Danilo Pérez • Dado Moroni • Motéma Music • Event Calendar
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Issue 29 PDF.Indd
Now incorporating Audicord THIS ISSUE INCLUDES: “I Love Paris” Organ Arrangement by Tony Back Profile of DirkJan Ranzijn From One Note to Another by John Everett (Part Two) Alan Ashtons Organised Keyboards The Spreckels Organ by Carol Williams The Duo Art Aeolian Organ February to April 2006 to April February Groov’in with Alan Ashton (Part Seven) Issue Twenty-Nine 1 Welcome to Issue Twenty-Nine Contents List for Issue 29: MSS Studios Top Forty Welcome / General Information 2 Our best selling CDs & DVDs from October to December 2005 Alan Ashtons Organised Keyboards 4 Compiled from magazine and website sales The Spreckels Organ by Carol Williams 11 1 Klaus Wunderlich Up, Up & Away (2CD) Profile of DirkJan Ranzijn 12 2 Doreen Chadwick Echoes of Edmonton (Offer) Ian Wolstenholme ReViews... 14 3 Robert Wolfe Over The Rainbow (Offer) From One Note to Another by John Everett (Part Two) 16 4 VARIOUS Electronic Organ Showcase (DVD) The Duo Art Aeolian Organ 18 5 Arnold Loxam Arnold Loxam: 2LS Leeds Bradford… New Organ & Keyboard DVDs 19 6 Robert Wolfe Those Were The Days 7 John Beesley Colours (Offer) Groov’in with Alan Ashton (Part Seven) 22 8 Brett Wales One Way MUSIC FEATURE: I Love Paris 29 9 DirkJan Ranzijn Live in Bournemouth (DVD) ORGAN1st Catalogue 34 10 Byron Jones My Thanks To You (DVD) ORGAN1st New Additions 52 11 Doreen Chadwick Say It With Music 12 Howard Beaumont The Best of Times www.organ.co.uk 13 Tony Stace Happy Days Are Here Again 14 Phil Kelsall Razzle Dazzle 15 Franz Lambert Wunschmelodien, Die Man Nie Verg… 16 VARIOUS Pavillioned -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Concerto Di Giovedì 15 Luglio
Jazz Network, Regione Emilia-Romagna Assessorato alla Cultura Ater, Comune di Ravenna Assessorato alla Cultura, Comune di Rimini Settore Cultura Comune di Correggio, Comune di Imola Assessorato alla Cultura Comune di Russi - Teatro Comunale, Comune di Bagnacavallo Assessorato alla Cultura, Antico Convento San Francesco di Bagnacavallo Comune di Modena Assessorato alle Politiche Giovanili, La Tenda di Modena, Associazione Culturale Muse Comune di Castelnuovo Rangone Assessorato alla Cultura, Associazione Amici del Jazz di Modena Comune di Parma Assessorato alla Cultura, Casa della Musica Parma, Ars Canto G. Verdi Parma Italian Jazz Orchestra, Entroterre Festival, Associazione Scuola Musicale D. Alighieri Bertinoro Fondazione Rocca dei Bentivoglio, Corti Chiese e Cortili Comune di Castel San Pietro Terme Assessorato alla Cultura, Combo Jazz Club di Imola, Uisp Castel San Pietro Terme Comune di Casalgrande Assessorato Tempo Libero, Comune di Massa Lombarda Assessorato alla Cultura Comune di Medicina, Associazione Culturale I Portici di Medicina, Associazione Culturale Eretici del Barbarossa di Medicina Comune di Solarolo Assessorato alla Cultura, Comune di Fusignano Assessorato alla Cultura Comune di Gambettola Assessorato alla Cultura, La Baracca dei Talenti Gambettola, Teatro del Drago Comune di Dozza Assessorato alla Cultura, Piacenza Jazz Club, Jazz Club Ferrara, Camera Jazz&Music Club Bologna Cisim di Lido Adriano - Associazione Culturale Il Lato Oscuro della Costa, Fondazione Teatro Socjale Piangipane Mama’s Club Ravenna, Bronson Produzioni -
Laurence Hobgood
Laurence Hobgood "One of the *inest pianists out there. Period." --All About Jazz “ . one of the most incredible pianists I’ve ever heard.” --Dave Brubeck "Welcome to a new piano star . Laurence Hobgood . --The Independent (UK) Best known for his collaboration with vocalist Kurt Elling, multiple Grammy-nominee and 2010 Grammy-winner Laurence Hobgood has enjoyed a multi-faceted and dynamic career. Musical Director for Elling since 1995, he’s played on, composed, arranged and co-produced all of Elling’s CDs (six for Blue Note and three for Concord), each Grammy- nominated. 2009’s Dedicated To You: Kurt Elling Sings The Music Of Coltrane and Hartman, recorded live at Lincoln Center, won the 2010 Grammy Award for Best Vocal Jazz Record. Hobgood began formal piano study at age six in Dallas, Texas, where his father was Chairman of the Southern Methodist University theatre program. At age 12, he was introduced to gospel and blues through his family's church. Several years later, after moving to Illinois, he began formal training in jazz. He attended the University of Illinois, where he played for three years in the "A" jazz ensemble led by John Garvey. During that time his classical study continued with Ian Hobson. After moving to Chicago in 1988, he established a local presence leading his own quintet and joining forces with some of Chicago's premier players, including Ed Peterson, Fareed Haque, and most importantly seven-time Grammy Award-winning drummer, Paul Wertico. The group, Trio New, with Hobgood, Wertico, and bassist Eric Hochberg, played to critical acclaim and established a serious connection with Wertico that spans many projects and ensembles. -
Patricia Zarate Perez Other Bios Performance
Patricia Zarate Perez Other Bios Performance: Patricia started playing the guitar and singing Chilean songs at age 10 in Santiago and Santa Cruz, Chile. She picked up the saxophone at age 13 and studied in Chile with renowned Chilean saxophone players. She moved to the US at age 20 and became the first female Chilean student to graduate from Berklee College of Music. Later, she pursued her master's degree in Jazz Studies at New York University with a full scholarship. Her saxophone teachers in the USA included Jerry Bergonzi, Jackie McLean, George Garzone, among others. Zarate has performed in North, Central, and South America with various bands in diverse settings. She has performed at Lincoln Center, Chicago's Jazz Showcase, Detroit Jazz Festival, Conservatory of Paris, Havana Jazz Festival, among many other sites, and in countries like Korea, Puerto Rico, Panama, Chile, USA, Gabon, Cameroon, Spain, among others. She regularly participates in her husband's (Panamanian pianist Danilo Perez) educational and diplomatic projects, and her life has been immensely influenced by the musical and non- musical lessons of saxophonist Wayne Shorter. Music Therapy: Zarate Perez graduated with the first generation of students from the music therapy department at Berklee College of Music in 1999, where she met her mentor Colin Lee. She worked as a music therapy intern at the Psychiatric Unit of the New Hampshire State Hospital, where she provided music therapy services to acute psychiatric patients. She later worked at the Boston Institute For Arts Therapies and Arts in Progress where she worked with children with behavioral difficulties, autism, and Down Syndrome. -
Stock up on Homespun Dvds for the Holidays!
PRESENTS Happy Traum of Homespun shares the joy of music in the holiday season. ACCORDION BEGINNING BLUEGRASS BANJO LEARN TO PLAY taught by Pete Wernick STOCK UP ON CAJUN ACCORDION Pete (Dr. Banjo) Wernick will have taught by Dirk Powell HOMESPUN you picking right from the start of DVD 1: Powell teaches how to hold this DVD. By the time you finish, the instrument, use the bellows, DVDS FOR you’ll be accompanying songs, find the notes, and play “double” playing solos, and will have THE HOLIDAYS! (octaves). Includes detailed instruc- learned basic chords, slides, tion for playing some popular Cajun hammer-ons and pull-offs, right- dance tunes. 75 MIN • INCLUDES Now that DVD players are mainstream hand “rolls” in the three-finger bluegrass style and lots more. LYRICS • NOVICE LEVEL More than a dozen easy bluegrass songs are taught. in homes across the country, DVDs DVD 2: Covers topics such as ornamentation, syncopation, 100 MIN • INCLUDES TAB • NOVICE LEVEL phrasing, anticipating the bellows changes, creating rhythmic effects 00641606 DVD .....................................................$29.95 from Homespun will make great gifts and other techniques. 60 MIN • EARLY INTERMEDIATE LEVEL 00641849 2-DVD Set ............................................$49.95 for instrumentalists everywhere this HOW TO PLAY THE 00641844 DVD One Only .....................................$29.95 5-STRING BANJO holiday season! 00641845 DVD Two Only .....................................$29.95 taught by Pete Seeger with special guest appearance by Doc Watson TEX-MEX ACCORDION Covering all styles of music from America’s most beloved banjo taught by Flaco Jiménez picker teaches his playing bluegrass, jazz and country to folk, blues and Tim Alexander, techniques and more than a dozen with Max Baca, bajo sexto and rock, Homespun’s love of music and songs. -
Curriculum Dado Moroni
Edgardo Dado Moroni nasce a Genova nel 1962 e venne in contatto con la musica jazz molto presto, la sua carriera professionistica decollò all'età di 14 anni, suonando in tutta Italia con alcuni dei più importanti musicisti italiani come Franco Cerri, Tullio De Piscopo, Luciano Milanese, Gianni Basso, Sergio Fanni e Massimo Urbani e Tullio de Piscopo. All'età di 17 anni registrò il suo primo album in trio con Tullio de Piscopo e il bassista americano Julius Farmer e a 18 la seconda fatica discografica, “Bluesology” lo vide affiancato dal trombettista Franco Ambrosetti, il bassista Niels Henning Oersted Pedersen e ancora il grande Tullio De Piscopo alla batteria Nel 1983, al Sanremo Jazz Festival, incontrò il bassista Jimmy Woodie e il trombettista Harry Sweets Edison. Dado si unì al Jimmy Woode Trio, con Alvin Queen e Sangoma Everett che si alternavano alla batteria e viaggiò in tutta Europa accompagnando giganti del jazz come Clark Terry, Johnny Griffin, Freddie Hubbard, Bud Shank, Buddy De Franco, Zoot Sims e molti altri. Con il giovane e talentuoso sassofonista George Robert, Dado iniziò una lunga amicizia e collaborazione. Nel 1987 fondarono il “George Robert/Tom Harrell Quintet”. Nel 1987 l' incontro di Dado con la leggenda del contrabasso Ray Brown produsse la formazione del Trio “Two Bass Hits” con uno dei suoi più talentuosi protégé, Pierre Boussaguet. Nello stesso anno Dado incise il suo primo album newyorkese con l'altro master del contrabbasso Ron Carter (“Ron Carter presents Dado Moroni” con Grady Tate e Gene Bertoncini) per l'etichetta Emarcy Japan. Inoltre venne invitato come pianista per la tournée estiva della Mingus Dynasty, la Paris Reunion Band e come giudice al fianco di Sir Roland Hanna, Hank Jones, Barry Harris and Roger Kellaway, per il primo Thelonious Monk Jazz Competition, vinto dal pianista Marcus Roberts. -
Quaderno 2010
Catalogo_jazz_2010-def 16-12-2010 10:12 Pagina 1 Allonsanfàn il jazz di là dalle alpi 2010 QUINDICESIMA EDIZIONE Catalogo_jazz_2010-def 16-12-2010 10:12 Pagina 2 Quindici anni di Nuove Conversazioni Dopo quindici anni, “Vicenza Jazz” è più che una realtà consolidata: è un patrimonio della città e di tutto il territorio vicentino e veneto, oltre che un punto fermo nella geografia nazionale ed europea dei festi- val di primavera. Quando siamo partiti, nel ’96, pensavamo semplicemente di fare qualcosa di diverso, se possibile di significativo, qualcosa che in città non c’era e che, secondo noi, la città avrebbe apprezzato. 2 Certamente non pensavamo a quanta strada avremmo potuto fare ma non vi è dubbio che quindici anni di festival sembrano ora aver dato ragione alle intuizioni di allora. La nostra idea si chiamò “New Conversations”, nuove conversa- zioni, nuovi modi di parlarsi, di incontrarsi, di confrontarsi: nel jazz, nella musica, nella società e con tutti quelli che avevano voglia di mettersi in gioco per ritrovarsi in una Vicenza nuova, se possibile più europea. Così, ancora una volta, anche quest’anno Vicenza uscirà di casa, per le strade e nelle piazze, per entrare nei teatri e nei locali, nelle chiese e nei musei, nei cinema e ancora all’aperto. Il tutto, con uno scopo sostanzialmente semplice: guardarsi intorno, e dentro di sé, grazie all’unico linguaggio che non ha bisogno di traduzioni, quello della musica. E di tutte le musiche, il jazz è quella che da sempre più di tutte ha cercato nuovi incontri, senza il bisogno di traduttori, né di media- tori. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Short Takes Jazz News Festival Reviews Jazz Stories Interviews Columns
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC SHORT TAKES JAZZ NEWS FESTIVAL REVIEWS JAZZAMANCA 2020 JAZZ STORIES PATTY WATERS INTERVIEWS PETER BRÖTZMANN BILL CROW CHAD LEFOWITZ-BROWN COLUMNS NEW ISSUES - REISSUES PAPATAMUS - CD REVIEWS OBITURARIES Volume 46 Number 2 April May June Edition 2020 Ed Schuller (bassist, composer) on GM Recordings My name is Eddy I play the bass A kind of music For the human race And with beauty and grace Let's stay on the case As we look ahead To an uncertain space Peace, Music Love and Life" More info, please visit: www.gmrecordings.com Email: [email protected] GM Recordings, Inc. P.O. Box 894 Wingdale, NY 12594 3 | CADENCE MAGAZINE | APRIL MAY JUNE 2016 L with Wolfgang Köhler In the Land of Irene Kral & Alan Broadbent Live at A-Trane Berlin “The result is so close, so real, so beautiful – we are hooked!” (Barbara) “I came across this unique jazz singer in Berlin. His live record transforms the deeply moving old pieces into the present.” (Album tip in Guido) “As a custodian of tradition, Leuthäuser surprises above all with his flawless intonation – and that even in a live recording!” (Frankfurter Allgemeine Zeitung) “Leuthäuser captivates the audience with his adorable, youthful velvet voice.” (JazzThing) distributed by www.monsrecords.de presents Kądziela/Dąbrowski/Kasper Tom Release date: 20th March 2020 For more information please visit our shop: sklep.audiocave.pl or contact us at [email protected] The latest piano trio jazz from Quadrangle Music Jeff Fuller & Friends Round & Round Jeff Fuller, bass • Darren Litzie, piano • Ben Bilello, drums On their 4th CD since 2014, Jeff Fuller & Friends provide engaging original jazz compositions in an intimate trio setting. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Mi M®, 7273 the FUNCTION of ORAL TRADITION in MARY LOU's MASS by MARY LOU WILLIAMS THESIS Presented to the Graduate Counci
37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 Fledderus, France. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. Master of Music (Musicology), August, 1996,141 pp., 44 titles. The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of Williams, discussed in the context of her musical aesthetics, this thesis investigates the elements of conventional mass settings and oral tradition found in Mary Lou's Mass.