The Terminator Comic Book Rampage
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Ginal Layouts and a Bonus Silent Issue by Larry Hama and Joe Benitez! Includes G.I
G.I. JOE: SILENT INTERLUDE 30th ANNIVERSARY EDITION presents the story that defined a generation—G.I. JOE: A REAL AMERICAN HERO #21, the famous SILENT INTERLUDE story by Larry Hama and Steve Leialoha. This wordless issue introduced the world to SNAKE EYE’s mysterious nemesis STORM SHADOW and his ARASHIKAGE NINJA—and essays by Mark Bellomo offer a look into the inspiration and creation of this comic book classic. Plus—an unprecedented glimpse of Larry Hama’s original layouts and a bonus silent issue by Larry Hama and Joe Benitez! Includes G.I. JOE: A REAL AMERICAN HERO #21 and G.I. JOE: ORIGINS #19. www.idwpublishing.com • $19.99 G.I. Joe: A ReAl AmeRIcAn HeRo #21: “SIlent InteRlude” StoRy And BReAkdownS By lARRy HAmA FInISHeS By Steve leIAloHA coloRS By GeoRGe RouSSoS G.I. Joe: A ReAl AmeRIcAn HeRo #21: “SIlent InteRlude” oRIGInAl BReAkdownS BReAkdownS By lARRy HAmA G.I. Joe oRIGInS #19: SnAke eyeS StoRy And lAyoutS By lARRy HAmA PencIlS By Joe BenItez InkS By vIctoR llAmAS coloRS By J. BRown IntRoductIon By mARk Bellomo ISSue noteS By mARk Bellomo And lARRy HAmA collectIon coveR By ed HAnnIGAn, klAuS JAnSon, And Romulo FAJARdo JR. oRIGInAl edItS By denny o’neIl, Andy ScHmIdt, And cARloS GuzmAn collectIon edItS By cARloS GuzmAn collectIon deSIGn By cHRIS mowRy Special thanks to Hasbro’s Ed Lane, Joe Furfaro, Heather Hopkins, and Michael Kelly for their invaluable assistance ISBN: 978-1-63140-035-3 17 16 15 14 1 2 3 4 Ted Adams, CEO & Publisher Facebook: facebook.com/idwpublishing Greg Goldstein, President & COO Robbie Robbins, EVP/Sr. -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
Celebrating 10 Years! COMIC-CON 2017 the GUIDE
¢ No.9 50 JULY SAN DIEGO SAN DIEGO 2017 COMIC-CON COMIC-CON 48-page anniversary edition! SURVIVAL GUIDE THEGUIDE Celebrating 10 years! COMIC-CON 2017 THE GUIDE TABLE OF CONTENTS Introduction ........................................................................................3 Marvel Heroes ....................................................................................4 Superhero Showdown .......................................................................8 Legends of DC .....................................................................................9 That Was a Comic Book? ................................................................10 Click Picks Comics ...........................................................................12 Heroes & Villains ..............................................................................14 You Know, For Kids! .........................................................................15 Comic-Con Exclusives .....................................................................17 Flights of Fantasy .............................................................................19 Level Up! ............................................................................................20 How to Speak Geek ..........................................................................21 In a Galaxy Far, Far Away ...............................................................26 The Final Frontier .............................................................................27 Invasion! ............................................................................................28 -
2News Summer 05 Catalog
$ 8 . 9 5 Dr. Strange and Clea TM & © Marvel Characters, Inc. All Rights Reserved. No.71 Apri l 2014 0 3 1 82658 27762 8 Marvel Premiere Marvel • Premiere Marvel Spotlight • Showcase • 1st Issue Special Showcase • & New more! Talent TRYOUTS, ONE-SHOTS, & ONE-HIT WONDERS! Featuring BRUNNER • COLAN • ENGLEHART • PLOOG • TRIMPE COMICS’ BRONZE AGE AND COMICS’ BRONZE AGE BEYOND! Volume 1, Number 71 April 2014 Celebrating the Best Comics of the '70s, '80s, Comics’ Bronze Age and Beyond! '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Arthur Adams (art from the collection of David Mandel) COVER COLORIST ONE-HIT WONDERS: The Bat-Squad . .2 Glenn Whitmore Batman’s small band of British helpers were seen in a single Brave and Bold issue COVER DESIGNER ONE-HIT WONDERS: The Crusader . .4 Michael Kronenberg Hopefully you didn’t grow too attached to the guest hero in Aquaman #56 PROOFREADER Rob Smentek FLASHBACK: Ready for the Marvel Spotlight . .6 Creators galore look back at the series that launched several important concepts SPECIAL THANKS Jack Abramowitz David Kirkpatrick FLASHBACK: Marvel Feature . .14 Arthur Adams Todd Klein Mark Arnold David Anthony Kraft Home to the Defenders, Ant-Man, and Thing team-ups Michael Aushenker Paul Kupperberg Frank Balas Paul Levitz FLASHBACK: Marvel Premiere . .19 Chris Brennaman Steve Lightle A round-up of familiar, freaky, and failed features, with numerous creator anecdotes Norm Breyfogle Dave Lillard Eliot R. Brown David Mandel FLASHBACK: Strange Tales . .33 Cary Burkett Kelvin Mao Jarrod Buttery Marvel Comics The disposable heroes and throwaway characters of Marvel’s weirdest tryout book Nick Cardy David Michelinie Dewey Cassell Allen Milgrom BEYOND CAPES: 221B at DC: Sherlock Holmes at DC Comics . -
Superhero Comics
European journal of American studies Reviews 2018-2 Gavaler, Chris, Superhero Comics Katherine Marazi Electronic version URL: https://journals.openedition.org/ejas/13283 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Katherine Marazi, “Gavaler, Chris, Superhero Comics”, European journal of American studies [Online], Reviews 2018-2, Online since 25 July 2018, connection on 11 July 2021. URL: http:// journals.openedition.org/ejas/13283 This text was automatically generated on 11 July 2021. Creative Commons License Gavaler, Chris, Superhero Comics 1 Gavaler, Chris, Superhero Comics Katherine Marazi 1 Gavaler, Chris. Superhero Comics 2 London and New York: Bloomsbury Comics Studies, 2017. Pp. 376. ISBN: 978-1-4742-2634-9 3 Katherine Marazi 4 Despite the ubiquity and current overabundance of superhero productions, academic publications and courses on superheroes are not as widespread. Fortunately, over the past decade traditional and online MOOC courses focused on superheroes as well as academic publications resulting from either conferences or individual research have grown in numbers and importance. One such publication, Chris Gavaler’s Superhero Comics, aims to historically and thematically inform readers on the form, contexts and genre of superhero comics. Beginning with “What is a superhero comic?” a question most readers today may feel fairly confident in answering, Gavaler provides a historic and thematic account of just how complex the answer to this question is. 5 Gavaler adopts a genre approach focusing on “the tradition of superheroes in superhero comics” whilst examining “pre-comics characters to the extent that they maintain a defining influence on their comics descendants” (2). Terminology is insufficient in fully understanding what comics are. -
In the USA Characters TM & © Marvel Characters, Inc. Cover Art by Gil
Characters TM & © Marvel Characters, Inc. 1 82658 00046 2 ™ Cover art byGilKane &KlausJanson $ in theUSA 8.95 A TwoMorrows A TwoMorrows Publication Winter 2016 • Voice of the Comics Medium • Number 11 TABLE OF CONTENTS Ye Ed’s Rant: ACE was not the place and Ye Ed’s upcoming projects ............................. 2 WOODY LANTERN COMICS CHATTER CBC mascot by J.D. KING An Enthusiastic Man: Talking to those who loved and cherished the gentleman, ©2015 J.D. King. we ask the family and friends of the late, lamented Herbert William Trimpe to About Our share their memories of and affections for the legendary comic book creator ......... 3 Cover Incoming: Roy Thomas talks about faked alien invasions, Evertson Zell enlightens Pencils by GI L KANE us about the fanzine Yandro, and reader complaints about our interview style ....... 8 Inks by KLAUS JANSON Hembeck’s Dateline: Our Man Fred talks about how the great comic book artist Colors by GLENN and celebrated raconteur Gilbert Eli Kane changed his life ..................................... 13 WHITMORE Eisner’s Enduring Esprit: A short interview with Paul Levitz, author of the new book Will Eisner: Champion of the Graphic Novel ........................................... 14 Comics in the Library: Explaining what libraries need from comic publishers ........... 19 THE MAIN EVENT The Invention of Gil Kane: CBC takes a comprehensive look at the life and times of the man born Eli Kacz. From a childhood growing up on the mean streets of Brooklyn and early entry into the nascent comics field, we chronicle his years as DC Comics’ stalwart and witness an epiphanous breakthrough that transforms his work and ambitions into becoming among the first graphic novelists. -
Comic Book Biography: Keith Giffen by Rik Offenberger
Comic Book Biography: Keith Giffen by Rik Offenberger It’s one of the better creator stories of the past couple of years. After a stretch where he could barely get a nod of recognition from Marvel or DC, Keith Giffen is experiencing a career renaissance rarely seen. While he was a major force to contend with in comics in the later ‘80s and ‘90s, thanks to his work on Legion of Super- Heroes and Justice League, both titles ultimately went through major shifts in tone, and as their directions changed, so did their writer. For a long-ish period, it seemed that Giffen was gone from comics as well. His name would pop up occasionally, but for the most part, comics seemed to have moved on, and Giffen wasn’t on the train. Give it a few years, and things do change. With a solid foundation based in translating popular manga series, and some new superhero work through Boom! Studios, Giffen is back in full force, overseeing not one, but two major events: Annihilation at Marvel and 52 at DC. It’s a comeback that would make not only any of Giffen’s contemporaries, but…well, any creator working in mainstream comics jealous. During some of his rare free time, we sat down with Giffen for a look back, around, and forward. Newsarama: Keith, let's just jump into it at the beginning - where did you study art? Keith Giffen: The Little Falls public library. I didn't really have any formal art training and it shows. The year I spent at the NY School of Visual Arts was a faux hippie, metaphysical nightmare and the night courses I took at the DuCret School only reinforced what I'd already pulled from the library's books. -
Gold Key / Western Star Trek Comics
Compiled by Rich Handley (richhandley.com) Updated: July 28, 2021: Added an exclusive story from IDW's New Visions Vol. 8, which I'd previously overlooked. To send corrections, e-mail [email protected]. Download the latest version at hassleinbooks.com/pdfs/TrekComics.pdf. For more information about individual comics or series, consult the following resources: • The Star Trek Comics Checklist, by Mark Martinez: www.startrekcomics.info • Star Trek Comics Weekly (an ongoing column by yours truly): www.herocollector.com/en-gb/About/rich-handley • Star Trek Graphic Novel Collection: 100 and Beyond!, by Matt Gilbert: tinyurl.com/mattgilberttrek • Wixiban's Star Trek Collectables Portal, by Colin Merry: wixiban.com/comics.htm • New Life and New Civilizations: Exploring Star Trek Comics, edited by Joseph F. Berenato (Sequart, 2014): sequart.org/books/33 • Star Trek Comics: Across Generations (Facebook page): www.facebook.com/groups/1416758098604172/ • IDW's official Star Trek page: www.idwpublishing.com/trending_titles/star-trek/ • Eaglemoss's official Star Trek Graphic Novel Collection page: en-us.eaglemoss.com/hero-collector/star-trek/ (Full disclosure: I am the editor of this series of hardcover books.) • Star Trek: A Comics History, by Alan J. Porter (Hermes Press, 2009): amazon.com/Star-Trek-Comic-Book-History/dp/1932563350 • Star Trek Comic Book Review, by Donavon Chambers: www.stcomicbookreview.com • Guide to the Gold Key Star Trek Comics, by Curt Danhauser: curtdanhauser.com GOLD KEY / WESTERN COMICS (Oct. 1967 to Mar. 1979) Star -
2News Summer 05 Catalog
Justice League of America TM & © DC Comics. All Rights Reserved. December 2013 No.69 $ 9 . 9 5 100-PAGE TENTH EDITION ANNIVERSARY 100-PAGE 1 1 1 82658 27762 8 Volume 1, 1994--2013 Number 69 December 2013 Celebrating the Best Comics’ Bronze Age and Beyond! Comics of the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Dan Jurgens and Ray McCarthy COVER COLORIST Glenn Whitmore COVER DESIGNER FLASHBACK: A Slow Start for Anniversary Editions . .2 Michael Kronenberg PROOFREADER FLASHBACK: The House of Ideas’ Herculean 100th Issues!! . .4 Rob Smentek BEYOND CAPES: The “Antiversary” Issue . .14 SPECIAL THANKS FLASHBACK: Adventure Comics #400: Really? . .22 Jack Abramowitz Elliot S. Maggin Frankie Addiego Andy Mangels FLASHBACK: The Brave and the Bold #100, 150, and 200 . .25 David T. Allen Franck Martini Mark Arnold David Michelinie FLASHBACK: Superman #300 . .31 Mike W. Barr Mark Millar Cary Bates Doug Moench OFF MY CHEST: The Siegel/Superman lawsuit by Larry Tye, excerpted from his book, Jerry Boyd Pamela Mullin Superman: The High-Flying History of America’s Most Enduring Hero . .34 KC Carlson Mike Pigott Gerry Conway Charlie Roberts FLASHBACK: Showcase #100 . .38 DC Comics John Romita, Sr. BEYOND CAPES: Casper #200 and Richie Rich #200 . .41 Daniel DeAngelo Steve Rude Tom DeFalco Michael Savene INTERVIEW: Marv Wolfman on Fantastic Four #200 and Amazing Spider-Man #200 . .44 Steve Englehart Alex Segura A.J. Fowlks Marie Severin FLASHBACK: Batman #300 and 400 . .49 Grand Comic-Book Craig Shutt Database Walter Simonson BACKSTAGE PASS: Bob Greenberger’s Memories of Detective Comics #500 . -
Japanese EFL Students and Superman, No. 408: a Fill-It-Up Activity with “The Day the Earth Died”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Japanese EFL Students and Superman, No. 408 Japanese EFL Students and Superman, No. 408: A Fill-It-Up Activity with “The Day the Earth Died” Alzo DAVID-WEST Abstract This paper reports on the use of the first five pages of Paul Kupperberg and Ed Hannigan’s Superman, No. 408, story “The Day the Earth Died” in three Communicative English classes at a university in Japan. The comic book material was prepared for a fill-it-up activity, with all text deleted and student pairs instructed to write original narration, speech, and thought. The paper explains why the Kupperberg and Hannigan selection is significant for Japanese EFL students, describes preliminary steps taken in the classroom to help the students understand comics pages and panels, observes how the students engaged with and responded to the pictorial narrative, and discusses written output. Keywords: comics, communicative tasks, EFL, fill-it-up, symbolic learning, writing Introduction “The Day the Earth Died” by Paul Kupperberg and Ed Hannigan is a sixteen-page story that appeared in Superman, No. 408, June 1985, addressing the recurring theme in the Superman mythos that the allegorical superhero cannot solve social and political problems. The most affecting part of the tale is in the first five pages and twenty-seven panels: Superman dreams of himself in a nuclear holocaust; he looks for survivors; he finds a girl dying; he awakens in panic; and he floats out a window.1 The section, which can stand on its own, combines social relevance and psychological angst with a fantasy element that tempers the serious subject, making it approachable and also intriguing. -
American Comic Books & the Aids Crisis
FATAL ATTRACTIONS: AMERICAN COMIC BOOKS & THE AIDS CRISIS A MASTER’S FINAL PROJECT FOR THE DEPARTMENT OF AMERICAN STUDIES Sean A. Guynes FATAL ATTRACTIONS: AMERICAN COMIC BOOKS AND THE AIDS CRISIS A Master’s Final Project Presented by SEAN A. GUYNES Submitted to the Department of American Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS June 2015 American Studies Program © 2015 by Sean A. Guynes All rights reserved Cover design after Alaniz (2014). Cover art by Richard Bennett, Uncanny X-Men #303 (August 1993), © Marvel Worldwide, Inc. Art below from 7 Miles A Second, story by David Wojnarowicz, art by James Romberger and Marguerite Van Cook (1996). ABSTRACT FATAL ATTRACTIONS: AMERICAN COMIC BOOKS AND THE AIDS CRISIS June 2015 Sean A. Guynes, B.A., Western Washington University M.A., University of Massachusetts Boston Advisor: Aaron Lecklider, Ph.D. Second Reader: Rachel Rubin, Ph.D. Between 1988 and 1994 American comic books engaged the politics, problematics, and crises of the AIDS epidemic by inserting the virus and its social, cultural, and epidemiological effects on gay men into the four-color fantasies of the superhero genre. As the comic-book industry was undergoing major internal changes that allowed for more mature, adult storylines, creators challenged the Comics Code Authority’s 1954 sanction against the representation of homosexuality to create, for the first time, openly gay characters. Creators’ efforts were driven by a desire to recognize the reality of gay men’s lived experiences, especially crucial in the epidemic time of the AIDS crisis.