Tl Seniors Celebrate Last *100 Days' Before Graduation
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2012 Men's Track & Field Fact Book
2012 Rice Owls Men’s Track & Field Fact Book June 18, 2012 2012 INDOOR BEST LIST 60m 5000m School Record: 6.61, Kareem Streete-Thompson, 1994 School Record: 14:31.51, Marcel Hewamudalige, 2004 NCAA Qualifying: 6.60 NCAA Qualifying: 13:50.80/13.47.00 (banked) 6.97 Sam McGuffie ...................... Frank Sevigne Husker Inv., 2/4 7.17 Clayton Chaney ............... Houston Indoor Invitational, 1/28 60m Hurdles 7.36 Ben Pressley .................... Houston Indoor Invitational, 1/28 School Record: 7.85, Ryan Harlan, 2003 7.41 Chris Sanders ...................... Frank Sevigne Husker Inv., 2/4 NCAA Qualifying: 7.70 7.66 Jack Spinks .............................Texas A&M Invitational, 2/11 8.20 Clayton Chaney ......................Texas A&M Invitational, 2/11 8.52 Lee Johnson......................... Frank Sevigne Husker Inv., 2/3 200m 8.42 Sam McGuffie ...................... Frank Sevigne Husker Inv., 2/4 School Record: 20.90, Bryan Bronson, 1995 8.59 Ben Pressley ........................ Frank Sevigne Husker Inv., 2/3 NCAA Qualifying: 21.23/20.83 (banked) 8.61 Chris Sanders ....................Leonard Hilton Invitational, 1/13 22.44 Dylan Bradley .........................Texas A&M Invitational, 2/11 4x400m RELAY 400m School Record: 3:07.79, J.Brown, G. Luke, G. Alexander, B. Bronson, 1992 School Record: 45.79, Gabriel Luke, 1990 NCAA Qualifying: 3:08.90/3:06.50 (banked) NCAA Qualifying: 46.75/46.15 (banked) 3:18.35 Shurbet, Sloat, Johnson, Denny .....Frank Sevigne Husker Inv., 2/4 48.80 Collin Shurbert ........................Texas A&M Invitational, 2/11 3:22.40 Shurbet, Denny, Johnson, Sloat Houston Indoor Invitational, 1/28 49.53 Lee Johnson............................Texas A&M Invitational, 2/11 3:28.58 Sanders, Hmaidan, Coleman, BradleyTexas A&M Invitational, 2/11 50.22 Kyle Denny .......................... -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Rice M Footbl 2016 17 Misc
BRIAN PATTERSON SPORTS PERFORMANCE CENTER An exciting new chapter in the storied history of Rice Stadium and Rice Athletics debuts this fall when the Owls move into their sparkling new end zone facility, the Brian Patterson Sports Perfor- mance Center. The fully-funded $33 million project includes a 60,000-square-foot, two-story structure that houses a weight room, a home team locker room, coaching and staff offices, an auditorium, a football team lounge and areas for training and sports medicine that include hydrotherapy, plunge pools and exam rooms. The weight room and sports medicine areas will be available to student-athletes from all sports at Rice. The new building features a glass wall on the side facing the football field that offers a view of the weight rooms on the ground and second floors. The other three sides will be made of brick that complements the color of the brick on the rest of the stadium. White columns supporting the roof will be similar to the columns in other parts of the stadium. A concrete ramp will provide access to the football field. Fans will also benefit from the dramatic upgrade in facilities with the installation of a new Daktronics video system Rice Stadium will also feature two acoustically transparent video displays in front of the venue’s speaker systems. These free-form LED stick applications will measure 29 feet high by 10 feet wide to provide additional video and graphics capabilities in a space typically used for fixed signage. These displays will provide flexibility to show multiple sponsorship messages throughout an event or additional graphics to pump up the crowd at key moments during the game. -
The Orkustra
THE ORKUSTRA This day-by-day diary of The Orkustra's live, studio, broadcasting and private activities is the result of two decades of research and interview work by Bruno Ceriotti, but without the significant contributions by other kindred spirits this diary would not have been possible. So, I would like to thank all the people who, in one form or another, contributed to this timeline: Jaime Leopold (RIP), Bobby Beausoleil, David LaFlamme, Henry Rasof, Nathan Zakheim, Stephen Hannah, Jesse Barish, Steve LaRosa, Rod Harper (RIP), Colin Hill, Ross Hannan, Corry Arnold, William Hjortsberg, Aldo Pedron, Klemen Breznikar, Reg E. Williams, Charles Perry, Penny DeVries, Claire Hamilton, Lessley Anderson, Ralph J. Gleason (RIP), Craig Fenton, Alec Palao, Johnny Echols, 'Cousin Robert' Resner, Roman Garcia Albertos, James Marshall, Chester Kessler, Gene Anthony, Christopher Newton, Loren Means, The San Francisco Examiner, San Francisco Chronicle, San Francisco Oracle, and Berkeley Barb. September 1966 Undoubtedly the most experimental and ecletically diverse band of the so-called 'San Francisco Sound', The Orkustra were put together by the infamous Bobby Beausoleil. A larger than life character with a mixed reputation ("He was like Bugs Bunny," says Orkustra's bandmate Nathan Zakheim. "Very in your face, enthuastic."), Robert Kenneth Beausoleil, aka 'Cupid', aka 'Bummer Bob', aka 'Bobby Snofox', was born on Thursday, November 6, 1947, in Santa Barbara, California. After dropping out of high school and let his hair grow out, Bobby moved to Los Angeles in search of fame and fortune in 1965. There, over the summer, he played a six-string rhythm guitar with The Grass Roots, a folk- rock band later known as LOVE, for only three weeks, and also made a cameo appearance (as 'Cupid') in the famous underground documentary movie Mondo Hollywood. -
Yeah. 'But It's Also Very Personal and Subconscious and I Guess If You
EXHIBIT 135 WIT.900.020.0144 Yeah. 'But it's also very personal and subconscious and I guess if you were my psychologist or something I would feel a little more uncomfortable with you seeing it, but I don't know if you can see all the stiif.f. I mean because it's very personal. 3rd interview) Some found the experience very exciting: It was really cool because I guess when you first gave it to me I was so excited I'm like "Oh my God, what am I going to take photos op" I was just like trying to like run around and find all these ideas. But then I'm like "No, wait. Get over the excitement and start like figuring out what to do". So, yeah, it was Jim. ; 2nd interview) found it therapeutic and a most useful tool to express emotion and feel in control: It was actually quite good, because I could express a lot ofthings that I couldn't express verbally. Such emotions that I have no control over and kind of taking photos of them, that's kind of like taking control of them, which is good - feeling in control. And it calms me down in a sense. ; 2nd interview) For two of the adolescents, their photos revealed how useful visual material can be in sharing their stories: It's just basically like I can't find the right words to talk about my problems. And as you can see there's spaces in there, and that... Yeah. And I just - it's like for when I'm talking to someone I feel like I can't find the right words to express my feelings. -
Manifestations of Interactivity in Music and Their Commercial Potential in the Music Industry’S Contemporary Political Economy
Manifestations of interactivity in music and their commercial potential in the music industry’s contemporary political economy by George Morahan A research paper submitted to the University of Dublin, in partial fulfillment of the requirements for the degree of Master of Science Interactive Digital Media 2015 Declaration I declare that the work in this research paper is, except where otherwise stated, entirely my own work and has not been submitted as an exercise for a degree at this or any other university. signed: ________________________________ George Morahan date: 15th May 2015 1 Permission to lend and/or copy I agree that Trinity College Dublin may lend or copy this research paper upon request. signed: ________________________________ George Morahan 2 Acknowledgements I would like to thank my supervisor, Marguerite Barry, for her encouragement and firm guidance. I would also like to thanks the rest of the IDM 2014-15 class for the mania we have shared as well as my family for their understanding and support in the face of utter neglect these past eight months. For Lorraine and Stevie. 3 Table of contents 1. Introduction 6 1.1. Definitions of interactivity 6 1.2. Concept definition of interactive music video 7 1.3. Interactive music software within the purview of this research paper 8 1.4. Research objectives 9 2. The literature on the political economy of the music industry 10 2.1. Record industry as music industry 10 2.2. Music networks and diversification into auxiliary industries 13 2.3. Imagining the future music industry 16 2.4. Artist vs. Industry attitudes 17 2.5. -
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1. -
Skiff.Tcu.Edu I J If
. SPORTS: FOOTBALL TEAM ENDS OPENING WEEK OF SPRING PRACTICES, PAGE 12 | • ENTERTAINMENT: 'THE TIME MACHINE" NOT SO TIMELESS, PAGE 5 Friday, March 8, 2002 ^^^^^b TCU DAILY SKIFF iSC In its 100th year of service to Texas Christian University • Vol. 99 • Issue 86 • Fort Worth, Texas • www.skiff.tcu.edu I j If Today'sNews Swing time STATE NEWS New housing policy instated DALLAS — Federal regula- tors have approved limited BY KAMI LEWIS from a series of meetings during Brown/Pete Wright Apartment portunity to continue living in the Staff Reporter expansion and other improve- December and January that gath- Community when they sign up apartments," Baker said. ments at Dallas Love Field, Housing reservations will not ered information from depart- for housing March 18 and 19, Baker said students will be told including an old terminal's dem- be accepted from students whose ments across campus to integrate Baker said. when they attempt to register af- olition. accounts are not current, in a con- support of the newly enforced "If these students have not paid ter Spring Break that they must re- The Pulse on Page 2 tinuation of the enforcement of payment policy in as many ways the minimum amount due on the solve any holds on their account TCU's tuition payment policy, as possible, Baker said. March 1 bill, or if they have not before a reservation can be made. NATIONAL NEWS said Karen Baker, associate direc- The first students to be im- paid the $250 advance housing Residential Services will have AMHERST, Mass. — tor of Residential Services. -
Butterfly Lovers V1.0
Butterfly Lovers v1.0 Butterfly Lovers: Leung Shanpak and Chuk Yingtoi 梁祝恨史 An English Translation of Fong Yim Fun’s Performance Script 芳艷芬演出本 1955 Scripted by PAN Yi Fan 潘一帆編劇 * This Translation (Version 1.0) by NG Wing Chung 伍榮仲 (History, University of Texas at San Antonio) © 2012 * Major Plays of Hong Kong Cantonese Opera: A Translation Project 香港粵劇經典劇目翻譯計劃 Kwan Fong Cultural Research and Development Programme Lingnan University 群芳文化研究及發展部 嶺南大學 Funded by the Cantonese Opera Development Fund 粵劇發展基金資助 1 Butterfly Lovers v1.0 Butterfly Lovers: Leung Shanpak and Chuk Yingtoi An English Translation of Fong Yim Fun’s Performance Script 1955 Scripted by PAN Yi Fan This Translation (Version 1.0) by NG Wing Chung This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License. You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial — You may not use this work for commercial purposes. This work is also released under this special condition: You may make commercial use of the work only in the circumstance of adapting the work for use as English surtitles/supertitles in Cantonese opera performances. http://creativecommons.org/licenses/by-nc/3.0/ http://creativecommons.org/licenses/by-nc-sa/3.0/hk/legalcode 2 Butterfly Lovers v1.0 Butterfly Lovers: Leung Shanpak -
Quadrophonic News Issue 7
Major Album Releases In The Fourth Quarter, 2013: Reflektor -Arcade Fire October 29th, 2013 Artpop -Lady Gaga November 11th, 2013 Live on the BBC Vol. 2 -The Beatles November 11th, 2013 •New -Paul McCartney •Beyoncé -Beyoncé •Matangl -M.I.A. •Because The Internet QUADROPHONIC NEWS •Shangri La -Jake Bugg -Childish Gambino Quadrophonic News December 2013 Issue 7 Female Artists: A Reflection In This Month’s Issue: There's a lot to be said for any vocalist with a truly amazing • Album Reviews: Reflektor, Yeezus, Centipede Hz, voice, but there's undeniably something special about a woman with a MMLP2, Live Through This, Bleach, Night Time, powerful voice and monumental skill in writing. So in this article I hope My Time to pay tribute to some of the best female vocalists/song writers out there. It's a big category so, unfortunately I won't be able to get to every one • Insight On Famous Female Artists I’d like to, but I hope to cover three of my favorites. • December/January Music Event Calendar First up is Patty Griffin. Patty is a powerful song writer from Old Town, Maine. her musical style is hard to pin down but it lands somewhere between folk and rock. Her voice is one of incredible range, Arcade Fire’s Reflektor Review her voice can convey every emotion you can imagine, softly or loudly, Achtung Baby. OK Computer. Sound of Silver. sweetly or harshly, and this amazing voice is accompanied by her Elephant. All of these albums are special. You remember indomitable talent for song writing. -
Vs. STANFORD (3-2)
University of Notre Dame Sports Information 112 Joyce Center Notre Dame, IN 46556 574-631-7516 574-631-7941 (fax) Primary Contact: Brian Hardin • [email protected] • Office - 574.631.9471 • Cell - 574.532.4134 www.UND.com Secondary Contact: Michael Bertsch • [email protected] • Office - 574.631.8642 • Cell - 574.532.4154 GAME 5: NOTRE DAME (3-1) vs. STANFORD (3-2) DATE: Saturday, October 4, 2008 TV: NBC national telecast with Tom Hammond WHAT’S INSIDE (play-by-play) and Pat Haden (analysis), Alex Series History vs. Stanford/Pac-10 ............1-7 TIME: 2:43 p.m. ET Flanagan (sideline), David Gibson (producer) Irish Probable Starting Lineup ......................3 and John Gonzalez (director). NBC will stream Notre Dame’s Record When ..........................5 SITE (CAPA C I T Y ): Notre Dame Stadium a live 30 min. pre-game show (2-2:30 p.m.) and Last Two Meetings with Stanford ..............8-9 (80,795); Notre Dame, Ind. post-game show on NBCSports.com. Team Notes..................................................11-13 Media Information ..........................................12 TICKETS: The game is officially sold out mak- RADIO: ISP Sports is the exclusive national Individual / Team Honors..............................13 ing it the 203rd consecutive sellout at Notre rights-holder for Irish football radio broadcasts. Special Team Notes ..................................14-16 Dame Stadium. Since 1966, every Notre Dame The Notre Dame-ISP relationship begins with Offense Notes ............................................16-20 home football game has been a sellout except the 2008 season and extends through the 2017 Defense Notes ............................................20-23 one - a 1973 Thanksgiving Day game vs. Air season -- with ISP managing, producing and Noting The Purdue Game ............................23 Force. -
APPENDIX D the Interview Transcriptions Olivia
The Experience of Coming Out 207 APPENDIX D The Interview Transcriptions Olivia [1] Can you tell me when the possibility first occurred to you that you were sexually attracted to women? I think I was about…23. I was asexual…for a long time. Through undergrad and the first part of grad school. A woman approached me. Many women would approach me. And um…a lot of people assumed I was gay before I even acknowledged or even dealt with it. Once I left my father’s house, I just was not sexual. [2] So you were 23 years old, and then what happened? You were out of the house. I was out of the house. I was in graduate school already. Her name was Sara Lincoln. She befriended me. There were a couple of women but I didn’t really know what the response was. To give you some background on that, my mother left my father when I was ten. Okay? Um, So he…there was four of us, and he raised us. I took her place in the household. Okay, um …[pause] and I was a chubby child. I was bulimic. And as a young adult, I didn’t want the weight. I didn’t like um “you have a fat ass” type of thing. So even now my sister goes through this thing about how I eat. Um…If I gain, you know, too much weight I [shifted around on the couch with a deep breath] get real paranoid-hysterical? Because I don’t like the attraction of the body.