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Chart Action News
Thursday, April 21, 2016 NEWS CHART ACTION No. 1 Challenge Coin—Cole Swindell New On The Chart —Debuting This Week ! Artist/song/label—chart pos. ! Zac Brown Band/Castaway/Dot Records— 53 ! Aaron Watson/Bluebonnets/Thirty Tigers— 60 ! Brett Young/Sleep Without You/Republic Nashville— 74 ! !Keith Walker/Friends With Boats— 76 ! Greatest Spin Increase ! Artist/song/label—Spin Increase ! Carrie Underwood/Church Bells/Arista Nashville— 481 ! Zac Brown Band/Castaway/Dot Records— 429 ! Keith Urban/Wasted Time/Capitol Nashville—385 ! Jason Aldean/Lights Come On/Broken Bow— 338 ! !Aaron Watson/Bluebonnets/Thirty Tigers— 309 MusicRow’s Troy Stephenson (L) with Cole Swindell (R) Most Added Cole Swindell is not only an accomplished artist and songwriter of his Artist/song/label—No. of Adds own hits, he’s had a hand in writing for others as well. This week, Cole Zac Brown Band/Castaway/Dot Records—28 received his Challenge Coins for co-writing Luke Bryan’s “Roller Coaster” Aaron Watson/Bluebonnets/Thirty Tigers—26 and Florida Georgia Line and Bryan’s “This Is How We Roll.” To see the Tucker Beathard/Rock On/Dot Records— 18 full list of Challenge Coin recipients, click here. Cole’s new album, You Rachael Turner/Aftershock/Rustic Records—14 Should Be here, will be available on May 6. Read more about it here. Lonestar/Never Enders/Shanachie Entertainment—13 ! Carrie Underwood/Church Bells/Arista Nashville—13 Dan + Shay To Release Sophomore Album In June Charles Kelley/Lonely Girl/Capitol Nashville—13 ! Craig Campbell/Outskirts Of Heaven/Red Bow Records—10 Duo Dan + Shay will released their sophomore album, Obsessed, on June 3 via Warner Bros. -
Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
What Will Be Country Music's Songs of Summer 2021?
2021 MAY 24 CountryInsider.com | Sign Up For Daily Email Here What Will Be Country Music’s Songs Of Summer 2021? If 2020 was the summer where everyone stayed home, 2021 will be the one where people can’t wait to get back out. With Memorial Day Weekend approaching, what are country radio’s programmers seeing as the singles for this season? “I think three are shaping up to be summer soundtracks with Luke Bryan’s ‘Waves’ front and center,” says Audacy Country Format Captain Tim Roberts. “It’s a super-chill track that captures summer and fun beautifully.” Also on Roberts’ summer fun list: Brian Kelley’s “Beach Cowboy,” “which I think is where a lot of brains drift toward daydreaming about summer beach fun,” and Old Dominion’s new “I Was on a Boat That Day.” (Continued on page 4) COUNTRY INSIDER TOP 5: WGAR’s “Wazz & Carletta” Look Back On Morning Show Pairing Ahead Of First Anniversary. Bobby Bones Show’s Eddie Garcia Blows Past $10K Goal To Walk From West Virginia To Tennessee. Morgan Wallen Debuts Miranda Lambert, Nicolle Galyon Co-Write On Instagram. Consultant Mike O’Malley: Don’t Be A Bystander In Your Own Show. Dustin Lynch Returns As Headliner for WEZL Charlotte’s Stars and Guitars Music Festival. 1 | MAY 24, 2021 CountryInsider.com Dani Lynn Howe Trey Poston Top 5 All-Time Middays/KYKR Top 5 All-Time Songs Leuck & Howe Morning Show, WLLR-FM Country Bands: Beaumont, TX by Female Artists: Quad Cities, IA/IL 1. Restless Heart 1. Safe in the Arms of Love - Martina McBride 2. -
Victorian Historical Journal
VICTORIAN HISTORICAL JOURNAL VOLUME 89, NUMBER 2, DECEMBER 2018 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Royal Historical Society of Victoria is a community organisation comprising people from many fields committed to collecting, researching and sharing an understanding of the history of Victoria. The Victorian Historical Journal is a fully refereed journal dedicated to Australian, and especially Victorian, history produced twice yearly by the Publications Committee, Royal Historical Society of Victoria. PUBLICATIONS COMMITTEE Judith Smart and Richard Broome (Editors, Victorian Historical Journal) Jill Barnard Rozzi Bazzani Sharon Betridge (Co-editor, History News) Marilyn Bowler Richard Broome (Convenor) (Co-Editor, History News) Marie Clark Jonathan Craig (Review Editor) Don Garden (President, RHSV) John Rickard Judith Smart Lee Sulkowska Carole Woods BECOME A MEMBER Membership of the Royal Historical Society of Victoria is open. All those with an interest in history are welcome to join. Subscriptions can be purchased at: Royal Historical Society of Victoria 239 A’Beckett Street Melbourne, Victoria 3000, Australia Telephone: 03 9326 9288 Email: [email protected] www.historyvictoria.org.au Journals are also available for purchase online: www.historyvictoria.org.au/publications/victorian-historical-journal VICTORIAN HISTORICAL JOURNAL ISSUE 290 VOLUME 89, NUMBER 2 DECEMBER 2018 Royal Historical Society of Victoria Victorian Historical Journal Published by the Royal Historical Society of Victoria 239 A’Beckett Street Melbourne, Victoria 3000, Australia Telephone: 03 9326 9288 Fax: 03 9326 9477 Email: [email protected] www.historyvictoria.org.au Copyright © the authors and the Royal Historical Society of Victoria 2018 All material appearing in this publication is copyright and cannot be reproduced without the written permission of the publisher and the relevant author. -
2015 Regional Music Scholars Conference Abstracts Friday, March 27 Paper Session 1 1:00-3:05
2015 REGIONAL MUSIC SCHOLARS CONFERENCE A Joint Meeting of the Rocky Mountain Society for Music Theory (RMSMT), Society for Ethnomusicology, Southwest Chapter (SEMSW), and Rocky Mountain Chapter of the American Musicological Society (AMS-RMC) School of Music, Theatre, and Dance, Colorado State University March 27 and 28, 2015 ABSTRACTS FRIDAY, MARCH 27 PAPER SESSION 1 1:00-3:05— NEW APPROACHES TO FORM (RMSMT) Peter M. Mueller (University of Arizona) Connecting the Blocks: Formal Continuity in Stravinsky’s Sérénade en La Phrase structure and cadences did not expire with the suppression of common practice tonality. Joseph Straus points out the increased importance of thematic contrast to delineate sections of the sonata form in the beginning of the nineteenth century. Igor Stravinsky exploited other musical elements (texture, range, counterpoint, dynamics, etc.) to delineate sections in his neoclassical works. While theorists have introduced large-scale formal approaches to Stravinsky’s works (block juxtaposition, stratification, etc.), this paper presents an examination of smaller units to determine how they combine to form coherence within and between blocks. The four movements of the Sérénade present unique variations of phrase construction and continuity between sections. The absence of clear tonic/dominant relationships calls for alternative formal approaches to this piece. Techniques of encirclement, enharmonic ties, and rebarring reveal methods of closure. Staggering of phrases, cadences, and contrapuntal lines aid coherence to formal segments. By reversing the order of phrases in outer sections, Stravinsky provides symmetrical “bookends” to frame an entire movement. Many of these techniques help to identify traditional formal units, such as phrases, periods, and small ternary forms. -
Here's What's Happening at AAA in 2013
AMERICAN ACCORDIONISTS’ ASSOCIATION Newsletter A bi-monthly publication of the American Accordionists’ Association JANUARY 2013 From the Editor Here’s What’s Welcome to the January 2013 edition of the AAA Newsletter. As we begin the New Year, it is already shaping up to be an exciting 12 months, full of spectacular accordion events anchored by our own organization’s 75th An- Happening at niversary to be celebrated in New York City in August. My sincere thanks go to our AAA President Linda Reed for her kind assistance in AAA in 2013 the production of this bi-monthly Newsletter which is now celebrating its first an- niversary! I would also like to extend a special thank you to my fellow Board of Director Rita David- son for helping gather and research the News articles, and to all the members who have been able to MARCH 16, 2013 submit items for publication. Coupe Mondiale Items for the March Newsletter can be sent to me at [email protected]. Please include qualifying categories. ‘AAA Newsletter’ in the subject box, so that none of the items are missed when they come in. Text See article on this page should be sent within the e-mail or as a Word .doc (not docx) attachment. Pictures should be sent as a high quality .jpg or similar image file, and the larger the file size the better. We can always MARCH 17, 2013 reduce/crop the picture if necessary, however we are unable to increase the quality from smaller pic- 2:00 pm tures. The deadline for the March 2013 edition will be the 15th of February. -
Supporting Traditional Music-Making: Designing for Situated Discretion
Session: Ethnography in the Very Wild February 11-15, 2012, Seattle, WA, USA Supporting Traditional Music-Making: Designing for Situated Discretion Steve Benford, Peter Tolmie, Ahmed Y. Ahmed, Andy Crabtree, Tom Rodden Mixed Reality Laboratory & Horizon Centre for Digital Economy Research The University of Nottingham, Nottingham NG8 1BB, UK ABSTRACT subtle complexities of this etiquette have led to the An ethnographic study of Irish music sessions in pubs publication of „field guides‟ for beginners [13, 20]. elaborates the collaborative work involved in making A diverse range of interests in music, its practices, the traditional music. Central to this distinctive achievement is collaboration that goes on between musicians, and the the sequencing of tunes so that they hang together and sharing of music itself has evolved in recent years. This combine to form discrete „sets‟, which rely on a shared includes work on the design of new instruments for both knowledge of musical repertoires. Our study shows how expert and non-expert musicians [e.g., 5, 6, 21]; support for musicians develop this musical knowledge through the use musical coordination [e.g., 14, 23, 25] and improvisation of digital resources and social networks. It also reveals how [e.g., 7, 8, 9, 19, 29]; and for how people use, share, and musicians construct and make use of various paper props to synchronize music across a range of different social help bring their knowledge to bear in the actual in vivo settings [e.g., 3, 4, 12, 16, 26, 33]. Set against these is the course of a session so as to maintain the moral order of Irish music session, a vitally important feature of which is making music together in a demonstrably traditional way. -
'Race' and Diaspora: Romani Music Making in Ostrava, Czech Republic
Music, ‘Race’ and Diaspora: Romani Music Making in Ostrava, Czech Republic Melissa Wynne Elliott 2005 School of Oriental and African Studies University of London PhD ProQuest Number: 10731268 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731268 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis is a contribution towards an historically informed understanding of contemporary music making amongst Roma in Ostrava, Czech Republic. It also challenges, from a theoretical perspective, conceptions of relationships between music and discourses of ‘race’. My research is based on fieldwork conducted in Ostrava, between August 2003 and July 2004 and East Slovakia in July 2004, as well as archival research in Ostrava and Vienna. These fieldwork experiences compelled me to explore music and ideas of ‘race’ through discourses of diaspora in order to assist in conceptualising and interpreting Romani music making in Ostrava. The vast majority of Roma in Ostrava are post-World War II emigres or descendants of emigres from East Slovakia. In contemporary Ostrava, most Roma live on the socio economic margins and are most often regarded as a separate ‘race’ with a separate culture from the dominant population. -
A Resource Pack for Key Stage 2
Jazz A resource pack for Key Stage 2 John Marley August 2018 Contents A brief introduction to Jazz 2 Notes on the resource pack 3 Meet the artist 4 Lesson Plan 1 - An introduction to the origins of Jazz 5 Lesson Plan 2 - An introduction to the Blues 6 Lesson Plan 3 - Learning about chords and the Major Scale 7 Lesson Plan 4 - Recognising common Jazz instruments and 9 learning about the Big Band Lesson Plan 5 - Examining common jazz instruments in more detail 11 Lesson Plan 6 - Recap of the course. Listening to current Jazz artists 13 Appendix 1 - Minims, Crotchets and Quavers 14 Appendix 2 - 12 Bar Blues in C 15 Appendix 3 - Listening list and resources 16 A brief introduction to Jazz The origins of jazz music can be found in the southern states of the USA and more accurately, in New Orleans. This city was the perfect breeding ground for jazz due to its role as a major shipping port. This brought many different cultures and therefore many styles of music to the area. Jazz is a combination of African and European cultures. In New Orleans, the rhythms of Africa fused with European harmony and instrumental technique to create a new genre. This development was gradual and over time, more cultures influenced the music. Rhythms from Latin America also play an important role in early jazz. The first jazz bands improvised in a polyphonic manner - each musician made up their part based on a set of chords and the melody line. This created a busy, yet sophisticated musical dialogue. -
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CITY SOLICITOR DEATH ROLL HAS COME DOWN IS GROWING ^/Ga/At/O/V CRUISER NIOBE NEARING HALIFAX CR1PPEN in ^ WITNESS BOX BALLOONIST
Try Empress Drus Store for One ♦ ♦ COAL I COAL I Box of ROACH-TISDALE HALL * WALKER BITTER SWEETS «St GOVERNMENT ST. And You Will "Joe No Other. Phone 83 OLO. A. FRASER. NO. 92. VOLUME 60. VICTORIA, B. C., THURSDAY, OCTOBER 20, 1910. CITY SOLICITOR DEATH ROLL CRUISER NIOBE CR1PPEN IN ^ NEARING HALIFAX WITNESS BOX HAS COME DOWN IS GROWING COUNCIL CHAMBEy NOW NOT QUITE SO SHIPPING SUFFERS EXPECTED TO REACH ; PRISONER TESTIFIES ANXIOUS TO RESIGN DURING HURRICANE PORT TO-MORROW ON OWN BEHALF Arrangements Completed for Re Will Seek to Prove Wife is Not Sudden Clarification of Atmos- Number of Vessels Reported in ception of Canadian Warship Dead But Fled to phere at City Hall—Aid. Sinking Condition in Gulf j .-Plate for Vessel America - t Langley’s Views of Mexico (Special to the Times.) ^Special to the Times) There Is a decided clearing of the at- (Times Leased Wire.) Halifax, Oct. 20—Hon. L. P. Brodeur London. Oct. 20.—Wher ’ Crlp|»en Moephere at the etty hall to-day. The New Orleans, Oct, 20 -(Steamer* Br- minister of murine andJMdivries1. Alrx, ■teased- into this dosfc. this morning he clty solicitor, F. H. M< Dlarmtd. la In a l iving here report a death list ot at Johnstone, deputy minister, of -marine was noticeably 'palei and a suspicion of much more doeth- mood It I» Oa- h-pa deait IIX) In tile riuilds «tins - that.1 and fisheries; (\ Destftirat*, deputy hony was discernible on his features. oTHmaetr and hi» friend» that a way j *<v*pl the Gulf of Mexico al well as ^/ga/at/o/V minister of mtftijfj»jjfalr*. -
School of Music 2016–2017
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2016–2017 School of Music 2016–2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Goff-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849.