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RCM Clarinet Syllabus / 2014 Edition
FHMPRT396_Clarinet_Syllabi_RCM Strings Syllabi 14-05-22 2:23 PM Page 3 Cla rinet SYLLABUS EDITION Message from the President The Royal Conservatory of Music was founded in 1886 with the idea that a single institution could bind the people of a nation together with the common thread of shared musical experience. More than a century later, we continue to build and expand on this vision. Today, The Royal Conservatory is recognized in communities across North America for outstanding service to students, teachers, and parents, as well as strict adherence to high academic standards through a variety of activities—teaching, examining, publishing, research, and community outreach. Our students and teachers benefit from a curriculum based on more than 125 years of commitment to the highest pedagogical objectives. The strength of the curriculum is reinforced by the distinguished College of Examiners—a group of fine musicians and teachers who have been carefully selected from across Canada, the United States, and abroad for their demonstrated skill and professionalism. A rigorous examiner apprenticeship program, combined with regular evaluation procedures, ensures consistency and an examination experience of the highest quality for candidates. As you pursue your studies or teach others, you become not only an important partner with The Royal Conservatory in the development of creativity, discipline, and goal- setting, but also an active participant, experiencing the transcendent qualities of music itself. In a society where our day-to-day lives can become rote and routine, the human need to find self-fulfillment and to engage in creative activity has never been more necessary. The Royal Conservatory will continue to be an active partner and supporter in your musical journey of self-expression and self-discovery. -
School a Mu Ic
School a Mu ic Presents a Faculty Recital: Sean Osborn, clarinet accon'zpanied by Kimberly Russ, piano May.fi, 2007 7:30 pm MEANY THEATER PROGRAM c~ I>,~(~ f5 !OCo mPREMIERE RHAPSODIE................................ CLAUDE DEBUSSY (1862- I 9 18) !lJ c.CTW. \1U.MT '? CHARACTER PIECES ................ J. ?-:-~!. \.1: .................. SEAN OSBORN (b. 1966) 3 1. JMN 11. EM ME IV. RM V. FS Cc.--;\'\ ~T'> ) D '7 " '7 Q ~,..uc\e. -- - G,f',1 e ''-()~ r- <--I I c.u v1Il~T.5 rom Motives in Verdi's Opera RlGOLETTO: FANTASlA ........................................1."2:,,1"- ........... LUIGI BASSI (I 833-187 I) INTERMISSION (D--+r 15, L[ 11 C"'"" 'AA.e-0B v HI 2'/7 IRDS IN WARPED TIME IT ............1. ...'................ ... SOMEI SATOH (b. 1947) dent in the accompaniment to this piece. This piece was originally writ1en for violin and ~ piano. Here, the clarinet uses a range o f sounds, from non vibrato, to slow p0l1amenti to c.c,'""n1 wlQM TS held notes with exaggerated v ibrato. To th e westerner, th e sound may be evocati ve o f 6J Japanese instruments - th e string in sD1J ment kokyu or th e wind in strument shakuhachi. SONATA FOR CLARINET AND PIANO IN F MINOR, At other times the calm, pen tatoni c melody line speaks a universal lang uage. OP. J20, No. J ......................,z .S,''O'.8. ..... JOHANNES B RAHMS (1833- 1897) 1. Allegro appassionato Like many other composers (Mozart, Schubert, Nielsen, Bartok, Debussy, Poulenc), - 11. JOH ANNES BRAHMS composed hi s great clarinet works at the end of hi s life. -
University of Washington School of Music St. Mark's Cathedral
((J i\A~&!d C\I~ t \LqiJ }D10 I I . I'J. University of Washington School of Music in conjunction with St. Mark's Cathedral November 11-12, 2016 Dr. Carole Terry Wyatt Smith Co-Directors On behalfof the UW School of Music, I am delighted to welcome you to this very special Reger Symposium. Professor Carole Terry, working with her facuIty colleagues and students has planned an exciting program of recitals, lectures, and lively discussions that promise to illuminate the life and uniquely important music of Max Reger. I wish to thank all of those who are performing and presenting as well those who are attending and participating in other ways in our two-day Symposium. Richard Karpen Professor and Director School of Music, University ofWashington This year marks the lOOth anniversary of the death of Max Reger, a remarkable south German composer of works for organ and piano, as well as symphonic, chamber, and choral music. On November J ph we were pleased to present a group of stellar Seattle organists in a concert of well known organ works by Reger. On November 12, our Symposium includes a group of renowned scholars from the University of Washington and around the world. Dr. Christopher Anderson, Associate Professor of Sacred Music at Southern Methodist University, will present two lectures as a part of the Symposium: The first will be on modem performance practice of Reger's organ works, which will be followed later in the day with lecture highlighting selected chamber works. Dr. George Bozarth will present a lecture on some of Reger's early lieder. -
Beethoven, Bagels & Banter
Beethoven, Bagels & Banter SUN / OCT 21 / 11:00 AM Michele Zukovsky Robert deMaine CLARINET CELLO Robert Davidovici Kevin Fitz-Gerald VIOLIN PIANO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Ludwig van Beethoven (1770-1827) Trio in B-flat major, Op. 11 I. Allegro con brio II. Adagio III. Tema: Pria ch’io l’impegno. Allegretto Olivier Messiaen (1908-1992) Quartet for the End of Time (1941) I. Liturgie de cristal (“Crystal liturgy”) II. Vocalise, pour l'Ange qui annonce la fin du Temps (“Vocalise, for the Angel who announces the end of time”) III. Abîme des oiseau (“Abyss of birds”) IV. Intermède (“Interlude”) V. Louange à l'Éternité de Jésus (“Praise to the eternity of Jesus”) VI. Danse de la fureur, pour les sept trompettes (“Dance of fury, for the seven trumpets”) VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (“Tangle of rainbows, for the Angel who announces the end of time) VIII. Louange à l'Immortalité de Jésus (“Praise to the immortality of Jesus”) This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 20 ABOUT THE ARTISTS MICHELE ZUKOVSKY, clarinet, is an also produced recordings of several the Australian National University. American clarinetist and longest live performances by Zukovsky, The Montréal La Presse said that, serving member of the Los Angeles including the aforementioned Williams “Robert Davidovici is a born violinist Philharmonic Orchestra, serving Clarinet Concerto. Alongside her in the most complete sense of from 1961 at the age of 18 until her busy performing schedule, Zukovsky the word.” In October 2013, he retirement on December 20, 2015. -
EAS 23 July 2020 Program.Pdf
Green Mountain Online Emerging Artists Series Thursday, July 23, 2020 7:30 pm EDT GMCMF Emerging Artists YouTube Channel Suite No. 5 in C minor, BWV 1011 Johann Sebastian Bach Prelude (1685-1750) Todd Humphrey, cello Suite No. 5 in C minor, BWV 1010 Johann Sebastian Bach Allemande Courante Matthew Wiest, cello Sonata No. 2 in A minor, BWV 1003 Johann Sebasitan Bach Grave Luciano Marsalli, violin Caprice in C minor, Op. 1, no. 4 Niccolò Paganini (1782-1840) Simon Ho Yin Cheng, violin Caprice in A minor, Op. 1, no. 5 Niccolò Paganini Abigail Yoon, violin Capricen B flat major, Op. 1, no. 13 Niccolò Paganini Jessie Zimmermann, violin Introduction and Allegro, Op. 44 Miklós Rózsa (1907-1995) Ashley Park, viola Suite No. 1 in G minor, Op. 131d Max Reger Molto sostenuto (1873-1916) Vivace Andante sostenuto Molto vivace Colin Henley, viola Sonata, Op. 27, No. 5 Eugène Ysaÿe L'Aurore (1858-1931) Danse rustique Maitreyi Muralidharan, violin Piano Sonata No. 2 in D minor, Op. 14 Sergei Prokofiev Allegro, ma non troppo (1891-1953) Sofia Marina, piano Fantasiestücke, Op. 12 Robert Schumann In der Nacht (1810-1856) Fabel Traumes Wirren Ende vom Lied Ellie Taylor, piano Todd Humphrey, 22, is from Atlanta, Georgia. He completed his undergraduate degree at Florida State University where he studied with Greg Sauer. At Florida State, Todd served as principal cellist of the University Philharmonia Orchestra and was cellist of the Lux String Quartet. This ensemble was known for its heartfelt and engaging performances along with its numerous community outreach events. Currently Todd is completing his masters at Miami University of Ohio where he studies with Sarah Kim. -
Inbal Segev, Cynthia Koledo Dealmeida
WWW.ALBANYRECORDS.COM TROY1583 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. Pictured from left to right: Inbal Segev, Cynthia Koledo BOX 137, KENDAL, CUMBRIA LA8 0XD DeAlmeida, Lucas Richman and Jeffrey Biegel. TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA Cover photo by Brian Hinrichs. WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Back cover photo by Michael Sahaida. IN TRUTH IN TROY1583 Pittsburgh Symphony Orchestra Lucas Richman, conductor LUCAS RICHMAN Recorded Live in Concert Concerto for Piano and Orchestra: In Truth 1. To One’s Self [9:07] 2. To One’s World [6:45] 3. To One’s Spirit [12:04] Jeffrey Biegel, piano 4. Concerto for Oboe and Orchestra: The Clearing [17:03] Cynthia Koledo DeAlmeida, oboe Three Pieces for Cello and Orchestra 5. Declaration [6:00] 6. Prayer [5:56] 7. Freylach [5:58] Inbal Segev, cello LUCAS RICHMAN Total Time: [61:73] WWW.ALBANYRECORDS.COM ALBANY RECORDS U.S. TROY1583 TROY1583 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 IN TRUTH IN © 2015 ALBANY RECORDS MADE IN THE USA WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. CELLO HORN Concerto for Piano and Orchestra: In Truth to Him in truth.” With introspection, the piano then Anne Martindale Williams William Caballero by Lucas Richman declaims the “truth” motif in a harmonization that lifts David Premo Robert Lauver gradually higher and higher, eventually coming back Mikhail Istomin Mark Houghton Lucas Richman’s Concerto for Piano and Orchestra: In full circle to a proper balance between the outer self Michael DeBruyn Joseph Rounds Truth reflects upon truths perceived, truths accepted and the inner spirit. -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts. -
KUSC Radio Local Event Arts Public Service Announcements July - September 2014
KUSC Radio Local Event Arts Public Service Announcements July - September 2014 START DATE: 7/7 KILL DATE: 7/20 The L. A. Phil presents great opera in concert on Sunday, July 27th, at the Hollywood Bowl. The charismatic Gustavo Dudamel leads the Los Angeles Philharmonic and an acclaimed cast in opera’s greatest double-bill: Pagliacci and Cavalleria rusticana . Written by Italian composers at the top of their game, both operas bristle with the extreme, no-holds-barred passions of jealous lovers. One night only. Get your opera tickets at HollywoodBowl.com. START DATE: 7/7 KILL DATE: 7/19 Summertime and the livin’ is easy when Pacific Symphony performs “Gershwin Greats,” Sunday, July 20 at Verizon Wireless Amphitheater in Irvine, part of the Mercedes-Benz Summer Festival. Relax under the stars to Gershwin favorites, including An American in Paris, Rhapsody in Blue and selections from “Porgy and Bess,” featuring the powerhouse voices of Angela Brown and Kevin Deas. Gates open at 5:30 for picnicking. For tickets, visit Pacific Symphony dot org. START DATE: 7/7 KILL DATE: 7/24 Ballet superstars Natalia Osipova and Ivan Vasiliev are coming to the Southland with a world premiere dance event, Solo For Two , at Segerstrom Center for the Arts in Costa Mesa, July 25 th through 27th. Solo For Two features new works by three of today’s most innovative choreographers, created to showcase the spectacular artistry of these incomparable dancers. Don’t miss Natalia Osipova and Ivan Vasiliev in Solo For Two at Segerstrom Center for the Arts. For tickets, visit S-C-F-T-A-dot-org. -
Los Angeles Philharmonic Celebrating
CELEBRATING LOS ANGELES PHILHARMONIC CELEBRATING LOS ANGELES PHILHARMONIC 2 A Olympic Fanfare and Theme 4:00 J Theme from Jurassic Park 5:57 B Excerpts from Close Encounters of the Third Kind 8:28 Three Selections from Indiana Jones K Scherzo for Motorcycle and Orchestra 3:07 C Out to Sea and The Shark Cage Fugue from Jaws 4:24 L Marion’s Theme 4:11 M Three Selections from Harry Potter Raiders March 5:08 D Hedwig’s Theme 4:58 N Sayuri’s Theme from Memoirs of a Geisha 4:17 E Fawkes the Phoenix 3:42 Robert deMaine cello F Harry’s Wondrous World 4:41 Three Selections from Star Wars G Theme from Schindler’s List 3:41 O The Imperial March 3:03 Simone Porter violin P Yoda’s Theme 3:36 Q Throne Room and Finale 7:58 H Adventures on Earth from E.T. the Extra-Terrestrial 10:25 R Adagio from Star Wars: The Force Awakens 4:34 I The Flight to Neverland from Hook 4:49 S Superman March 4:26 3 CELEBRATING JOHN WILLIAMS The bonds between composer John Williams and the ably inevitable. More than any other composer, John Los Angeles Philharmonic reach farther back than any- Williams has been responsible for the growing accep- one might imagine. The veteran film composer first tance of film music in the concert hall. He has reminded conducted the orchestra in July 1978 at the Hollywood us all that the greatest music written for films can also, Bowl, in the aftermath of the Oscar-winning success of in the right context, stand alongside the finest concert his music for Star Wars and Close Encounters of the Third music being written today. -
Violin, Viola, Cello
6144_Program 6/5/08 4:43 PM Page 1 The Board of the California Music Center would like to express our special thanks to Elizabeth Chamberlain a great friend of the Klein Competition. Her deep appreciation of music and young artists is an inspiration to all of us. 1 6144_Program 6/5/08 4:43 PM Page 2 The California Music Center and San Francisco State University present The Twenty-Third Annual Irving M. Klein International String Competition June 11-15, 2008 with distinguished judges: Peter Gelfand Alan Grishman Marc Gottlieb Jennifer Kloetzel Patricia Taylor Lee Melvin Margolis Donna Mudge Alice Schoenfeld Franks Stemper First Prize: $10,000 The Irving M. Klein Memorial Award Second Prize: $5,000 The William M. Bloomfield Memorial Award Third Prize: $2,500 The Alice Anne Roberts Memorial Award Fourth Prizes: $1,500 The Thomas and Lavilla Barry Award The Jules and Lena Flock Memorial Award Additional underwriting provided by cgrafx, Inc., marketing & design Allen R. and Susan E. Weiss Memorial Prize: $200 For best performance of the commissioned work Each semifinalist not awarded a named prize will receive $1,000. 2 6144_Program 6/5/08 4:43 PM Page 3 In Memoriam Warren G. Weis 1922-1995 Warren G. Weis was a long-time supporter of the California Music Center and the Irving M. Klein International String Competition. He took great delight in music and his close association with musicians and teachers, and supported the aspirations of young musicians withs generosity and enthusiasm. Bill Bloomfield 1918-1998 A member of the Board of the Competition, Bill Bloomfield was an amateur musician and a lifelong supporter sand enthusiast of music and the arts. -
The Clarinet Choir Music of Russell S
Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation. -
Eric Mandat (B. 1957): a Multiphonic Meditation on A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ASU Digital Repository Eric Mandat (B. 1957): A Multiphonic Meditation on a Composer, Clarinetist and Teacher by Rebecca Tout d'Alessio A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2012 by the Graduate Supervisory Committee: Robert Spring, Chair Gary Hill Katherine McLin Martin Schuring Glenn Hackbarth ARIZONA STATE UNIVERSITY May 2012 ABSTRACT Examples of new or extended clarinet techniques first appeared early in the twentieth century. By the 1960s, composers and performers began to drastically augment standard clarinet technique, by experimenting with multiphonics and microtones. Subsequently, clarinetists-teachers William O. Smith, Gerard Errante, Ronald Caravan, and others further pushed the limits of sound through their compositions for clarinet. This study explores the important contributions of clarinetist-teacher-composer Eric Mandat to the clarinet repertoire, and presents readers with a detailed biography of Mandat. Additionally, this research paper provides insights into Eric Mandat's instinctive approach to life and considers how this modus operandi translates into success as a composer, as a clarinetist, and as a teacher. Interviews with Eric Mandat comprise the basis for this document; these are supplemented by his writings, articles about Mandat, reviews of his music, and interviews with select colleagues and students. This is the first document to examine Eric Mandat’s history and development as a composer, teacher and clarinetist. i ACKNOWLEDGMENTS Thank you to Eric Mandat for his outstanding cooperation, access and patience. Thank you to Robert Spring for guiding me through this process and for serving as an amazing mentor and model for anything and everything related to the clarinet.