Lok Sabha Debates
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Syllabus for the Batch from Year 2020 to Year 2022
FACULTY OF VISUAL ARTS & PERFORMING ARTS SYLLABUS FOR THE BATCH FROM YEAR 2020 TO YEAR 2022 FOR M.A. MUSIC (VOCAL) (SEMESTER: I – IV) EXAMINATIONS: 2020-2022 ___________________________________________________________________________ GURU NANAK DEV UNIVERSITY AMRITSAR ___________________________________________________________________________ Note: (i) Copy rights are reserved. Nobody is allowed to print it in any form. Defaulters will be prosecuted. (ii) Subject to change in the syllabi at any time. Please visit the University website time to time. 1 M.A. MUSIC VOCAL (SEMESTER SYSTEM) BATCH FROM YEAR 2020 TO YEAR 2022 SCHEME SEMESTER–I Paper Subject Marks Paper – I Theoretical Survey of Indian Music (Theory) 100 Paper – II Historical Study of Indian Music (Theory) 100 Paper – III Stage Performance-I (Practical) 100 Paper – IV Critical & Comparative Study of Ragas-I Viva-Voce 100 (Practical Based) SEMESTER – II Paper Subject Marks Paper – V Intensive Study of Indian Music (Theory) 100 Paper – VI An Analytical Study of Granthas (Theory) 100 Paper – VII Stage Performance-II (Practical) 100 Paper – VIII Critical & Comparative Studies of Ragas-II Viva Voce 100 (Practical Based) SEMESTER – III Paper Subject Marks Paper – IX Scientific Study of Indian Music (Theory) 100 Paper – X Music as A Commercial Art (Theory) 100 Paper – XI Stage Performance-III (Practical) 100 Paper – XII Critical & Comparative Studies of Ragas-III 100 Viva Voce (Practical Based) SEMESTER – IV Paper Subject Marks Paper – XIII Gurmat Sangeet (Theory) 75 Paper – XIV Essays on Indian Music and Research In Music (Theory) 75 Paper – XV Stage Performance-IV (Practical) 100 Paper – XVI Critical & Comparative Studies of Ragas-IV 100 Viva Voce (Practical Based) Paper – XVII Research Project (Minor) 50 2 M.A. -
Application Received After Closing Date of Constable Gd Examination, 2015
APPLICATION RECEIVED AFTER CLOSING DATE OF CONSTABLE GD EXAMINATION, 2015 SL NO NAME FATHER'S NAME DOB 0001 AANSHU KUMAR AJIT RAM 05/01/1994 0002 AARTI KUMARI MOHAN DODRAY 22/08/1986 0003 AARTI KUMARI RAM PRASAD RAM 20/08/1998 0004 AARTI KUMARI SOMRA ORAON 07/01/1996 0005 AARTI KUMARI SHAH RAJ KUMAR SHAH 05/06/1992 0006 ABANI BOURI PIRULAL BOURI 05/06/1991 0007 ABANI MAHATA GUNADHAR MAHATA 03/05/1989 0008 ABANI SAREN BIBHUTI SAREN 10/03/1995 0009 ABANTI JENA NARASINGH JENA 02/05/1996 0010 ABBASUDIN ABDUL KHAYER 16/10/1994 0011 ABBIND KUMAR YADAV SHIV NARAYAN YADAV 03/03/1996 0012 ABDUL ALIM MAHASIN ALI 15/03/1995 0013 ABDUL ALIM ANSAR RAHIM ANSARI 09/11/1995 0014 ABDUL ALIM GAZI MOKSED GAZI 07/11/1994 0015 ABDUL MAZED ALI HOSSAIN 03/04/1996 0016 ABDUL OYAHED MD ACHHIRUDDIN 14/06/1990 0017 ABDUL RAJJAK ABUKALAM SK 15/12/1994 0018 ABDULLA OMAR FARUK ABDUL HAMID 12/05/1989 0019 ABDUR RAJJAK EKRAMUL RAJJAK 22/01/1997 0020 ABHA MAHATO AMRIT LAL MAHATO 13/06/1994 0021 ABHAIRAJ CHOWDHURY AMARNATH CHOWDHURY 20/12/1996 0022 ABHAY KUMAR SARBHU RAM 20/02/1995 0023 ABHAY KUMAR SINGH RAM PRAKASH SINGH 09/01/1994 0024 ABHAYA KUMAR JENA AMAR JENA 02/06/1997 0025 ABHAYA KUMAR PATI SUDHIR CHARAN PATI 05/04/1996 0026 ABHEEK MANDAL BAMDEB MANDAL 25/12/1995 0027 ABHI DAS KRISHNA KUMAR DAS 22/02/1994 0028 ABHIJEET RAI BHUWAN RAI 21/04/1995 0029 ABHIJIT BAGDI SUNDAR BAGDI 13/01/1993 0030 ABHIJIT BAURI CHANDI CHARAN BAURI 21/05/1993 0031 ABHIJIT BHATTACHARYA BIVASH BHATTACHARYA 03/01/1995 0032 ABHIJIT DAS AJIT DAS 26/06/1996 0033 ABHIJIT DAS DHARANIDHAR DAS -
Post Graduate Department of Music
POST GRADUATE DEPARTMENT OF MUSIC SYLLABUS B.A. MUSIC (VOCAL) SEMESTER I TO VI B.A. MUSIC (INSTRUMENTAL) SEMESTER I TO VI M.A. MUSIC (VOCAL) SEMESTER I TO IV SESSION 2021-22 KHALSA COLLEGE AMRITSAR (AN AUTONOMOUS COLLEGE) CONTENTS CLASS PAPER PAGE NO. B.A SEMESTER-1-VI/I-VI Music Vocal/ Music Instrumental 1-24 B.A. SEMESTER- I Music Vocal (Theory + Practical ) 1-2 B.A. SEMESTER- II Music Vocal (Theory + Practical ) 3-4 B.A. SEMESTER- III Music Vocal (Theory + Practical ) 5-6 B.A. SEMESTER-IV Music Vocal (Theory + Practical ) 7-8 B.A. SEMESTER-V Music Vocal (Theory + Practical ) 9-10 B.A. SEMESTER-VI Music Vocal (Theory + Practical ) 11-12 B.A. SEMESTER-I Music Instrumental (Theory + Practical) 13-14 B.A. SEMESTER-II Music Instrumental (Theory + Practical) 15-16 B.A. SEMESTER-III Music Instrumental (Theory + Practical) 17-18 B.A. SEMESTER-IV Music Instrumental (Theory + Practical) 19-20 B.A. SEMESTER-V Music Instrumental (Theory + Practical) 21-22 B.A. SEMESTER-VI Music Instrumental (Theory + Practical) 23-24 M.A. Music Vocal 25-41 M.A. SEMESTER-I Set of Subjects 25-28 M.A. SEMESTER-II Set of Subjects 29-32 M.A. SEMESTER-III Set of Subjects 33-36 M.A. SEMESTER-IV Set of Subjects 37-41 KHALSA COLLEGE, AMRITSAR B.A. SEMESTER- I Music M.M.100 Vocal/Instrumental Theory 35 Practical 40 Internal Assessment 25 B.A. SEMESTER- II M.M.100 Theory 35 Practical 40 Internal Assessment 25 B.A. SEMESTER- III M.M.100 Theory 35 Practical 40 Internal Assessment 25 B.A. -
Alphabetical List of Recommendations Received for Padma Awards - 2014
Alphabetical List of recommendations received for Padma Awards - 2014 Sl. No. Name Recommending Authority 1. Shri Manoj Tibrewal Aakash Shri Sriprakash Jaiswal, Minister of Coal, Govt. of India. 2. Dr. (Smt.) Durga Pathak Aarti 1.Dr. Raman Singh, Chief Minister, Govt. of Chhattisgarh. 2.Shri Madhusudan Yadav, MP, Lok Sabha. 3.Shri Motilal Vora, MP, Rajya Sabha. 4.Shri Nand Kumar Saay, MP, Rajya Sabha. 5.Shri Nirmal Kumar Richhariya, Raipur, Chhattisgarh. 6.Shri N.K. Richarya, Chhattisgarh. 3. Dr. Naheed Abidi Dr. Karan Singh, MP, Rajya Sabha & Padma Vibhushan awardee. 4. Dr. Thomas Abraham Shri Inder Singh, Chairman, Global Organization of People Indian Origin, USA. 5. Dr. Yash Pal Abrol Prof. M.S. Swaminathan, Padma Vibhushan awardee. 6. Shri S.K. Acharigi Self 7. Dr. Subrat Kumar Acharya Padma Award Committee. 8. Shri Achintya Kumar Acharya Self 9. Dr. Hariram Acharya Government of Rajasthan. 10. Guru Shashadhar Acharya Ministry of Culture, Govt. of India. 11. Shri Somnath Adhikary Self 12. Dr. Sunkara Venkata Adinarayana Rao Shri Ganta Srinivasa Rao, Minister for Infrastructure & Investments, Ports, Airporst & Natural Gas, Govt. of Andhra Pradesh. 13. Prof. S.H. Advani Dr. S.K. Rana, Consultant Cardiologist & Physician, Kolkata. 14. Shri Vikas Agarwal Self 15. Prof. Amar Agarwal Shri M. Anandan, MP, Lok Sabha. 16. Shri Apoorv Agarwal 1.Shri Praveen Singh Aron, MP, Lok Sabha. 2.Dr. Arun Kumar Saxena, MLA, Uttar Pradesh. 17. Shri Uttam Prakash Agarwal Dr. Deepak K. Tempe, Dean, Maulana Azad Medical College. 18. Dr. Shekhar Agarwal 1.Dr. Ashok Kumar Walia, Minister of Health & Family Welfare, Higher Education & TTE, Skill Mission/Labour, Irrigation & Floods Control, Govt. -
Outgoing Cultural Delegations April, 2010 – March, 2011
Annexure 2 OUTGOING CULTURAL DELEGATIONS APRIL, 2010 – MARCH, 2011 COUNTRIES NAME OF THE GROUP S.NO. VISITED DATE PURPOSE OF VISIT REMARKS 1. Reunion 10-member Manipuri Dance group “Meitei 4 – 19 April, 2010 To participate in the Tamil New Year Island Traditional Dance” led by Ms. Indira Devi, Celebrations in Reunion Island Manipur 2. USA Prof. T.R.Subramanyam and Dr. Radha 14 April – 29 June, To give cultural performances to coincide Venkatachalam (Carnatic Vocal), Tamilnadu 2010 with the G.N. Balasubramaniam (GNB) Two travel grants Global Centenary Celebrations 3. Singapore 10-member Punjabi Theatre group of 22 – 24 April, 2010 To participate in the Baisakhi Mela “Amritsar Natak Kala Kendra led by Ms. Areet Kaur, Punjab 4. Malaysia 14-member Bhangra and Giddha group 22 – 26 April, 2010 To perform at the Baisakhi Celebrations “Jugni Cultural and Youth” led by Shri Davinder Singh, Punjab 5. Cambodia 6-member Manipuri Dance group led by Ms. 24 April – 1 May, To give cultural performances on the Rina Devi, Manipur 2010 occasion of “Trail of Civilization” in Siem Riep, Cambodia 6. Zimbabwe 12-member Gujarati Folk Dance group 25 April – 9 May, To participate in the Harare International South Africa “Yuvak Mandal Gadhavi” led by Shri Bhoye 2010 Festival of Arts (HIFA) in Zimbabwe and to Shivaji Kaprubhai, Gujarat give cultural performances in South Africa 7. Germany 14 travel grants to Children group from 1 - 10 May, 2010 To participate in the Children Choir Festival Bangalore Music School, Karnataka Fourteen travel grants 8. Singapore 4-member Rabindra Sangeet group led by 10 – 15 May, 2010 To give cultural performances during a Malaysia Shri Prabuddha Raha, West Bengal Conference “An Age in Motion : The Asian Voyage of Rabindranatha Tagore” 9. -
2 M Music Hcm.Pdf
Visva-Bharati, Sangit-Bhavana DEPARTMENT OF HINDUSTHANI CLASSICAL MUSIC CURRICULUM FOR POSTGRADUATE COURSE M.MUS IN HINDUSTHANI CLASSICAL MUSIC Sl.No Course Semester Credit Marks Full . Marks 1. 16 Courses I-IV 16X4=64 16X50 800 10 Courses Practical 06 Courses Theoretical Total Courses 16 Semester IV Credits 64 Marks 800 M.MUS IN HINDUSTHANI CLASSICAL MUSIC OUTLINE OF THE COURSE STRUCTURE 1st Semester 200 Marks Course Marks Credits Course-I (Practical) 40+10=50 4 Course-II (Practical) 40+10=50 4 Course-III (Practical) 40+10=50 4 Course-IV (Theoretical) 40+10=50 4 2nd Semester 200 Marks Course Marks Credits Course-V (Practical) 40+10=50 4 Course-VI (Practical) 40+10=50 4 Course-VII (Theoretical) 40+10=50 4 Course-VIII (Theoretical) 40+10=50 4 3rd Semester 200 Marks Course Marks Credits Course-IX (Practical) 40+10=50 4 Course-X (Practical) 40+10=50 4 Course-XI (Practical) 40+10=50 4 Course-XII (Theoretical) 40+10=50 4 4th Semester 200 Marks Course Marks Credits Course-XIII (Practical) 40+10=50 4 Course-XIV (Practical) 40+10=50 4 Course-XV (Theoretical) 40+10=50 4 Course-XVI (Theoretical) 40+10=50 4 1 Sangit-Bhavana, Visva Bharati Department of Hindusthani Classical Music CURRICULUM FOR POST GRADUATE COURSE M.MUS IN HINDUSTHANI CLASSICAL MUSIC TABLE OF CONTENTS HINDUSTHANI CLASSICAL MUSIC (VOCAL)………………………………………………3 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (SITAR)…………………………14 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (ESRAJ)…………………………23 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (TABLA)………………………..32 HINDUSTHANI CLASSICAL MUSIC INSTRUMENTAL (PAKHAWAJ)………………….42 2 CURRICULUM FOR POSTGRADUATE COURSE DEPARTMENT OF HINDUSTHANI CLASSICAL MUSIC SUBJECT- HINDUSTHANI CLASSICAL MUSIC (VOCAL) Course Objectives: This is a Master’s degree course in Hindustani Classical vocal music with emphasis on teaching a nuanced interpretation of different ragas. -
Iv Copyright by Eriko Kobayashi 2003
Copyright By Eriko Kobayashi 2003 iv The Dissertation Committee for Eriko Kobayashi certifies that this is the approved version of the following dissertation: Hindustani Classical Music Reform Movement and the Writing of History, 1900s to 1940s Committee: Stephen Slawek, Supervisor Gerard Behague James Brow Veit Erlmann Gail Minault v Hindustani Classical Music Reform Movement and the Writing of History, 1900s to 1940s by Eriko Kobayashi, M.A., B.F.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2003 vi Acknowledgments Many people contributed to this dissertation, and it would not have been possible to write it without the assistance I received from them. I am grateful to all the musicians who agreed to talk to me and helped me during my stay in India in 1997-1998, without any reward on their part. In Delhi, I would like to thank Drs. Shanno Khurana and Sumati Mutatkar, whose articulateness and sober intelligence impressed me very much. In Mumbai, Mr. Ramdas Bhatkal gave me a warm reception and facilitated my meetings with Pt. S.C.R. Bhat, whose wonderful narratives are prominently featured in the dissertation. In Miraj, Mr. Sudhir Pote made my stay easy and enjoyable, and Mr. Balwant Joshi offered me valuable information both about his father and the Gandharva Mahavidyalayas. Ms. Uma Swami prepared copies of original documents for me and took me around in the town. The entire office of A.B.G.M.V. -
VAGEESHWARIVAGEESHWARIVAGEESHWARI March 2018
Vol. XXXII Regd No. ISSN 0975-7872 VAGEESHWARIVAGEESHWARIVAGEESHWARI March 2018 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI Prof. Tarun Kumar Das, Registrar, University of Delhi, and Chief Guest during the International seminar – Indian Classical Music: Teaching and Performing Abroad”, organized by the Department, in collaboration with the Indian Council for Cultural Relations (I.C.C.R.), at the Conference Centre, University of Delhi, on 27-28 February 2018. Seated on the dais are the Keynote Speaker – Prof. Joep Bor, Professor at the Academy of Creative and Performing Arts, Leiden University, The Netherlands, Ms. Padmaja, Dy. Director General, I.C.C.R., and Prof. Suneera Kasliwal, Dean & Head, Faculty of Music & Fine Arts, University of Delhi A Hungarian folk group – Kalaka – performing, in a collaboration between the Dept. of Music and the Dept. of Slavonic & Finno-Ugrian Studies, University of Delhi, in Dec. 2017 Vol. XXXII Regd. No. ISSN 0975-7872 VAGEESHWARI March 2018 Proceedings of a two-day International seminar on “Indian Classical Music: Teaching and Performing Abroad” Organized by The Department of Music, University of Delhi In collaboration with the Indian Council for Cultural Relations (I.C.C.R.) on 27-28 February, 2018 Editor Prof. Suneera Kasliwal Editorial Board Prof. Deepti Omchery Bhalla Prof. Shailendra Goswami Dr. Ananya Kumar Dey Dr. Jagbandhu Prasad Dr. Rajpal Singh Dr. Ajay Kumar Dr. Rishitosh Kumar Student Editors Ms. Aditi Sharma Mr. Rahul Prakash Ms. Rindana Rahasya Ms. Tara Sharma SUBSCRIPTION RATES Price India : Rs.200.00 Abroad : $ 5.00 per annum For enquiry, payment, book review, subscription etc please write to : The Editor, Vageeshwari, Journal of the Department of Music Faculty of Music and Fine Arts, University of Delhi Delhi-110007 All articles published in the Journal are the copyright of the Department of Music, Faculty of Music and Fine Arts, University of Delhi, Delhi and no part thereof may be reproduced without the prior permission of the Editor. -
Ma Music Instrumental (Semester: I – Iv)
FACULTY OF VISUAL & PERFORMING ARTS SYLLABUS FOR MA MUSIC INSTRUMENTAL (SEMESTER: I – IV) EXAMINATIONS: 2019-20 ______________________________________________________________________________________ GURU NANAK DEV UNIVERSITY AMRITSAR ______________________________________________________________________________________ Note: (i) Copy rights are reserved. Nobody is allowed to print it in any form. Defaulters will be prosecuted. (ii) Subject to change in the syllabi at any time. Please visit the University website time to time. 1 M.A. Music Instrumental (Semester System) SCHEME OF COURSE SEMESTER–I: PAPER–I: Theoretical Survey of Indian Music Marks: 100 (Theory) PAPER–II: Historical Study of Indian Music Marks: 100 (Theory) PAPER–III: Stage Performance–I (Practical) Marks: 100 PAPER–IV: Critical & Comparative Study of Ragas–I Viva– Marks: 100 Voce (Practical Based) 2 M.A. Music Instrumental (Semester – I) Paper – I: Theoretical Survey of Indian Music (Theory) Time: 3 Hrs Max. Marks: 100 Instructions for the Paper Setters:- Eight questions of equal marks (Specified in the syllabus) are to be set, two in each of the four Sections (A-D). Questions may be subdivided into parts (not exceeding four). Candidates are required to attempt five questions, selecting at least one question from each Section. The fifth question may be attempted from any Section. Section -A 1. Detailed knowledge of the following technical terms: Alap, Jod, Jhalla, Triobhava, Avirbhava, Alpattva, Bahutava, Meend, Krintan, Ghaseet, Soot, Jamjama. 2. Difference between Tantrakari and Gayaki Ang in Instrumental Music. 3. Importance of swarit (keynote) and swar samvad in music. Section -B 4. Detailed study of Naad and Sahayak Naad. 5. Comparative study of Uttari and Dakshini system of Music. 6. Classification of Indian Musical Instruments. -
Copyright by Jeffrey Michael Grimes 2008
Copyright by Jeffrey Michael Grimes 2008 The Dissertation Committee for Jeffrey Michael Grimes certifies that this is the approved version of the following dissertation: The Geography of Hindustani Music: The Influence of Region and Regionalism on The North Indian Classical Tradition Committee: ____________________________________ Stephen M. Slawek, Supervisor ____________________________________ Veit Erlmann ____________________________________ Ward Keeler ____________________________________ Robin Moore ____________________________________ Shanti Kumar The Geography of Hindustani Music: The Influence of Region and Regionalism on The North Indian Classical Tradition by Jeffrey Michael Grimes, M.M., B.M. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2008 Acknowledgements I would like to briefly thank a few individuals for making this project possible. The first are my parents, Tom and Kay Grimes, who have supported me emotionally and, as necessary, financially through the dissertation writing process (and earlier, as well). Next, I would like to thank my mentor and dissertation supervisor Dr. Stephen M. Slawek. All that I know of Indian music (even the things he didn’t teach me directly) is due to him, both as my academic adviser and as my long-time sitar Guru. Especially crucial for the current project, though, has been his unwavering moral and intellectual support. Dr. Slawek encouraged me from day one to pursue the work I wanted to pursue, and I cannot be more grateful for this. All of his advisees that he has shepherded through the process of writing a report or dissertation, I am sure, would say the same. -
JNICC JAKARTA LIBRARY BOOK LIST (PDF Version)
JAWAHARLAL NEHRU INDIAN CULTURAL CENTRE EMBASSY OF INDIA JAKARTA JNICC JAKARTA LIBRARY BOOK LIST (PDF version) LARGEST COLLECTION OF INDIAN WRITINGS IN INDONESIA Simple way to find your favourite book ~ write the name of the Book / Author of your choice in “FIND” ~ Note it down & get it collected from the Library in charge of JNICC against your Library membership card. ~2 books allowed per card for 10 days duration. TITLE AUTHOR 1 THE GREAT INDIAN MIDDLE CLASS Pavan K. Varma 2 THE GREAT INDIAN MIDDLE CLASS Pavan K. Varma 3 THE HINDU MIND Bansi Pandit 4 SOCIAL FORESTRY PLANTATION K.M. Tiwari & R.V. Singh 5 INDIA'S CULTURE B.P. Singh 6 INDIAN WOMEN TODAY Uma Shankar Jha & Premlata Pujari 7 INDIA AND WORLD CULTURE Vinayak Krishna Gokak 8 FROM THE GANGES TO THE MEDITERRANEAN Vidya Nivas Mishra and Rfael Argullol 9 DISTRICT DIARY Jaswant Singh 10 TIRANGA OUR NATIONAL FLAG Lt. Cdr. K. V. Singh 11 IN YOUR FACE Suhel Seth 12 GABAN THE STOLEN JEWELS CHRISTOPHER R.KING 13 PAK POXY WAR; a story of ISI, bin Laden and Kargil RAJEEV SHARMA 14 THE RINGING RADIANC E SIR COLIN GARBETT 15 ENVIRONMENTAL MANAGEMENT AND FEDERALISM S. BHATT & AKHTAR MAJEED (EDITOR) 16 A WESTERN JOURNALIST ON INIDA FRANCOIS GAUTIER 17 KAUTILYA TODAY JAIRAM RAMESH 18 CHARISMA & CANON VASUDHA DALMIA, ANGELIKA MALINAR, MARTIN CHRISTOF 19 A GOAN POTPOURRI ANIBAL DA COSTA 20 SOURCES OF INDIAN TRADITION VOL2 STEPHEN HAY (EDITOR) 21 INDIA what can I teach us? F. MAX MULLER 22 SECURING INDIA'S IN THE NEW MILLENNIUM BRAHMA CHELLANEY(EDITOR) 23 TRUMPETS AND TUMULTS MAJ.GEN.