House, February 11, 1998
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Booklet
VIRGIN AND CHILD veneration of Mary makes it striking that a antiphonal passages Taverner deploys a panoply MUSIC FROM THE BALDWIN PARTBOOKS II good deal of the Marian polyphony composed of textures, ranging from chordal declamation to under Henry VIII and Mary Tudor survives in rich five-voice counterpoint, used climactically Elizabethan manuscript sources, the greatest to end sections of the motet and most gloriously of which is the ‘Baldwin partbooks’, copied of all at the concluding ‘amen’, where those 1 Gaude gloriosa Dei mater Thomas Tallis [18.33] during the 1570s and 80s by John Baldwin, who know the familiar version of the motet will 2 Mater Christi John Taverner [6.50] a member of the choir of St George’s Chapel, notice that Baldwin copied a strikingly decorated 3 Tota pulchra es Robert White [7.24] Windsor and later of the Chapel Royal. On final cadence. Among the chordal exclamations 4 Magnificat Thomas Tallis [5.30] this disc, the second in our series featuring in the piece are the invocations of Jesus by 5 Videte miraculum Thomas Tallis [13.20] music from the Baldwin partbooks, we present name, marked – as was typical during the some of the finest examples of Marian polyphony period – by sustained chords, a musical 6 Regina cæli Robert White [3.20] copied by Baldwin, encompassing a wide variety equivalent of genuflexion. 7 Ave Dei Patris filia Robert Fayrfax [10.25] of styles, and with a particular focus on texts 8 Verbum caro John Sheppard [9.56] celebrating Mary as mother of God, and on the A particularly imposing example of such a Virgin and her Child. -
Four Tables of Divine Revelation
FOUR TABLES O F Divine Revelation, SIGNIFYING What G O D in himself is without Nature; and how considered in Nature, according to the Three Principles, ALSO, What HEAVEN, HELL, WORLD, TIME, and ETERNITY, are: Together with all Creatures visible and invisible : And out of what all Things had their Original. By JACOB BEHMEN, the Teutonic Theosopher. P R E F A C E T O T H E R E A D E R. HOW sad an Account have they to give, whose Throats, like open Sepulchres, blast with their Breath (as far as their Venom reaches) the most eminent Gifts of God in Men that bear his Image? Of which did they know the Danger, it could not but make them tremble, to consider how their poisoned Arrows will return and stick in their own Souls : Yet some have not feared maliciously to defame this deep illuminated Man of God. A Man, whose Writings manifestly appear to have been the Dictates of God©s Spirit. And the Will of God was made the Rule of his Life, resigning himself to the divine Will, to will and work nothing but according to the Will of God. Yet against the Spirit of this pious Man (as if they feared an Eclipse of their Evening Splendor, by the Day-light of his Writings) have some (especially among the Lamps of our modern Sects) spit forth their Venom, in Aspersions so injuriously false, and palpably absurd, that neither Reason nor Religion, Prudence or Piety, could yield any Motive thereto, but only the Monster of their own Frailty. -
The True Cost
THE TRUE COST How the UK outsources death to Dignitas How the UK outsources death to Dignitas 1 Acknowledgements Thank you to everyone who shared their story: Alan, Anne, Carmen, Carol, Caroline, David F, David W, Denise, Dianne, Emil, Ila, James, Julie, K, Lesley, Lloyd, Mick, Sandy and Simon Research interviews by Professor Bronwyn Parry and Sally Eales Written by Lloyd Riley and Davina Hehir Design by Ashley Goldstein ([email protected]) Photography by Alexander Whittle, Luke Doyle, Neil O’Connor and Zach Moss Legal advice from Julian B. Knowles QC A digital version of this report can be found at https://features.dignityindying.org.uk/true-cost-dignitas/ 2 The True Cost Contents Foreword .................................................................................................................................................................................................................5 Executive summary .............................................................................................................................................................................................6 Methodology ..................................................................................................................................................................................................................8 1. Introduction .........................................................................................................................................................................................................10 -
Sonnets of U:Bia <Tentur~
Sonnets of U:bia<tentur~. Scmn not tha S(YTl,net; Oriti.c, you, have frow11ed,, Mindless of its just honours ; with this key ShakeS'peare wn,/.ockedhis heart ; the melody OJ tl,,1,Ssmall lute gave ease to Petrarch's wound; A thousand times this pipe did Tasso soitnd; With it Oanwens soothed an mle's grief; The S=t glittered a gay myrtle l,eaf A.mid the cypress with which Dante crowned His visionary brow; a grow-worm lamp, It cheered mild Spenser, calwdfrom Faery-land To struggl,e through dark ways; and , when a damp Fell round the path of Milton, in his hand The Thing becamea trumpet, whena he blew Soul-animating 6trains-alas, toofew I - Wn ,LJAM WoR.DSWORTH: HENRY ALFORD. I L EASTER, EVE. I eAW two women weeping by the tomb Of one new buried, in a fair green place Bowered with shrubs ;-the eve retained no trace Of aught that day performed,-but the faint gloom Of dying day was spread upon the sky ;- The moon was broad and bright above the wood ; The distance sounded of a multitude, Music and shout and mingled revelry, At length came gleaming through the thicket shade Helmet and casque-and a steel-armed band Watched round the sepulchre in solemn stand; The night-word passed, from man to man conveyed; And I could see those women rise and go Under the dark trees moving sad and slow. A 2 WILLIAM ALLINGHAM. II. AUTUMNAL SONNET. Now Autumn's fire burns slowly a.long the woods, And day by day the dead leaves fall and melt, And night by night the monitory blast Wails in the key-hole, telling how it pass' d O'er empty fields, or upland solitudes, Or grim wide wave; and now the power is felt Of melancholy, tenderer in its moods Than any joy indulgent summer dealt. -
We Are Spirit Having a Human Experience
WE ARE SPIRIT HAVING A HUMAN EXPERIENCE Lome Whorley B.Ed. University of British Columbia 1976 THESIS SUBMITI'ED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Faculty of Education O Lome Whorley 1995 SIMON FRASEH UNIVERSITY June 1995 All rights resented. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Lome Christopher Whorley Degree: Master of Arts Title of Thesis: We are Spirit having a Human Experience Examining Committee: Chair: Yaroslav Senyshyn ~olertWalker Professor Senior Supervisor - - Robert J.C. Harper Professor Emeritus -- I --- - Allan MacKinnon Assistant Professor Faculty of Education Simon Fraser University External Examiner - I PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. Title of Thesis/Project/Extended Essay We are Spirit having a Human Experience Author: ABSTRACT WE ARE SPIRIT HAVING A HUMAN EXPERIENCE As eternal spirit, we bring with us into life @s that are spiritual in their nature. -
Jah in the Flesh: an Examination of Spirit, Power, and Divine Envesselment in Rastafari
JAH IN THE FLESH: AN EXAMINATION OF SPIRIT, POWER, AND DIVINE ENVESSELMENT IN RASTAFARI ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ In Partial Fulfilment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by Randy R. Goldson August 2020 ________________________________________________________________________ Examining Committee Members: Terry Rey, Advisory Chair, Department of Religion Laura Levitt, Department of Religion Christopher Johnson, Department of Africology and African American Studies Harvey Neptune, External Member, Department of History e-title page © Copyright 2020 by Randy R. Goldson All Rights Reserved ii ABSTRACT This dissertation examines one of the most significant theological shifts in the Rastafari movement: the transformation of the Rastafari deity, His Imperial Majesty Emperor Haile Selassie I, from Jah in the flesh to the spirit that dwells within the body of each Rasta. Although the belief that Rastas are participants in the divinity of Jah emerged early in Rastafari, it was not until Selassie’s death in 1975 that the theological assertion of Jah dwelling within their bodies as the spirit emerged. Despite the initial claim made by some of the early Rastas that their bodies are the dwelling place of Jah, the notion of Jah as indwelling the spirit remains undertheorized,