Download the Awards Evening 2014 Programme

Total Page:16

File Type:pdf, Size:1020Kb

Download the Awards Evening 2014 Programme Awards 2014 Welcome We offer a warm welcome to all students, parents, guests, governors and teachers who can be here tonight. This awards evening is the first of its kind and we hope it will become part of the College’s future, part of its many traditions and successes and ultimately part of its rich past. Launceston College is committed to the pursuit of individual excellence and achievement whilst ensuring that no-one is left behind; we believe that students should have all of their achievements recognised, acknowledged and given credit and we believe that this annual awards event will reward and inspire greater success. All of those nominated tonight are winners, however one name for each award will be recorded on the honours board in our main hall, thus leaving an indelible mark on the College’s recorded history. The College was first founded in 1409 as Launceston Grammar School and has been on the current site since 1873; we were renamed as Launceston College in 1931, became co-educational in 1962, we became a comprehensive school in 1965 and an Academy in 2013. Launceston is a settled community and many parents attended the College as students and in some cases many generations before. This long history and central place in the community all goes towards making the College the special place that it is today. This awards evening reflects the excellent relationships between students, parents and the wider Launceston Community and recognises that everyone has a vital part to play in ensuring that Launceston College is successful. Each award has been named after a personal, geographical or partnership link with the College: it is inspiring to have awards named after a Turner prize winner and England cricket team psychologist; both former students of the College. Our address tonight will be given by Dr Steve Wharton FRSA who is senior lecturer in French and Communication and also lecturer in the Department of Politics, Languages and International Studies at the University of Bath. Dr Wharton has been knighted by the French government for his services to language: he was awarded the Chevalier dans l’Ordre des Palmes Académiques. He is co-director of Routes into Languages South West. I am hugely proud of the achievement of students at Launceston College and hope you enjoy this evening’s recognition of their talents. Jack Jackson Principal Evening’s Programme Music from Jazz Band on arrival – James Bate, Luke Maguire and Tom Sharman 7.00pm Welcome Jack Jackson, Principal 7:05pm Presentation of GCSE certificates – Lynsey Slater, Assistant Principal Certificates presented by Dr Steve Wharton and Jack Jackson, Principal 7.30pm Address by Dr Steve Wharton 7.40pm Music – piano recital Matt Parsons 7.45pm Award presentations Design Technology Sir Kenneth Grange – presented by John Fraser Resilience – presented by Alex Sandford English Arvon – presented by Oliver Meek Falmouth School of Writing and Journalism – presented by Nigel Kingcome Expressive Arts Prof. Grenville Davey – presented by Rob Strike Dr. Mark Bawden – presented by Dave Egford Humanities Commitment to Learning – presented by Jo McNeela Outstanding Achievement – presented by Ross Bazely Awards 2014 Mathematics Dr. Ted Graham – presented by Dr. Ted Graham Prof. Dame Celia Hoyles – presented by Lucy Whitehouse Modern Foreign Languages Dr. Steve Wharton – presented by Dr. Steve Wharton Dr. Rosalind Leveridge – presented by Dr. Rosalind Leveridge Science Prof. Colin Webb – presented by Prof. Colin Webb Imerys Award – presented by Ashley Shopland Vocational Edge Foundation Award – presented by Trevor Brittain Enterprise Award – presented by Phil Machin Adventure Learning Leo Houlding Award – presented by Jack Jackson College Achievement Governors’ Award – presented by Chris Parsons, chair of Governors College Attainment Principal’s Award – presented by Jack Jackson and including final address 8.25pm Music – solo – Lisa Moore Music from Jazz Band on departure – James Bate, Luke Maguire and Tom Sharman Design Technology Sir Kenneth Grange Award Sir Kenneth Henry Grange, CBE, MCSD, RDI is a British industrial designer who lives near Lewdown. Sir Kenneth’s career has spanned more than half a century, and many of his designs are familiar items in the household and the street and include designs for Venner, Kenwood, Wilkinson Sword, Kodak, Imperial, Morphy Richards, Ronson, Bendix and Parker. He was also responsible for the aerodynamics, interior layout and exterior styling of the nose cone of British Rail’s famous High Speed Train, the InterCity 125 and involved in the design of the 1997 TX1 London taxi-cab. Sir Kenneth has won ten Design Council Awards, the Duke of Edinburgh’s prize for Elegant Design in 1966, and in 2001 he was awarded the Prince Philip Designers Prize – honouring a lifetime achievement. He was knighted in the 2013 New Year Honours. Charlotte Hartnell is currently in Year 11: she made the decision to study art textiles in her own time after College. Her dedication, enthusiasm and persistence have not only produced excellent work but also allowed her to be an outstanding role model for the rest of the class. She is creative and happy to take advice and also tries ideas out of her comfort zone with a positive attitude. Her thirst for learning new skills has given her an excellent foundation for her future studies. Ben Kew is currently in Year 13 and is studying food technology at A Level. He has shown a keen interest in food related subjects for a number of years. He was in the first cohort of students to study NVQ Professional Cookery and he gained outstanding results. Ben’s impressive academic ability meant he then followed this up by studying food technology at level three. He is always willing to help at events in Dunheved House and has masterminded some outstanding food banquets on a number of occasions. It is only a matter of time before Ben is a contender on Masterchef! Oliver Platt is currently in Year 11 and has been nominated for his conscientious attitude and his determination to do well in electronic products. He always strives to do his best and is always willing to extend the boundaries of the subject. Whenever there is individual study to be done, Oliver always goes the extra mile. He has supported the design and technology department at open evenings where he has shared with others his enthusiasm for the subject. Without doubt Oliver will be one of the designers of the future, keeping Britain at the forefront of the world in design and technology. Yas Statton has shown great enthusiasm and exceptional ability in practical catering skills. She has always wanted to know how she could improve and has then acted upon this. She has been happy to independently research tasks as well as thoroughly absorb what is taught. She is a great organiser and team leader which has been shown in successful events. Her dedication and thirst for the subject has enabled her to be following her dream and she is now studying VRQ 1 at Michelin starred celebrity chef Michael Caine’s Academy in Exeter. Design Technology Resilience Award Callum Bourne is currently in Year 11 and has proven himself to be a dedicated and conscientious student in design and technology. Callum has risen to the challenges of the subject with resilience and is on course to achieve his target grade. Callum is a quietly determined and positive student who has striven to do his best. He is to be commended for his hard work and excellent progress within the subject. Laura Dubey is currently in Year 13. Laura began studying A level food and nutrition in Year 12 despite not having experience of studying food technology at GCSE. She has risen to the many challenges this prompted and has shown resilience and determination. Laura persevered and was rewarded with an A grade at AS level: Laura has now embraced the challenges of Year 13 and we are convinced she will do just as well this year. Toby Lee is currently in Year 8. He is always both conscientious and ambitious. He shows great enthusiasm for each task set and is determined to do his best. He is willing to learn new skills and then put them into reality effectively. He is determined to succeed and should have a very successful future ahead of him in design and technology. Emma Platt is currently in Year 11 and is a gifted illustrator and graphic designer. She has been nominated for her passion and drive, and for her quest to achieve a perfect result in graphic design. Her meticulous attention to detail and her striving for perfection in every aspect of her project work, puts her in a category of her own. Emma approaches problems head on, and although often reserved, she knows exactly what she wants to achieve and listens intently to advice to help her achieve it. English The Arvon Award The Arvon Foundation was founded in 1968 by two poets, John Moat and John Fairfax, with the original aim of providing time and space away from school for young people to write poetry. In 1980, in order to raise funds for Arvon, Ted Hughes established the Arvon International Poetry Competition. That year his fellow judges were Charles Causley, Philip Larkin and Seamus Heaney. Oliver Meek is centre director for Arvon’s Totleigh Barton centre. Joe Metcalfe is currently in Year 8. He is genuinely purposeful and reflective and shows maturity beyond his years. He utilises an extensive and sophisticated vocabulary in responses whilst thinking meticulously about ideas. He is a thinker who applies his thoughts in a creative and analytical manner. Joe is an ambitious and eager scholar. Louis March is currently in Year 10.
Recommended publications
  • Shirazeh Houshiary B
    Shirazeh Houshiary b. 1955, Shiraz, Iran 1976-79 Chelsea School of Art, London 1979-80 Junior Fellow, Cardiff College of Art 1997 Awarded the title Professor at the London Institute Solo Exhibitions 1980 Chapter Arts Centre, Cardiff 1982 Kettle's Yard Gallery, Cambridge 1983 Centro d'Arte Contemporanea, Siracusa, Italy Galleria Massimo Minini, Milan Galerie Grita Insam, Vienna 1984 Lisson Gallery, London (exh. cat.) 1986 Galerie Paul Andriesse, Amsterdam 1987 Breath, Lisson Gallery, London 1988-89 Centre d'Art Contemporain, Musée Rath, Geneva (exh. cat.), (toured to The Museum of Modern Art, Oxford) 1992 Galleria Valentina Moncada, Rome Isthmus, Lisson Gallery, London 1993 Dancing around my ghost, Camden Arts Centre, London (exh. cat.) 1993-94 Turning Around the Centre, University of Massachusetts at Amherst Fine Art Center (exh. cat.), (toured to York University Art Gallery, Ontario and to University of Florida, the Harn Museum, Gainsville) 1994 The Sense of Unity, Lisson Gallery, London 1995-96 Isthmus, Le Magasin, Centre National d'Art Contemporain, Grenoble (exh. cat.), (touring to Museum Villa Stuck, Munich, Bonnefanten Museum, Maastricht, Hochschule für angewandte Kunst, Vienna). Organised by the British Council 1997 British Museum, Islamic Gallery 1999 Lehmann Maupin Gallery, New York, NY 2000 Self-Portraits, Lisson Gallery, London 2002 Musuem SITE, Santa Fe, NM 2003 Shirazeh Houshiary - Recent Works, Lehman Maupin, New York Shirazeh Houshiary Tate Liverpool (from the collection) Lisson Gallery, London 2004 Shirazeh Houshiary,
    [Show full text]
  • Alison Wilding
    !"#$%&n '(h)b&#% Alison Wilding Born 1948 in Blackburn, United Kingdom Currently lives and works in London Education 1970–73 Royal College of Art, London 1967–70 Ravensbourne College of Art and Design, Bromley, Kent 1966–67 Nottingham College of Art, Nottingham !" L#xin$%on &%'##% London ()* +,-, ./ %#l +!! (+).+0+ //0!112! 1++.3++0 f24x +!! (+).+0+ //0!112! 1+.)3+0) info342'5%#564'7%#n5678h79b#'%.68om www.42'5%#64'7%#n5678h79b#'%.68om !"#$%&n '(h)b&#% Selected solo exhibitions 2013 Alison Wilding, Tate Britain, London, UK Alison Wilding: Deep Water, Whitworth Art Gallery, Manchester, UK 2012 Alison Wilding: Drawing, ‘Drone 1–10’, Karsten Schubert, London, UK 2011 Alison Wilding: How the Land Lies, New Art Centre, Roche Court Sculpture Park, Salisbury, UK Alison Wilding: Art School Drawings from the 1960s and 1970s, Karsten Schubert, London, UK 2010 Alison Wilding: All Cats Are Grey…, Karsten Schubert, London, UK 2008 Alison Wilding: Tracking, Karsten Schubert, London, UK 2006 Alison Wilding, North House Gallery, Manningtree, UK Alison Wilding: Interruptions, Rupert Wace Ancient Art, London, UK 2005 Alison Wilding: New Drawings, The Drawing Gallery, London, UK Alison Wilding: Sculpture, Betty Cuningham Gallery, New York, NY, US Alison Wilding: Vanish and Detail, Fred, London, UK 2003 Alison Wilding: Migrant, Peter Pears Gallery and Snape Maltings, Aldeburgh, UK 2002 Alison Wilding: Template Drawings, Karsten Schubert, London, UK 2000 Alison Wilding: Contract, The Henry Moore Foundation Studio, Halifax, UK Alison Wilding: New Work, New
    [Show full text]
  • Investigating the Role of Design in the Circular Economy
    Report 01: June 2013 Investigating the role of designa. in the circular economy A N M A G E E C M R E U N O T S E R M LANDFILL MANAGERS RECYCLING FACILITIES RECYCLING A REPAIR, REFURB T & REMANUFACTURE RECOVERY MATERIAL E R I A MATERIAL TECHNOLOGISTS MEDIA & PRESS L E CAMPAIGNERS X S P CHEMISTS R E E R THINK TANKS THINK K T A S M MATERIAL SCIENTISTS EUROPEAN GOV. EUROPEAN Y C I L PUBLIC PROCUREMENT PUBLIC RAW MATERIALS O M P A POLICY WRITERS POLICY N U MATERIAL F MANUFACTURERS A STANDARD REGULATORS STANDARD C T U BRAND LICENSEES LOCAL AUTHORITIES LOCAL R E R S B2B COMPONENT MANUFACTURERS UK PLC LEADERS PLC UK B CONSUMER FACING BRANDS ENTREPRENEURS S R R A O N T D CONSTRUCTION COMPANIES S S VENTURE CAPITALISTS VENTURE E / V C O N I M CONSUMER FACING P A MANUFACTURERS INVESTORS BUSINESS N I E S RETAILERS COUNCILS RESEARCH N O I ADVERTISING AGENCIES RESEARCHERS T C & ACADEMICS A O C U N D S ANTHROPOLOGISTS LEADERS E INTERIOR U COURSE FE & HE M & E INDUSTRIAL S R IC MARKETEERS LEADERS S M APPRENTICESHIP E & D U A S CONSUMERS SYSTEM THINKERS SYSTEM C ER A S ENGINEERS DESIGN MAKERS & FIXERS SERVICE & PRODUCT FASHION & TEXTILES & ARCHITECTS COMMS & DIGITAL TRANSPORT DESIGN The Great Recovery REPORT Contents Executive Summary Introduction to The Great Recovery Teardown, Build Up – The Workshop Process Outcomes and Recommendations 2 www.greatrecovery.org.uk Businesses who want to be profitable, innovative and progressive will look to reduce the volumes of waste they produce, will think about the way their products are made and distributed, and what happens to them when they reach their end of life.
    [Show full text]
  • Julian Opie CV
    Julian Opie Lives and works in London, UK 1983 Goldsmiths College, London, UK 1958 Born in London, UK Selected Solo Exhibitions 2020 Berardo Museum, Lisbon, Portugal Galeria Duarte Sequeira, Braga, Portugal Lisson Gallery, Shanghai 2019 Eden Project, Cornwall, UK Lisson Gallery, New York, NY, USA Gerhardsen Gerner, Oslo, Norway Lehmbruck Museum, Duisburg, Germany Galerie Krobath, Vienna, Austria 2018 National Gallery of Victoria, Melbourne, Australia Krakow Witkin Gallery, Boston, USA Alan Cristea Gallery, London, UK F1963, Busan, South Korea 2017 National Portrait Gallery, London, UK Suwon Ipark Museum of Art, Suwon, Korea Fosun Foundation, Shanghai, China Centro Cultural Bancaja, Valencia, Spain 2016 Galerie Krobath, Vienna, Austria Gerhardsen Gerner, Berlin Germany Maho Kubota Gallery, Tokyo, Japan Art Geneve, Geneva, Switzerland 2015 Gerhardsen Gerner, Oslo, Norway ‘Recent Works’, Taidehalli Helsinki, Helsinki, Finland Galeria Mário Sequeira, Braga, Portugal Alan Cristea Gallery, London, UK Gerhardsen Gerner, Oslo, Norway “Winter”, British Council, New Delhi Galerie Bob van Orsouw, Zürich, Switzerland 2014 ‘Ikon Icon 2000s’, Ikon Gallery, Birmingham, UK ‘Channing School for Girls’, ARK Gallery, London, UK SCAI The Bathhouse, Tokyo, Japan ‘Sculptures, Paintings and Film’, Mocak, Krakow, Poland ‘Julian Opie: Collected Works’, Bowes Museum, County Durham, UK; The Holburne Museum, Bath, UK Kukje Gallery, Seoul, South Korea Galerie Krobath, Berlin, Germany Gerhardsen Gerner Gallery, Berlin, Germany 2013 Valentina Bonomo Roma, Rome, Italy
    [Show full text]
  • Shirazeh Houshiary
    SHIRAZEH HOUSHIARY Born Shiraz, Iran, 1955 Lives London, United Kingdom EDUCATION 1997 Awarded the title of Professor at the London Institute, London, England 1980 Junior Fellow, Cardiff College of Art, Cardiff, Wales 1979 Chelsea School of Art, London, United Kingdom SOLO EXHIBITIONS 2021 A Thousand Folds, Lehmann Maupin, New York, NY 2017 Nothing is deeper than the skin, Lisson Gallery, New York, NY 2016 Grains Swirl and the Ripples Shift, Espace Muraille, Geneva, Switzerland The River is Within Us, Singapore Tyler Print Institute, Singapore 2015 Lehmann Maupin, Hong Kong Shirazeh Houshiary: Smell of First Snow, Lisson Gallery, London, United Kingdom 2013 The eye fell in love with the ear, Lehmann Maupin, New York, NY Breath, Collateral Event of the 55th International Art Exhibition – la Biennale di Venezia, Venice, Italy Breath, Jhaveri Contemporary, Mumbai, India Shirazeh Houshiary, Lehmann Maupin, New York, NY 2012 Shirazeh Houshiary, Lisson Gallery, Milan, Italy String Quintet, LA Louver, Los Angeles, CA 2011 No Boundary Condition, Lisson Gallery, London, United Kingdom Altar, Saint Martin-in-the-Field Church, London, United Kingdom 2010 Light Darkness, Lehmann Maupin, New York, NY 2008 Shirazeh Houshiary - New Work, Lisson Gallery, London, United Kingdom Saint Martin-in-the-Field Church, London, United Kingdom 2007 Douglas Breath, Jhaveri Contemporary, Mumbai, India The Paradise (28), The Douglas Hyde Gallery, Dublin, Ireland 2006 Lehmann Maupin, New York, NY 2004 Works on Paper, Lehmann Maupin, New York, NY Breath by Shirazeh
    [Show full text]
  • The William Shipley Group
    the William Shipley group FOR RSA HISTORY Newsletter 29 September 2011 Forthcoming meetings Friday and Saturday 9-10 September 2011. The Prince Albert Society in Coburg’s 30th conference on Monarchy and the Art of Presentation will be held at the Schloss Ehrenburg in Coburg. For the programme and further details email [email protected] or visit their website http://www.prinz-albert-gesellschaft.uni-bayreuth.de/de/index.html. Thursday 22 September 2011. Following the RSA London Region AGM Susan Bennett will give a talk on ‘The Society that pokes its nose into everything’ in the Durham Street Auditorium, RSA, 8 John Adam Street, London WC2N 6EZ. Contact Elinor Pritchard at [email protected] or phone 0208 546 2613 Thursday 13 October 2011 at 11.00am. Tour of the Garrick Club and their collections by Marcus Risdell, Garrick Club Curator & Librarian. The Garrick Club is located at 15 Garrick Street, London WC2E 9AY Tuesday 15 November 2011 at 12.30pm. ‘The Society that pokes its nose into everything’ highlighting connections with Coventry, by Susan Bennett, Honorary Secretary, WSG. This general overview of the Society’s history is being given as part of the lunchtime series at the Herbert Art Gallery and Museum, Coventry and will include references to Coventry. Thursday 17 November 2011 at 4.30 for 5pm. “Between these…a great deal of my time is engaged”: the contribution of Henry Baker (1698-1774) and the Antiquaries to the Society for the encouragement of Arts, Manufactures and Commerce by Dr David G. C. Allan, FSA, HonFRSA.
    [Show full text]
  • Penny Sparke
    THEORY AND DESIGN IN THE AGE OF POP by Penny Sparke Thesis for Ph.D. Faculty of Art and Design Brighton Polytechnic October 1975 \ Acknowledgements I should like to thank the following for help given during the writing of this thesis : Gillian Naylor, Charles Jencks, P. Reyner Banham,, Kenneth Grange, John Blake, Michael English, Christopher Logue, Brian Rice , Paul Clark and Ken Baynes. J Theory and Design in the Age of Pop Summary The aim of this thesis is to discover the principle determining factors behind British Design in the 1960's in order to describe and analyse the background and effects of the crisis in Design theory that occurred at this time. This crisis, which meant a questioning of the tenets of Functionalism - the name with which the architectural and design theorists of the 1920's had identified themselves - constitutes, in both theoretical and practical terms, a major development in Twentieth Century Design History and by implication for any Design historical study. The period thus serves as a model for an examination of some major factors pertinent to many Design historiographical problems. The philosophical and stylistic implications of Functionalism, its discrepancies and variations, are noted briefly. A description of their continuation into the 1950's and 1960's is given in which the gap between abstract ideas and stylistic considerations is seen to widen. The critical reaction to Functionalism, manifested in several spheres, is noted and analysed. This reaction stems from an involvement with popular culture as a serious matter for academic discussion and a desire to restructure the value system within which judgements about buildings, objects and other social phenomena are made.
    [Show full text]
  • Professor Grenville Davey the Tractor Shed the Hall Great Yeldham
    Professor Grenville Davey The Tractor Shed The Hall Great Yeldham Essex CO9 4PT 0785 4151603 [email protected] 1961 Born Launceston, Cornwall. Lives and works in Essex BIOGRAPHY 2012. Artist in residence, Isaac Newton institute of Mathematical Sciences, Cambridge. 2010/11 Artist in residence, Department of Theoretical Physics, Queen Mary College, UCL, London. Board member, Commissions East. 2009 Mentor for artists commissioned for Beyond the frame Essex County Council commission. Lead artist for Olympic Delivery Authority, Arup engineers. Interpretation/ design from public consultation. Programme Leader, MA Fine art, University of East London. 2008 Facilitator, public consultation/ workshop, for the Olympic Delivery Authority, organised by The Royal College, Imperial College.ODA. 2007 Established Artists Award, Arts Council England. Awarded, Arts in Essex, Grant. Study of sites for Art in Essex. 2006 Design team, Stockton / Middlesbrough Initiative, Strategic Masterplan. LDA Design, Landscape architects. Facilitator, drawing project, PRP architects. 2005 Design team, Barnsley Civic Core, detailed design, with LDA Design, Landscape architects. 2003 Design team, Barnsley Civic Core, Sketch Design, with LDA Design, Landscape Architects. Awarded the RSA ‘Art for Architecture Award’ for the design, phase 1 of Manchester City Centre. EDAW Landscape architects. 1999 Senior Research Fellow in Drawing, University of East London 1997 Awarded the title of visiting Professor at the University of the Arts, London. 1996 Awarded the RSA ‘Art for Architecture Award’ for the Newcastle Draw dock Development, London, with EDAW, landscape architects. 1992 Turner Prize Award, Tate Gallery, London 1981-85 Studied Exeter College of Art and Design 1985-88 Goldsmiths College BA (Hons) Fine Art COMMISSIONS 2008-11.
    [Show full text]
  • Tim Parsons Thinking: Objects Contemporary Approaches to Product
    - - - - - - TIM PARSONS - - - - - - Tim Parsons is a product designer, writer and Product designers have gone from being the Other AVA Academia titles of interest: lecturer. He has worked with manufacturers in packagers of engineering to developing a holistic Britain and Europe and has exhibited widely. He understanding of objects. They have acquired - Visible Signs: An introduction has contributed articles to publications including human-centred perspectives, embraced semiotics Objects Thinking: Thinking: Objects to semiotics Blueprint and Phaidon’s Design Classics. and cognitive science, and warned us of the - potential applications for technologies beyond our Good: An introduction to ethics - - control. Design has stepped into the envisioning Contemporary in graphic design of new business directions and ways in which - consumers can become more involved in shaping Visual Research: An introduction their surroundings. Through all this it has not lost to research methodologies in Tim Parsons Tim Parsons touch with the physical substance of the object approaches to graphic design itself and the refinement and exploration of - new forms. Visual Communication: From theory to practice This book is liberal in its definition of product - product design - design, embracing many categories of object and Verbalising the Visual: Translating including both critical and commercial work. It aims art and design into words to help readers grasp the breadth of design activity - happening today by identifying approaches that are Design Management: Managing design applied across different object types. It explains and strategy, process and implementation questions prescribed design methodologies and - discusses the dual values of logic and intuition that Left to Right: the cultural shift intermingle in the design process.
    [Show full text]
  • March Lite — Sir Kenneth Grange & Smithmatthias
    March Lite — Sir Kenneth Grange & SmithMatthias March Lite — Sir Kenneth Grange & SmithMatthias 01 modusfurniture.co.uk Description Materials March Lite is an extension to the original stacking chair, March, by Frame and legs Solid ash the design duo Sir Kenneth Grange and SmithMatthias. Bearing Seat and back Pressed plywood with ash veneer all the hallmark simplicity of the original March chair, March Lite is visually and physically lighter, using less material due to a 2D Foot Nylon glide veneer on the backrest. This simplified engineering results in a Foam CertiPUR certified, CMHR foam pared back chair that still retains the design details and elegance Fabric Available in a wide range of fabrics and of form of the original. Available in natural or painted ash with a leathers water-based lacquer finish and optional upholstered seat. March Lite — Sir Kenneth Grange & SmithMatthias 02 modusfurniture.co.uk March Lite — Sir Kenneth Grange & SmithMatthias 03 modusfurniture.co.uk March Lite — Sir Kenneth Grange & SmithMatthias 04 modusfurniture.co.uk Chair - Ash Chair - Painted ash MLT001 MLT002 Height (mm) 780/455 Height (mm) 780/455 Width (mm) 525 Width (mm) 525 Depth (mm) 515 Depth (mm) 515 Packed: Packed: Dims (mm) 800 x 545 x 535 Dims (mm) 800 x 545 x 535 Weight (kg) 4.7 Weight (kg) 4.5 Chair - Upholstered ash Chair - Upholstererd painted ash MLT003 MLT004 Height (mm) 780/455 Height (mm) 780/455 Width (mm) 525 Width (mm) 525 Depth (mm) 515 Depth (mm) 515 Packed: Packed: Dims (mm) 800 x 545 x 535 Dims (mm) 800 x 545 x 535 Weight (kg) 5.6 Weight (kg) 5.5 March Lite — Sir Kenneth Grange & SmithMatthias 05 modusfurniture.co.uk Other Products by Sir Kenneth Grange & SmithMatthias Designer March Spring — Sir Kenneth Grange & SmithMatthias Sir Kenneth Grange is Britain’s leading product designer, his prolific career spans over 50 years and he is responsible for designing some of the most iconic and familiar products and appliances that shape our daily lives.
    [Show full text]
  • The Methods of Kenneth Grange, Product Designer
    Open Research Online The Open University’s repository of research publications and other research outputs Achieving pleasure from purpose: the methods of Kenneth Grange, product designer Journal Item How to cite: Cross, Nigel (2001). Achieving pleasure from purpose: the methods of Kenneth Grange, product designer. Design Journal, 4(1) pp. 48–58. For guidance on citations see FAQs. c [not recorded] https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Accepted Manuscript Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.2752/146069201789378469 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk The Design Journal, Vol. 4, No. 1, pp. 48-58, 2001 ACHIEVING PLEASURE FROM PURPOSE The methods of Kenneth Grange, product designer Nigel Cross Abstract This paper is based on a case study of the working methods of a highly successful product designer, Kenneth Grange. Relevant aspects of his personal background are introduced. Three of his well-known projects are selected for analysis: a camera for Kodak, a sewing machine for Maruzen, and the British Rail High Speed Train. His designs are characterised by a concern with designing for purpose, so as to achieve pleasure for the user. General lessons are drawn from the examples, and comparisons are made with other studies of highly successful designers. Similarities with these others include a tendency to develop a systems view of the problem; defining or framing the problem to be solved in a fresh, challenging way; and developing details from basic principles of function, engineering and manufacture.
    [Show full text]
  • JULIAN OPIE 1958 Born in London, UK. Lives in London, UK 1979-82
    JULIAN OPIE 1958 Born in London, UK. Lives in London, UK 1979-82 Goldsmith’s School of Art, London, UK AWARDS 2001 Music Week CADS, Best Illustration for “Best of Blur” 1995 - 1996 Residency at the Atelier Calder in Saché, France 1995 Sargant Fellowship at the British School in Rome ONE PERSON EXHIBITIONS 2018 National Gallery of Victoria, Melbourne, Australia. 2017 Fosun Foundation, Shanghai, China. Fundacion Bancaja, Valencia, Spain. National Portrait Gallery, London, UK. Suwon Ipark Museum, Suwon, Korea. 2016 Art Geneve, Geneva, Switzerland. Gerhardsen Gerner, Berlin, Germany. Krobath, Vienna, Austria. Maho Kubota Gallery, Tokyo, Japan. 2015 Galerie Mario Sequeira, Braga, Portugal. “Winter”, British Council, New Delhi Bob van Orsouw, Zürich, Switzerland Kunsthalle Helsinki. Helsinki, Finland. Alan Cristea Gallery, London, UK. Gerhardsen Gerner, Oslo, Norway 2014 “Ikon Ikons: 2000’s” Ikon Gallery, Birmingham, UK SCAI, Tokyo, Japan Museum of Contemporary Art Krakow in Poland (MoCAK) (exh cat) “Julian Opie Collected Works” Holburne Museum, Bath and Bowes Museum, Durham, UK (exh cat) Gerhardsen Gerner, Berlin Weekend, Germany Krobath Galerie, Berlin, Germany Channing School for Girls, ARK Gallery, London, UK Kukje Gallery, Seoul, Korea (exh cat) 2013 Barbara Krakow, Boston, US Valentina Bonomo, Rome, Italy Krobath Galerie, Vienna, Austria Patrick de Brock, Knokke, Belgium Alan Cristea, London, UK Gerhardsen Gerner, Oslo, Norway 2012 Sakshi Gallery, Mumbai, India Lisson Gallery, London, UK 2011 Lisson Gallery, Milan, Italy National Portrait
    [Show full text]