reduced by means of a projectivity of the plane. -
Pencils of Conics
Chaos\ Solitons + Fractals Vol[ 8\ No[ 6\ pp[ 0960Ð0975\ 0887 Þ 0887 Elsevier Science Ltd[ All rights reserved Pergamon Printed in Great Britain \ 9859Ð9668:87 ,08[99 ¦ 9[99 PII] S9859!9668"86#99978!0 Pencils of Conics] a Means Towards a Deeper Understanding of the Arrow of Time< METOD SANIGA Astronomical Institute\ Slovak Academy of Sciences\ SK!948 59 Tatranska Lomnica\ The Slovak Republic "Accepted 7 April 0886# Abstract*The paper aims at giving a su.ciently complex description of the theory of pencil!generated temporal dimensions in a projective plane over reals[ The exposition starts with a succinct outline of the mathematical formalism and goes on with introducing the de_nitions of pencil!time and pencil!space\ both at the abstract "projective# and concrete "a.ne# levels[ The structural properties of all possible types of temporal arrows are analyzed and\ based on symmetry principles\ the uniqueness of that mimicking best the reality is justi_ed[ A profound connection between the character of di}erent {ordinary| arrows and the number of spatial dimensions is revealed[ Þ 0887 Elsevier Science Ltd[ All rights reserved 0[ INTRODUCTION The depth of our penetration into the problem is measured not by the state of things on the frontier\ but rather how far away the frontier lies[ One of the most pronounced examples of such a situation concerns\ beyond any doubt\ the nature of time[ What we have precisely in mind here is a {{puzzling discrepancy between our perception of time and what modern physical theory tells us to believe|| ð0Ł\ see -
THE HESSE PENCIL of PLANE CUBIC CURVES 1. Introduction In
THE HESSE PENCIL OF PLANE CUBIC CURVES MICHELA ARTEBANI AND IGOR DOLGACHEV Abstract. This is a survey of the classical geometry of the Hesse configuration of 12 lines in the projective plane related to inflection points of a plane cubic curve. We also study two K3surfaceswithPicardnumber20whicharise naturally in connection with the configuration. 1. Introduction In this paper we discuss some old and new results about the widely known Hesse configuration of 9 points and 12 lines in the projective plane P2(k): each point lies on 4 lines and each line contains 3 points, giving an abstract configuration (123, 94). Through most of the paper we will assume that k is the field of complex numbers C although the configuration can be defined over any field containing three cubic roots of unity. The Hesse configuration can be realized by the 9 inflection points of a nonsingular projective plane curve of degree 3. This discovery is attributed to Colin Maclaurin (1698-1746) (see [46], p. 384), however the configuration is named after Otto Hesse who was the first to study its properties in [24], [25]1. In particular, he proved that the nine inflection points of a plane cubic curve form one orbit with respect to the projective group of the plane and can be taken as common inflection points of a pencil of cubic curves generated by the curve and its Hessian curve. In appropriate projective coordinates the Hesse pencil is given by the equation (1) λ(x3 + y3 + z3)+µxyz =0. The pencil was classically known as the syzygetic pencil 2 of cubic curves (see [9], p. -
A Note on Fibered Quadrangles
Konuralp Journal of Mathematics Volume 3 No. 2 pp. 185{189 (2015) c KJM A NOTE ON FIBERED QUADRANGLES S. EKMEKC¸ I_ & A. BAYAR Abstract. In this work, the fibered versions of the diagonal triangle and the quadrangular set of a complete quadrangle in fibered projective planes are introduced. And then some related theorems with them are given. 1. Introduction Fuzzy set theory was introduced by Zadeh [10] and this theory has been applied in many areas. One of them is projective geometry, see for instance [1,2,5,7,8,9]. A first model of fuzzy projective geometries was introduced by Kuijken, Van Maldeghem and Kerre [7,8]. Also, Kuijken and Van Maldeghem contributed to fuzzy theory by introducing fibered geometries, which is a particular kind of fuzzy geometries [6]. They gave the fibered versions of some classical results in projective planes by using minimum operator. Then the role of the triangular norm in the theory of fibered projective planes and fibered harmonic conjugates and a fibered version of Reidemeister's condition were given in [3]. The fibered version of Menelaus and Ceva's 6-figures was studied in [4]. It is well known that triangles and quadrangles have an important role in projec- tive geometry. A complete quadrangle is a system of geometric objects consisting of any four points in a plane, no three of which are on a common line, and of the six lines connecting each pair of points. The free completion of a configuration containing either a quadrangle or a quadrilateral is a projective plane. -
1. Math Olympiad Dark Arts
Preface In A Mathematical Olympiad Primer , Geoff Smith described the technique of inversion as a ‘dark art’. It is difficult to define precisely what is meant by this phrase, although a suitable definition is ‘an advanced technique, which can offer considerable advantage in solving certain problems’. These ideas are not usually taught in schools, mainstream olympiad textbooks or even IMO training camps. One case example is projective geometry, which does not feature in great detail in either Plane Euclidean Geometry or Crossing the Bridge , two of the most comprehensive and respected British olympiad geometry books. In this volume, I have attempted to amass an arsenal of the more obscure and interesting techniques for problem solving, together with a plethora of problems (from various sources, including many of the extant mathematical olympiads) for you to practice these techniques in conjunction with your own problem-solving abilities. Indeed, the majority of theorems are left as exercises to the reader, with solutions included at the end of each chapter. Each problem should take between 1 and 90 minutes, depending on the difficulty. The book is not exclusively aimed at contestants in mathematical olympiads; it is hoped that anyone sufficiently interested would find this an enjoyable and informative read. All areas of mathematics are interconnected, so some chapters build on ideas explored in earlier chapters. However, in order to make this book intelligible, it was necessary to order them in such a way that no knowledge is required of ideas explored in later chapters! Hence, there is what is known as a partial order imposed on the book. -
Self-Dual Harmonicity: the Planar Case
SELF-DUAL HARMONICITY: THE PLANAR CASE P.L. ROBINSON Abstract. We present a manifestly geometrically self-dual version of the Fano harmonicity axiom for the projective plane. Introduction In a recent sequence of papers, we have explored manifestly self-dual formulations of three- dimensional projective space: [2] begins the sequence, basing projective space on lines and their abstract incidence, from which points and planes are derived as secondary elements; [4] pursues the complementary approach, taking points and planes to be primary elements from which lines are derived. The most recent paper [6] addresses the axioms (or assumptions) of harmonicity and projectvity: traditionally, harmonicity asserts (with Fano) that ‘the diagonal points of a complete quadrangle are noncollinear’ while projectivity asserts that ‘if a projectivity leaves each of three distinct points of a line invariant, it leaves every point of the line invariant’; see [7] Section 18 and [7] Section 35 respectively. In keeping with our aim to present projective space in a formulation that is manifestly self- dual, it is desirable to express projectivity and harmonicity in manifestly self-dual forms. The axiom of projectivity is so expressed in [3] and [6]: indeed, [7] Section 103 contains a self-dual expression of projectivity in its discussion of reguli. In [5] and [6] our versions of the axiom of harmonicity are self-dual only in being the conjunction of a pair of dual statements, each of which implies the other; we might say that these versions are self-dual in rather a logical sense. Our purpose in the present paper and its sequel is to offer expressions of harmonicity that are more geometrically self-dual: the present paper deals with harmonicity in the plane; its sequel deals with the more elaborate spatial harmonicity. -
Conic Homographies and Bitangent Pencils
Forum Geometricorum b Volume 9 (2009) 229–257. b b FORUM GEOM ISSN 1534-1178 Conic Homographies and Bitangent Pencils Paris Pamfilos Abstract. Conic homographies are homographies of the projective plane pre- serving a given conic. They are naturally associated with bitangent pencils of conics, which are pencils containing a double line. Here we study this connec- tion and relate these pencils to various groups of homographies associated with a conic. A detailed analysis of the automorphisms of a given pencil specializes to the description of affinities preserving a conic. While the algebraic structure of the groups involved is simple, it seems that a geometric study of the vari- ous questions is lacking or has not been given much attention. In this respect the article reviews several well known results but also adds some new points of view and results, leading to a detailed description of the group of homographies preserving a bitangent pencil and, as a consequence, also the group of affinities preserving an affine conic. 1. Introduction Deviating somewhat from the standard definition I call bitangent the pencils P of conics which are defined in the projective plane through equations of the form αc + βe2 = 0. Here c(x,y,z) = 0 and e(x,y,z) = 0 are the equations in homogeneous coordi- nates of a non-degenerate conic and a line and α,β are arbitrary, no simultaneously zero, real numbers. To be short I use the same symbol for the set and an equation representing it. Thus c denotes the set of points of a conic and c = 0 denotes an equation representing this set in some system of homogeneous coordinates.