Structural Funds in Romania: Success Stories
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Analele Universităłii Din Oradea
MINISTERUL EDUCA łIEI, CERCET ĂRII, TINERETULUI ŞI SPORTULUI ANALELE UNIVERSIT Ăł II DIN ORADEA ISTORIE - ARHEOLOGIE TOM XX 2010 ANALELE UNIVERSIT Ăł II DIN ORADEA FASCICULA: ISTORIE-ARHEOLOGIE SCIENTIFIC COMMITTEE: EDITORIAL STAFF: Acad. Ioan Aurel-POP (Cluj-Napoca) Editor-in-Chief: Barbu ŞTEF ĂNESCU Nicolae BOC ŞAN (Cluj-Napoca) Associate Editor : Antonio FAUR Ioan BOLOVAN (Cluj-Napoca) Executive Editor: Radu ROMÎNA ŞU Al. Florin PLATON (Ia şi) Members : Rudolf GÜNDISCH (Oldenburg) Sever DUMITRA ŞCU Toader NICOAR Ă (Cluj-Napoca) Roman HOLEC (Bratislava) Viorel FAUR Nicolae PETRENCU (Chi şin ău) Mihai DRECIN GYULAI Eva (Miskolc) Ioan HORGA Frank ROZMAN (Maribor) Ion ZAINEA Gheorghe BUZATU (Ia şi) Gabriel MOISA Ioan SCURTU (Bucure şti) Florin SFRENGEU Vasile DOBRESCU (Târgu Mure ş) Mihaela GOMAN BODO Edith Laura ARDELEAN Manuscrisele, c ărŃile, revistele pentru schimb, precum şi orice coresponden Ńă , se vor trimite pe adresa Colectivului de redac Ńie al Analelor Universit ăŃ ii din Oradea, Fascicula Istorie- Arheologie. The exchange manuscripts, books and reviews as well as any correspondence will be sent on the address of the Editing Staff. Les mansucsrits, les livres et les revues proposé pour échange, ainsi que toute corespondance, seront addreses adresses à la redaction. The responsibility for the content of the articles belongs to the author(s). The articles are published with the notification of the scientific reviewer. Redaction: Dr.ing. Elena ZIERLER (Oradea) Address of the editorial office: UNIVERSITY OF ORADEA Department of -
5 Contents Studies and Articles in Memoriam
Analele UniversităŃii din Craiova. Istorie, Anul XXIV, Nr. 1(35)/2019 CONTENTS STUDIES AND ARTICLES Alexander V. Cheremisin, MUNICIPAL INTEGRATION OF SOUTHERN UKRAINE JEWS AT THE END OF THE XVIII – THE BEGINNING OF THE XX CENTURIES: SETTLEMENT, MODERNIZATION AND PARTICIPATION IN SELF- GOVERNMENT ...................................................................................................................................... 7 Mihaela Ilie, KING CAROL II’S NATIONAL RECONCILIATION POLICY AND THE “CONCENTRATION GOVERNMENT” LED BY GHEORGHE TĂTĂRESCU (NOVEMBER 1939 – MAY 1940) ...................................................................................................... 19 Haxhi Ademi, THE CASE OF THE “DISPLACEMENT” OF SERBS FROM KOSOVO DURING WORLD WAR TWO ........................................................................................................... 31 Andrii Smyrnov, THE UKRAINIAN ORTHODOX AUTOCEPHALOUS MOVEMENT DURING THE YEARS OF GERMAN OCCUPATION .............................................................. 43 Fátima Gil Gascón, Manuel Gómez Segarra, WITH VIGILANT CONCERN: THE DEBATE ARISING FROM THE SPANISH FILM CENSORSHIP LAW OF 1963 IN THE WRITTEN PRESS .................................................................................................................................. 55 Adi Hora țiu Schwarz, THE CONFERENCE IN MALTA (2-3 DECEMBER 1989) AND THE END OF THE “COLD WAR” – PERCEPTIONS IN EASTERN EUROPE ............... 67 Kanat A. Yensenov, Gani M. Karasayev, Seitkali Z. Dyusen, Bekmurat R. Naimanbayev, -
Poetica Baladei Revizie.Indd
RADU NICULESCU Spre o poetică a baladei populare româneşti RADU NICULESCU (1938–1987), etnolog cu vastă formaţie umanistă. Studii fi lologice la Universitatea din Bucureşti între 1954 şi 1959. Specializare în domeniul limbilor şi literaturilor romanice. Între 1960 şi 1987, cercetător la Institutul de Etnografi e şi Folclor; între 1969 şi 1982, membru în colegiul de redacţie al Revistei de etnografi e şi folclor; din 1970, membru al Comisiei de Antropologie şi Etnologie a Academiei Române. În 1967 s-a înscris la doctorat, sub îndrumarea lui A. J. Greimas, la École Pratique des Hautes Études, cu o teză despre Structura baladei populare româneşti, lucrare rămasă în manuscris. Între 1969 şi 1984 a lucrat segmentul de lirică socială destinat Catalogului liricii populare româneşti, elaborat în Institutul de Etnografi e şi Folclor. A publicat în reviste de specialitate din ţară şi străinătate lucrări de orientare epistemologică privind conceptele funda- mentale ale disciplinei (folclor, anonimat, autenticitate, oralitate, cultură materială), analize structurale ale unor clase de texte orale (baladă, cântec liric, cântec de leagăn, ghicitoare), studii de metodologie a cercetării şi de istorie a folcloristicii. A fost cu deosebire interesat de perspectiva interdisciplinară în cercetă- rile de folclor şi a pledat constant pentru model ca instrument de lucru şi pentru identifi carea legicului în obiectele investigate. Înzestrat cu o minte strălucită şi cu o reală vocaţie pentru crea- ţia intelectuală, a contribuit prin cercetările sale, întreprinse cu fervoare şi gravitate, la depăşirea provincialismului şi a mino- ratului ştiinţifi c în folcloristica românească. O selecţie din cele mai importante studii i-a apărut postum în volumul Folclorul – sens, valoare, Editura Minerva, 1991. -
Maramures – a Cultural Brand Name CONTENTS
Dorin Ştef Maramures – a cultural brand name CONTENTS The Wooden Churches The Traditional Homestead Riverside Technical Installations The Wooden Gates The Wayside Cross The Rattle Spindle The Seal Engraver The Traditional Peasant Costume Săcel Pottery The Traditional Cuisine The Ethnographic Museum of the Historical Land of Maramures. Sighetu Marmaţiei The Ethnographic and Folk Art County Museum Baia Mare The Vernacular of Maramures The Folklore Archive The Repertoire of Traditional Folk Music The “Marmaţia” Winter Festival of Folk Customs and Traditions “Tânjaua de pe Mara” “Nopţi de Sânziene” Midsummer Night’s Festival (Borşa) Dragoş of Bedeu and the Hunting of the Wisent Bogdan of Cuhea, the Founder of Moldova Haiduc Grigore Pintea “the Brave” The Art Museum – The Baia Mare Cultural Artistic Centre The Florean Contemporary Art Museum Dramatic Art The Historical Centre of Baia Mare Turnul lui Ştefan (Ştefan’s Tower) The Historical Centre of Sighetu Marmaţiei “Petre Dulfu” County Library The Mineralogy Museum Baia Mare The Memorial of the Victims of Communism The History and Archaeology Museum Memorial Houses The Merry Churchyard from Săpânţa Monastic Establishments Archaeological Sites Strongholds and Castles The Monument of the Moisei Heroes The “Bogdan Vodă” Statue Assembly The Elders’ Council Bibliografie 2 The Wooden Churches We open the list of the brands from Maramures with the most representative (recognized and appreciated) component, the church, close to perfection in composition, architecture, and the artistic expression specific to its cultic use, and being made of the fundamental material: wood. It joins the material universe and the spiritual realm of religious structure, particula- rized by the superimposition of archaic, pre-Christian elements (defined by Mircea Eliade [1969] as “cosmic Christianity”), and the institutionalized forms of the church. -
Maramures – a Cultural Brand Name
Dorin Ştef Maramures – a cultural brand name 1 CONTENTS The Wooden Churches The Traditional Homestead Riverside Technical Installations The Wooden Gates The Wayside Cross The Rattle Spindle The Seal Engraver The Traditional Peasant Costume Săcel Pottery The Traditional Cuisine The Ethnographic Museum of the Historical Land of Maramures. Sighetu Marmaţiei The Ethnographic and Folk Art County Museum Baia Mare The Vernacular of Maramures The Folklore Archive The Repertoire of Traditional Folk Music The “Marmaţia” Winter Festival of Folk Customs and Traditions “Tânjaua de pe Mara” “Nopţi de Sânziene” Midsummer Night’s Festival (Borşa) Dragoş of Bedeu and the Hunting of the Wisent Bogdan of Cuhea, the Founder of Moldova Haiduc Grigore Pintea “the Brave” The Art Museum – The Baia Mare Cultural Artistic Centre The Florean Contemporary Art Museum Dramatic Art The Historical Centre of Baia Mare Turnul lui Ştefan (Ştefan’s Tower) The Historical Centre of Sighetu Marmaţiei “Petre Dulfu” County Library The Mineralogy Museum Baia Mare The Memorial of the Victims of Communism The History and Archaeology Museum Memorial Houses The Merry Churchyard from Săpânţa Monastic Establishments Archaeological Sites Strongholds and Castles The Monument of the Moisei Heroes The “Bogdan Vodă” Statue Assembly The Elders’ Council Bibliografie 2 The Wooden Churches We open the list of the brands from Maramures with the most representative (recognized and appreciated) component, the church, close to perfection in composition, architecture, and the artistic expression specific to its cultic use, and being made of the fundamental material: wood. It joins the material universe and the spiritual realm of religious structure, particula- rized by the superimposition of archaic, pre-Christian elements (defined by Mircea Eliade [1969] as “cosmic Christianity”), and the institutionalized forms of the church. -
Bibliographia Numismaticae Hungaricae Bibliography Of
BIBLIOGRAPHIA NUMISMATICAE HUNGARICAE BIBLIOGRAPHY OF HUNGARIAN NUMISMATICS DIE BIBLIOGRAPHIE DER UNGARISCHEN NUMISMATIK A MAGYAR NUMIZMATIKA BIBLIOGRÁFIÁJA F. FEJÉR MÁRIA-HUSZÁR LAJOS BIBLIOGRAPHIA NUMISMATICAE HUNGARICAE BIBLIOGRAPHY OF HUNGARIAN NUMISMATICS DIE BIBLIOGRAPHIE DER UNGARISCHEN NUMISMATIK A MAGYAR NUMIZMATIKA BIBLIOGRÁFIÁJA AKADÉMIAI KIADÓ • BUDAPEST 1977 ISBN 963 05 0892 3 © Akadémiai Kiadó, Budapest 1977 Printed in Hungary * CONSPECTUS RERUM Praefatio ....................................................................................................................................... 13 Index periodicorum, serierum, annalium inspectorum, index operum saepius citatorum e t abbreviationum ............................................................................................ 41 I. Bibliographiae ......................................................................................................... 63 II. Opera generalia. Summana .............................................................................. 65 III. Catalogi num m orum ............................................................................................ 65 IV. Indices generales num m orum repertorum .................................................... 68 V. Medium A evum (Summarium) ........................................................................ 70 VI. A etas A rpadiana (Saecula X I —X III) ........................................................... 73 V II. Medium A evum E xtrem um (Saecula X IV — X V ) ...................................... -
Relational Place-Making in Maramureş, Romania
Relational place-making in Maramureş, Romania A case-study about landscape transformation, cultural heritage protection, migration and tourism; and the role of the politics of place, connectivity and practices in this re-making of place Anthonet Baijense 2 3 Relational place-making in Maramureş, Romania A case-study about landscape transformation, cultural heritage protection, migration and tourism; and the role of the politics of place, connectivity and practices in this re-making of place Anthonet Baijense November, 2013 [email protected] Wageningen University – Department of Social Sciences MSc International Development Studies (Research Master Variant - Specialisation Sociology of Rural Development) WUR student registration number: 88090439080 MSc Thesis for the Rural Development Group and the Environmental Policy Group Thesis Supervisors: dr. ir. D. Roep and dr. ir. P.J.M. Oosterveer Thesis Codes: RDS-80436 and ENP-80424 4 5 Abstract Since the 1990s, authors like Doreen Massey started to think space relationally rather than in structuralist terms. In a relational approach to place, places are seen as products of practices and interrelations. As Michael Woods stresses, it is necessary to overcome the urban bias in globalization studies and study the relations between globalization and ruralities. Such bias enables myths about globalization, like the belief that globalization is an abstract, unlocated and homogenising force. A relational approach to place does away with such myths, stressing that globalization is emplaced, rooted in and co-constituted by the ‘local’, in practices and places. Such a relational approach to place, is illustrated in this thesis with a case-study from Maramureş, Romania. Maramureş is formally represented and branded as a traditional region, but its architecture exemplifies that modernization is part of Maramureş as well.