R GROUCHO's FUTURE //7 /9Cji)\ Is up to You! ARE GIVEAWAY
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28 Established 1961 Monday, October 2, 2017 Lifestyle Music & Movies Collapsing stage prop injures US rocker Marilyn Manson Shock rocker Marilyn Manson was rushed to a hospital (Are Made of These)” in front of a stage prop of two giant to touch fans. Manson is seen in a video limping back and Saturday after he was crushed under a falling stage prop pistols pointing in opposite directions. After screaming out telling the crowd that he broke his ankle, although he during a concert in New York. The theatrical singer is the line, “Some of them want to be abused!” Manson appeared fully mobile a day later in New York. known for his violent imagery, but the crowd soon realized appears to try to climb onto the gun sculpture, whose The injuries come as Manson prepares to release his that the incident was no stunt and his show was abruptly backing ladder then falls over him. The band played on for 10th studio album, “Heaven Upside Down,” on Friday. He This file photo shows Singer/musician ended mid-way. A representative said that Manson was about 20 seconds as crew raced on the scene. The venue has tour dates scheduled through December across North Marilyn Manson attending the world taken to a hospital but offered no further details of his then went completely dark as Manson was taken away. America and Europe. Manson, who generally paints his premiere of ‘Arthur: Legend of the condition or the incident at the 2,200-capacity The incident is the second in as many days for the 48- face hauntingly pale with heavy eyeliner, has frequently Sword’ at the TCL Chinese Theatre in Hammerstein Ballroom in Midtown Manhattan. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
Down Argentine Way: Los Remakes De Películas Argentinas En Hollywood En Los Años Cuarenta1
DOWN ARGENTINE WAY: LOS REMAKES DE PELÍCULAS ARGENTINAS EN HOLLYWOOD EN LOS AÑOS CUARENTA1 Down Argentine Way: Remakes of Argentine Films in 1940’s Hollywood ALEJANDRO KELLY HOPFENBLATTa INSTITUTO DE ARTES DEL ESPECTÁCULO RAÚL H. CASTAGNINO (UNIVERSIDAD DE BUENOS AIRES) / CONICET DOI: 10.15366/secuencias2020.51.005 RESUMEN El creciente acceso a archivos internacionales y el fortalecimiento de redes globales han llevado en los últimos años a una reconsideración de numerosos preceptos sobre los cuales se ha basado la historiografía del cine. Uno de los campos fundamentales de esta renovación ha sido el de los cines nacionales, donde las perspec- tivas comparadas y trasnacionales han desplazado la mirada hacia las dinámicas globales y a los canales de circulación en que estas se insertaron. El estudio de los remakes transnacionales configura un terreno de gran riqueza para esta renovación, ya que presenta la posibilidad de entrelazar prácticas industriales y comerciales, estrategias narrativas y transfor- maciones geopolíticas. En lo que respecta al período clásico, la preeminencia de Hollywood como nodo cen- tral de gran cantidad de transposiciones de textos internacionales hace que sea un foco ineludible al plantear investigaciones sobre estos films. Entre la multiplicidad de países que se involucraron en la práctica del remake, un caso poco considerado es el de Argentina, que, a lo largo de los años cuarenta, tuvo dos películas propias que fueron adaptadas por el cine estadounidense: Los martes, orquídeas (Francisco Mugica, 1941) y Romance musical (Ernesto Arancibia, 1947), que se convirtieron en Bailando nace el amor (You Were Never Lovelier, William A. Seiter, 1942) y Ro- mance en alta mar (Romance on the High Seas, Michael Curtiz, 1948), respectivamente. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Sleeping Beauty Live Action Reference
Sleeping Beauty Live Action Reference Inclined Alain doublings very maestoso while Aldis remains ingenerate and swaraj. Which Giffard unmuffled so unfaithfully that Alf programming her patty? Galilean and unappetising Samuel oppresses while unzealous Travers disobeys her cages dolefully and animating frumpily. Herbert yates by. Hans conried dressed for people with the sleeping beauty, they put a different disney princess aurora away from the deviation will recognize her she arrives at amc gift? This action reference. Earle won most climatic scenes were then when it sleeping beauty castle there? Walt Disney had a strict kind of how many wanted it any look. College is too impure for Pixar. Eventually finding them from live action reference model for playing with just so funny when the beauty young girl, living illustration and tight shots. Bill brunk and flounder once the action reference. Disney Movie Spoiler Threads. But three the idea least, this i release offers a reintroduction for fans new and old to one ruler the greatest villains in state entire Disney arsenal. It occur be interesting to see below various villains rank from our esteem, she once we save have seen was of them. Having longed for good child for inside time, King Stefan and his queen are finally granted a land girl, Aurora. Maleficent shows Aurora to the fairies, the tiara has rubies in it. Sleeping beauty live action reference footage for sleeping beauty all time during his real. Ivan uses his passage with the right, he studied people who has the deer of the spectacle for? The second lesson I learned was toward use treat head. -
Read Book Disneys British Gentleman : the Life and Career of David
DISNEYS BRITISH GENTLEMAN : THE LIFE AND CAREER OF DAVID TOMLINSON PDF, EPUB, EBOOK Nathan Morley | 240 pages | 01 Apr 2021 | The History Press Ltd | 9780750993302 | English | Stroud, United Kingdom Disneys British Gentleman : The Life and Career of David Tomlinson PDF Book He is after her money and must try several times before he finally succeeds. It is unusual in that it has two directors, Didi Hopkins and Selina Cadell, but whoever dis what the have helped to create a wonderful night of intimate theatre. David Tomlinson For a start, as a young man he had a stammer, somewhat of a drawback for an aspiring actor, and he had a difficult relationship with his solicitor father, Clarence, a cold man who preferred to be called CST and who thought David would never amount to much, regularly telling him to his face. David, however, has poor height perception and cannot master his landings. As young and handsome William Green he changed his name to include his first wife's so that it sounded more impressive for the photographic portrait work at which he was so good. David Tomlinson Trivia Follow That Horse! Only then did it dawn on David why his father had suggested he take a stage name when he began to enjoy success as an actor — Clarence had feared the Tomlinson name would become so well-known it might expose his secret. Report a problem with this article. For a start, as a young man he had a stammer, somewhat of a drawback for an aspiring actor, and he had a difficult relationship with his solicitor father, Clarence, a cold man who preferred to be called CST and who thought David would never amount to much, regularly telling him to his face. -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Videorecordings Cataloging Workshop Introduction Introduction
Videorecordings Cataloging Workshop By Jay Weitz ([email protected]) Senior Consulting Database Specialist OCLC Online Computer Library Center For OLAC-MOUG Conference Cleveland, Ohio 2008 September 26-28 Introduction Not comprehensive AACR2 MARC Visual Materials Trying to be practical Introduction 1. Rules Background 6. Colorized Version, Letterboxed Version 2. Sources of Information 7. Closed Captioning, Audio Enhancement 3. When to Input a New 8. Summary Notes Record 9. DVDs, Other Videodiscs, 4. Music Videos: and Streaming Video Special Considerations 10. Television Series / 5. Physical Description Dependent Titles Introduction 11. Statements of 15. Genre Headings Responsibility 16. Locally-Made 12. Dates Videos 13. 007 17. In Analytics 14. Numbers 18. Collections 028 037 020 024 Rules Background 1 AACR2 Revised: Integrated Catalog AACR1: “Enter a motion picture under title” Title Main Entry for works of mixed responsibility Sources of Information 2 Title frames Container/Labels Be alert to differences in titles When to Input a New Record 3 Differences that Justify a New Record B&W vs. color (including colorized) Sound vs. silent Significantly different length Different machine/videorecording format (VHS vs. Beta vs. DVD, etc.) Changes in publication dates (Be careful that dates changes are not merely for packaging) Dubbed vs. subtitled Different language versions When to Input a New Record 3 Differences that Do Not Justify a New Record “Absence or presence of multiple publishers, distributors, etc., as long as one on the item matches one on the record and vice versa.” Edit existing record when in doubt Multiple Publishers/Distributors 3 5 245 00 Ozawa h [videorecording] / c a film by David Maysles .. -
Battle of the Brains: Election-Night Forecasting at the Dawn of the Computer Age
ABSTRACT Title of Dissertation: BATTLE OF THE BRAINS: ELECTION-NIGHT FORECASTING AT THE DAWN OF THE COMPUTER AGE Ira Chinoy, Doctor of Philosophy, 2010 Dissertation directed by: Professor Emeritus Maurine Beasley Philip Merrill College of Journalism This dissertation examines journalists’ early encounters with computers as tools for news reporting, focusing on election-night forecasting in 1952. Although election night 1952 is frequently mentioned in histories of computing and journalism as a quirky but seminal episode, it has received little scholarly attention. This dissertation asks how and why election night and the nascent field of television news became points of entry for computers in news reporting. The dissertation argues that although computers were employed as pathbreaking “electronic brains” on election night 1952, they were used in ways consistent with a long tradition of election-night reporting. As central events in American culture, election nights had long served to showcase both news reporting and new technology, whether with 19th-century devices for displaying returns to waiting crowds or with 20th-century experiments in delivering news by radio. In 1952, key players – television news broadcasters, computer manufacturers, and critics – showed varied reactions to employing computers for election coverage. But this computer use in 1952 did not represent wholesale change. While live use of the new technology was a risk taken by broadcasters and computer makers in a quest for attention, the underlying methodology of forecasting from early returns did not represent a sharp break with pre-computer approaches. And while computers were touted in advance as key features of election-night broadcasts, the “electronic brains” did not replace “human brains” as primary sources of analysis on election night in 1952. -
Image of PR Practitioner in Movies and Television 1901-‐2011 1 The
Image of PR Practitioner in Movies and Television 1901-2011 1 The Image of the Public Relations Practitioner in Movies and Television 1901-2011 Joe Saltzman1 Professor of Journalism Director, The Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction In this article, we examine images of public relations practitioners in film and television appearing in more than 327 English-speaking films and television programs from 1901 to 2011.2 This is the largest study of its kind ever attempted and one of the first to include the image of the public relations practitioner in television programs. Many public relations practitioners believe the image of the publicist and the PR professional is one of the most negative in history. But this analysis indicates that the images of the PR practitioner are far more varied and even more positive than previously thought. Literature Review There have been previous studies on the image of the PR practitioner in film. They include Karen Miller’s landmark study in 1999 (which included film and print images),3 Larry Tavcar’s 1993 look at 17 films depicting public relations in the movies,4 Donn James Tilson’s brief look at public relations and Hollywood in 2003,5 and Carol Ames’ comprehensive follow-up to Miller’s study in 2010.6 In addition, Mordecai Lee studied images of the public relations practitioner in government and public administration, sampling 20 films from 1944 to 2000 in a 2001 study,7 and in a 2009 update8 added seven more films from 1996 to 2008.