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Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Wavelength (September 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 9-1983 Wavelength (September 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (September 1983) 35 https://scholarworks.uno.edu/wavelength/35 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. N E W I N E ISSUE NO. 35 • "I'm not sure, but I'm almost positive, You don't want to that all music came from New Orleans." miss Lafayette's Ernie K-Doe, 1979 Festivals Acadiens, eight celebrations rolled into one to Features showcase and savor the Ivan Neville . .................. 8 Acadian culture. Sample the delectable Lenny Zenith . ................ 11 Cajun cuisine, tap your Festivals Acadiens............. 13 foot to Acadian music, walk back through the centuries into the Columns Cajun mystique. Letters ........................ 3 Come join the fun in September . .................... 4 the heart of French Louisiana, where we Art. ......................... 15 have the recipe for Caribbean . ................... 17 joyful living! Cajun ....................... 19 For more information contact the Lafayette Reviews ........... .. ......... 20 Convention and Listings . ..................... 24 Visitors Commission, C/assifieds . .................. 29 P. 0. Box 52066, Dept. WL, Lafayette, LA Last Page . ................... 30 7050513181232-3808. Allons a Festivals Acadiens September 17- 18, 1983 r r r ;- dsf r ; '/2 Price ~~5~ J r rqq<;.- · r r j Select from Thousands of Lps NEW· OUT-OF-PRINT r COLLECTOR'S ITEMS r ) Publisher, Nauman S. -
Sacramento Ragtime Society Newsletter
SACRAMENTO RAGTIME SOCIETY NEWSLETTER press release by Chris Bradshaw STING, featuring a full score of ragtime he 11th Annual Sutter Creek Ragtime hits, will be shown at The American Ex- TFestival, officially set for August 14-16, change Hotel, on Main Street. Take in the promises to set time back 100 years as musi- movie and order up a marvelous meal cians take their talents to five venues along while you are at it? Sutter Creek's Main Street. Then, spend Thursday the 13th, shop- This year, two pre-festival events are ping the shops, munching at a favorite eat- scheduled and everyone is welcome. On ery, and stopping by the Emporium for a Wednesday, August 12, a free movie, THE late afternoon ice cream treat before am- bling over to the Greenhorn Creek Golf Resort, 711 McCauley Ranch Road in Angels Camp where Keith Taylor will host an evening of rag- time music by some of the festival fa- vorites. Known as the jewel of the small ragtime festivals, the Sutter Creek In This Issue festival promises the best in ragtime, novelty, stride and boogie-woogie. Events include Silent Movie Night, the Festival theater Concerts, a youth concert, a strolling barber- shop group, some mighty ragtime en- sembles, such as the Carl Sonny See Sutter Creek continued on page 6 by Chris Bradshaw ment. The good news is that even for non- ecently, Omar Brubaker put an enti- performers, active music listeners are also R cing article into my hands that had to fueling their brains. Grey matters! do with playing the piano and how good it One advantage of playing the piano is for the brain. -
Educationcommunity CLASSES for ALL AGES & STAGES of LIFE
SPRING 20 REGISTRATION Continuing BEGINS JAN. 6 EducationCOMMUNITY CLASSES FOR ALL AGES & STAGES OF LIFE INSIDE: Solar Installer | 10 Native Landscaping | 43 Youth Classes | 68 … and much more! stlcc.edu/ce | 314-984-7777 FEATURED INSTRUCTORS Azim Mujakic Brittany Coates Terri Williams Reader, writer, traveler teaching for Sophisticated chef teaching for STLCC Community builder teaching for STLCC STLCC Continuing Education since Continuing Education since 2018. Continuing Education since 2015. 2003. I love teaching and connecting I view my water aerobic I survived the Balkan War with new people in the classes as so much more than a before making my way out continuing education class workout. My classes emphasize to the United States with my environment, which is always getting healthy both physically son and wife. I became a U.S. welcoming and fun for adults and mentally. We create a sense citizen in 2005 and built my and children. I especially enjoy of community where we know new life from ground zero. So working with kids, helping each other's names and share many diverse students come them to develop social and stories about our lives. Students through my classes with so character-building skills and, by tell me how they feel better many reasons to learn a new way of cooking, a skill that will about their bodies, how greatly language or the language of be needed in everyday life.” their balance has improved, their ancestors. My classes have Explore Brittany's "Cooking with and how they feel stronger.” helped individuals reconnect Friends" classes on page 32. Explore Terri's aquatics to their heritage and better classes on page 61. -
January 1995
Features PAUL WERTICO Pat Metheny's Paul Wertico is a bundle of contradictions: a highly exploratory drummer whose solo album is far from a chops-fest; a sophisticated accompanist who never took a lesson; a mainstream musician with avant-garde tendencies. Just who is this guy? Bill Milkowski 36 METAL DRUMMERS ROUND TABLE Away from the arenas and MTV cameras, today's top metal drummers have some serious issues to contend with—about the instrument they play and the business they're entangled in. Mike Portnoy, Deen Castronovo, Mark Zonder, Bobby Rock, Eric Singer, and John Tempesta cut to the chase. Matt Peiken 56 WHERE ARE THEY NOW? So you thought you'd never hear from the drummer in the Archies again—well, think again! Actually...we couldn't track him down.. .but we did get a hold of lots of your old faves— twenty-three of 'em, in fact. We think you might be surprised—and enlightened—by the stories they have to tell. Robyn Flans 76 Volume 19, Number 1 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 10 UPDATE 22 NEW AND PERSPECTIVES Black Sabbath's Bobby NOTABLE The Peart/Bozzio Rondinelli, Jay Schellen of Combination Challenge Sircle of Silence, BYRO B LEYTHAM Latin master Ignacio Berroa, and Jawbox's 102 ROCK 'N' Zach Barocas, plus News JAZZ CLINIC Hi-Hat Barks 133 INDUSTRY BY JOHN XEPOLEAS HAPPENINGS 1994 DCI World 104 LATIN Championship Results SYMPOSIUM BY LAUREN VOGELWEIS S The Soca BY RICH RYCHEL DEPARTMENTS 28 PRODUCT CLOSE-UP 106 UNDERSTANDING 4 EDITOR'S Yamaha Club RHYTHM OVERVIEW Custom Drumkit BY RICK VAN HORN Basic Reading: Part 2 BY HAL HOWLAND 6 READERS' 30 New Sabian Cymbals 110 STRICTLY PLATFORM BY RICK MATTINGLY TECHNIQUE 33 Evans Genera G2 The Sure-Fire 3:1 Cure 14 ASK A PRO Drumheads BY ED SHAUGHNESSY William Calhoun, BY RICK MATTINGLY David Garibaldi, 124 ARTIST ON and Blas Elias 114 SHOP TALK TRACK A Look At The GMS 16 IT'S Drum Company Jack DeJohnette BY ADAM BUDOFSKY BY MARK GRIFFITH QUESTIONABLE 126 CONCEPTS 120 CRITIQUE One Drummer's Psyche Vinnie Colaiuta and 112 SABIAN DREAM BY GLENN E. -
Oldiemarkt Journal
2 Oldie-Markt 12/06 Schallplattenbörsen Plattenbörsen 2007 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, dass sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeitschrift monatlich den aktuellen Börsen-kalender. Folgende Termine wurden von den Veranstaltern bekannt gegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 13. Januar Halle Händelhalle First&Last (03 41) 699 56 80 13. Januar Arnheim/Holland Stadthalle Dynamit (00 31) 263 81 72 80 14. Januar Braunschweig Stadthalle First&Last (03 41) 699 56 80 14. Januar Wiesbaden Kurhaus Kai Engel (01 73) 470 79 69 14. Januar Straßburg/Frankreich Parc des Expositions Pierre Steinmetz (00 33) 388 51 55 45 20. Januar München Kolpinghaus Werner Stoschek (085 09) 26 09 21. Januar Essen Grugahalle Agentur Lauber (02 11) 955 92 50 21. Januar Linz/Österreich Volkshaus Bindermichl Werner Stoschek (085 09) 26 09 25. Januar Berlin Statthaus Böcklerpark Kurt Wehrs (030) 67 77 62 42 27. Januar Mannheim Rosengarten Wolfgang W. Korte (061 01) 12 86 62 27. Januar Düsseldorf Bürgerhaus Reisholz Jugendamt (02 11) 74 66 95 27. Januar Salzburg/Österreich Kleingmainer Saal Werner Stoschek (085 09) 26 09 28. Januar Aachen Eurogress Agentur Lauber (02 11) 955 92 50 28. Januar Neerkat/Holland De Moost Oldiesclub (00 31) 774 65 25 Achtung! An Alle Leser! Einsendeschluss für die Aution 339 ist der 15. -
Hoovey NEW! the Last Straw NEW! Life Can Change in an Instant, with the Children’S Constant and Turn Your World Upside Bickering, Pretty Packages Down
$5 DVDs See pages 16-23, 78-79 New Releases Return to the Hiding Place Do You Believe? NEW! In WWII Holland, Corrie ten Boom leads a secret resistance NEW! A dozen different souls—all army of untrained university moving in different directions, students who navigate a deadly all longing for something more. labyrinth of hijackings, rescue As their lives unexpectedly missions, and underground intersect, they each are about networks to save and transport to discover there is power in over 880 Jewish people in their the Cross of Christ … even if panicked exodus from death. they don’t believe it. Yet. When Watch this harrowing true tale a local pastor is shaken to the of ordinary students who dare core by the visible faith of an to resist one of history’s cruelest old street-corner preacher, he tyrants, risk their lives for total strangers, and is reminded that true belief always requires action. prove that a handful of devoted young people can His response ignites a faith-fueled journey that change the course of history. Return to the Hiding powerfully impacts everyone it touches in ways Place expands upon the dramatic events chronicled that only God could orchestrate. Starring Mira Sor- in the classic book and award-winning film, The vino, Sean Astin, Alexa Penavega, Cybill Shepherd, Hiding Place. 102 minutes. Lee Majors, Ted McGinley, Madison Pettis, Brian Bosworth, and more. 119 minutes. DRAMA #24133D, $15.99 DRAMA #300391D, $24.99 SALE! $19.99 The Hiding Place In wartime Holland, Corrie ten NEW! Boom and her family of watchmak- Polycarp ers quietly sheltered Jews in their Anna, a young slave girl, is small house until Nazis discovered rescued and adopted by Chris- the “hiding place” and arrested tians in second-century Smyrna them all. -
BSW Dissertation 2016-05-05
THE RAGTIME PIANO REVIVAL IN AMERICA: ITS ORIGINS, INSTITUTIONS, AND COMMUNITY, 1940-2015 by Bryan S. Wright B.A. in Music, College of William and Mary, 2005 M.A. in Musicology, University of Pittsburgh, 2008 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Bryan S. Wright It was defended on December 7, 2015 and approved by Mary Lewis, Professor Emerita, Department of Music Andrew Weintraub, Professor, Department of Music Joshua Rifkin, Professor, Boston University Advisor: Deane Root, Professor, Department of Music ii © Bryan S. Wright 2016 iii THE RAGTIME PIANO REVIVAL IN AMERICA: ITS ORIGINS, INSTITUTIONS, AND COMMUNITY, 1940-2015 Bryan S. Wright, Ph.D. University of Pittsburgh, 2016 Since the early 1940s, ragtime piano has been the focus of a musical revival community in the United States. Like many other music revival movements, what began as an effort by a dedicated few to revitalize and preserve a “vanishing” musical practice—in this case, one that had flourished from the mid-1890s to the mid-1910s—soon attracted ardent enthusiasts eager to collect, compose, and perform ragtime. They celebrated its historical roots while endeavoring to re-establish ragtime as a thriving tradition. This study, drawing on original archival research, interviews with ragtime community members, and the author’s twelve years as a participant-observer in the community, examines the origins and development of the American ragtime piano revival community.