Roadhouse Blues

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Roadhouse Blues Intro Signature riff |------------------------------------ |------------------------------------ |------------------------------------ |------------------------------------ |------------------------------------ |--0-00-00-0-5h6h7—-0-00-00-0-5h6h7-- E Keep your eyes on the road, your hands upon the wheel A E Keep your eyes on the road, your hands upon the wheel B7 A E We're going to the roadhouse we're gonna have a real, good time E In the back of the roadhouse they got some bungalows AE In the back of the roadhouse they got some bungalows B7 A E Just for the people who like to go down slow A7 Let it roll, baby roll E Let it roll, baby roll A7 Let it roll, baby roll B7 A7 E Let it roll, all night long (solo 1 play over two verses) E You gotta roll roll roll, you gotta fill my soul all right AE Roll roll roll gotta fill my soul, ya gotta chack a coop comp comp ya gotta cheep com B7 A E Bomp bomp ba bee bop a lula comp comp cha ching na na git ta dong cha che E Ne dat cha bop ba chew chow channa nanna bew cow low low choow AE Bop chew chong bee bow cow now, choow now now chow mow mow ba ba ba B7 A E Cow now chow cow ba ca ca ca cha cha cha k cha cha chow chay now all right “Roadhouse Blues” by The Doors from “Morrison Hotel” 1970 Roadhouse Blues Pg 2 (solo 2 play over one verse) E Ashen lady E Ashen lady E Give up your vows E Give up your vows E SAVE OUR CITY A SAVE OUR CITY E Right now E Well, I woke up this morning, I got myself a beer AE Well I woke up this morning, I got myself a beer B7 A E The future's uncertain and the end is always near A7 Let it roll, baby roll E Let it roll, baby roll A7 Let it roll, baby roll B7 A7 E Let it roll, all night long “Roadhouse Blues” by The Doors from “Morrison Hotel” 1970.

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Roadhouse Blues (The Doors)
ROADHOUSE BLUES The Doors (Morrison Hotel - 1969) http://marcelomelloweb.net/mmblueshistoriaforma.htm) INTRO: E G E (RIFF1) E (RIFF1) G E Ah, keep your eyes on the road, your hand upon the wheel E (simile) G E Keep your eyes on the road, your hand upon the wheel E Yeah, we're going to the roadhouse, gonna have a real, G E a good-time E G E (RIFF1) E (RIFF1) G E Yeah, the back of the roadhouse, they got some bungalows E (simile) G E Yeah, the back of the roadhouse, they got some bungalows E (RIFF2) And that's for the people who like to go down slow A Let it roll, baby, roll, (3x) B C B (RIFF3) E Let it roll All night long SOLO = INTRO: E G E (RIFF1) E (RIFF1 parte1) You gotta roll, roll, roll, you gotta thrill my soul, all right E (simile) Roll, roll, roll, roll, thrill my soul You gotta beep a gunk a chucha, Honk konk konk You gotta each you puna, Each ya bop a luba Each y'all bump a kechonk, Ease sum konk Ya, ride 1 THE DOORS - Roadhouse blues E (RIFF1) G E E (RIFF1 parte1) Ashen lady, Ashen lady E (simile) Give up your vows, give up your vows Save our city, save our city Ah, right now E (RIFF1) G E Well, I woke up this morning and I got myself a beer E (simile) G E Well, I woke up this morning and I got myself a beer E (RIFF1) (RIFF2) The future's uncertain and the end is always near REFRÃO RIFF1 RIFF2 RIFF3 2 THE DOORS - Roadhouse blues ROADHOUSE BLUES - BLUES DA HOSPEDARIA Keep your eyes on the road, Mantenha seus olhos na estrada, your hand upon the wheel suas mãos no volante Yeah, we're going to the roadhouse, Yeah, estamos indo
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Jim Morrison's Mythography Beyond the Death of God
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2009 Vision and desire: Jim Morrison's mythography beyond the death of God Ellen J. Greenham Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Poetry Commons Recommended Citation Greenham, E. J. (2009). Vision and desire: Jim Morrison's mythography beyond the death of God. https://ro.ecu.edu.au/theses/16 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/16 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
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Strange Days: the American Media Debates the Doors, 1966-1971
University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2015 Strange Days: The American Media Debates The Doors, 1966-1971 Maximillian F. Grascher Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Grascher, Maximillian F., "Strange Days: The American Media Debates The Doors, 1966-1971" (2015). UVM Honors College Senior Theses. 67. https://scholarworks.uvm.edu/hcoltheses/67 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. Strange Days: The American Media Debates The Doors, 1966-1971 Maximillian F. Grascher 2 Introduction Throughout the course of American history, there have been several prominent social and political revolutions carried out by citizens dissatisfied with the existing American institutions run by the government and its civil servants. Of these revolutions, Vietnam War and civil rights protest among youth in the 1960s was of the most influential, shaping American society in the decades to come. With US involvement in Vietnam escalating and the call for African-American civil rights becoming more insistent by the year, thousands of America’s youth took to the streets to protest the country’s foreign and domestic policies and to challenge the US government, much to the anger of America’s older generations. Artists played a critical role in the unrest, including musicians who encouraged a reformation of American society’s established norms through revolution.
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Party Crashers Song List
Party Crashers Song List ADDICTED TO LOVE Robert Palmer AIN’T TOO PROUD TO BEG The Temptations BACK IN LOVE AGAIN L.T.D. BACK IN THE U.S.S.R. The Beatles BIRTHDAY The Beatles BORN TO BE WILD SteppenwolF BRICKHOUSE The Commodores BRING IT ON HOME TO ME Sam Cooke BROWN EYED GIRL Van Morrison BUT IT’S ALLRIGHT J.J. Jackson CROSSFIRE Stevie Ray Vaughan DANCING IN THE DARK Bruce Springsteen DOMINO Van Morrison DOWN ON THE CORNER Creedence Clearwater Revival EUROPA Santana FOOLED AROUND AND FELL IN LOVE Elvin Bishop GLORY DAYS Bruce Springsteen GOOD LOVIN’ The Young Rascals GROOVE ME King Floyd EVERY TIME I ROLL THE DICE Delbert McClinton HAVE I TOLD YOU LATELY Van Morrison HANG ON SLOOPY The McCoys HEAVEN Los Lonely Boys HOLD ON I’M COMIN’ Sam & Dave HONKY TONK WOMEN The Rolling Stones HOT LEGS Rod Stewart I DON’T NEED NO DOCTOR John Mayer I GOT YOU (I FEEL GOOD) James Brown I’VE BEEN LOVING YOU TOO LONG Otis Redding I WANT YOU BACK The Jackson 5 IN THE MIDNIGHT HOUR Wilson Pickett I’M TORE DOWN Freddie King I’M YOUR BOOGIE MAN K.C. & The Sunshine Band INTO THE MYSTIC Van Morrison IT’S YOUR THING The Isley Brothers I WISH Stevie Wonder JOHNNY B. GOODE Chuck Berry JUNGLE BOOGIE Kool & The Gang KNOCK ON WOOD Eddie Floyd 1 Party Crashers Song List LAND OF A THOUSAND DANCES Wilson Pickett LET’S GET IT ON Marvin Gaye LITTLE SISTER Elvis Presley LOUIE LOUIE The Kingsmen LUCILLE Little Richard MARGARITAVILLE Jimmy Buffet MARY JANE’S LAST DANCE Tom Petty MISS YOU The Rolling Stones MONY MONY Tommy James MUSTANG SALLY Wilson Pickett MY GIRL The Temptations NOT FADE AWAY Buddy Holly OH, PRETTY WOMAN Roy Orbison OLD TIME ROCK AND ROLL Bob Seger PAPA’S GOT A BRAND NEW BAG James Brown PICK UP THE PIECES Average White Band PINK CADILLAC Bruce Springsteen PLAY THAT FUNKY MUSIC Wild Cherry RAMROD Bruce Springsteen RESPECT Otis Redding ROADHOUSE BLUES The Doors WILL IT GO ROUND IN CIRCLES Billy Preston RUNNIN’ DOWN A DREAM Tom Petty SHOTGUN Jr.
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Roadhouse Blues-The Doors
Music resources from www.traditionalmusic.co.uk Roadhouse Blues-The Doors Roadhouse Blues - The Doors Intro \--------------------------------------------------/ \--------------------------------------------------/ \--------------------------------------------------/ \--------------------------------------------------/ \--------------------------------------------5~6~7-/ \-0--0--0--0--0--0--5~6~7--0--0--0--0--0--0--------/ Verse \-------------------------------------------------- \-------------------------------------------------- \-------------------------------------------------- \-------------------------------------------------- \--------------------------------------------5~6~7- \-0--0--0--0--0--0--5~6~7--0--0--0--0--0--0-------- -----------------------------------/ -----------------------------------/ -----------------------------------/ --------------------------5--------/ -----------------------------7~5~7-/ -0--0--0--0--0--0--5~6~7-----------/ pre chorus \------------------------------------------------- \------------------------------------------------- \------------------------------------------------- \------------------------------------------------- \----5-----5-----5--------------2-----2-----2----- \-7-----7-----7-----7--6--5--5-----5-----5-----3-- -----------------------------------/ -----------------------------------/ -----------------------------------/ --------------------------5--------/ -----------------------------7~5~7-/ -0--0--0--0--0--0--5~6~7-----------/ chorus \------------------------/ \------------------/
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Drum Anthology
DRUM ANTHOLOGY © Doors Property, LLC photographed by Bobby Klein Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com Transcribed by Howard Fields Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 1-4706-1981-4 ISBN-13: 978-1-4706-1981-7 Cover photo: © Doors Property, LLC photographed by Paul Ferrara Cover and inside photos courtesy of Jampol Artist Management, Inc. Album art: The Doors © 1967 Elektra Records • Strange Days © 1967 Elektra Records • Waiting for the Sun © 1968 Elektra Records • The Soft Parade © 1969 Elektra Records • Morrison Hotel © 1970 Elektra Records • L.A. Woman © 1971 Elektra Records 2 CONTENTS DRUMSET NOTATION LEGEND 9 LOVE STREET 57 NOT TO TOUCH THE EARTH 66 BLUE SUNDAY 75 PEACE FROG 71 BREAK ON THROUGH (TO THE OTHER SIDE) 47 PEOPLE ARE STRANGE 51 THE CRYSTAL SHIP 28 RIDERS ON THE STORM 41 FIVE TO ONE 30 ROADHOUSE BLUES 34 HELLO, I LOVE YOU 54 SOUL KITCHEN 77 L A WOMAN 16 SPANISH CARAVAN 60 LIGHT MY FIRE 10 TOUCH ME 81 LOVE HER MADLY 24 TWENTIETH CENTURY FOX 38 LOVE ME TWO TIMES 85 WILD CHILD 63 © Doors Property, LLC photographed by Paul Ferrara 10 LIGHT MY FIRE Words and Music by THE DOORS Moderately Œ = 126 Intro: C.C.
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Schl8chthof Wels, 21-02-2015
The Doors Experience Alter Schlachthof Wels 21 February 2015 SCHL8CHTHOF WELS, 21-02-2015 WHEN THE MUSIC’S OVER STRANGE DAYS FIVE TO ONE ALABAMA SONG PEOPLE ARE STRANGE LOVE STREET RIDERS ON THE STORM LOVE ME TWO TIMES THE CHANGELING ROADHOUSE BLUES BACK DOOR MAN SOUL KITCHEN WAITING FOR THE SUN NOT TO TOUCH THE EARTH UNIVERSAL MIND SPANISH CARAVAN PEACE FROG BLUE SUNDAY THE END WILD CHILD WHO DO YOU LOVE GLORIA TOUCH ME L. A. WOMAN BREAK ON THROUGH LIGHT MY FIRE Amended set list straight from the horse’s mouth (i.e. the band themselves) played in two sets between 8.15 and 11.20 p.m. with a 20 minute break in between! That’s 26 songs including all 5 long epic songs (When the Music’s Over, Riders on the Storm, The End, L.A. Woman and Light My Fire!) I’m The Doors Experience Alter Schlachthof Wels 21 February 2015 using too many exclamation marks but they are necessary, believe me! Oops, there goes another one. Old loves die hard: I have been a fan of The Doors since I was 16 years old. You do the maths how long ago, it’s too depressing for me. As well as two other Doors cover bands (one from Vienna, one from Berlin) I saw Ray Manzarek (R.I.P., sadly) solo (on my honeymoon to boot!), Robby Krieger solo in New York (coincidentally, whilst being on holiday) and The Doors 21K/Riders on the Storm/Manzarek-Krieger [they had to change the name of the band repeatetly because of John Densmore’s veto; he went to court about this and eventually wrote a book about the legal struggles between him and Ray +Robby entitled The Doors Unhinged] three times feat.
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Top 200 Karaoke Songs
Top 200 Karaoke Songs ARTIST SONG ARTIST SONG Sheryl Crow & Kid Rock Picture Lynyrd Skynyrd Sweet Home Alabama Carrie Underwood Before He Cheats Shania Twain Any Man Of Mine John Travolta & Olivia Newton-John Summer Nights Taylor Swift 22 Journey Don't Stop Believing Righteous Brothers You've Lost That Loving Feeling Alannah Myles Black Velvet Black Eyed Peas My Humps Garth Brooks Friends In Low Places Don McLean American Pie Sublime Santeria Dusty Springfield Son Of A Preacher Man Neil Diamond Sweet Caroline Meatloaf Paradise By The Dashboard Lights B-52's Love Shack Cheap Trick I Want You To Want Me Joan Jett & The Blackhearts I Love Rock and Roll Fleetwood Mac Dreams Alanis Morissette You Oughta Know Pearl Jam Better Man Bon Jovi Wanted Dead or Alive No Doubt Just A Girl Gretchen Wilson Redneck Woman Guns N' Roses Sweet Child O' Mine Sir Mix-A-Lot Baby Got Back Oasis Wonderwall Gloria Gaynor I Will Survive Madonna Like A Virgin Pat Benatar Hit Me With Your Best Shot Nancy Sinatra These Boots Are Made For Walking 4 Non Blondes What's Up The Temptations My Girl Fugees & Lauryn Hill Killing Me Softly (With His Song) Abba Dancing Queen Radiohead Creep John Denver Country Roads (Take Me Home) Stone Temple Pilots Plush Dexys Midnight Runners Come On Eileen Johnny Cash Folsom Prison Blues Bob Segar Turn The Page Jewel You Were Meant For Me Dr. Dre & Snoop Doggy Dogg Nuthing But A 'G' Thang Bonnie Tyler Total Eclipse Of The Heart Steve Miller Band Joker Queen Bohemian Rhapsody Zac Brown Band Chicken Fried Sonny & Cher I Got You Babe Madonna
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8.103 Crenshaw
Five to One: Rethinking the Doors and the Sixties Counterculture 1 CHRISTOPHER CRENSHAW “Five to One” is an evocative phrase. For listeners aware of the Doors song by the same title, it can bring to mind images of sex, fear, death, freedom, revolution, or simply drugs and alcohol. It can be a good-time anthem or a sobering indictment of the sixties. For listeners in the sixties, this double meaning was likely intentional. The song’s lyrics are loaded with double- or triple-meanings. In the 1968 recording from the LP Waiting for the Sun, lead singer Jim Morrison’s vocals are at times audibly slurred; but the song starts off strong. “Love my girl, she lookin’ good,” Morrison almost whispers into the microphone, establishing a sexual tone from the beginning before letting his listeners know that “no one here gets out alive.” Joan Didion remarked on this sex/death duality in an essay in The White Album (1979). The Doors, she claimed, were “missionaries of apocalyptic sex.” They “seemed unconvinced that love was brotherhood and the Kama Sutra” and “insisted that love was sex and sex was death and therein lay salvation.”2 Other double meanings in the song are equally illustrative. In the next stanza Morrison sings, “they got the guns, but we got the numbers.” At face value, the lyric can be interpreted as an overt political message. The police may have “the guns,” but the people “got the numbers.” Organist Ray Manzarek, however, revealed another meaning of the song in a 1968 interview in Life magazine.
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The Doors 1993.Pdf
the doors The Doors are somewhat of an anomaly in the rock pan only the keyboard parts but simultaneously (with his left theon. They weren’t part of the peace and love Airplane- hand) propelled the band with melodic driving bass lines. Dead-Quicksilver acid-rock movement of San Francisco. John Densmore, a jazz drummer with an unbeatable knack They had nothing to do with the English invasion, or even for shamanic rhythm and theatrical timing ... die band’s conventional pop music fee that matter* Evon in their home tireless engine. Robby Krieger, a songwriting secret weapon town of Los Angeles they were considered a world apart who could play any guitar, from classic flamenco to botde- from the predominantly folk-rock peerage of the Byrds, neck blues, to creating styles and sounds previously unheard Buffalo Springfield and Mamas and Papas. on this planet. And Jim Morrison, the baritone, eclectic/elec- The Doors were never part of any movement. Indeed, tric poet with an innate compositional gift and the soul of a Coring an era of vfcry high fliers, their visionary trajec mystic. Together these men brought The Doors’ songs to tory sought an orbit positioned well outside of the rock life — they were equal points of a musical diamond. norm. Their journey was driven by a unique group One night, just before the group was to go on stage, a disc vision and a determination to push the envelope of jockey announced to the audience, “Ladies and gendemen, poetry, spirituality, intellect and psycho-sexual explo please welcome Jim Morrison and The Doors.” As the DJ ration in popular music as far as possible.
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Timewhys Songlist
Song List Authentic Classics From the 60s, 70s and Beyond 1. Baby Blue - Badﬁnger 50. The Letter - The Box Tops 2. Back in the USSR - The Beatles 51. Lies - The Knickerbockers 3. Bang a Gong - T Rex 52. Love Grows - Edison Lighthouse 4. Barbara Ann - The Beach Boys 53. Love Her Madly - The Doors 5. Because - Dave Clark Five 54. Low Rider - War 6. Birthday - The Beatles 55. Magic Carpet Ride - Steppenwolf 7. Born To Be Wild - Steppenwolf 56. Margaritaville - Jimmy Buffett 8. Brandy (You’re a Fine Girl) - Looking Glass 57. Midnight Confessions - The Grass Roots 9. Brown Eyed Girl - Van Morrison 58. Mustang Sally - Wilson Pickett 10. Brown Sugar - The Rolling Stones 59. My Girl - Temptations 11. Bubblegum Music Medley - Various Artists 60. One Way or Another - Blondie 12. Build Me Up Buttercup - The Foundations 61. People Got to Be Free - The Rascals 13. Burning Love - Elvis Presley 62. Please Please Me - The Beatles 14. Bus Stop - The Hollies 63. Pump it Up / Wild Wild West - Elvis Costello / Escape Club 15. Cherry Cherry - Neil Diamond 64. Red Rubber Ball - The Cyrkle 16. Come and Get It - Badﬁnger 65. Revolution - The Beatles 17. Come and Get Your Love - Redbone 66. Roadhouse Blues - The Doors 18. Couldn’t Get it Right - Climax Blues Band 67. Rock Me Gently - Andy Kim 19. Crystal Blue Persuasion - Tommy James and the Shondells 68. Rockin’ Pneumonia and the Boogie Woogie Flu - Johnny Rivers 20. Daydream Believer - The Monkees 69. Secret Agent Man - Johnny Rivers 21. Devil with the Blue Dress / Good Golly Miss Molly - Mitch Ryder 70.
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Celebration of the 1St Doors Album
The Doors Experience: Celebration of the 1st Doors Album Dieser Tage feiert das legendäre Debütalbum "The Doors" seinen 40. Geburtstag! Das Werk der gleichnamigen Kultband um Jim Morrison enthält Hits wie Light My Fire, den Brecht- Klassiker Alabama Song, Break On Through und das rund zwölfminütige Meisteropus The End, das auch heute noch wegen seiner von Morrison künstlerisch inszenierten ödipalen Fantasien für Aufsehen sorgt. Die österreichische Tribute-Band "The Doors Experience" bringt seit mittlerweile über sechs Jahren erfolgreich die Musik von Jim Morrison und den Doors auf europäische Bühnen - verbunden mit einer erstklassigen Live-Show. Maßgeblich an der überzeugenden Performance beteiligt ist Frontman & Bandleader Jason "Jim" Boiler, der Jim Morrison in Gestik, Stimme, Optik und Charisma um nichts nachsteht. Natürlich inszenieren The Doors Experience das runde Jubiläum des Doors Debüt-Albums für ihre Fans in gebührender Weise: Neben vielen weiteren Doors-Klassikern aus dem Repertoire - wie L. A. Woman, People Are Strange, Riders On The Storm, Roadhouse Blues oder Touch Me - wird nun bei ausgewählten Shows das gesamte erste Album in Original-Reihenfolge gespielt. Premiere hat dieses Sonderprogramm am 26. Jänner im Planet Music Vienna. Die nächsten Shows führen The Doors Experience durch Österreich, Deutschland, Kroatien und die Schweiz. Alle Details dazu gibt's auf www.thedoors.at und http://www.thedoors.at/info/index.htm Line-up: Jason "Jim" Boiler - Lead Vocals Klaus Bergmaier - Organ, Piano, Backing Vocals René Galik - Guitars Martin Plangl - Bass Christoph Zauchinger - Drums V.l.n.r.: Christoph Zauchinger, Martin Plangl, Jason „Jim“ Boiler, Klaus Bergmaier, René Galik Foto-download in Druckqualität: http://www.thedoors.at/band/fotos/pressefotos/thedoorsexperience_psycic0.JPG Konzerttermine: Freitag, 26.
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