Researches and Discoveries in Kent, 1951-2
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Edward Hasted the History and Topographical Survey of the County
Edward Hasted The history and topographical survey of the county of Kent, second edition, volume 6 Canterbury 1798 <i> THE HISTORY AND TOPOGRAPHICAL SURVEY OF THE COUNTY OF KENT. CONTAINING THE ANTIENT AND PRESENT STATE OF IT, CIVIL AND ECCLESIASTICAL; COLLECTED FROM PUBLIC RECORDS, AND OTHER AUTHORITIES: ILLUSTRATED WITH MAPS, VIEWS, ANTIQUITIES, &c. THE SECOND EDITION, IMPROVED, CORRECTED, AND CONTINUED TO THE PRESENT TIME. By EDWARD HASTED, Esq. F. R. S. and S. A. LATE OF CANTERBURY. Ex his omnibus, longe sunt humanissimi qui Cantium incolunt. Fortes creantur fortibus et bonis, Nec imbellem feroces progenerant. VOLUME VI. CANTERBURY PRINTED BY W. BRISTOW, ON THE PARADE. M.DCC.XCVIII. <ii> <blank> <iii> TO THOMAS ASTLE, ESQ. F. R. S. AND F. S. A. ONE OF THE TRUSTEES OF THE BRITISH MUSEUM, KEEPER OF THE RECORDS IN THE TOWER, &c. &c. SIR, THOUGH it is certainly a presumption in me to offer this Volume to your notice, yet the many years I have been in the habit of friendship with you, as= sures me, that you will receive it, not for the worth of it, but as a mark of my grateful respect and esteem, and the more so I hope, as to you I am indebted for my first rudiments of antiquarian learning. You, Sir, first taught me those rudiments, and to your kind auspices since, I owe all I have attained to in them; for your eminence in the republic of letters, so long iv established by your justly esteemed and learned pub= lications, is such, as few have equalled, and none have surpassed; your distinguished knowledge in the va= rious records of the History of this County, as well as of the diplomatique papers of the State, has justly entitled you, through his Majesty’s judicious choice, in preference to all others, to preside over the reposi= tories, where those archives are kept, which during the time you have been entrusted with them, you have filled to the universal benefit and satisfaction of every one. -
Sweetinburgharchcant137st Thomas Pageant.Pdf
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Sweetinburgh, S. (2016) Looking to the past: the St Thomas Pageant in early Tudor Canterbury. Archaeologia Cantiana, 137. pp. 163-184. ISSN 0066-5894. Link to official URL (if available): This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] Archaeologia Cantiana Vol. 137 2016 LOOKING TO THE PAST: THE ST THOMAS PAGEANT IN EARLY TUDOR CANTERBURY SHEILA SWEETINBURGH From the State Opening of Parliament to the commemoration services and parades to mark historic battles and the beginning and ending of wars, rituals, whether viewed on TV or computer screens, or ‘by being there’, continue to be part of Brit- ish culture as they have been for centuries. What differs, however, are the societies in which ritual takes place, and this is equally the case whether we are looking chronologically and/or geographically. For the historian, therefore, it remains vital to analyse ritual and other related topics in terms of these specifics of time and place. This is not to discount the value of thinking cross-culturally or drawing on theoretical ideas developed in disciplines such as social anthropology and historical geography, but these need to be deployed with caution, and a realisation -
Pilgrims and Pilgrimage in the Medieval West
Pilgrims and Pilgrimage in the Medieval West The International Library of Historical Studies Series ISBN 1 86064 079 6 Editorial Board: Professor David N.␣ Cannadine, Director, Institute of Historical Research, University of London; Wm. Roger Louis, Dis- tinguished Teaching Professor and Kerr Chair in English History and Culture, University of Texas, Austin; Gene R. Garthwaite, Jane and Raphael Bernstein Professor of Asian Studies, Dartmouth College, Hanover, New Hampshire; Andrew N. Porter, Rhodes Professor of Imperial History, King’s College London; Professor James Piscatori, Oxford Centre for Islamic Studies and Fellow of Wadham College, Oxford; Professor Dr Erik J. Zürcher, Chair, Turkish Studies, University of Leiden Series Editors: Andrew Ayton, University of Hull (medieval history); Christopher J. Wrigley, Professor of Modern British History, University of Nottingham The International Library of Historical Studies (ILHS) brings together the work of leading historians from universities in the English-speaking world and beyond. It constitutes a forum for original scholarship from the United Kingdom, continental Europe, the USA, the Common- wealth and the Developing World. The books are the fruit of original research and thinking and they contribute to the most advanced historiographical debate and are exhaustively assessed by the authors’ academic peers. The Library consists of a numbered series, covers a wide subject range and is truly international in its geographical scope. It provides a unique and authoritative resource for libraries -
A Theatrical Miracle: the Boxley Rood of Grace As Puppet
Early Theatre 10.2 (2007) LEANNE GROENEVELD A Theatrical Miracle: The Boxley Rood of Grace as Puppet In 1538, during the early days of the reformation in England, a miraculous crucifix owned and displayed by the monks of Boxley Abbey, located near the town of Maidstone in Kent, was examined by a commissioner of the English church and declared to be a fraud. A number of accounts, most second- hand, of the ‘discovery’ and destruction of this allegedly fraudulent miracu- lous crucifix survive. In these accounts, descriptions of the Rood’s powers range from the simple—the ability to move its eyes and to open and shut its mouth—to the elaborate and fantastical—the ability to weep, to bite its lip, to frown, to smile, to foam at the mouth, to nod its head, to bow itself down, to lift itself up, and (it is implied) to perform sexual acts. Every account takes for granted that these movements were effected by a human operator and further that this operator was concealed from the many pilgrims who flocked to the abbey because they assumed naïvely, even ignorantly, that the Rood’s movements were effected by God. In his recent study Magic on the Early English Stage, Philip Butterworth introduces his chapter on mechanical images, automata, puppets, and mo- tions—of which he offers the Boxley Rood as example—by describing what he considers to be the two possible functions of these devices and the two possible objectives of the agents who manipulated them or set them in mo- tion. It appears that Butterworth is concerned to establish clear categories: he begins by distinguishing the puppet from the automaton and ends by dis- tinguishing the theatrical and representative from the magical and deceptive: Mechanical means [of movement of an image] may be said to fall into two cat- egories: one, in which the movement is started and left to run its course, i.e. -
The Rood of Grace
The Rood of Grace Colin Flight The abbey of Boxley was founded in the 1140s and survived until the 1530s (Fowler 1926, pp. 153–5). It was the first – it remained the only – Cistercian house in Kent. For the rest, it was a monastery like many others, not very large or very small, not very rich or very poor. The monks were not saints; they were not egregious sinners. If Boxley was famous for anything, it was famous for a carved wooden image of Christ on the cross, the Rood of Grace, as it was called (Brown- bill 1883, Bridgett 1888, 1890, Cave-Browne 1892).1 The only account we get of the history of the Rood is the one given by Lambard (1576), who took it, he says, from an advertising pamphlet printed for the monks of Boxley – ‘as the same was sometime by them selues published in printe’. No copy of this pamphlet survives; but I think we can be sure that it did exist, and that Lambard had seen a copy of it,2 because the story he tells (even after he has distorted and exaggerated it) runs counter to his pur- pose. His description of the Rood itself cannot possibly have come from the pamphlet; that aside, I am satisfied that his account is what he says it is – a sarcastic version of the story authorized by the monks. It chaunced (as the tale is) that vpon a time, a cunning Carpenter of our countrey, was taken prysoner in the warres betweene vs and Fraunce, who (wanting otherwise [i.e. -
Pdf Download 269 Kb
KENT ARCHAEOLOGICAL SOCIETY CATALOGUE OF COLLECTIONS DEPOSITED AT CENTRE FOR KENTISH STUDIES Supplement U2396 Issued 2009 This paper has been downloaded from www.kentarchaeology.ac. The author has placed the paper on the site for download for personal or academic use. Any other use must be cleared with the author of the paper who retains the copyright. Please email [email protected] for details regarding copyright clearance. The Kent Archaeological Society (Registered Charity 223382) welcomes the submission of papers. The necessary form can be downloaded from the website at www.kentarchaeology.ac U2396 Material deposited by KAS at CKS 1981 BOX 1 Bundles of documents each wrapped in grey paper and indexed with the following numbers: 22 Copy of John Baynords will 1642; An abstract of the Sellindge Estate 23 Milton Manor Rent Roll 1631; Hundred of Milton Lay Subsidy 1. Edw.III (modern copies) 30 Various documents relating to Christ Church, Canterbury, 14th century (modern copies) 1 Extracts from the account books of Capt. John Harvey, RN, Mayor of Sandwich 1774-5; An account of the Old Rectory House at Northfleet; various fragments relating to the rendering of the River Medway navigable c. 1600 3 Returns of Church Plate, Diocese of Canterbury; copy of compact between Archbishop Boniface and Richard de Clare, Earl of Gloucester 42 Hen.III; Peckham Register Lay Patrons of Advowson (including Register (4) 52a. Burgested 1281 21 Sept. admit to Vicar John de Faversham on present Ledes Priory); Hundred of Tenham, Folkestone, Stouting, Maidstone 1 Edw.III 1327 Lay Subsidy (including Willo der Berghestede 16); complaint of Prior of Horten against Sir W. -
The Old House Project, St. Andrew's Chapel Boxley, Kent Statement of Significance
The Old House Project, St. Andrew’s Chapel Boxley, Kent Statement of Significance - DRAFT By Malcolm Fryer Architects December 2019 Malcolm Fryer Architects Unit LG05 Screenworks, 22 Highbury Grove London N5 3EF www.mfryer -architects.com +44 (0)20 73547370 1. INTRODUCTION 2. OUTLINE HISTORY OF THE CHAPEL OF ST. ANDREW THE APOSTLE 2.1 THE CISTERCIAN ABBEY OF BOXLEY Origins of the Site and the Foundation of Boxley Abbey The Layout and Remains of Boxley Abbey 2.2 ST. ANDREW’S CHAPEL: MONASTIC The Founding of St. Andrew’s Chapel, c.1484 St. Andrew’s Chapel: A Gatehouse Chapel, its Location and Function St. Andrew’s Chapel: Form and Construction 2.3 ST. ANDREW’S CHAPEL: POST DISSOLUTION Distribution of Abbey Lands at Dissolution and subsequent ownership up to 1811 St. Andrew’s Chapel: Post Dissolution conversion to a dwelling and early setting 2.4 ST. ANDREW’S CHAPEL: THE NINETEENTH CENTURY UP TO 1884 Ownership: The Earl of Aylesford Tenancy: The Archer Family St. Andrew’s Chapel: Nineteenth Century Dwelling St. Andrew’s Chapel: Nineteenth Century Setting 2.5 ST. ANDREW’S CHAPEL: LATE NINETEENTH CENTURY Ownership: The Earl of Romney and Major Best Tenancy: Frederick Mannering St. Andrew’s Chapel: Late Nineteenth Century Alterations, Dwelling and Shop St. Andrew’s Chapel: Late Nineteenth Century Setting 2.6 ST. ANDREW’S CHAPEL: TWENTIETH CENTURY UP TO 1969 Ownership: The Best-Dalisons and Best-Shaws Tenancy: The Danes, Eatons, Bakers and Beers St. Andrew’s Chapel: Twentieth Century Dwelling, Shop and Post Office St. Andrew’s Chapel: Twentieth Century Setting 2.7 ST. -
Sacramental Magic and Animate Statues in Edmund Spenser, William Shakespeare, and John Milton
RICE UNIVERSITY Sacramental Magic and Animate Statues in Edmund Spenser, William Shakespeare, and John Milton by Jill Renee Delsigne A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy APPROVED, THESIS COMMITTEE: Meredith Skura, Libbie Shearn Moody Professor of English Jef rey J. Kripal, J. Newton Rayzor Chair in Philosophy and Religious Thought, Chair of the Department of Religious Studies HOUSTON, TEXAS MAY2012 Sacramental Magic and Animate Statues in Edmund Spenser, William Shakespeare, and John Milton Jill Renee Delsigne ABSTRACT "Sacramental Magic" explores the animate statue in early modem romance as an emblem of the potential spiritually transformative power of objects. The tendency of New Historicism to "empty out" theology from Catholicism overlooks the continued power of sacred objects in Reformation literature. My dissertation joins the recent tum to religion in early modem studies-Catholic doctrine and religious experience explain the startling presence of benevolent animate statues in Spenser, Shakespeare, and Milton; one would expect these statues to be empty idols, but instead they animate, revealing a real presence of the divine. I first investigate Spenser's Egyptian lexicon for the Catholic veneration of sacred images in the Temple of Isis in the Faerie Queene. Embedding Britomart's dream vision of an English empire in Egyptian mythology creates a translatio imperii from Egypt to Rome to England, transferring not only political but also religious power. The Isis statue's transformation ofBritomart bears striking textual and visual correlations to John Dee's hermetic Monas Hieroglyphica. For Shakespeare, ermetic magic emblematizes the sacrament of penance. Shakespeare's claim "to make men glorious" suggests that Pericles transforms its audience by effecting, not merely signifying, grace. -
The Dissolution of the Kentish Monasteries
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society ( 126 ) THE DISSOLUTION OF THE KENTISH MONASTERIES. BY C. R. COUNCER. PRECISELY four hundred years ago, in October, 1535, the wheels were being set in motion for a change which was to alter in a very marked way the life of our county and of the whole realm. The commissioners of Thomas Cromwell were at work in the land ; the plundering of the ancient monastic houses of England had been decided upon by an extravagant and needy King and his subservient coadjutor. It is as an attempt, at this fourth centenary of the event, to describe the circumstances of the Suppression in our own county, to deal in some measure with the means employed to bring about so far-reaching a change, and to recall some of the personalities involved, as glimpses of them are afforded by incomplete and sometimes obscure records, that this paper is written. First it should in fairness be said that King Henry VIII, in reaching a decision as to his attitude towards the monasteries, had certain precedents to go upon. As early as the reign of Henry IV a project was raised, but came to nothing, for the secularization of all the property of the church, and earlier still, in the fourteenth century, the dissolution of the monkish order of Knights Templar had been followed by sporadic suppressions, and seizures of revenues, of the alien priories. Henry V began to suppress these in earnest during his wars with France, using some of the revenues which he obtained in the process for the founding of other religious houses, e.g. -
The Pilgrims' Way Revisited: the Use of the North Downs Main Trackway
KENT ARCHAEOLOGICAL SOCIETY eARTICLE The Pilgrims’ Way Revisited: The use of the North Downs main trackway and the Medway crossings by medieval travellers Derek Bright © 2010 Derek Bright Licensed for personal &/or academic use 1 Introduction Popular notions that the trackway that skirts the southern edge of the North Downs once served as the principal thoroughfare for pilgrims travelling to Becket’s shrine at Canterbury are commonplace. However, by the latter half of the last century, the predominant view amongst those with more than a passing interest in the North Downs trackways, was that whilst there was evidence to suggest that much of the Pilgrims’ Way follows the course of an ancient prehistoric trackway, it was far less evident that it had been used as a route of medieval pilgrimage. A reassessment of how we view the usage of the North Downs trackways and in particular a re- examination of the possibility of their use by medieval travellers enroute to Canterbury or the Channel coast, may help us reappraise the Victorian and Edwardian antiquarians. In doing so, it may allow us to place the work of pilgrimist writers such as Albert Way, Julia Cartwright and Hilaire Belloc in a more realistic context. Part I deals with options facing medieval travellers in relation to crossing the River Medway. The river valley known as the Medway gap is significant because it serves as a focus for revisiting a number of arguments regarding the convergence of routes from London and the west of the country; the options such routes presented for medieval travellers and their likely responses to these options. -
New Wine in Old Bottles: a Comparison Between the Boxley Rood of Grace, and John Soane's Monk's Parlour and Cell and Monk's
VIDES II Ellie Casey New wine in old bottles: A comparison between The Boxley Rood of Grace, and John Soane's Monk’s Parlour and Cell and Monk’s Yard, with reference to religious symbolism in material culture at the time of the Dissolution, and in the Romantic Era This article compares and contrasts the sixteenth-century miraculous crucifix The Boxley Rood of Grace, and the architect John Soane's nineteenth century creations, the Monk’s Parlour and Cell and Monk’s Yard, which he built in his home at 12-14 Lincoln’s Inn Fields. Both the Rood as an object, and the Monk’s Parlour and Yard, as architectural novelty, are conduits for religious symbolism, and this article will examine how that symbolism was represented and treated at the time of the Dissolution, and in the Romantic Era. n 1538, when The Boxley Rood of Grace, a miraculous crucifix, was condemned in a fiery sermon by the Bishop of Rochester, and then cut to pieces and burnt, a Ipotent symbol of the old religion was destroyed. In 1824 Sir John Soane designed and built a Monk’s Parlour and Cell in the basement of his townhouse at 12-14 Lincolns Inn Fields, looking out into a Monk’s Yard, where he built the ruins of a fictitious abbey in the courtyard, as a satire on the nation’s growing taste for the Gothic. The Boxley Rood was a victim of the widespread iconoclasm of the Dissolution of the Monasteries in 1536-40. On the eve of the Henrician Reformation England’s religious houses were deeply embedded in the fabric of society - the country was home to approximately 800, including monasteries, nunneries and friaries, housing different religious orders, and home to 7,500 men and 1,800 women1. -
Chapels in Kent
http://kentarchaeology.org.uk/research/archaeologia-cantiana/ Kent Archaeological Society is a registered charity number 223382 © 2017 Kent Archaeological Society ( 217 ) CHAPELS IN KENT. BY ARTHUR HUSSEY, ESQ. SOME account of the chapels belonging to the Knights flospitallers in Kent will be found in Archceologia Cantiana, Vol. XXII., pp. 232-74, and Vol. XXIV., pp. 128-38. In the following Paper an attempt has been made to give a list of, and some information about those chapels in Kent that were not Parish Churches, but Free Chapels, Chantry Chapels, and those belonging to manor houses, hermitages, and hospitals. We may hope that an account of some of these hospitals in Kent, and also of the manor houses of the Archbishop of Canterbury, may be written at some future time. ALLINGTON. Chapel of Longsole, St. Lawrence. First mentioned at the beginning of the thirteenth century. John de Langdon, Bishop of Rochester, on 22 September 1422 issued a commission of enquiry as to whether this chapel was in the parish of Aylesford or Allington, there being a dispute between the Vicar of Aylesford and the Rector of Allington as to whom belonged those offerings made in this chapel on the Vigil and Feast of St. Lawrence the patron Saint, when it was found that the lords of the Castle of Allington were the patrons of this chapel. (Bygone Kent, p. 59.) (See Memories of Mailing, by Rev. C. H. Fielding, 1893, pp. 38, 48, 202.) APPLEDORE. Chapel at Homes Place.—(SeeArcheologia Cantiana, Vol. XIV., pp. 363-7.) VOL. iinc. 218 CHAPELS IN KENT.