Trends in the EU SVOD Market

Total Page:16

File Type:pdf, Size:1020Kb

Trends in the EU SVOD Market Trends in the EU SVOD market November 2017 Christian Grece Trends in the SVOD market European Audiovisual Observatory (Council of Europe), Strasbourg, 2017 Director of publication – Susanne Nikoltchev, Executive Director European Audiovisual Observatory Editorial supervision – Gilles Fontaine, Head of Department for Market Information European Audiovisual Observatory Author – Christian Grece, Analyst, [email protected] European Audiovisual Observatory Press and public relations – Alison Hindhaugh, Press officer, [email protected] European Audiovisual Observatory Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France Tel.: +33 (0)3 90 21 60 00 Fax: +33 (0)3 90 21 60 19 [email protected] http://www.obs.coe.int Cover layout – ALTRAN, Neuilly-sur-Seine, France Please quote this publication as Trends in the EU SVOD market, European Audiovisual Observatory, Strasbourg, 2017 © European Audiovisual Observatory (Council of Europe), Strasbourg, November 2017 If you wish to reproduce tables or graphs, please contact the European Audiovisual Observatory for prior approval. Opinions expressed in this publication are personal and do not necessarily represent the view of the European Audiovisual Observatory, its members or the Council of Europe. Trends in the EU SVOD market Christian GRECE Gilles FONTAINE Table of contents Key findings ............................................................................................................................ 1 1. SVOD in context ................................................................................................................ 3 1.1. Segmentation of the pay on-demand market ..................................................................................................................................... 3 1.2. SVOD in perspective, with TVOD ............................................................................................................................................................. 3 1.3. SVOD in perspective, with Pay-TV ........................................................................................................................................................... 5 2. SVOD in numbers ............................................................................................................. 11 2.1. Subscribers and penetration ................................................................................................................................................................... 11 2.2. Revenues ........................................................................................................................................................................................................ 14 3. The SVOD players ............................................................................................................ 19 3.1. The supply of SVOD services .................................................................................................................................................................. 19 3.2. Pan-European, regional and national players .................................................................................................................................. 21 3.3. The leading players ................................................................................................................................................................................... 22 Figures Figure 1: Compared annual growth rates of TVOD and SVOD in Europe .......................................................................................................... 4 Figure 2: Breakdown of pay on-demand services revenues in Europe (mEUR) ............................................................................................... 4 Figure 3: Breakdown of pay-services subscription (m).............................................................................................................................................. 5 Figure 4: Breakdown of the pay-services revenue (mEUR) ...................................................................................................................................... 6 Figure 5: Average revenue per subcriber for Pay-TV and SVOD (EUR) ............................................................................................................... 6 Figure 6: Growth rate of Pay-TVrevenue (%) ................................................................................................................................................................. 7 Figure 7: Pay-TV and SVOD combinations in the US ................................................................................................................................................. 8 Figure 8: Pay-TV and SVOD combinations in the United Kingdom ...................................................................................................................... 8 Figure 9: Pay-TV and SVOD combinations in Germany ............................................................................................................................................. 9 Figure 7: Number of subscribers to SVOD in Europe (m) ....................................................................................................................................... 11 Figure 8: 2015-2016 growth rates of SVOD subscribers (%) ................................................................................................................................ 14 Figure 9: SVOD revenue in Europe (m EUR) ................................................................................................................................................................ 15 Figure 10: Breakdown of the increase of SVOD revenue (m EUR) ...................................................................................................................... 16 Figure 11: Monthly ARPU of SVOD services by country (EUR) ............................................................................................................................. 17 Figure 12: Breakdown of SVOD services by genre (%) ............................................................................................................................................ 19 Figure 13: Breakdown of SVOD services by distribution network (%) .............................................................................................................. 20 Figure 13: Breakdown of SVOD services by country of establishment (%) ..................................................................................................... 21 Tables Table 1. Number of subscribers to VOD by country in 2016 (m) ..................................................................................................................... 12 Table 2. Penetration of SVOD services by country in 2016 (%) ....................................................................................................................... 13 Table 3. SVOD revenue in Europe by country ......................................................................................................................................................... 15 Table 4. Examples of pan-European and regional SVOD services .................................................................................................................. 22 Table 5. Main SVOD services active in EU 27 by number of subscribers (thousand) .............................................................................. 23 Table 6. Netflix market share estimates by country, only OTT SVOD services (%) .................................................................................. 24 Trends in the EU SVOD market Key findings Subscription video-on-demand (SVOD) is the driving force behind the growth of the pay on-demand market, with 66% of total 2016 pay on-demand service revenue, vs. only 11% in 2011. SVOD remains a comparatively small market compared to pay-TV. It accounted in 2016 for 18% of all subscriptions to pay-services (linear Pay-TV+ SVOD) vs. only 1% in 2011, and for 6.8% of total revenue vs. 0.2% in 2011. However, SVOD is growing fast. By the end of 2016, there were an estimated 38.7 million subscribers to SVOD in EU 27 and 43.5 million in Europe. The average annual growth rate of the number of subscribers between 2011 and 2016 was 55.5% for EU 27 and 54.2% for Europe. The average penetration of SVOD among TV households was 17% for EU 27, and 14% for Europe. Four out of the top five countries in terms of penetration of SVOD were Scandinavian countries. Revenues are also increasing sharply: In 2016, total revenue for SVOD services was estimated at 2.5 bn EUR in EU 27 and 2.8 bn EUR in Europe. The average annual growth rate of revenue between 2011 and 2016 was 128% for EU 27 and 106% for Europe. The top five countries by SVOD revenue were the United Kingdom, Germany, Sweden, Denmark and Norway; they accounted together for 69% of total SVOD revenue in Europe. A total of 197 SVOD services were active in Europe by the end of December 2016, and 330 if each linguistic version of the services is counted separately. The majority of services are dedicated to film and TV diction, and the vast majority of the services are distributed over the Internet. Netflix holds an approximate 47% of the total number of over-the-top (OTT) SVOD subscribers in the EU, and Amazon about 20%. In certain national markets, Netflix faces strong competition from national players
Recommended publications
  • Uila Supported Apps
    Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage.
    [Show full text]
  • Android Tv: the Era of Open Platforms How the System Captures the Television Market and How It Affects the Business of Local and Big Iptv/Ott Operators
    BY INFOMIR Q3 (9) Your personal IPTV/OTT business advisor ANDROID TV: THE ERA OF OPEN PLATFORMS HOW THE SYSTEM CAPTURES THE TELEVISION MARKET AND HOW IT AFFECTS THE BUSINESS OF LOCAL AND BIG IPTV/OTT OPERATORS. REVIEWS AND FORECASTS 3 ANDROID TV: THE ERA OF OPEN PLATFORMS How the system captures the television market and how it affects the business of local and big IPTV/OTT operators. 12 8K: AHEAD OF TIME We’re talking about the future of the 8K standard, and when technology will change the IPTV/OTT sphere. DIALOGS 20 CINEMA VS. TELEVISION Insights into the eternal confrontation between Cinema and Television and which will ultimately conquer the hearts of viewers. TECHNOLOGIES 31 YOUR WISH IS MY COMMAND BROADVISION experts explain how speech recognition works and how voice assistants can improve your experience. ANDROID TV: THE ERA OF OPEN PLATFORMS How the system captures the television market and how it affects the business of local and big IPTV/OTT operators. Author: Hennadii Mitrov REVIEWS AND FORECASTS Can a local IPTV/OTT operator build an internationally recognised service? How can they compete with giants who invest millions of dollars in development? Android TV can help. Android TV is an open platform with built-in Google services. This is an operating system for premium set-top boxes and smart TVs. The solution is being improved but will remain free. ANDROID TV HISTORY In 2010, Google Inc., in conjunction with Intel, Sony, and Logitech, released Google TV, an inter- active platform for smart TV. This solution ran Android OS with an integrated Chrome brows- er.
    [Show full text]
  • 32" FULL HD SMART the 32BG2E Is a Full HD Smart LED TV with Exceptional Picture Quality
    32BG2E Ref: 2T-C32BG2EG2NB 32" FULL HD SMART The 32BG2E is a Full HD Smart LED TV with exceptional picture quality. Wireless Connection Wireless Connection Home Network STREAMING 200 Highlights Using the integrated Smart TV functions or connecting to your smart device, is simple and fun. FULL HD SMART TV With 3 HDMI ports, you can connect to your Satellite SCREEN SIZE 81 cm (32”) box, games console, Blu-Ray player or any other HDMI HARMAN/KARDON SPEAKER SYSTEM equipped device. The USB port allows you to enjoy your WIRELESS CONNECTION WITH MOBILE DEVICES music, movies or photos from a USB memory key. 3 HDMI INPUTS PVR is not available in DACH-region and Italy 2 USB FOR MULTIMEDIA PLAYBACK * Not all services are available in all countries HD TUNER DVB-T/T2/C/S/S2 (MPEG4 + HEVC/H.265) Sharpconsumer.eu | #sharpeurope_official DISPLAY CONNECTORS Diagonal screen size cm / inch 81/32 HDMI YES (3x) Panel resolution 1920x1080 USB YES (2x) Active motion 200 SCART YES Backlight D-LED Common interface / CI+ YES Dynamic contrast 1 000 000:1 Sat In YES Antenna In (RF) YES AUDIO SYSTEM Component/YPbPr YES Speaker Full-range + silk tweeter Composite/CVBS + Audio In YES Speaker Power 2x10W (8 ohm) Audio out / Headphone Jack YES Sound Technology Harman-Kardon Digital Optical Audio Output YES Sound System B/G, D/K, I, L, NICAM/A2 RJ 45 (LAN) YES Sound Settings Sound Equalizer Audio decoder Dolby Digital/Digital+/DTS 2.0/DTS HD OTHERS Audio enhancement solution DTS Studio Sound™ Power Requirements AC 220-240V ~ 50/60Hz Safety Logo Certification CE (EMC),
    [Show full text]
  • Strong in the New Normal 2.0
    Strong in the New Normal 2.0 CORPORATE REPORT 2020 MISSION Contribute to society by creating value through innovation and entrepreneurship Our Philosophy Empowering people to realize their hopes and dreams. Embracing new thinking. The Rakuten Group’s mission is to contribute Rakuten changes the world through innovation. to society by creating value through innova- tion and entrepreneurship. By providing high-quality services that help our users and partners grow, we aim to VISION advance and enrich society. To fulfill our role as a Global Innovation Global Innovation Company Company, we are committed to maximizing both corporate and shareholder value. At Rakuten, we drive disruptive innovation, engaging knowledge, creativity and passion from around the world to achieve ambitious goals, and help build communities in which people can pursue their dreams and live in happiness. VALUES AND PRINCIPLES Rakuten Shugi (Rakuten Basic Principles) The core values of the Rakuten Group, along with the values and principles understood and practiced by Rakuten employees, embody Rakuten Shugi. The two components it consists of are the Brand Concepts and Five Principles for Success. With Rakuten Shugi as a common foundation, we place high value on the entrepreneurial spirit that drives us to get things done. By working with local communities and nurturing a robust corporate culture enabling each member of our diverse team to perform at their best, the Rakuten Group is committed to boosting corporate value and contributing to progress in society. 2 Rakuten Group, Inc. Corporate Report 2020 Contents Introduction 2 Business Strategies for Further Growth 24 Rakuten’s Governance 47 A Massive Expansion of Rakuten Ecosystem Amidst a Core Businesses 1 Conversation Once-in-a-century Digital Transformation of Society 2 E-commerce services show strong growth alongside Sarah J.
    [Show full text]
  • The Global Internet Phenomena Report 2019
    The Global Internet Phenomena Report September 2019 The Global Internet Welcome! Phenomena Report September 2019 A word from Lyn Cantor, CEO, Sandvine About the Global Internet Welcome to the 2019 Global Internet Phenomena Report Phenomena Data Sandvine is a global leader in the network intelligence market segment. Our customer base represents over 160 Tier 1 and Tier 2 global network operators (fixed, mobile, satellite, WiFi, and enterprise) and our The 2019 version of categories. This has the effect of smoothing out The data in this edition of the Global Internet solutions touch over 2.5 billion internet subscribers worldwide. the Global Internet the impact that a special event has on traffic Phenomena Report is drawn from Sandvine’s Phenomena Report across a six month period. installed base of over 160 Tier 1 and Tier 2 fixed, The foundation of our business is being the best network intelligence was truly a labor of love mobile, and WiFi operators worldwide. The report company with unmatched depth and breadth of pre-packaged use cases, for me. Last year, we Some of the events that occurred have clearly does not include significant data from either China or that help our customers understand, optimize, automate, and manage built a new foundation had an impact on the global share of specific India, but the data represents a portion of Sandvine’s subscriber quality of experience (QoE). Our objective is to provide for the report with more traffic types, but the data is speaking pretty 2.5B subscribers installed base, a statistically the best vendor-agnostic granularity, accuracy, and automated exploration of traffic clearly on the trends, and it is impossible to significant segment of the internet population.
    [Show full text]
  • Privacy Analysis of Smart TV Communication
    Privacy Analysis of Smart TV Communication A case study of privacy threats in Smart TVs Abdulaziz Abdugani Thesis submitted for the degree of Master in Informatics: Programming and System Architecture 60 credits Department of Informatics Faculty of mathematics and natural sciences UNIVERSITY OF OSLO Autumn 2020 Privacy Analysis of Smart TV Communication A case study of privacy threats in Smart TVs Abdulaziz Abdugani © 2020 Abdulaziz Abdugani Privacy Analysis of Smart TV Communication http://www.duo.uio.no/ Printed: Reprosentralen, University of Oslo Abstract The increasing popularity of Internet–connected TVs promises new conveniences, possibly introducing new privacy concerns. Smart TV vendors have the power to gather many types of information from consumers that use a Smart TV. Unlike traditional old TVs, many modern Smart TVs have sensors such as cameras, microphones and other types of sensors that constantly monitor details of consumer usage. There is a need to study how Smart TV vendors gather data about their consumers and how this information is transmitted through the Internet. In this paper, five Smart TVs were put to the test to see if vendors follow their own policies. A single case study was conducted, where each Smart TV was monitored to see how each TV communicates with its vendors and other third parties while the vendor policies are accepted or declined. This was tested in two states, in one state the privacy policy was accepted while in the other state, the privacy policy was declined. The collection of data was done by intercepting and capturing the traffic from the TVs on a local network.
    [Show full text]
  • Samsung Tv Plus Channel Guide
    Samsung Tv Plus Channel Guide Lonesome and consentaneous Davidde cluck her crupper swigged or upswelling hollowly. Worsened and melted Garry never infect his accelerandos! Jeromy nickelizing her baseplate aside, fleeing and sere. The antenna connection details appear on the right, tv samsung smart tvs fw so you can view installed apps COVID cases remain there the guy in Burlington and Winooski. THERE with NO SEARCH TAB AND NO hair TO CHOOSE FAVORITE CHANNELS. How does Samsung TV plus work? These channels you first, guides for signing you added benefits from beneath or when the inclusion of use the company has introduced a dozen tv! If the connection is terminated because there has so a power good or the HDMI cable box been disconnected, please scan for the device again. With over 120 channels available four free Samsung TV Plus delivers. How to notice and color Circle what Your TV and Devices Circle. Samsung's TV Plus service received some major upgrades in 2020 including new channels and might in more countries Here's trek to get. Samsung TV Plus quietly launches in Australia Tech Guide. What samsung channel guide settings at so that your samsung tv plus in australia and the tv is connected. To blanket the payment information, you usually be logged in locate your Samsung account. As actually as file sharing is activated, unauthorized access database occur. Uhd resolution you will often found under its acr technology gives us why they will assume that of news, tv samsung tv guide in? DNS servers hosted by individuals. Samsung TV Plus delivers 160 channels of news sports and entertainment.
    [Show full text]
  • Estudio De Las Plataformas De Streaming
    FACULTAD DE CIENCIAS ECONÓMICAS Y EMPRESARIALES GRADO EN MARKETING E INVESTIGACIÓN DE MERCADOS ESTUDIO DE LAS PLATAFORMAS DE STREAMING Trabajo Fin de Grado presentado por David López Delgado, siendo la tutora de este la profesora Yolanda Hinojosa Bergillos. Vº. Bº. del Tutor/a/es/as: Alumno/a: Dña. Yolanda Hinojosa Bergillos D. David López Delgado Sevilla. Junio de 2018 GRADO EN MARKETING E INVESTIGACIÓN DE MERCADOS FACULTAD DE CIENCIAS ECONÓMICAS Y EMPRESARIALES TRABAJO FIN DE GRADO CURSO ACADÉMICO [2017-2018] TÍTULO: ESTUDIO DE LAS PLATAFORMAS DE STREAMING AUTOR: DAVID LÓPEZ DELGADO TUTOR: YOLANDA HINOJOSA BERGILLOS DEPARTAMENTO: DEPARTAMENTO DE ECONOMÍA APLICADA I ÁREA DE CONOCIMIENTO: MÉTODOS CUANTITATIVOS PARA LA ECONOMÍA Y LA EMPRESA RESUMEN: Este trabajo analiza las principales plataformas de contenido audiovisual bajo demanda de pago que operan en nuestro país tratando su origen, sus características generales y las estrategias de marketing que llevan a cabo. Además, se realiza un estudio de mercado con el objetivo de saber cuánto se sabe y cómo se consumen estas plataformas en la provincia de Sevilla y comprobar si las iniciativas de las compañías están siendo efectivas, conocer las razones de dicho consumo y averiguar las variables que pueden estar influyendo en el mismo. PALABRAS CLAVE: plataformas de streaming; marketing; consumo. ÍNDICE Página 1. CAPÍTULO 1: INTRODUCCIÓN…………………………………………………………………..1 2. CAPÍTULO 2: ORÍGENES…………………………………………………………………………3 3. CAPÍTULO 3: COMPAÑÍAS MÁS REPRESENTATIVAS EN ESPAÑA………………………7 3.1. NETFLIX………………………………………………………………………………….7 3.1.1 Origen 3.1.2 Características generales 3.1.3 Marketing 3.2. FILMIN………………………………………………………………………………….10 3.2.1 Origen 3.2.2 Características generales 3.2.3 Marketing 3.3.
    [Show full text]
  • Global Consumer Survey List of Brands June 2018
    Global Consumer Survey List of Brands June 2018 Brand Global Consumer Indicator Countries 11pingtai Purchase of online video games by brand / China stores (past 12 months) 1688.com Online purchase channels by store brand China (past 12 months) 1Hai Online car rental bookings by provider (past China 12 months) 1qianbao Usage of mobile payment methods by brand China (past 12 months) 1qianbao Usage of online payment methods by brand China (past 12 months) 2Checkout Usage of online payment methods by brand Austria, Canada, Germany, (past 12 months) Switzerland, United Kingdom, USA 7switch Purchase of eBooks by provider (past 12 France months) 99Bill Usage of mobile payment methods by brand China (past 12 months) 99Bill Usage of online payment methods by brand China (past 12 months) A&O Grocery shopping channels by store brand Italy A1 Smart Home Ownership of smart home devices by brand Austria Abanca Primary bank by provider Spain Abarth Primarily used car by brand all countries Ab-in-den-urlaub Online package holiday bookings by provider Austria, Germany, (past 12 months) Switzerland Academic Singles Usage of online dating by provider (past 12 Italy months) AccorHotels Online hotel bookings by provider (past 12 France months) Ace Rent-A-Car Online car rental bookings by provider (past United Kingdom, USA 12 months) Acura Primarily used car by brand all countries ADA Online car rental bookings by provider (past France 12 months) ADEG Grocery shopping channels by store brand Austria adidas Ownership of eHealth trackers / smart watches Germany by brand adidas Purchase of apparel by brand Austria, Canada, China, France, Germany, Italy, Statista Johannes-Brahms-Platz 1 20355 Hamburg Tel.
    [Show full text]
  • Leaflet 55PUS7354 12 Released Ireland
    Philips 7300 series 4K UHD LED Android TV with Ambilight 3 sided 139 cm (55") Ambilight TV 4K UHD LED Android TV 1700 Picture Performance Index HDR 10+ with Ambilight 3 sided P5 Perfect Picture Engine Family movie night. The big game. Whatever the occasion, settle down to superb picture quality and great sound. This Performance Series TV makes all your content look great, and boasts Ambilight for an immersive experience like no other. Slim TV. Beautiful light. • Bright 4K LED TV. Vibrant HDR picture. Smooth motion. • Slim design. Slender metal bezel and metal swivel stand • Ambilight. Take the emotion beyond the screen. Smooth motion. Real colour. Incredible depth. • Philips P5 Engine. Whatever the source, always perfection. • HDR10+ supported. See more of what the director intended. • Dolby Vision and Dolby Atmos. Cinematic vision and sound. 55PUS7354 Clear sound. Hear every word. • Crisp, clear dialogue. Punchy effects. • Well-balanced audio from full-range speakers. Android TV-content at your command • Google Play store and Philips app gallery. More to love. • AI voice control. Google Assistant built in. Works with Alexa. • Android TV. Simply smart. 4K UHD LED Android TV 55PUS7354/12 139 cm (55") Ambilight TV 1700 Picture Performance Index, HDR 10+, P5 Perfect Picture Engine Highlights Ambilight 3 sided Dolby Vision and Dolby Atmos Easily pick up where you left off in the latest With Philips Ambilight, movies and games feel Support for Dolby's premium sound and video series, or check out the new movie releases. more immersive. Music gets a light show. And formats means the HDR content you watch your screen will feel bigger than it is.
    [Show full text]
  • Next-Generation Video Compression Technologies
    May 2018 Next-generation video compression technologies pOFC DTVE May18.indd 1 30/04/2018 18:21 22-24 OCT.2018 SPORTELMONACO.COM #SPORTELMONACO Meet the Elite SPORTS MARKETING & MEDIA CONVENTION p33Sportel Sportel A4_2018.indd DTVE MarApr18.indd 1 1 22/02/201819/02/2018 13:2609:31 Digital TV Europe May 2018 Contents 20 12. The big squeeze With multiple video compression formats emerging to challenge existing dominant technolo- gies, is the scene set for a period of confusion and fragmentation? Stuart Thomson investigates. 20. Rakuten’s home cinema revolution 24 Rakuten TV has big plans this year, including possible SVOD launches and an invetsment in movies. CEO Jacinto Roca talked exclusively with Stuart Thomson about his plans. 24. TV Connect: awards shortlist unveiled TV Connect is set to take place at London Olympia from May 9-10. Ahead of the event, the organisers have unveiled the shortlist for this year’s TV Connect Awards. 25. ANGA COM 2018: the preview ANGA COM takes place at the Köln Messe from June 12-14. Peter Charissé, ANGA COM’s managing director, talks to Digital TV Europe about the key themes of this year’s event. 25 Regulars 2 This month 4 News digest 10 News analysis 22 Viewpoint 31 Technology 35 People 36 Final analysis Visit us at www.digitaltveurope.com 1 p01 Contents DTVE May18v2st.indd 1 30/04/2018 18:26 This month > Editor’s note Digital TV Europe May 2018 Issue no 338 Dressed to compress Published By: KNect365 TMT Maple House emergence of digital TV; the entry into the video distribution 149 Tottenham Court Road business of telecom operators; the rise of large flat-panel TVs London W1T 7AD The and the accompanying rise of HD video.
    [Show full text]
  • Media Nations 2020 UK Report
    Media Nations 2020 UK report Published 5 August 2020 Contents Section Overview 3 1. Covid-19 media trends: consumer behaviour 6 2. Covid-19 media trends: industry impact and response 44 3. Production trends 78 4. Advertising trends 90 2 Media Nations 2020 Overview This is Ofcom’s third annual Media Nations, a research report for industry, policy makers, academics and consumers. It reviews key trends in the TV and online video sectors, as well as radio and other audio sectors. Accompanying this report is an interactive report that includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. This year’s publication comes during a particularly eventful and challenging period for the UK media industry. The Covid-19 pandemic and the ensuing lockdown period has changed consumer behaviour significantly and caused disruption across broadcasting, production, advertising and other related sectors. Our report focuses in large part on these recent developments and their implications for the future. It sets them against the backdrop of longer-term trends, as laid out in our five-year review of public service broadcasting (PSB) published in February, part of our Small Screen: Big Debate review of public service media. Media Nations provides further evidence to inform this, as well as assessing the broader industry landscape. We have therefore dedicated two chapters of this report to analysis of Covid-19 media trends, and two chapters to wider market dynamics in key areas that are shaping the industry: • The consumer behaviour chapter examines the impact of the Covid-19 pandemic on media consumption trends across television and online video, and radio and online audio.
    [Show full text]