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The PAS Educators' Companion
The PAS Educators’ Companion A Helpful Resource of the PERCUSSIVE ARTS SOCIETY EDUCATION COMMITTEE Volume VIII Fall 2020 PERCUSSIVE ARTS SOCIETY 1 EDUCATORS’ COMPANION THE PAS EDUCATORS’ COMPANION PERCUSSIVE ARTS SOCIETY EDUCATION COMMITTEE ARTICLE AUTHORS DAVE GERHART YAMAHA CORPORATION OF AMERICA ERIK FORST MESSIAH UNIVERSITY JOSHUA KNIGHT MISSOURI WESTERN STATE UNIVERSITY MATHEW BLACK CARMEL HIGH SCHOOL MATT MOORE V.R. EATON HIGH SCHOOL MICHAEL HUESTIS PROSPER HIGH SCHOOL SCOTT BROWN DICKERSON MIDDLE SCHOOL AND WALTON HIGH SCHOOL STEVE GRAVES LEXINGTON JUNIOR HIGH SCHOOL JESSICA WILLIAMS ALABAMA STATE UNIVERSITY EMILY TANNERT PATTERSON CAMBRIDGE UNIVERSITY PRESS How to reach the Percussive Arts Society: VOICE 317.974.4488 FAX 317.974.4499 E-MAIL [email protected] WEB www.pas.org HOURS Monday–Friday, 9 A.M.–5 P.M. EST PERCUSSIVE ARTS SOCIETY 1 TABLE OF CONTENTS BUILDING A STRONG FOUNDATION OF THE SNARE DRUM FULCRUM 3 by Dr. Dave Gerhart CONSISTENCY MATTERS: Developing a Shared Vernacular for Beginning 6 Percussion and Wind Students in a Heterogeneous Classroom by Dr. Erik M. Forst PERFECT PART ASSIGNMENTS - ACHIEVING THE IMPOSSIBLE 10 by Dr. Joshua J. Knight TOOLS TO KEEP STUDENTS INTRIGUED AND MOTIVATED WHILE PRACTICING 15 FUNDAMENTAL CONCEPTS by Matthew Black BEGINNER MALLET READING: DEVELOPING A CURRICULUM THAT COVERS 17 THE BASES by Matt Moore ACCESSORIES 26 by Michael Huestis ISOLATING SKILL SETS, TECHNIQUES, AND CONCEPTS WITH 30 BEGINNING PERCUSSION by Scott Brown INCORPORATING PERCUSSION FUNDAMENTALS IN FULL BAND REHEARSAL 33 by Steve Graves YOUR YOUNG PERCUSSIONISTS CRAVE ATTENTION: Advice and Tips on 39 Instructing Young Percussionists by Jessica Williams TEN TIPS FOR FABULOUS SNARE DRUM FUNDAMENTALS 46 by Emily Tannert Patterson ADDITIONAL RESOURCES 49 2 PERCUSSIVE ARTS SOCIETY EDUCATORS’ COMPANION BUILDING A STRONG FOUNDATION OF THE SNARE DRUM FULCRUM by Dr. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title There There Permalink https://escholarship.org/uc/item/60t3s22k Author Boarini, Cathleen Mary Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE There There A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Arts in Creative Writing and Writing for the Performing Arts by Cathleen Mary Boarini March 2012 Thesis Committee: Mark Haskell Smith, Co-chairperson Laila Lalami, Co-chairperson Tod Goldberg Copyright by Cathleen Mary Boarini 2012 The Thesis of Cathleen Mary Boarini is approved: ________________________________________________ ________________________________________________ Committee Co-chairperson ________________________________________________ Committee Co-chairperson University of California, Riverside TABLE OF CONTENTS Chapter 1 1 Chapter 2 13 Chapter 3 26 Chapter 4 39 Chapter 5 51 Chapter 6 59 Chapter 7 82 Chapter 8 93 Chapter 9 101 Chapter 10 112 iv Chapter 1 I am sitting behind my desk watching the downpour when I catch the scent of bacon. Dunbar is in the building again, despite the restraining order. I close my eyes as if that might enhance my sense of smell and wonder if Ramona, my boss, can detect the bacon all the way back in her office. I picture her sitting in her Herman Miller Aeron chair, tucked behind her computer screen, sneakered feet barely reaching the floor, her compact, sprinter’s body folded in half at the waist, not in an attempt to hide or be secretive, but trying to physically burrow into Matters of the Heart or Between the Sheets or whatever other period-specific, euphemistically risqué bodice-ripper she has open in her lap. -
BEFORE the PHILOSOPHY There Are Several Ways That We Might Explain the Location of the Matrix
ONE BEFORE THE 7 PHILOSOPHY UNDERSTANDING THE FILMS BEFORE THE PHILOSOPHY I’m really struggling here. I’m trying to keep up, but I’m losing the plot. There is way too much weird shit going on around here and nothing is going the way it is supposed to go. I mean, doors that go nowhere and everywhere, programs acting like humans, multiplying agents . Oh when, when will it end? – SparksE The Matrix films often left audiences more confused than they had bargained for. Some say that their confusion began with the very first film, and was compounded with each sequel. Others understood the big picture, but found themselves a bit perplexed concerning the details. It’s safe to say that no one understands the films completely – there are always deeper levels to consider. So before we explore the more philosophical aspects of the films, I hope to clarify some of the common points of confusion. But first, I strongly encourage you to watch all three films. There are spoilers ahead. The Matrix Dreamworld You mean this isn’t real? – Neo† The Matrix is essentially a computer-generated dreamworld. It is the illusion of a world that no longer exists – a world of human technology and culture as it was at the end of the twentieth century. This illusion is pumped into the brains of millions of people who, in reality, are lying fast asleep in slime-filled cocoons. To them this virtual world seems like real life. They go to work, watch their televisions, and pay their taxes, fully believing that they are physically doing these things, when in fact they are doing them “virtually” – within their own minds. -
Facing the Absurd Existentialism for Humans and Programs
TWELVE 150 FACING THE ABSURD EXISTENTIALISM FOR HUMANS AND PROGRAMS The Matrix cannot tell you who you are. – Trinity†† Man is nothing else but what he makes of himself. Such is the first principle of existentialism. – Jean-Paul Sartre FACING THE ABSURD Of Gods and Architects Søren Kierkegaard, whose existentialist philosophy of faith was discussed in the previous chapter, requested that just two words be engraved on his tombstone at his death: THE INDIVIDUAL. This gesture nicely summarizes the main thrust of the existentialist movement in philosophy – which both begins and ends with the individual. Existentialism focuses on the issues that arise for us as separate and distinct persons who are, in a very profound sense, alone in the world. Its emphasis is on personal responsibility – on taking responsibility for who you are, what you do, and the meanings that you give to the world around you. While Kierkegaard’s existentialism was largely inspired by his religious commit- ments, atheism was the guiding assumption for many existentialist writers, includ- ing Martin Heidegger, Albert Camus, and Jean-Paul Sartre. In Existentialism as a Humanism, the French existentialist Jean-Paul Sartre explained how his philo- sophy was intimately tied to his atheism through the example of a paper-cutter. [H]ere is an object which has been made by an artisan whose inspiration came from a concept. He referred to the concept of what a paper-cutter is and likewise to a known method of production, which is part of the concept, something which by and large is a routine. Thus, the paper-cutter is at once an object produced in a certain way and, on the other hand, one having a specific use . -
Starlog Magazine
THE MATRIX SCIENCE FICTION FILMS*TV*VIDEO Indiana Carrie-Anne 4 Jones' wild iss & the death JANUARY #318 r women * of Trinity Exploit terrain to gain tactical advantages. 'Welcome to Middle-earth* The journey begins this fall. OFFICIAL GAME BASED OS ''HE I.l'l't'.RAKY WORKS Of J.R.R. 'I'OI.KIKN www.lordoftherings.com * f> Sunita ft* NUMBER 318 • JANUARY 2004 THE SCIENCE FICTION UNIVERSE ^^^^ INSIDEiRicinE THISti 111* ISSUEicri ir 23 NEIL CAIMAN'S DREAMS The fantasist weaves new tales of endless nights 28 RICHARD DONNER SPEAKS i v iu tuuay jfck--- 32 FLIGHT OF THE FIREFLY Creator is \ 1 *-^J^ Joss Whedon glad to see his saga out on DVD 36 INDY'S WOMEN L/UUUy ICLdll IMC dLLIUII 40 GALACTICA 2.0 Ron Moore defends his plans for the brand-new Battlestar 46 THE WARRIOR KING Heroic Viggo Mortensen fights to save Middle-Earth 50 FRODO LIVES Atop Mount Doom, Elijah Wood faces a final test 54 OF GOOD FELLOWSHIP Merry turns grim as Dominic Monaghan joins the Riders 58 THAT SEXY CYLON! Tricia Heifer is the model of mocmodern mini-series menace 62 LANDniun OFAC THETUE BEARDEAD Disney's new animated film is a Native-American fantasy 66 BEING & ELFISHNESS Launch into space As a young man, Will Ferrell warfare with the was raised by Elves—no, SCI Fl Channel's new really Battlestar Galactica (see page 40 & 58). 71 KEYMAKER UNLOCKED! Does Randall Duk Kim hold the key to the Matrix mysteries? 74 78 PAINTING CYBERWORLDS Production designer Paterson STARLOC: The Science Fiction Universe is published monthly by STARLOG GROUP, INC., Owen 475 Park Avenue South, New York, NY 10016. -
The Matrix Explained
The Matrix Explained http://www.idph.net 9 de fevereiro de 2004 2 IDPH The Matrix Esta é uma coletânea de diversos artigos publicados na Internet sobre a trilogia Matrix. Como os links na Internet desaparecem muito rapidamente, achei que seria in- teressante colocar, em um mesmo documento, as especulações mais provocati- vas sobre a trilogia. Cada um dos artigos contém o link onde o artigo original foi encontrado. Estas referências, em sua maior parte, foram obtidas no Google (http://www. google.com), buscando por documentos que contivessem, em seu título, as palavras “matrix explained”; intitle:"matrix explained" Infelizmente, estão todos em inglês. Em português existem dois livros muito bons sobre os filmes: • MATRIX – Bem-vindo ao Deserto do Real Coletânea de William Irwin Editora Madras • A Pílula Vermelha Questões de Ciência, Fiilosofia e Religião em Matrix Editora Publifolha Quem sabe vivemos mesmo em uma Matrix. Ao menos é o que diz um dos artigos do do livro “A Pílula Vermelha”. Espero que gostem ... http://www.idph.net IDPH 3 Matrix – Explained by Reshmi Posted on November 12, 2003 14:39 PM EST To understand “The Matrix Revolutions” we’re gonna have to go all the way back to the beginning. A time that was shown in the superior Animatrix shorts “The Second Renaissance Parts I & II. In the beginning there was man. Then man created machines. Designed in man’s likeness the machines served man well, but man’s jealous nature ruined that relationship. When a worker robot killed one of its own abusive masters it was placed on trial for murder and sentenced for destruction. -
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-post-rock (These are excerpts from my book "A History of Rock and Dance Music") The Louisville alumni 1995-97 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Squirrel Bait and Rodan genealogies continued to dominate Kentucky's and Chicago's post-rock scene during the 1990s. Half of Rodan, i.e. Tara Jane O'Neil (now on vocals and guitar) and Kevin Coultas, formed Sonora Pine with keyboardist and guitarist Sean Meadows, violinist Samara Lubelski and pianist Rachel Grimes. Their debut album, Sonora Pine (1996), basically applied Rodan's aesthetics to the format of the folk lullaby. Another member of Rodan, guitarist Jeff Mueller, formed June Of 44 (11), a sort of supergroup comprising Sonora Pine's guitarist Sean Meadows, Codeine's drummer and keyboardist Doug Scharin, and bassist and trumpet player Fred Erskine. Engine Takes To The Water (1995) signaled the evolution of "slo-core" towards a coldly neurotic form, which achieved a hypnotic and catatonic tone, besides a classic austerity, on the mini-album Tropics And Meridians (1996). Sustained by abrasive and inconclusive guitar doodling, mutant rhythm and off-key counterpoint of violin and trumpet, Four Great Points (1998) metabolized dub, raga, jazz, pop in a theater of calculated gestures. -
Zenker, Stephanie F., Ed. Books For
DOCUMENT RESUME ED 415 506 CS 216 144 AUTHOR Stover, Lois T., Ed.; Zenker, Stephanie F., Ed. TITLE Books for You: An Annotated Booklist for Senior High. Thirteenth Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-0368-5 ISSN ISSN-1051-4740 PUB DATE 1997-00-00 NOTE 465p.; For the 1995 edition, see ED 384 916. Foreword by Chris Crutcher. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 03685: $16.95 members, $22.95 nonmembers). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC19 Plus Postage. DESCRIPTORS *Adolescent Literature; Adolescents; Annotated Bibliographies; *Fiction; High School Students; High Schools; *Independent Reading; *Nonfiction; *Reading Interests; *Reading Material Selection; Reading Motivation; Recreational Reading; Thematic Approach IDENTIFIERS Multicultural Materials; *Trade Books ABSTRACT Designed to help teachers, students, and parents identify engaging and insightful books for young adults, this book presents annotations of over 1,400 books published between 1994 and 1996. The book begins with a foreword by young adult author, Chris Crutcher, a former reluctant high school reader, that discusses what books have meant to him. Annotations in the book are grouped by subject into 40 thematic chapters, including "Adventure and Survival"; "Animals and Pets"; "Classics"; "Death and Dying"; "Fantasy"; "Horror"; "Human Rights"; "Poetry and Drama"; "Romance"; "Science Fiction"; "War"; and "Westerns and the Old West." Annotations in the book provide full bibliographic information, a concise summary, notations identifying world literature, multicultural, and easy reading title, and notations about any awards the book has won. -
Reassessing the Matrix/Reloaded
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 6 October 2003 Reassessing The Matrix/Reloaded Julien R. Fielding University of Nebraska at Omaha, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Fielding, Julien R. (2003) "Reassessing The Matrix/Reloaded," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 6. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/6 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Reassessing The Matrix/Reloaded Abstract Much has been written about Larry and Andy Wachowski's film The Matrix and on practically every angle: from philosophical precedents to the realities of artificial intelligence. Religious scholars, oo,t have thrown their hats into the academic ring, expounding on the Gnostic, Buddhist and Christian aspects found therein. But as many have discovered, the Wachowski brothers are syncretists, pulling bits from here and there and then mixing it all together in a science fiction-martial arts stew. They do this so thoroughly that when one tries to impose a singular religious paradigm on top of the film(s), slotting in the characters one-by-one, it seems to work only until put back within the context of the film(s). It is then when everything begins to unravel. Even though scholars have done it time and time again employing one religious worldview to understand The Matrix and The Matrix: Reloaded simply does not work. -
2006 Labyrinth, the Literary Magazine of the United States Naval Academy
Welcome to the 2006 Labyrinth, the literary magazine of the United States Naval Academy. Since the mid 1970’s, the Labyrinth has regularly published the creative work of midshipmen. Whether in the form of short stories, poetry, visual art, or music, our magazine has dedicated itself to providing a space for midshipmen expression of the highest quality. Not until last spring, however, through the generous donation of Mr. Larry Brady ’66 and family, did we secure enough funding to ensure annual printing. Knowing we would eventually be able to hold a hard copy of the Labyrinth in our hands energized the staff all year long. We also found the Brigade more responsive than ever to our calls for submissions. Our goal this year was to better illuminate the link between the words on these pages and the careers of the people who write them. LGEN Lennox, the Superintendent of West Point and holder of a Ph.D. in Literature from Princeton University, graciously agreed to introduce the Labyrinth. We have included the service selections for all of the first-class midshipmen, as well as the work of several alumni who have gone on to successful careers in the Navy and Marine Corps. The responses vary, but many of the issues remain the same. - Celidon Pitt ’06 (USMC Pilot) Editor Staff Assistant Editor…………...Michael DeCarolis ‘07 Art Editor…………………..Angela Laird ’06 (Surface Warfare: FFG 60 Rodney M. Davis, Everett, WA) Fiction Editor………………Travis Klempan ’06 (Surface Warfare: CG 59 USS Princeton, San Diego, CA) Poetry Editor………………Jaci Hanna ’06 (Surface Warfare: DDG 86 USS Shoup, Everett, WA) Publicity Manager………...Allysia Hood ‘07 Layout Manager…………..Genevieve Studer ‘08 The Future…………………DeeDee Collins ’07, Kyle Wright ’07, Thomas Newcomb ‘08, Jacob Pitchford ’08, Laura Young ‘08 Faculty Advisor………………………Asst. -
HEROISM in the MATRIX: an Interpretation of Neo’S Heroism Through the Philosophies of Nietzsche and Chesterton
HEROISM IN THE MATRIX: An interpretation of Neo’s heroism through the philosophies of Nietzsche and Chesterton By DUNCAN BRUCE REYBURN A dissertation submitted in fulfillment of the requirements for the degree Magister Artium (Visual Studies) in the FACULTY OF HUMANITIES UNIVERSITY OF PRETORIA PRETORIA Supervisor: Prof. J van Eeden Co-supervisor: Ms S Viljoen April 2007 DECLARATION Student number: 20149060 I declare that Heroism in the Matrix: An interpretation of Neo’s heroism through the philosophies of Nietzsche and Chesterton is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. ________________________ Duncan Reyburn 25 April 2007 iii “If there had been no real heroes imaginary ones would have been created, for men cannot live without them.” – Hamilton Wright Mabie (1903:1) iv SUMMARY AND KEY TERMS This study explores the representation of the hero in Lawrence and Andrew Wachowski’s Matrix film trilogy, which comprises The Matrix (Wachowski, Wachowski & Silver 1999), Matrix Reloaded (Wachowski, Wachowski & Silver 2003a) and The Matrix Revolutions (Wachowski, Wachowski & Silver 2003b). Special reference is made to how Neo embodies a postmodern view of heroism. This implies an exploration into the relationship between Neo, the protagonist and hero in the Matrix trilogy, and his mythological predecessors, as well as the relationship between the representation of Neo and ideas concerning heroism. In order to further understand the nature of heroism in the Matrix trilogy, the ideas of two philosophers, namely Friedrich Nietzsche (1844-1900) and Gilbert Keith Chesterton (1874-1936), are explored and compared. -
Capital Reporting Company 1201 Rulemaking Process Public Roundtable 05-28-2015 2 LIBRARY of CONGRESS UNITED STATES COPYRIGHT OF
Capital Reporting Company 1201 Rulemaking Process Public Roundtable 05-28-2015 2 LIBRARY OF CONGRESS UNITED STATES COPYRIGHT OFFICE SIXTH TRIENNIAL 1201 RULEMAKING HEARINGS Thursday, May 28, 2015 Library of Congress Mumford Room Washington, D.C. Reported by: Christine Allen Capital Reporting Company (866) 448 - DEPO www.CapitalReportingCompany.com © 2015 Capital Reporting Company 1201 Rulemaking Process Public Roundtable 05-28-2015 3 1 P A R T I C I P A N T S 2 United States Copyright Office: 3 Jacqueline C. Charlesworth Michelle Choe 4 Sy Damle John Riley 5 Steve Ruwe Regan Smith 6 National Telecommunication and Information 7 Administration: 8 Stacy Cheney 9 Participants: 10 Aaron Benmark Bobette Buster 11 Patrick Carey Jack Lerner 12 Molly Priya McClurg 13 Blake Reid Sherwin Siy 14 David Jonathan Taylor Bruce Turnbull 15 Michael Weinberg J. Matthew Williams 16 Michael Wolfe 17 18 19 20 21 22 23 24 25 (866) 448 - DEPO www.CapitalReportingCompany.com © 2015 Capital Reporting Company 1201 Rulemaking Process Public Roundtable 05-28-2015 4 1 P R O C E E D I N G S 2 3 Proposed Class 5: Audiovisual Works-- Derivative 4 Uses--Multimedia E-Books 5 MS. CHARLESWORTH: Good morning, 6 everyone, and welcome to the Sixth Triennial 1201 7 Rulemaking Proceeding. We are going to be 8 considering a couple of classes today, including 9 Proposed Class 5, which is up next, which is 10 titled, "Audiovisual Works--Derivative Uses-- 11 Multimedia E-Books." 12 And I want to introduce myself. I'm 13 Jacqueline Charlesworth, General Counsel of the 14 U.S.