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BTS Blasts Onto Hot 100 at No. 1 with 'Permission To
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 19, 2021 Page 1 of 31 INSIDE BTS Blasts Onto Hot 100 • Olivia Rodrigo’s at No. 1 With ‘Permission to Dance,’ ‘Sour’ Spends Fourth Week at No. The Kid LAROI & Justin Bieber 1 on Billboard 200 Albums Chart Bow at No. 3 With ‘Stay’ • Billboard’s U.S. Money Makers: BY GARY TRUST The Top Paid Musicians of 2020 TS bounds onto the Billboard Hot top. Here’s a deeper look at its entrance. 100 songs chart at No. 1 with its new Streams, airplay & sales: Following its July 9 • Billboard’s 2020 Global Money single “Permission to Dance.” The South release, “Dance” drew 15.9 million U.S. streams and Makers: The 5 Korean septet supplants itself at the top 1.1 million radio airplay audience impressions and sold Top Highest Bspot, as the group’s own “Butter” falls to No. 7 after 140,100 downloads (via its original and instrumental Paid Musicians seven weeks at No. 1. “Dance” launches as the group’s digital versions, each on sale for 69 cents) in the week • Bill Ackman SPAC fifth Hot 100 leader. ending July 15, according to MRC Data. Drops Plan to Buy Plus, The Kid LAROI and Justin Bieber debut on The track debuts atop the Digital Song Sales chart, 10% UMG Stake the Hot 100 at No. 3 with “Stay.” The song marks the where it’s BTS’ eighth No. 1, extending the act’s record former’s second top 10, and a new career high, and the for the most among groups. -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. •>- I The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrougb, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
STORM Report Is a Compilation of Up-And-Coming Bands and Artists Popular Music in America Has Never Been More Who Are Worth Watching
Music Without Borders BLACKPINK Jeremy Zucker RY X MISSIO and more ISSUE NO. 63 SUMMER 2019 TABLE OF CONTENTS 4 EYE OF THE STORM Music Without Borders: The Rise of Non-English Language Music in America 5 STORM TRACKER Clairo, Natti Natasha, Raveena, and Florida Georgia Line 6 STORM FORECAST Rihanna @ NYFW, Discover WORLDZ, Life Is Beautiful, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. On the Cover: Jessie Reyez. Photo by Mabdulle ©2019 ABOUT A LETTER THE STORM FROM THE REPORT EDITOR Watching the MTV Video Music Awards this STORM = STRATEGIC TRACKING OF RELEVANT MEDIA week, it was undeniable to note that, despite a continuing immigration crisis in our country, The STORM Report is a compilation of up-and-coming bands and artists popular music in America has never been more who are worth watching. Only those showing the most promising globally influenced and inspired. One of our potential for future commercial success make it onto our monthly list. favorite new artists Rosalía (who was all of the buzz of Coachella 2019) and Columbian reggaeton How do we know? singer, J Balvin (STORM 35) claimed the award for “Best Latin” at the event this year. And while Through correspondence with industry insiders and our own ravenous there remains some industry controversy in media consumption, we spend our month gathering names of artists defining Rosalía as a “Latinx” artist (she is from who are “bubbling under”. We then extensively vet this information, Barcelona vs. Latin American countries), the fact analyzing an artist’s print & digital media coverage, social media that she primarily performs in Spanish and has growth, sales chart statistics, and various other checks and balances to collaborated with breakthrough Latin musicians ensure that our list represents the cream of the crop. -
Behind the Music: Music Producers & Their Struggles for Authorship Rights
Intellectual Property Brief Volume 8 Issue 2 Article 3 2016 Behind the Music: Music Producers & Their Struggles for Authorship Rights Dima S. Budron American University Washington College of Law Follow this and additional works at: https://digitalcommons.wcl.american.edu/ipbrief Part of the Intellectual Property Law Commons Recommended Citation Budron, Dima S. (2016) "Behind the Music: Music Producers & Their Struggles for Authorship Rights," Intellectual Property Brief: Vol. 8 : Iss. 2 , Article 3. Available at: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/3 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Intellectual Property Brief by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Behind the Music: Music Producers & Their Struggles for Authorship Rights This article is available in Intellectual Property Brief: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/3 BEHIND THE MUSIC: MUSIC PRODUCERS & THEIR STRUGGLE FOR AUTHORSHIP RIGHTS Dima S. Budron* INTRODUCTION ............ 121 I. The Authorial Role ofProducers................................... ..... 123 A. The Song-Making Process ................ .................... ..... 124 B. The Producer Business Model ................................. ...... 128 C. The Digital Era............................................ -
Ada Firemen to Shoot the Inorks Cascade's Celebration Set- Plans
'Lowell Ledger ft Suburhari Life 99 Covering Area Happening of People You Know! NEWSSTAND PRICE 10 cents VOL 79 NO. 13 TWO SECTIONS - JULY 1.1972 VOL 18 NO. 14 u A neighborhood Carnival against dystrophy will be held Thursday, July 6, Public Hearing July 5 th On Sewer Project at Richard's Park from 10 a.m. to 2 p.m. The carnival will feature such games as Toss Across, Coin Toss, Fortune Moving their regular meeting date from July 3 to At that time. Council agreed to hold a public meeting Telling. Fish Pond, Basketball Throw, Fish Gallery, Ring the Pop, Unlock July 5, because of the holiday, the Lowell City Coun- when a further look at financing and the project itself the Chest, Clown and a raffle. cil will assemble in city hall on this date to again take had been made. up the issue of the somewhat controversial storm sewer All proceeds will go to aid the fight against muscular dystrophy and re- At the July 5th meeting. Mayor Carlen Anderson is lated diseases afflicting millions. project. expected to reveal the pertinent facts behind the favor- Meeting at 8 p.m., the public hearing, open to all in- Neighborhood Sponsoring the event is the TaWaAya Camp Fire Girls-Amy Steward, Doro- able indications that have been received, indicating that thy Burton, Debbie Kinyon, Carol Scharaswak, Anna Miller, JoAnn Keim, terested citizens, will discuss the financing of the pro- sufficient aid will be forthcoming to allow the city to ject. and Laurie McMahon, and the newly formed Horizon Club-Cindy Butts, go "full speed" ahead on the project. -
On the Historical and Future Role of the Music Producer 1
ON THE HISTORICAL AND FUTURE ROLE OF THE MUSIC PRODUCER 1 On the Historical and Future Role of the Music Producer Tyler Harrison A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2021 ON THE HISTORICAL AND FUTURE ROLE OF THE MUSIC PRODUCER 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. Nathan Zwald, M.Ed. Thesis Chair Hanna Byrd, D.W.S. Committee Member James H. Nutter, D.A. Honors Director Date ON THE HISTORICAL AND FUTURE ROLE OF THE MUSIC PRODUCER 3 Abstract The research completed in this thesis is designed to review the historical role of the music producer and track its evolution into the modern era. Focus on the history of the producer will include formal research from the time and a review of individuals who pioneered significant change in the industry. The thesis will then explore the role of the contemporary record producer and raise questions about the impact of modern technology and practice. The creative aspect of the thesis will be completed by fulfilling the role of producer for a local artist: coordinating, engineering, mixing, and ultimately producing a four-track Extended Play (EP) project that will include the final professional audio project and approximately ten pages of production documentation organized as a separate document. ON THE HISTORICAL AND FUTURE ROLE OF THE MUSIC PRODUCER 4 On the Historical and Future Role of the Music Producer The musical world is characterized by the presence of the artist. -
Daniel Sage Special Summer Concert Series
Daniel Sage Special Summer Concert Series Artists Information Eric Clapton Eric Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked second in Rolling Stone magazine’s list of the “100 Greatest Guitarists of All Time”. He has received 18 Grammy Awards, was awarded the Grammy Lifetime Achievement Award, the Brit Award for Outstanding Contribution to Music, and is the only three-time inductee to the Rock and Roll Hall of Fame (once as a solo artist and separately as a member of Cream and the Yardbirds). He has been awarded a CBE at Buckingham Palace for services to music, as well as four Ivor Novello Awards from the British Academy of Songwriters, Composers and Authors, including the Lifetime Achievement Award. In his solo career alone, Clapton has sold more than 100 million records worldwide, making him one of the best-selling musicians of all time. Among his numerous top hits, include: Change The World, Wonderful Tonight, Lay Down Sally, I’ve Got A Rock & Roll Heart, Sunshine Of Your Love, After Midnight, Forever Man, Layla, I Shot The Sheriff, Tears In Heaven, Cocaine, and many more. John Mellencamp John Mellencamp has amassed 22 Top 40 hits in the United States, and holds the record for the most tracks by a solo artist to hit number one on the Hot Mainstream Rock Tracks chart, with seven. Mellencamp is a Grammy Award recipient and has been nominated for 13. He was inducted into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. -
An Independent Record Label Business Plan Jack Raybuck
University of Arkansas, Fayetteville ScholarWorks@UARK Marketing Undergraduate Honors Theses Marketing 5-2018 An Independent Record Label Business Plan Jack Raybuck Follow this and additional works at: https://scholarworks.uark.edu/mktguht Part of the Arts Management Commons, and the Service Learning Commons Recommended Citation Raybuck, Jack, "An Independent Record Label Business Plan" (2018). Marketing Undergraduate Honors Theses. 36. https://scholarworks.uark.edu/mktguht/36 This Thesis is brought to you for free and open access by the Marketing at ScholarWorks@UARK. It has been accepted for inclusion in Marketing Undergraduate Honors Theses by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. An Independent Record Label Business Plan By Jack David Raybuck Advisor: John Cole An Honors Thesis in partial fulfillment of the requirements for the degree Bachelor of Science in Business Administration (or Bachelor of Science in International Business) in Marketing Sam M. Walton College of Business University of Arkansas Fayetteville, Arkansas May 11, 2018 I. Executive Summary Overview Fearless is an independent record label that operates in the record production and distribution industry. The focus at Fearless is on signing new artists in the pop, R&B and hip-hop genres as well as providing those individuals with the necessary marketing and promotion to help sell their music and build their brand. Our focus on the digital environment of the industry allows Fearless to keep costs low relative to competitors as well as achieve a reach far beyond the immediate markets we operate in. Problem The music industry has been facing a gender inequality problem since its conception in the late 1800’s. -
What's in a Song? Copyright's Unfair Treatment of Record Producers and Side Musicians Gabriel J
Vanderbilt Law Review Volume 61 | Issue 4 Article 4 5-2008 What's in a Song? Copyright's Unfair Treatment of Record Producers and Side Musicians Gabriel J. Fleet Follow this and additional works at: https://scholarship.law.vanderbilt.edu/vlr Part of the Intellectual Property Law Commons Recommended Citation Gabriel J. Fleet, What's in a Song? Copyright's Unfair Treatment of Record Producers and Side Musicians, 61 Vanderbilt Law Review 1235 (2019) Available at: https://scholarship.law.vanderbilt.edu/vlr/vol61/iss4/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Law Review by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. NOTES What's in a Song? Copyright's Unfair Treatment of Record Producers and Side Musicians 1. INTRODU CTION ................................................................... 1236 II. LEGAL BACKGROUND .......................................................... 1240 A. Distinct Copyrights for Musical Compositions and Sound Recordings..................... 1241 B. Copyright Infringement .......................................... 1242 C. Joint A uthorship..................................................... 1246 III. POPULAR MUSIC COMPOSITION AND PRODUCTION N ORM S .......................................................... 1250 A. M usic Composition Today ...................................... 1251 B. The Role of the Record Producer ............................ 1256 -
Artist and Record Label Exec Quotes
ARTIST AND RECORD LABEL EXEC QUOTES “It’ll probably be a cold day in hell before I don’t send a new act on a radio tour.” -- Jon Loba, executive vice president of BBR Music Group, “‘Radio tour is not for the weak’: Inside the first step to country music stardom,” Washington Post, June 15, 2017 "If that had been played on radio 20 million times we'd all be wearing silk shorts and lighting our cigars with $100 bills but that's not the case." -- Songwriter Tom Douglas from documentary film The Last Songwriter, quote featured in “Kip Moore Pledges Financial Assistance to Nashville Songwriters With Yearly Bonus: Exclusive,” Billboard, May 26, 2017 “Thank you, fans, first and foremost. Thank you, country radio. Thank you, Warner Brothers Records. I love y’all.” -- Country music artist Blake Shelton on receiving the Billboard Music Award for Top Country Artist, May 21, 2017 "Radio is the life blood of our industry. It’s what keeps us alive as a band and as artists. It’s important to maintain these relationships because they’re the ones that bring our music to the fans." -- Old Dominion lead vocalist Matthew Ramsey, The Tennessean, “Radio Row saves time, builds relationships,” April 2, 2017 "A huge amount of my audience still listens to radio. That's where they get a lot of my music." -- Country music artist Keith Urban in interview with Politico reporter Alex Byers after being named the top awardee and performer at this year's GRAMMYs On The Hill, March 2, 2017 “Radio’s influence on the tastes of the masses is almost unmatched in reach and effect, primarily because of the ease and comfort afforded its listeners. -
2021 Summer Entertainment Series – July & August Calendar
SUMMER ENTERTAINMENT SERIES IN THE PARKS, 2021 The Fairfax County Park Authority, in partnership with the SUPPORTERS OF THE SUMMER ENTERTAINMENT SERIES and with generous contributions through the Fairfax County Park Foundation from local businesses, corporations and individual donors like you bring you these free summer performances. 2021 SUMMER ENTERTAINMENT SERIES – JULY & AUGUST CALENDAR 7/7/2021 123 Andrés (Children's Songs) Andrés and Christina are 123 Andrés – Washington, DC's beloved Latin Grammy-winning music duo with catchy songs for kids, in Spanish and English. Come see why Billboard called them a "rockstar for little language learners"! 123 Andrés brings their singable tunes, humor and engaging and interactive show – transforming the park into a full family dance party. Frying Pan Farm Park Visitor Center Pavilion: 2739 West Ox Road, Herndon, VA 20171 FREE 10:00 a.m. - 10:45 a.m. 703-324-SHOW (7469) www.fairfaxcounty.gov/parks/performances 7/7/2021 The United States Army Blues (Jazz) This popular group began in 1942 as the U.S. Army Dance Band, created to entertain soldiers and civilians in the battle zone during WWII. Since then, it has evolved into the premier jazz ensemble of the United States Army. Lee District Park Leonadus k. Plenty Amphitheater: 6601 Telegraph Road, Franconia, VA 22310 FREE 7:30 p.m. - 8:30 p.m. 703-324-SHOW (7469) www.fairfaxcounty.gov/parks/performances 7/7/2021 Shenandoah Run (Folk) Shenandoah Run invites you to share in the songs and sounds of American folk music, from the 1960s to today, from the esoteric to the toe-tappingly familiar, all treated to the lush six-part vocal harmony and skillful instrumental backing that define the group's instantly recognizable sound.