Coleman Hawkins the Hawk Relaxes Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Coleman Hawkins the Hawk Relaxes Mp3, Flac, Wma Coleman Hawkins The Hawk Relaxes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Hawk Relaxes Country: US Released: 1965 Style: Bop, Hard Bop MP3 version RAR size: 1456 mb FLAC version RAR size: 1324 mb WMA version RAR size: 1484 mb Rating: 4.4 Votes: 537 Other Formats: AHX APE DTS ASF RA WAV VOX Tracklist A1 I'll Never Be The Same A2 When Day Is Done A3 Under A Blanket Of Blue A4 More Than You Know B1 Moonglow B2 Just A Gigolo B3 Speak Low Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Bass – Ron Carter Drums – Andrew Cyrille Guitar – Kenny Burrell Piano – Ronnell Bright Producer – Joe Goldberg Tenor Saxophone – Coleman Hawkins Notes Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, February 28th, 1961 Prestige/Moodsville Vol. 15 Deep groove Microgroove RVG Stampers Mono release Barcode and Other Identifiers Matrix / Runout (Side A Runout etched): MVLP-#15A Matrix / Runout (Side B Runout): MVLP-#15B Other versions Title Category Artist Label Category Country Year (Format) The Hawk PRCD-8106-2, Coleman Relaxes (CD, Prestige, PRCD-8106-2, US Unknown MV-15 Hawkins Album, RE, Moodsville MV-15 RM) The Hawk Moodsville, Coleman Relaxes (CD, Prestige, 0025218810623 0025218810623 Europe 2006 Hawkins Album, RE, Universal RM) Music Group The Hawk Relaxes Analogue Coleman (2x12", AJAZ-15 Productions, AJAZ-15 US 2005 Hawkins Album, Ltd, Moodsville Num, RE, RM) Moodsville, The Hawk MV 15, PR 7310, Coleman Prestige, MV 15, PR 7310, Relaxes (LP, Europe 2014 OJC-709 Hawkins Original Jazz OJC-709 Album, RE) Classics The Hawk Original Jazz OJCCD-709-2, Coleman Relaxes (CD, OJCCD-709-2, Classics, US 1992 MV-15 Hawkins Album, RE, MV-15 Moodsville RM) Related Music albums to The Hawk Relaxes by Coleman Hawkins Coleman Hawkins - Coleman Hawkins And His Orchestra Coleman Hawkins With The Ramblers - The Hawk In Holland Kenny Burrell With Coleman Hawkins - Bluesey Burrell The Prestige Blues-Swingers Featuring: Coleman Hawkins - Stasch Sonny Rollins And Coleman Hawkins - Sonny Meets Hawk! Coleman Hawkins - Hawk Coleman Hawkins, Chu Berry - The Big Sounds Of Coleman Hawkins & Chu Berry Coleman Hawkins - The Hawk Swings Coleman Hawkins - Make Someone Happy Coleman Hawkins - 1937-1939.
Recommended publications
  • The Coleman Hawkins Quartet Play the Jazz Version of No Strings Mp3, Flac, Wma
    Coleman Hawkins Quartet The Coleman Hawkins Quartet Play The Jazz Version Of No Strings mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Coleman Hawkins Quartet Play The Jazz Version Of No Strings Country: US Released: 1962 Style: Bop, Swing MP3 version RAR size: 1790 mb FLAC version RAR size: 1989 mb WMA version RAR size: 1932 mb Rating: 4.1 Votes: 290 Other Formats: MPC MMF MP2 MIDI WAV VOX MMF Tracklist A1 Look No Further A2 La La La A3 Nobody Told Me A4 Maine A5 Loads Of Love B1 The Sweetest Sounds B2 Be My Host B3 The Man Who Has Everything B4 No Strings Credits Bass – Major Holley Drums – Eddie Locke Liner Notes – Nat Hentoff Piano – Tommy Flanagan Recorded By – Rudy Van Gelder Supervised By – Esmond Edwards Tenor Saxophone – Coleman Hawkins Written-By – Richard Rodgers Notes Recorded March 30, April 4, 1962. Green Prestige Moodsville label. Deep Groove. Other versions Category Artist Title (Format) Label Category Country Year The Coleman Hawkins Coleman MV 25, Quartet Play The Jazz Moodsville, MV 25, Hawkins US 1962 MVLP 25 Version Of No Strings Prestige MVLP 25 Quartet (LP, Album, Mono, RP) Moodsville Volume 25: The Coleman Hawkins Coleman Quartet Play The Jazz Sinetone AMR 4295 Hawkins AMR 4295 2014 Version Of No Strings AMR Quartet (9xFile, MP3, Album, 320) The Coleman Hawkins The Coleman Quartet Play The Jazz MV 25 Hawkins Moodsville MV 25 US 1962 Version Of No Strings Quartet* (LP, Album) The Coleman Hawkins The Coleman Quartet Play The Jazz MVLP 25 Hawkins Moodsville MVLP 25 US 1962 Version Of No Strings Quartet* (LP, Album, Mono) The Coleman Hawkins Coleman Quartet Play The Jazz MV 25 Hawkins Moodsville MV 25 US Unknown Version Of No Strings Quartet (LP, Album, RE) Related Music albums to The Coleman Hawkins Quartet Play The Jazz Version Of No Strings by Coleman Hawkins Quartet Coleman Hawkins - Coleman Hawkins - Wrapped Tight Coleman Hawkins - The Hawk Swings Vol.
    [Show full text]
  • Crowd Pleaser Thousands Flock to Princeton for Food and Jazz by Tony Mottola Editor Jersey Jazz
    Volume 35 • Issue 10 November 2007 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Crowd Pleaser Thousands flock to Princeton for food and jazz By Tony Mottola Editor Jersey Jazz Princeton JazzFeast 2007 — story on page 26. Free for members! inset: photo Alan Dale. Photos by Tony Mottola. NJJS Annual Meeting SUNDAY, DECEMBER 2 • CONCERT see pp 3, 8, 49 ARTICLES Ellingtonia on the Net . 32 Institute of Jazz Studies/ Snuffy’s . 23 in this issue: Classic Stine. 9 Crow’s Nest . 49 Jazz from Archives. 49 CTS Images . 24 NEW JERSEY JAZZ SOCIETY Meadowbrook Swings Again. 9 REVIEWS Somewhere There’s Music . 50 Lana’s Fine Dining . 25 Pres Sez/NJJS Calendar Big Band in the Sky . 10 D. Sherman/KT Sullivan . 34 The Name Dropper . 51 Community Theatre. 33 NH Library of Traditional Jazz . 14 Glen Rock Inn . 34 & Bulletin Board. 2 CDs: Compact Views/ ADVERTISERS Talking Jazz with Anat Cohen . 16 Other Views . 36 Arbors Records . 35 November 18 Member Meeting . 3 Cornerstone. 5 The Mail Bag/Jazz Trivia. 4 Dan’s Den . 22 DVDs: Jazz Icons/ Jazzdagen Tours. 39 Yours for a Song . 24 Improvisation . 40 Shanghai Jazz. 7 46 Lounge . 43 Editor’s Pick/Deadlines/NJJS info . 6 35th Anniversary Dinner Dance. 28 September Member Meeting . 46 Whiskey Café. 11 PA Jazz Society . 44 Notes from the Music Committee . 8 Riverwalk Jazz on WBGO. 30 EVENTS Cedar Grove Elks/Meadowbrook. 13 Atlanta Jazz Party . 45 In the Mainstream. 44 Giants of Jazz at the Baird . 30 ’Round Jersey: Bridgewater, Trumpets .
    [Show full text]
  • 334 XIII. Revivals and Recreations; The
    XIII. Revivals and Recreations; The Sociology of Jazz By the early 1970s, as we have seen, jazz was in a state of stylistic chaos. This was one reason why the first glimmers of “smooth jazz” came about as both an antidote to fusion and an answer to “outside jazz.” But classical music was also in a state of chaos. The majority of listen- ers had become sick of listening to the modern music that had come to dominate the field since the end of World War II and had only become more abrasive and less communicative to a lay audience. In addition, the influx of young television executives in that period had not only led to the cancellation of many well-loved programs who they felt only appealed to an older audience demographic, but also the chopping out of virtually all arts programming. Such long-running programs as The Voice of Firestone and The Bell Telephone Hour were already gone by then. Leonard Bernstein had been replaced at the New York Philharmonic by Michael Tilson Thomas, an excellent conductor but not a popular communicator, and thus CBS’s “Young People’s Con- certs” no longer had the same appeal. In addition, both forms of music, classical and jazz, were the victims of an oil shortage that grossly affected American pressings of vinyl LPs. What had once been a high quality market was now riddled with defective copies of discs which had blis- ters in the vinyl, scratchy-sounding surfaces and wore out quickly. Record buyers who were turned off by this switched to cassette tapes or, in some cases, the new eight-track tape format.
    [Show full text]
  • The Recordings
    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Carmen Mcrae Collection of Musical Arrangements and Other Materials
    Carmen McRae Collection of Musical Arrangements and Other Materials Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2013 Revised 2017 February Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu013004 LC Online Catalog record: http://lccn.loc.gov/2012563814 Processed by the Music Division of the Library of Congress Collection Summary Title: Carmen McRae Collection of Musical Arrangements and Other Materials Span Dates: 1931-1993 Bulk Dates: (bulk 1950s-1970s) Call No.: ML31.M32 Creator: McRae, Carmen Extent: approximately 1,000 items ; 47 containers ; 20 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Carmen Mercedes McRae (1920-1994) was an American jazz vocalist, pianist, composer, and recording artist. The papers chiefly contain musical arrangements and lead sheets for approximately 800 songs. While many of the arrangements include both full scores and parts, the majority are lead sheets or parts used for her small group performances. The papers also include a small amount of correspondence, photographs, song lists, program notes, and promotional materials. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Boland, Francy. Burns, Ralph. Carter, Benny. Clayton, John, 1952- Di Novi, Gene. Holman, Bill. Jones, Jimmy, 1918-1982. Jones, Thad.
    [Show full text]
  • Syll Standards 5
    6.5. Strike up the band En 1927, les frères Gershwin signent la musique et les lyrics d’une nouvelle comédie musicale. Une comédie qui, en 1930, est transformée en une satire contre les tendances belligérantes des Etats-Unis. A noter que le célèbre film de 1940, avec Judy Garland et Mickey Roney, n’a, titre excepté, rien à voir avec ce spectacle. Cette fois encore, faisons connaissance avec la chanson de Gershwin à travers la version du musical : en enchainement, un minuscule extrait de film dans lequel Gershwin lui-même joue le thème au piano : Musical : Strike up the Band Jason Graae (voc) + orch (extr de CM Strike up the band) Video. George Gershwin : Strike up the Band George Gershwin (pn solo) ; rec 1928 ? Comme c’est souvent le cas, les premières versions de Strike up the band enregistrées sur disques sont le fait du tandem Wiener et Doucet en 1929. Dès 1930, Red Nichols enregistre la première version jazz, à la tête d’un mini big band qui sonne plutôt comme une formation dixieland que comme un big band en tant que tel. Pour mémoire, les disques de Nichols furent les premiers à être largement diffusés en Europe, bien avant ceux d’Armstrong, du Duke ou même de Bix Beiderbecke, et à ce titre, ses disques sont des documents historiques importants. Ils le sont aussi, avec le recul, lorsqu’on réalise que dans cette formation, on trouve quelques uns des plus fameux leaders de la swing craze : jugez plutôt : Glenn Miller et Tommy Dorsey aux trombones, Jimmy Dorsey au sax, Gene Krupa à la batterie, pour ne citer que ceux là ! Red Nichols : Strike up the Band Red Nichols, Ruby Weinstein, Charlie Teagarden (tp) Tommy Dorsey, Glenn Miller (tb) Jimmy Dorsey, Sid Stoneburn, Babe Russin, Larry Binyon (sax, cl) Jack Russin (pn) Teg Brown (bjo) Gene Krupa (dms) x (voc) ; rec NY janv 1930 N’insistons pas trop lourdement sur les versions swing (assez rares de toute manière) de ce thème aux accents corny évidents pour en venir à celles, autrement intéressantes, des musiciens modernes, bop et surtout cool.
    [Show full text]
  • September 2015 Meeting
    BOURNEMOUTH BIG BAND, SWING & JAZZ CLUB Newsletter JUNE 2019 Meeting The Chairman welcomed 20 attendees to the meeting (17 members + 3 new guests). Apols for absence: 0 John Savage announced that, in the absence of any nominations, Phil Lewis has therefore been elected as Secretary/Treasurer of the Club. Applause and congratulations ensued. Answers to May Newsletter quiz question: Who said: “Playing ‘bop’ is like playing Scrabble with all the vowels missing”? A: Duke Ellington in ‘Look’ magazine 10 Aug 1954 Freda asked members to sign a ‘get-well-soon’ card for Helen Robinson who suffered a very bad fall recently. Keith Brown brought in a number of CDs which had been donated to the club – 50p per CD. Vic Grayson reported on conversations with Chris Walker. He has agreed to ‘open’ our new August 14 meeting with two audio/visual presentations – one on Duke Ellington and one on Hoagy Carmichael. It is suggested that we bring a guest or friend and that an extra £1 be charged to cover the speakers’ expenses. Vic Grayson reported that he had produced a DVD of the BBC2 Jazz 625 black & white broadcast from May 3. It is available to members for borrowing and return. Derek Fones informed members that the music for Terry Webb’s funeral and celebration afterwards can now be found as a Playlist on Spotify. Link: https://open.spotify.com/user/thephilnel/playlist/1eyweRaaODmLU6cReqa2sb?si=TUkzIRcYSwqbGvJidpgdng Reg Valentine has brought in 2 copies of the magazine ‘Jazz rag’ for members to borrow, read and return. Thanks to the generosity and skill of Phil Lewis’ son Nick, the Club may soon have its own website.
    [Show full text]
  • Digital Real Book, Part One
    Digital Real Book, Part One TITLE COMPOSER / AS PLAYED BY (Anda Ven Y) Muévete Juan Formell (How Little It Matters) How Little We Know Philip Springer (Se Acabó) La Malanga Rudy Calzado (The Old Man from) The Old Country Nat Adderley, Curtis R. Lewis 1983 Eddie Palmieri 2 Degrees East, 3 Degrees West John Lewis A Cor Do Pôr-Do-Sol Ivan Lins A Face Like Yours Victor Feldman A Little Tear Eumir Deodato, Paulo Sergio Valle A Summer In San Francisco Hendrik Meurkens A Tune for Double "D" Mark Elf Afro Blue Mongo Santamaria After the Love Has Gone David Walter Foster, Jay Graydon, Bill Champlin Afternoon in Paris John Lewis Ain't Misbehavin' Harry Brooks, Thomas Waller All about Ronnie Joe Greer All Is Quiet Bob Mintzer Amanda Duke Pearson Amor Ivan Lins, Vitor Martins Anatelio (The Happy People) Airto Moreira Angel Eyes Matt Dennis Antigua Antonio Carlos Jobim Aparecida Ivan Lins, Mauricio Topajos April Mist Tom Harrell Arallué Rubén Blades Are You Real? Benny Golson At Night Marc Copland At the Close of the Day Fred Hersch Atras De Nos Richard Boukas Ayer Y Hoy (Yesterday and Today) Dario Eskenazi Azule Serape Victor Feldman Azure-Té Billy Davis Bags' Groove Milt Jackson Barbara Horace Silver Beautiful Love Egbert Anson Van Alstyne, Victor Young, Wayne King Beauty Secrets Kenny Werner Bebe Hermeto Pascoal Bebop Lives (Boplicity) Miles Davis Being Cool (Avião) Djavan Big Bertha Duke Pearson Big J John Scofield Black and Blue Harry Brooks, Thomas Waller Black Coffee Paul Francis Webster, Sonny Burke Blue Matter John Scofield Blues in the Closet
    [Show full text]
  • July Album Releases July Album Relea
    —— L ——— — JULY ALBUM RELEASES JULY ALBUM RELEA illlilllllillllillllllllllllllllllllllllllllllllllllllllllli MERCURY INTERNATIONAL Mozart—Symphony No. 40 In G Minor, K. 550— POPULAR Haydn Symphony No. 104 In D (London)—Vienna Songs Of Philharmonic Orchestra—Herbert Von Karajan, The Blue And Gray—The Wayfarers Trio Guitarra Clasica y Flamenca Played By Rogelio — Conductor—LM.2535 (M)—LSC-2535 (S) —SR 60634 (SI—MG 20634 (M) Reguera— International 13014 (M) Symphony No. 7 In A, Op. 92—Vienna Philhar- Pola Chapelle Sings Italian Folk Songs Pola Cha- — monic Orchestra—Herbert Von Karajjan, Conduc- pelle— International 113015 (M) ABC PARAMOUNT tor—LM-2536 (M)—LSC-2536 (S) RCA Jack Elliott Sings The Songs Of Woody Guthrie VICTOR Brahms Symphony No. 1 In C Minor, Op. 68— International 13016 (M) “Journey To Love” Teddy Randazzo ABC 352 (M) Vienna Philharmonic Orchestra—Herbert Von Kar- — — The The Best Of Robin Roberts— International 13017 (M) “60 French Girls Sing Great Dance Bands Of The ’30s And ’40s ajan, Conductor—LM-2537 (Ml—LSC-2537 (S) Encore”—-Les Djinns Singers MePeake Family Of Belfast— International 13018 (M) Glenn Miller & His Orchestra LPM 2080 IM) Trios: Beethoven, Schubert, Bach Jascha Heifetz, —ABC 368 (M) — Ruth Rubin Sings Yiddish Folk Songs International — Swing Classics— Lionel Hampton And — Violinist William Primrose, Violist—Gregor Pia- “One! Two! Polka-Go-Round”—Lou Prohut—ABC His Jazz 13019 (M) — 372 (M) Groups—LPM 2318 IM) tigorsky, Cellist—LM-2563 (M) LSC-2S63 (S) Oh, Gentle “Great For Dancing (Vol. ID” — The Sociables — Shepherd—Bob Daniels—LPM 2324 IM) Sousa Forever: Morton Gould and his Symphonic ABC 376 (M) —LSP 2324 IS) Band—LM-2569 (Ml—LSC-2569 (S) “The Golden Touch Plays 26 Golden Favorites” — Festival Of RCA Victor Artists—Vol.
    [Show full text]
  • Harold MABERN: Teo MACERO
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE
    [Show full text]
  • Download the Tenor Saxophone of Buddy Tate
    1 The TENORSAX of GEORGE HOLMES TATE “BUDDY” Solographer: Jan Evensmo Last update: Jan. 4, 2020 2 Born: Sherman, Texas, Feb. 22, 1914 Died: Chandler, Arizona, Feb. 10, 2001 Introduction: We became familiar with Buddy Tate very early through his recordings with Count Basie. I met him once, many years ago, at the Molde International Jazz Festival. He was a very kind man, and when he realized I was doing some useful work on ja zz tenor saxophone, he invited me to his hotel room for whisky. We had a very nice time together in the light summer night of Norway! Early history: His brother, a saxophonist, gave Buddy an alto in 1925. Two years later began gigging with McCloud's Night Owls (led by his cousin, trumpeter Roy McCloud). In 1929 played for several months in Wichita Falls with the St. Louis Merrymakers, later that year joined Troy Floyd's Band in San Antonio. Briefly with Gene Coy's Band, then with Terrence Holder's 12 Clouds of Joy from 1930-33. Worked with E. J. Malone and his Rhythm Kings (early 1933), Wesley Smiths' Band, ‘Tan Town Topics’, and Ethel May's Band before joining Count Basie in Little Rock, Arkansas (ca. July 1934). From late 1934 until early summer 1935 with Andy Kirk, played with band at Wiley College, Texas, then long spell with Nat Towles until joining Count Basie in spring 1939. Remained with Basie until September 1948, brief return in early 1949, then for the rest of that year worked mostly with Hot Lips Page, occasionally with Lucky Millinder.
    [Show full text]