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The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
The Orkustra
THE ORKUSTRA This day-by-day diary of The Orkustra's live, studio, broadcasting and private activities is the result of two decades of research and interview work by Bruno Ceriotti, but without the significant contributions by other kindred spirits this diary would not have been possible. So, I would like to thank all the people who, in one form or another, contributed to this timeline: Jaime Leopold (RIP), Bobby Beausoleil, David LaFlamme, Henry Rasof, Nathan Zakheim, Stephen Hannah, Jesse Barish, Steve LaRosa, Rod Harper (RIP), Colin Hill, Ross Hannan, Corry Arnold, William Hjortsberg, Aldo Pedron, Klemen Breznikar, Reg E. Williams, Charles Perry, Penny DeVries, Claire Hamilton, Lessley Anderson, Ralph J. Gleason (RIP), Craig Fenton, Alec Palao, Johnny Echols, 'Cousin Robert' Resner, Roman Garcia Albertos, James Marshall, Chester Kessler, Gene Anthony, Christopher Newton, Loren Means, The San Francisco Examiner, San Francisco Chronicle, San Francisco Oracle, and Berkeley Barb. September 1966 Undoubtedly the most experimental and ecletically diverse band of the so-called 'San Francisco Sound', The Orkustra were put together by the infamous Bobby Beausoleil. A larger than life character with a mixed reputation ("He was like Bugs Bunny," says Orkustra's bandmate Nathan Zakheim. "Very in your face, enthuastic."), Robert Kenneth Beausoleil, aka 'Cupid', aka 'Bummer Bob', aka 'Bobby Snofox', was born on Thursday, November 6, 1947, in Santa Barbara, California. After dropping out of high school and let his hair grow out, Bobby moved to Los Angeles in search of fame and fortune in 1965. There, over the summer, he played a six-string rhythm guitar with The Grass Roots, a folk- rock band later known as LOVE, for only three weeks, and also made a cameo appearance (as 'Cupid') in the famous underground documentary movie Mondo Hollywood. -
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1. -
Rock, Rhythm, & Soul
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 13 / WINTER 2008-2009 Rock, Rhythm, & Soul: The Black Roots of Popular Music liner notes final 031009.indd 1 3/10/09 5:37:14 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and I write this column on January music critics and scholars to discuss study of African American 20, 2009, the day our country and the socio-political history, musical music and culture. the world witnessed history being developments, and the future of black www.indiana.edu/~aaamc made with the swearing-in of the 44th rock musicians and their music. The President of the United States, Barack AAAMC will host one panel followed Obama, the first African American by a light reception on the Friday elected to the nation’s highest office. afternoon of the conference and two Table of Contents The slogan “Yes We Can” that ushered panels on Saturday. The tentative in a new vision for America also fulfills titles and order of the three panels are From the Desk of part of Dr. Martin Luther King, Jr.’s “What Is Rock: Conceptualization and the Director ......................................2 dream for a different America—one Cultural Origins of Black Rock,” “The that embraces all of its people and Politics of Rock: Race, Class, Gender, Featured Collection: judges them by the content of their Generation,” and “The Face of Rock Patricia Turner ................................4 character rather than the color or their in the 21st Century.” In conjunction skin. -
Classic Posters – the Interviews Book One
Classic Posters – The Interviews Book One 1 Classic Posters – The Interviews Book One DEDICATION Table of Contents This book is dedicated to poster 2 Introduction expert extraorinare Eric King who 5 Chet Helms and the Avalon Ballroom patiently (and kindly) answered 35 Eddie Wilson and The Armadillo thousands of my questions over a 48 Emek 70 Alton Kelley period of many years. King alos 89 David Singer served as a host and guide for me 108 Ed Walker and S.F. Rock Posters in the Bay Area introducing me to 113 Eric King – Poster Expert Extraordinaire the poster artists and collectors in 133 Frank Kozik 145 Grant Mechinan of S.F. Rock Posters Berkeley, San Francisco and 151 Penelope Fried points north. Eric King is good 170 Phil Cushway and ArtRock company. 183 Greg Davidson – Poster Expert 202 Russ Gibb – The Grande Ballroom Thank you Eric! 217 Randy Tuten 252 Stanley Mouse 264 Victor Moscoso In addition, thanks to Phil Cushway, 284 Dennis King and D. King Gallery Jack Bodnar, Gary Grimshaw, Mark 292 Paul Grushkin and the “Art of Rock” Arminsky, Sam Yeats, Jagmo (Nels Jacobson) and others for being kind enough to share their extensive poster © 2002-2011 Michael Erlewine collections with me for photographing. ISBN 0-925182-74-5 I also want to thank Alton Kelley, All rights reserved. No part of the publication Stanley Mouse, David Singer, Frank may be reproduced, stored in a retrieval system, Kozik, Grant Mechinan, Penelope Fried, or transmitted, in any form or by any means, Phil Cushway, Greg Davidson, Russ electronic, mechanical, photocopying, recording, Gibb, Randy Tutan, Victor Moscoso, or otherwise, without the prior permission of the Eddie Wilson, Chet Helms, Emek, publisher. -
February 8Th 2010
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 2-8-2010 February 8th 2010 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "February 8th 2010" (2010). Coyote Chronicle (1984-). 28. https://scholarworks.lib.csusb.edu/coyote-chronicle/28 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE INDEPENDENT STUDENT VOICE MONDAY com OF CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO FOR 43 YEARS. 2.8.10 . CSU focuses on more graduates By STEVEN BROWN six-year graduation rates by eight percent by stay in school,” Karnig said. “To have [stu- Staff Writer 2016. dents] sacrifice whatever is necessary to get “The more we concentrate on initiatives from here to [graduation], to ride the benefits ore students are going to to improve the graduation rate, whether that of being a college graduate.” graduate sooner and in less be improving expectations, making sure The CSU system, the largest public uni- time. That is the goal of courses are available or trying to ensure that versity system in the U.S., is taking the re- Mthe CSU planned Gradua- there is appropriate advising, we hope that sponsibility to ensure it does everything tion Initiative. there are lots of beneficiaries,” said CSUSB possible to help students succeed in earning The California State University (CSU) President Dr. -