The Art of Rome, Florence & Paris

Total Page:16

File Type:pdf, Size:1020Kb

The Art of Rome, Florence & Paris ART OF ROME, FLORENCE & PARIS THE ART OF ROME, FLORENCE & PARIS 11 OR 14 DAYS Italy • France PROGRAM FEE INCLUDES: ■ Round-trip airfare, bus transfers, overnight train (TGV train with extension) ■ 8 overnight stays in hotels with private bathrooms, plus 1 night couchette accommodations (plus 3 nights with extension) ■ European breakfast daily ■ 3 dinners (plus 1 dinner with extension) ■ Full-time EF Tour Director ■ Audio guide for Vatican City ■ Select guides and entrances to special GazGazaze at thehe wonwowononderdede sso offV Vataatiticancacanan CiC tytty,yy,, inincluclcluludindininggt thhe SisSiisstinttiinneeC Chaphhaapapele andanndnd StSt..P Peteeteteter’srsr’ss BaBassisilili icaiciccaa. attractions as per itinerary The rich history of Europe’s renowned centers of art comes alive as you explore OPTIONAL: the masterpieces in France and Italy. Admire the treasures in the Accademia, ■ Giverny Uffizzi, Louvre and Vatican museums. Study the revolutionary style of Giotto’s ■ Caravaggio Art Tour frescoes in Assisi. Wander Florence and Rome to admire Renaissance art in its glory. Perfect your skills at a painting or drawing workshop in the City of Light and * PLEASE NOTE: Itineraries are subject to enjoy an art-themed tour of Florence. change. Experiential learning activities will be Day 1 Flight were killed. Persecuted Christians were also scheduled subject to availability and confi rmed Overnight fl ight to Rome • Relax as you fl y murdered—spectators saw them mauled by prior to departure date. across the Atlantic. lions. After A.D. 404, gladiator battles ended, but animals were still massacred in the name of Day 2 Rome sport until the 6th century. Later, visit the leg- Arrival in Rome • Arrive in bella Roma, the endary Forum Romanum, once the heart of the Eternal City. Here, Charlemagne was crowned Roman Empire and the place where ancient Ro- by the pope in A.D. 800. After clearing cus- mans once sacrificed their victims. Even though toms, meet your EF Tour Director, who will many of the temples that once stood here are accompany you to your hotel. in ruins as (the Forum was used as a quarry for many years), it is not hard to imagine Caesar Day 3 Rome delivering great speeches here. Guided sightseeing of Rome • Pass the grassy Walking tour of Rome • Continue on to the ruins of the ancient Forum Romanum, once legendary Trevi Fountain and make sure to toss the heart of the Roman Empire, and admire in a coin to ensure your return to Rome. Then the enduring fragments of Rome’s glorious view the Pantheon, one of the best-preserved past. It was here that business, commerce and ancient buildings in the city, commissioned by the administration of justice once took place. the Emperor Hadrian around A.D. 120. This Then visit the mighty Colosseum, Rome’s first temple to “all the gods” features the second- permanent amphitheater whose three tiers are widest dome in Rome. It was built using the approximately equal to a 12- to 15-story build- exact proportions of an egg! Finish off in the ing. At one time, as many as 50,000 cheering Piazza Navona, the popular square where you spectators would flock to watch gladiator battles will see Bernini’s impressive Fountain of the unfold inside. During the staged fights here, as Four Rivers. many as 10,000 slaves, prisoners and volunteers Paris (3)3)3 TTGVTG Train Trainiinn (1(1) Avignon Pontnt ddu Garg FlorenceFlo ncee ((2)(2 Provencvvencce (2) Nicee (1)) Romemee (3(3) SacSaacré-ré-é CoeCoCo urr Basa iliilililicaca sitsitssa attt thehe highi hesesst poininntto of Number of ovevernighternightht stays in parentheses.pa theththee ccityt inin MonMontmatmtmam rtrtre.e. Day 4 Rome Visit to the Accademia • Admire Michelan- Christine, and marvel at Église de la Madeleine, Visit to Vatican City • Today, you will explore gelo’s original statue of David inside Florence’s designed as a temple of glory for Napoleon’s Vatican City, the world’s smallest country. Be- acclaimed Accademia Gallery. The museum also army. Continue past the geometric gardens of gin at the Vatican Museum, where elaborate houses the artist’s four famous unfinished stat- the Tuileries as you make your way to the Place galleries filled with one artistic masterpiece after ues, the Prisoners, as well as hundreds of busts Vendôme, a vast square surrounded by elegant another lead you directly to the Sistine Chapel. created by Michelangelo’s contemporaries. 17th-century façades. Between 1508 and 1512, Michelangelo painted Visit to Notre Dame Cathedral • Built be- some of the world’s finest pictorial images on Day 7 Florence • Paris tween 1163 and 1361 over the remains of an the chapel’s ceiling. This was his first attempt Visit to the Uffi zi Gallery • See Boticelli’s fa- ancient Roman temple, it was here that Napo- at working in fresco, which he did by standing mous “Birth Venus” painting up close. Study leon crowned himself emperor in 1804. Victor up and craning backward from a scaffold. Next, the details of Leonardo da Vinci’s “Annun- Hugo once described the sculptured façade of tour St. Peter’s Basilica, erected on the site ciation” while you stand right in front of the Notre Dame as “a vast symphony in stone.” where the saint was martyred. Enter the basilica masterpiece. The Uffizi is one of the oldest However, had it not been for the creation of his under the watchful eyes of the brightly dressed and most renowned art museums in the world, famous hunchback, Quasimodo, the cathedral Swiss Guard. Inside, admire Michelangelo’s Pi- with a collection of paintings and statues that might never have returned to its former glory. età, the only sculpture he ever signed. includes original masterpieces by such artists as Hugo’s novel, The Hunchback of Notre Dame, Optional Caravaggio Art Tour • Michelangelo Titian, Boticelli, Raphael, Leonardo da Vinci helped inspire a 23-year restoration of the cathe- Merisi da Caravaggio had a formative influence and Michelangelo. Th e collection, which also dral that began in 1841. Step inside to admire on the Baroque school of painting, and this tour boasts an impressive number of classical statues, the stained-glass rose windows and seemingly visits three churches featuring the Italian artist’s was started in the 1500s by the powerful Medici weightless vaulted ceilings. work. At Santa Maria del Popolo you will see family. Th e building that houses the art is also a “Conversion of St. Paul” and “The Crucifixion fi ne work of art, with corridors that are just as Day 9 Paris of St. Peter.” San Luigi dei Francesi is home interesting and beautiful as exhibit rooms. Guided visit to the Louvre • An expert guide to the Matthew trilogy: “The Calling of Saint Night train to Paris • Board an overnight train will share insights about the artwork and art- Matthew,” “St. Matthew and the Angels,” and for your transfer to Paris. ists represented at the incomparable Louvre “The Martyrdom of Saint Matthew.” At Chiesa during a guided tour for your group. Built to di Sant’Agostino, behold the painting “Madon- Day 8 Paris defend the city in the 13th century, the Louvre na di Loreto” and learn more about the artist as Arrival in Paris • Welcome to Paris, cosmopoli- today safeguards one of the world’s greatest art an actor portrays Caravaggio. tan City of Light. After clearing customs, you collections. Enter the museum through world- are greeted by your EF Tour Director, who will renowned architect I.M. Pei’s glass pyramid, Day 5 Assisi • Florence remain with you throughout your stay. constructed in 1989. Inside, discover priceless Transfer via Assisi • Stop in Assisi, birthplace Guided sightseeing of Paris • Discover the antiquities from Asia, Greece and Rome. You’ll of both St. Francis and St. Clare. On your visit city on the Seine, beginning with the imposing also see precious objects from the Middle Ages to the Basilica of St. Francis, follow the life of Arc de Triomphe, commemorating Napoleon’s and the Renaissance, as well as iconic European one of Italy’s most beloved saints through Giot- Grande Armée. Take a drive down the elegant paintings such as the Mona Lisa. to’s artful frescoes. Champs-Élysées to the Place de la Concorde. Visit to an atelier • See where working Parisian Arrival in Florence • Arrive in Florence, birth- Pass the Conciergerie, where prisoners of the artists draw their inspiration on your visit to an place of the Italian language, the Renaissance, Revolution spent their final days, and see Les atelier. You can fi nd everything from potters’ and opera. Invalides, Louis XIV’s grand retirement home wheels to fashion mannequins to canvasses that for wounded soldiers. You’ll also see the École stretch to the ceiling inside. Dedicated to cre- Day 6 Florence Militaire, where Napoleon graduated to lieuten- ative refl ection, these studios are sanctuaries for Art and Architecture tour of Florence* • ant and was told he’d go far if circumstances artists of all mediums. Take a tour of Florence today with an expert allowed. Next, make a photo stop at the Eiffel local guide. As the birthplace of the Italian Tower to marvel at the 6,000-ton centerpiece Day 10 Paris Renaissance, Florence is home to some of the for the 1889 World’s Fair. You’ll hear the story Guided visit of the Musée d’Orsay • Today, world’s most exquisite art and architecture. Ex- of how this impressive—but once highly contro- an expert guide will introduce you to the Museé plore the ideas of power and patronage during versial—symbol of Paris was spared the wrecking d’Orsay’s highlights. Part of this museum’s draw the Renaissance, and discuss the social, political ball in 1909.
Recommended publications
  • Art of Rome, Florence & Paris
    11 or 13 days ART OF ROME, FLORENCE & PARIS FACULTY-LED INTERNATIONAL PROGRAMS ABOUT THIS TOUR Europe’s renowned centers of Renaissance art and architecture come alive as you discover Italy and France. Admire amazing frescoes and craftwork at the Sistine Chapel in Vatican City and the Basilica of St. Francis in Assisi, and enjoy an art-themed walking tour in Florence. End in elegant Paris, where you’ll have the chance to explore the masterpieces that line the halls of the Louvre. Through it all, you’ll return home prepared for whatever path lies ahead of you. Beyond photos and stories, new perspectives and glowing confidence, you’ll have something to carry with you for the rest of your life. It could be an inscription you read on the walls of a famous monument, or perhaps a joke you shared with another student from around the world. The fact is, there’s just something transformative about an EF College Study Tour, and it’s different for every traveler. Once you’ve traveled with us, you’ll know exactly what it is for you. DAY 3: Colosseum DAY 4: St. Peter’s Basilica DAY 5: Basilica of St. Francis DAY 6: Florence DAY 3: Taking a break at the Pantheon ART OF ROME, FLORENCE & PARIS 11 or 13 days INCLUDED ON TOUR: OPTIONAL EXCURSIONS: Round-trip airfare Caravaggio Art Tour • Giverny or Auvers-sur-Oise Land transportation Optional excursions let you incorporate additional Hotel and night train accommodations sites and attractions into your itinerary and make the Breakfast daily and select meals most of your time abroad.
    [Show full text]
  • GREAT SAINTS and SACRED SITES December 26, 2021 - January 6, 2022
    Join Fr. Ray Schmidt and St. John ’ s Summer Program pilgrimage to CHRISTMAS PILGRIMAGE TO ITALY'S GREAT SAINTS AND SACRED SITES December 26, 2021 - January 6, 2022 $3,169 per person from Washington D.C. (IAD) (based on double occupancy) With Spiritual Director: Fr. Ray Schmidt For more information or to register visit: www.pilgrimages.com/francisregis Basilica of Our Lady Help of Christians St. Peter’s Square SAMPLE DAY BY DAY ITINERARY Day 1 | Sat, Dec 26: Depart Dulles Chaplet before heading to the NAC for a Holy Hour, International Airport Confessions and fireworks. Late morning pilgrim Mass at St. John's, then travel to Dulles by charter bus. Fly overnight with meals Day 7 | Fri, Jan 01: Rome - Nettuno - Monte served on board. Cassino - Mugnano del Cardinale - Pompei Depart Rome by 7:30am. Bus to Maria Goretti in Day 2 | Sun, Dec 27: Milan - Turin - Milan Nettuno and then bus to Monte Cassino to visit Ben- Arrive in Milan. Visit the grave of St. Gianna Barret- edict and Scolastica, then to Mugnano del Cardinale ta Mola at the Cemetery of Mesero (based upon ear- to see St. Philomena, then to Pompei to the Madon- ly morning arrival) and then bus to Turin and see na del Rosario Sanctuary and Bl. Bartolo Longo. Frassati, Bosco, Savio. Mass at the Basilica of Our Lady Help of Christians in Turin. Bus back to Milan Day 8 | Sat, Jan 02: Pompei - Pagnani - Saler- for dinner. no - Materdomini - San Giovanni Rotondo Begin the day with St. Alphonsus Liguori in Pagnani Day 3 | Mon, Dec 28: Milan - Pavia - Bologna and then travel to see St.
    [Show full text]
  • Ribera's Drunken Silenusand Saint Jerome
    99 NAPLES IN FLESH AND BONES: RIBERA’S DRUNKEN SILENUS AND SAINT JEROME Edward Payne Abstract Jusepe de Ribera did not begin to sign his paintings consistently until 1626, the year in which he executed two monumental works: the Drunken Silenus and Saint Jerome and the Angel of Judgement (Museo di Capodimonte, Naples). Both paintings include elaborate Latin inscriptions stating that they were executed in Naples, the city in which the artist had resided for the past decade and where he ultimately remained for the rest of his life. Taking each in turn, this essay explores the nature and implications of these inscriptions, and offers new interpretations of the paintings. I argue that these complex representations of mythological and religious subjects – that were destined, respectively, for a private collection and a Neapolitan church – may be read as incarnations of the city of Naples. Naming the paintings’ place of production and the artist’s city of residence in the signature formulae was thus not coincidental or marginal, but rather indicative of Ribera inscribing himself textually, pictorially and corporeally in the fabric of the city. Keywords: allegory, inscription, Naples, realism, Jusepe de Ribera, Saint Jerome, satire, senses, Silenus Full text: http://openartsjournal.org/issue-6/article-5 DOI: http://dx.doi.org/10.5456/issn.2050-3679/2018w05 Biographical note Edward Payne is Head Curator of Spanish Art at The Auckland Project and an Honorary Fellow at Durham University. He previously served as the inaugural Meadows/Mellon/Prado Curatorial Fellow at the Meadows Museum (2014–16) and as the Moore Curatorial Fellow in Drawings and Prints at the Morgan Library & Museum (2012–14).
    [Show full text]
  • The Soundscape of the Trevi Fountain in Covid-19 Silence Received Jul 15, 2020; Accepted Sep 28, 2020 1 Introduction
    Noise Mapp. 2020; 7:212–222 Research Article Enza De Lauro*, Mariarosaria Falanga, and Laura Tedeschini Lalli The soundscape of the Trevi fountain in Covid-19 silence https://doi.org/10.1515/noise-2020-0018 Received Jul 15, 2020; accepted Sep 28, 2020 1 Introduction Abstract: This paper is devoted to the analyses of sound- This paper is about the soundscape of the famous Piazza scape at fontana di Trevi in Rome (Italy) with the aim to Fontana di Trevi in Rome. The piazza itself is a culturally compare its characteristics during the Italian lockdown important place, so that a study of the "sound signature" due to the (Sars-COV2) Covid-19 sanitary emergency and its of the fountain is important for heritage studies. In this pa- characteristics before and after such time. The lockdown per we address the differences that can be objectively mea- has represented an exceptional environment due to the sured in very different situations regarding background silence everywhere, never occurred in centuries, offering noise. the opportunity to recognize the "signature" of the sound At the end of December 2019, in a market of Wuhan in the emitted by the famous Fontana di Trevi and recognize Hubei Province (China), there was a first documented case how it interacts with other features. The signature is im- of anomalous pneumonia, thereafter denominated Covid- portant for preservation issues and cultural heritage. The 19 disease. On January 9, 2020, the Chinese CDC reported soundscape was documented in a field survey by means of that this anomalous pneumonia was due to a new coro- hand held microphones, which acquired simultaneously navirus that was responsible of a Severe Acute Respira- the acoustic wavefield all around the fountain.
    [Show full text]
  • Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy the Architects
    Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy The Architects The Trevi Fountain (Fontana di Trevi) is the most famous and arguably Little of Nicola Salvi’s (1697–1751) work beyond the Trevi Fountain remains the most beautiful fountain in Rome. This impressive Baroque-styled today and relatively little is known of the architect himself. He was monument was completed in 1762 and still dominates the small Trevi admitted to the Roman Academy of Arcadia in 1717 and only became square located in the city’s Quirinale district. an architect after studying mathematics and philosophy. His friend and colleague, the sculptor Pietro Bracci (1700–1773), would eventually go on to complete the fountain. Bracci’s most famous piece of work, the statue of Oceanus, forms the centerpiece of the fountain. 2 History The imposing fountain sits at the junction of three roads, or tre vie, which many believe gave the fountain its name, and marks the terminal point of one of the original aqueducts that supplied water to ancient Rome. Built by Marcu Vipsanius Agrippa in 19 BC, the Aqua Virgo aqueduct was over 13 miles (21 km) long and even then had a fountain at its terminus. The aqueduct and fountain served Rome for over 400 years, but after the invasion of the Goths in AD 537, the aqueduct was cut off and the final portion abandoned, forcing the medieval Romans to draw water from wells and the River Tiber. It would be over 1,000 years, and the advent of the Early Renaissance period, before a fountain would again stand in the location we know today.
    [Show full text]
  • Download The
    FREE MAP 7 9 8 VISITOR CENTER 7 1 6 ARTE RELIGIOSA CAPRIOTTI SIGHTSEEING CENTER VIA G. AMENDOLA 32 2 5 PanamicOPEN TOUR Hop-on Hop-off TERMINI SANTA MARIA MAGGIORE COLOSSEO 3 BOCCA DELLA VERITÀ/CIRCO MASSIMO PIAZZA VENEZIA/CAMPIDOGLIO VATICANO/MUSEI VATICANI PIAZZA NAVONA/PANTHEON/CASTEL SANT'ANGELO FONTANA DI TREVI/PIAZZA DI SPAGNA VILLA BORGHESE/VIA VENETO PIAZZA BARBERINI 4 bus evy 10 minutes Since 1978 more than 28.000.000 satisfied customers Bk yr tr he! TOUR 9 TOUR 6 Ancient Castelli Ostia Romani AFTERNOON r FRASCATI, CASTELGANDOLFO, GROTTAFERRATA AND t BEAUTY MEDIEVAL VILLAGES OUTSIDE ROME THE PORT OF ANCIENT ROME. PORTA ROMANA, TERME DI NETTUNO, THERMOPOLIUM. ded € 52,00 p.p. Gui € 60,00 p.p. TOUR 1 Excsis Classical Excsis TOUR 7 TOUR 13 TOUR 17 Rome Tivoli Assisi Florence Orvieto MORNING TREVI FOUNTAIN, PANTHEON, PIAZZA NAVONA, CASTEL SANT'ANGELO (no visit), ST. PETER’S BASILICA (WITH PAPAL BLESSING ON SUNDAYS) ST FRANCIS’ BASILICA, SANTA MARIA DEGLI ANGELI, THE CRADLE OF THE RENAISSANCE PERIOD. DAVID BY MICHELANGELO, VILLA ADRIANA, VILLA D’ESTE AND ITS FOUNTAINS € 41,00 p.p. CHAPEL OF PORZIUNCOLA CATHEDRAL OF SANTA MARIA DEL FIORE, GIOTTO’S BELL TOWER AND € 106,00 p.p. PIAZZA DELLA SIGNORIA € 66,00 p.p. CityCity TrTr € 156,00 p.p. TOUR 3 TOUR 10 TOUR 2 Vatican TOUR 15 Illuminated TOUR 12 TOUR 14 Imperial Museums Naples Rome Rome Rome by Capri Pompeii SKIP THE LINE night Blue Grotto* SKIP THE LINE MORNING/ with dinner AFTERNOON AFTERNOON VATICAN MUSEUMS, SISTINE CHAPEL, ST. PETER’S BASILICA COLOSSEUM, ST.
    [Show full text]
  • Download Download
    Journal of Arts & Humanities Volume 09, Issue 06, 2020: 01-11 Article Received: 26-04-2020 Accepted: 05-06-2020 Available Online: 13-06-2020 ISSN: 2167-9045 (Print), 2167-9053 (Online) DOI: http://dx.doi.org/10.18533/journal.v9i6.1920 Caravaggio and Tenebrism—Beauty of light and shadow in baroque paintings Andy Xu1 ABSTRACT The following paper examines the reasons behind the use of tenebrism by Caravaggio under the special context of Counter-Reformation and its influence on later artists during the Baroque in Northern Europe. As Protestantism expanded throughout the entire Europe, the Catholic Church was seeking artistic methods to reattract believers. Being the precursor of Counter-Reformation art, Caravaggio incorporated tenebrism in his paintings. Art historians mostly correlate the use of tenebrism with religion, but there have also been scholars proposing how tenebrism reflects a unique naturalism that only belongs to Caravaggio. The paper will thus start with the introduction of tenebrism, discuss the two major uses of this artistic technique and will finally discuss Caravaggio’s legacy until today. Keywords: Caravaggio, Tenebrism, Counter-Reformation, Baroque, Painting, Religion. This is an open access article under Creative Commons Attribution 4.0 License. 1. Introduction Most scholars agree that the Baroque range approximately from 1600 to 1750. There are mainly four aspects that led to the Baroque: scientific experimentation, free-market economies in Northern Europe, new philosophical and political ideas, and the division in the Catholic Church due to criticism of its corruption. Despite the fact that Galileo's discovery in astronomy, the Tulip bulb craze in Amsterdam, the diplomatic artworks by Peter Paul Rubens, the music by Johann Sebastian Bach, the Mercantilist economic theories of Colbert, the Absolutism in France are all fascinating, this paper will focus on the sophisticated and dramatic production of Catholic art during the Counter-Reformation ("Baroque Art and Architecture," n.d.).
    [Show full text]
  • Domenichino's Scenes from the Life
    DOMENICHINO’S SCENES FROM THE LIFE OF ST. CECILIA: ARTISTIC INTERPRETATION AND THE COUNTER-REFORMATION by Emily Freeman Bachelor of Arts, 2005 The University of Texas at Austin Austin, Texas Submitted to the Faculty Graduate Division of the College of Fine Arts Texas Christian University in partial fulfillment of requirements for the degree of MASTER OF ARTS May 2008 DOMENICHINO’S SCENES FROM THE LIFE OF ST. CECILIA: ARTISTIC INTERPRETATION AND THE COUNTER-REFORMATION Thesis approved: Major Professor, Dr. Babette Bohn Dr. Mark Thistlethwaite Dr. Nadia Lahutsky Graduate Studies Representative For the College of Fine Arts ii Copyright © 2008 by Emily Freeman All Rights Reserved iii TABLE OF CONTENTS List of Illustrations.................................................................................................. v Introduction............................................................................................................. 1 St. Cecilia and the Revival of Her Cult................................................................... 4 St. Cecilia in Art and Literature............................................................................ 13 Early Life and the Carracci Academy................................................................... 22 Conclusion ............................................................................................................ 43 Images................................................................................................................... 45 Bibliography ........................................................................................................
    [Show full text]
  • Caecilia V84n04 1957
    A .. It '.•... _b /J_J.L_'~- /JL.~'...._L m. .' ~ fIlIWDUIJ.&If-- (,"Uw-UC·~UUu.lLo . AdLC (lal.ici.I~·.Polyphony IlItatholic:Worship . Francis A. Brunner,e.Se.R. IheRolllanChoirs ... ..... ... .. Rev. Richard' J.Schuler votUME84,. NO.·. 4 DECEMBER,., .19.57 CAECILIA Published four times a year, February, May, August and December. Second-Class Mail Privileges authorized at Omaha, Nebraska. Subscription price-$3.00 per year; ~'.OO for two years. All articles for publication must be in the hands of the editor, P. o. Box l012t Omaha 1, Nebraska, 30 days before month of publication. Business Manager: Norbert Letter Change of address should be sent to the drcu1ation manager: Paul Sing, P. O. Box 1012, Omaha 1, Nebraska Postmaster: Form 3579 to Caecilia, P. O. Box IOU, Omaha 1, Nebr. s »as Ab-undAIlssrJu'eiben von Partitur und Sthumen 1st (emii8 § 15 des Gesetzes Sub tuum praesidium yom 19.Juni1901 verboten. AuffiihrUDgsreeht vorbehaltcD Zeitdauer: itMin. FLOR PEETERS, Op. 64 II Mdt~,ra 0 assaI =60 1\ r. -== ~ Sopran . ..... tJ - - . S';.b tu - um prae - si - di-um COD - fu - gi • mus san· eta mf = Alt ,_P ::All . ., ..- ~ 4- c.I """ too" 0 .... Sub tu - um prae - si - di-um COD - ~- gi,;. mus saD eta fl. 'ItJ£ . .,.= Tenor fir' ~ ... r.J r:J r.J ... r-; __CL-. ~ Sub tu - um prae - si - di- um COD- - fu - gi- mus saD - eta mf -:-= : I Ba8 ~ta 1\ Sub tu - um prae - si -eii - um COD - fu - gi . MUS ~an - fJ Modera~ssai ~ ---r-....r, .-----:--- I ... ,., ..-I _. .. - .... .... .- ..,. , tJ - Reductio ~ r r I V- r -r r r I (z_ellfassungl~ nit r ~ I J J J J.
    [Show full text]
  • Qt7hq5t8mm.Pdf
    UC Berkeley Room One Thousand Title Water's Pilgrimage in Rome Permalink https://escholarship.org/uc/item/7hq5t8mm Journal Room One Thousand, 3(3) ISSN 2328-4161 Author Rinne, Katherine Publication Date 2015 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Katherine Rinne Illustration by Rebecca Sunter Water’s Pilgrimage in Rome “If I were called in To construct a religion I should make use of water.” From Philip Larkin, “Water,” 1964 Rome is one of the world’s most hallowed pilgrimage destinations. Each year, the Eternal City’s numinous qualities draw millions of devout Christians to undertake a pilgrimage there just as they have for nearly two millennia. Visiting the most venerable sites, culminating with St. Peter’s, the Mother Church of Catholicism, the processional journey often reinvigorates faith among believers. It is a cleansing experience for them, a reflective pause in their daily lives and yearly routines. Millions more arrive in Rome with more secular agendas. With equal zeal they set out on touristic, educational, gastronomic, and retail pilgrimages. Indeed, when in Rome, I dedicate at least a full and fervent day to “La Sacra Giornata di Acquistare le Scarpe,” the holy day of shoe shopping, when I visit each of my favorite stores like so many shrines along a sacred way. Although shoes are crucial to our narrative and to the completion of any pilgrimage conducted on Opposite: The Trevi Fountain, 2007. Photo by David Iliff; License: CC-BY-SA 3.0. 27 Katherine Rinne foot, our interest in this essay lies elsewhere, in rededicating Rome’s vital role as a city of reflective pilgrimage by divining water’s hidden course beneath our feet (in shoes, old or new) as it flows out to public fountains in an otherwise parched city.
    [Show full text]
  • RFH Hotel De Russie CI Factsheet July 15
    The fascination of Rome is MEETINGS & EVENTS endless – from the grandeur of the classical age to the beauty • 4 meeting rooms for up to 90 of the Renaissance through to delegates the modern elegance of today. • All rooms with natural daylight Located between the Spanish and Wi-Fi access A ROCCO FORTE HOTEL Steps and Piazza del Popolo, • Alfresco private events in Hotel de Russie is considered by the Secret Garden many as one of the city’s greatest • In-house florist treasures – a tranquil retreat amid a vibrant city. Guests are ideally • External parking available positioned to explore the many OTHER FACILITIES wonders of the Eternal City, including the Vatican, Piazza ACCOMMODATION Navona, the Trevi Fountain and • 88 bedrooms the designer boutiques of Via del • 33 suites Babuino and Via Condotti. RESTAURANT & BAR The hotel has an extraordinary • Le Jardin de Russie with terrace Secret Garden where guests • Stravinskij Bar with terrace can dine alfresco, or enjoy a Piazza del Popolo quiet stroll. Le Jardin de Russie DE RUSSIE SPA Villa Viale Borghese de lla • Tr Salt water hydropool Santa Maria in serves an Italian menu created it del Miracoli à dei M V on ia ti Marg by internationally renowned a • Gym tt V utta e ia d el Rip All Saints Church i B chef Fulvio Pierangelini and the d a bu a • i Sauna and Turkish steam room ino V Vi a a ttori de i Via V Trinità dei Monti Stravinskij Bar is a popular place l C • o 6 treatment rooms (including a rs o Piazza di for an aperitif or a light lunch.
    [Show full text]
  • Flesh As Relic: Painting Early Christian Female Martyrs Within
    FLESH AS RELIC: PAINTING EARLY CHRISTIAN FEMALE MARTYRS WITHIN BAROQUE SACRED SPACES by Stormy Lee DuBois A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art in Art History MONTANA STATE UNIVERSITY Bozeman, Montana November 2019 ©COPYRIGHT by Stormy Lee DuBois 2019 All Rights Reserved ii ACKNOWLEDGEMENTS I would like to offer my sincerest gratitude to my committee, Dr. Todd Larkin, Dr. Regina Gee, and Dr. Melissa Ragain, for supporting me throughout my coursework at Montana State University and facilitating both graduate research and pedagogical inspiration during the study abroad program in Italy. I would also like to thank School of Art Director, Vaughan Judge for his continued support of art historical research and for the opportunities the program has afforded me. My thanks also go my husband, Josh Lever for his love and support. Thanks are also in order to Dani Huvaere for reading every draft and considering every possibility. iii TABLE OF CONTENTS 1. INTRODUCTION ....................................................................................................... 1 2. BAROQUE PAINTING CONVENTIONS: STYLISTIC INTERPRETATIONS OF TRIDENTINE REQUIREMENTS FOR RELIGIOUS ART ............................................................................................... 4 Baroque Classicism and Naturalism ............................................................................. 4 Burial of Saint Lucy..................................................................................................
    [Show full text]