Samsung Tv Plus Channel Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Ftc-2018-0091-D-0015-163436.Pdf
December 28, 2018 The Honorable Joseph Simons Chairman Federal Trade Commission 600 Pennsylvania Avenue, NW Washington, DC 20580 Dear Chairman Simons, Thank you for inviting public comment on the question of whether U.S. antitrust agencies should publish new vertical merger guidelines, and how those guidelines should address competitive harms, transaction-related efficiencies, and behavioral remedies. We submit these comments on behalf of the Writers Guild of America West (“WGAW”), a labor organization representing more than 10,000 professional writers of motion pictures, television, radio, and Internet programming, including news and documentaries. Our members and the members of our affiliate, Writers Guild of America East (jointly, “WGA”) create nearly all of the scripted entertainment viewed in theaters and on television today as well as most of the original scripted series now offered by online video distributors (“OVDs”) such as Netflix, Hulu, Amazon, Crackle, and more. The Non-Horizontal Merger Guidelines (“Guidelines”), originally issued in 1984,1 are the governing document of U.S. vertical antitrust enforcement. They rely, however, upon outdated economic theories that not only fail to promote and protect competition, but, in some cases, obstruct appropriate antitrust enforcement. Large vertical mergers in key industries have caused harm to consumers and failed to deliver on their promised innovations, efficiencies, and public benefits. The current Guidelines’ bias toward false negatives, or non-findings of harm, enables incumbents to consolidate market power and undermine competition. Recent vertical mergers in the telecommunications and entertainment industries illustrate the deficiencies of the current regulatory regime and provide evidence of the need for new guidelines. -
Android Tv: the Era of Open Platforms How the System Captures the Television Market and How It Affects the Business of Local and Big Iptv/Ott Operators
BY INFOMIR Q3 (9) Your personal IPTV/OTT business advisor ANDROID TV: THE ERA OF OPEN PLATFORMS HOW THE SYSTEM CAPTURES THE TELEVISION MARKET AND HOW IT AFFECTS THE BUSINESS OF LOCAL AND BIG IPTV/OTT OPERATORS. REVIEWS AND FORECASTS 3 ANDROID TV: THE ERA OF OPEN PLATFORMS How the system captures the television market and how it affects the business of local and big IPTV/OTT operators. 12 8K: AHEAD OF TIME We’re talking about the future of the 8K standard, and when technology will change the IPTV/OTT sphere. DIALOGS 20 CINEMA VS. TELEVISION Insights into the eternal confrontation between Cinema and Television and which will ultimately conquer the hearts of viewers. TECHNOLOGIES 31 YOUR WISH IS MY COMMAND BROADVISION experts explain how speech recognition works and how voice assistants can improve your experience. ANDROID TV: THE ERA OF OPEN PLATFORMS How the system captures the television market and how it affects the business of local and big IPTV/OTT operators. Author: Hennadii Mitrov REVIEWS AND FORECASTS Can a local IPTV/OTT operator build an internationally recognised service? How can they compete with giants who invest millions of dollars in development? Android TV can help. Android TV is an open platform with built-in Google services. This is an operating system for premium set-top boxes and smart TVs. The solution is being improved but will remain free. ANDROID TV HISTORY In 2010, Google Inc., in conjunction with Intel, Sony, and Logitech, released Google TV, an inter- active platform for smart TV. This solution ran Android OS with an integrated Chrome brows- er. -
Illegal File Sharing
ILLEGAL FILE SHARING The sharing of copyright materials such as MUSIC or MOVIES either through P2P (peer-to-peer) file sharing or other means WITHOUT the permission of the copyright owner is ILLEGAL and can have very serious legal repercussions. Those found GUILTY of violating copyrights in this way have been fined ENORMOUS sums of money. Accordingly, the unauthorized distribution of copyrighted materials is PROHIBITED at Bellarmine University. The list of sites below is provided by Educause and some of the sites listed provide some or all content at no charge; they are funded by advertising or represent artists who want their material distributed for free, or for other reasons. Remember that just because content is free doesn't mean it's illegal. On the other hand, you may find websites offering to sell content which are not on the list below. Just because content is not free doesn't mean it's legal. Legal Alternatives for Downloading • ABC.com TV Shows • [adult swim] Video • Amazon MP3 Downloads • Amazon Instant Video • AOL Music • ARTISTdirect Network • AudioCandy • Audio Lunchbox • BearShare • Best Buy • BET Music • BET Shows • Blackberry World • Blip.fm • Blockbuster on Demand • Bravo TV • Buy.com • Cartoon Network Video • Zap2it • Catsmusic • CBS Video • CD Baby • Christian MP Free • CinemaNow • Clicker (formerly Modern Feed) • Comedy Central Video • Crackle • Criterion Online • The CW Video • Dimple Records • DirecTV Watch Online • Disney Videos • Dish Online • Download Fundraiser • DramaFever • The Electric Fetus • eMusic.com -
Incorporating Fansubbers Into Corporate Capitalism on Viki.Com
“A Community Unlike Any Other”: Incorporating Fansubbers into Corporate Capitalism on Viki.com Taylore Nicole Woodhouse TC 660H Plan II Honors Program The University of Texas at Austin Spring 2018 __________________________________________ Dr. Suzanne Scott Department of Radio-Television-Film Supervising Professor __________________________________________ Dr. Youjeong Oh Department of Asian Studies Second Reader ABSTRACT Author: Taylore Nicole Woodhouse Title: “A Community Unlike Another Other”: Incorporating Fansubbers into Corporate Capitalism on Viki.com Supervising Professors: Dr. Suzanne Scott and Dr. Youjeong Oh Viki.com, founded in 2008, is a streaming site that offers Korean (and other East Asian) television programs with subtitles in a variety of languages. Unlike other K-drama distribution sites that serve audiences outside of South Korea, Viki utilizes fan-volunteers, called fansubbers, as laborers to produce its subtitles. Fan subtitling and distribution of foreign language media in the United States is a rich fan practice dating back to the 1980s, and Viki is the first corporate entity that has harnessed the productive power of fansubbers. In this thesis, I investigate how Viki has been able to capture the enthusiasm and productive capacity of fansubbers. Particularly, I examine how Viki has been able to monetize fansubbing in while still staying competitive with sites who employee trained, professional translators. I argue that Viki has succeeded in courting fansubbers as laborers by co-opting the concept of the “fan community.” I focus on how Viki strategically speaks about the community and builds its site to facilitate the functioning of its community so as to encourage fansubbers to view themselves as semi-professional laborers instead of amateur fans. -
32" FULL HD SMART the 32BG2E Is a Full HD Smart LED TV with Exceptional Picture Quality
32BG2E Ref: 2T-C32BG2EG2NB 32" FULL HD SMART The 32BG2E is a Full HD Smart LED TV with exceptional picture quality. Wireless Connection Wireless Connection Home Network STREAMING 200 Highlights Using the integrated Smart TV functions or connecting to your smart device, is simple and fun. FULL HD SMART TV With 3 HDMI ports, you can connect to your Satellite SCREEN SIZE 81 cm (32”) box, games console, Blu-Ray player or any other HDMI HARMAN/KARDON SPEAKER SYSTEM equipped device. The USB port allows you to enjoy your WIRELESS CONNECTION WITH MOBILE DEVICES music, movies or photos from a USB memory key. 3 HDMI INPUTS PVR is not available in DACH-region and Italy 2 USB FOR MULTIMEDIA PLAYBACK * Not all services are available in all countries HD TUNER DVB-T/T2/C/S/S2 (MPEG4 + HEVC/H.265) Sharpconsumer.eu | #sharpeurope_official DISPLAY CONNECTORS Diagonal screen size cm / inch 81/32 HDMI YES (3x) Panel resolution 1920x1080 USB YES (2x) Active motion 200 SCART YES Backlight D-LED Common interface / CI+ YES Dynamic contrast 1 000 000:1 Sat In YES Antenna In (RF) YES AUDIO SYSTEM Component/YPbPr YES Speaker Full-range + silk tweeter Composite/CVBS + Audio In YES Speaker Power 2x10W (8 ohm) Audio out / Headphone Jack YES Sound Technology Harman-Kardon Digital Optical Audio Output YES Sound System B/G, D/K, I, L, NICAM/A2 RJ 45 (LAN) YES Sound Settings Sound Equalizer Audio decoder Dolby Digital/Digital+/DTS 2.0/DTS HD OTHERS Audio enhancement solution DTS Studio Sound™ Power Requirements AC 220-240V ~ 50/60Hz Safety Logo Certification CE (EMC), -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Strong in the New Normal 2.0
Strong in the New Normal 2.0 CORPORATE REPORT 2020 MISSION Contribute to society by creating value through innovation and entrepreneurship Our Philosophy Empowering people to realize their hopes and dreams. Embracing new thinking. The Rakuten Group’s mission is to contribute Rakuten changes the world through innovation. to society by creating value through innova- tion and entrepreneurship. By providing high-quality services that help our users and partners grow, we aim to VISION advance and enrich society. To fulfill our role as a Global Innovation Global Innovation Company Company, we are committed to maximizing both corporate and shareholder value. At Rakuten, we drive disruptive innovation, engaging knowledge, creativity and passion from around the world to achieve ambitious goals, and help build communities in which people can pursue their dreams and live in happiness. VALUES AND PRINCIPLES Rakuten Shugi (Rakuten Basic Principles) The core values of the Rakuten Group, along with the values and principles understood and practiced by Rakuten employees, embody Rakuten Shugi. The two components it consists of are the Brand Concepts and Five Principles for Success. With Rakuten Shugi as a common foundation, we place high value on the entrepreneurial spirit that drives us to get things done. By working with local communities and nurturing a robust corporate culture enabling each member of our diverse team to perform at their best, the Rakuten Group is committed to boosting corporate value and contributing to progress in society. 2 Rakuten Group, Inc. Corporate Report 2020 Contents Introduction 2 Business Strategies for Further Growth 24 Rakuten’s Governance 47 A Massive Expansion of Rakuten Ecosystem Amidst a Core Businesses 1 Conversation Once-in-a-century Digital Transformation of Society 2 E-commerce services show strong growth alongside Sarah J. -
Additional Consumer Disclosures
Additional Consumer Disclosures 7/1/2020 www.bryanu.edu Contents Supplemental Financial Assistance Information .......................3 Recognition of Citizenship ..................................................... 18 Net Price Calculator and Cost of Attendance Information ...... 18 Academic Planning and Improvement ................................... 19 Disclosure of Retention Rates as Reported to IPEDS .............. 20 Policies and Sanctions Related To Copyright Infringement and Liabilities ............................................................................... 20 Information Security Program ............................................... 24 Fraud Prevention ................................................................... 26 Supplemental Financial Assistance Information FINANCIAL ASSISTANCE The Bryan University Financial Assistance Office is available to provide financial access to all students who qualify. Abiding by federal and institutional guidelines, we seek to meet our student’s financial need and help students make responsible financial decisions. The University is committed to providing our students with information they need to make college as affordable as possible. Bryan University’s Financial Assistance Office is available to help make educational goals obtainable. Students must file a Free Application for Federal Student Aid (www.fafsa.ed.gov) to determine financial need. All applicants for their programs must be United States Citizens or eligible non-citizens. Satisfactory Academic Progress must be maintained -
May 2019 Investor Presentation
INVESTOR PRESENTATION | MAY 2019 FORWARD-LOOKING STATEMENTS This presentation (the “Presentation”) relates to ChiCken Soup For the Soul Entertainment, InC. (“CSS Entertainment” or the “Company”), whiCh Completed its initial publiC ofFering in August 2017 pursuant to a qualiFied oFFering statement (“OFFering Statement”) Filed under Regulation A as promulgated under the SeCurities Act oF 1933, as amended (the “Act”). The Company Completed its aCquisition oF SCreen Media Ventures, LLC in November 2017 as Further desCribed in the Company’s Current report on Form 8-K, initially Filed on November 6, 2017 and amended on January 16, 2018 and January 17, 2018 (the “SCreen Media 8-K”). The Company Completed its aCquisition oF Pivotshare, InC. in August 2018 as further desCribed in the Company’s Current report on Form 8-K, Filed on August 28, 2018 (the “Pivotshare 8-K”). The Company Completed its aCquisition oF A Sharp InC., dba A Plus, on DeCember 28, 2018 as Further desCribed in the Company’s Current report on Form 8-K, Filed on January 2, 2019 (the “A Plus 8-K”). On May 14, 2019, the Company CommenCed a joint venture, CraCkle Plus LLC (“JV Entity” or “Crackle Plus”), with CPE Holdings, InC., (“CPEH”) an aFFiliate oF Sony PiCtures Television InC. (“Sony”), and CraCkle, InC., a wholly owned subsidiary of CPEH (“CraCkle”). The joint venture and related transaCtions are disCussed in the Company’s Current reports on Form 8-K Filed with the SeCurities and ExChange Commission on April 2, 2019 and May 15, 2019. This presentation Contains various inFormation and projeCtions regarding the joint venture thereunder. -
The Global Internet Phenomena Report 2019
The Global Internet Phenomena Report September 2019 The Global Internet Welcome! Phenomena Report September 2019 A word from Lyn Cantor, CEO, Sandvine About the Global Internet Welcome to the 2019 Global Internet Phenomena Report Phenomena Data Sandvine is a global leader in the network intelligence market segment. Our customer base represents over 160 Tier 1 and Tier 2 global network operators (fixed, mobile, satellite, WiFi, and enterprise) and our The 2019 version of categories. This has the effect of smoothing out The data in this edition of the Global Internet solutions touch over 2.5 billion internet subscribers worldwide. the Global Internet the impact that a special event has on traffic Phenomena Report is drawn from Sandvine’s Phenomena Report across a six month period. installed base of over 160 Tier 1 and Tier 2 fixed, The foundation of our business is being the best network intelligence was truly a labor of love mobile, and WiFi operators worldwide. The report company with unmatched depth and breadth of pre-packaged use cases, for me. Last year, we Some of the events that occurred have clearly does not include significant data from either China or that help our customers understand, optimize, automate, and manage built a new foundation had an impact on the global share of specific India, but the data represents a portion of Sandvine’s subscriber quality of experience (QoE). Our objective is to provide for the report with more traffic types, but the data is speaking pretty 2.5B subscribers installed base, a statistically the best vendor-agnostic granularity, accuracy, and automated exploration of traffic clearly on the trends, and it is impossible to significant segment of the internet population. -
C Ntent Page 7 L
#GreatJobs C NTENT page 7 www.contentasia.tv l www.contentasiasummit.com Endemol Shine production exits Singapore Production goes global Singapore focus on sales Endemol Shine Group is pulling the plug on Singapore-based production, shifting regional production to global hubs and refocusing a pared-down team in Singa- pore on format sales. The decision tops a record three years in both format sales and production across Asia, including co-development projects such as The Society Game with CJ E&M In Korea and a co-development deal with JTBC, also in Korea. The transition, expected to be com- plete by mid-2018, will be overseen by Asia managing director, Fotini Paraskakis out of Singapore. Operations in China and India, which are run separately from Southeast Asia and the rest of North Asia, are not impacted. More on page 2 A+E Networks ups China originals Nanking doc boosts 2017 co-pros to nine hours A+E Networks has upped its global China originals announced this quarter to three hours, adding Nanking docu- drama Scars of Nanking with Jiangsu Broadcasting Corporation to the Silk Road feature, Silk Road – Reborn, an- nounced in October. More on page 3 20-26 november 2017 page 1. C NTENTASIA 20-26 november 2017 Page 2. Endemol Shine pulls the plug on Singapore production base Asia restructure shifts global, Mumbai/Singapore teams to focus on sales Endemol Shine Group is pulling the plug on Singapore-based regional produc- tion, shifting to global hubs for formats production and refocusing a pared- down team in Singapore on both format licensing and finished tape sales.