Sri Durga Saptasati
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About Lord Shiva
AboutShiva.com - About Lord Shiva http://aboutshiva.com/about_shiva_home.html "Shivo Bhokta, Shiva Bhojya Shivo Karta, Shivah Karma Shivah Karanatmakah" Shiva is the experiencer and the highest object of experience. Shiva is the goal of Sadhana. There is nothing apart from Shiva. There is nothing other than Shiva. Whatever there is, is Shiva. There is nothing, which is not Shiva. There is no place, which is not Shiva. There is no time, which is not Shiva. To be aware of this is to be aware of Shiva. All About Lord Shiva Home About Shiva | Shiva Appearance | Shiva Lingam | Shiva Parivaar | Shiva Avtars | Shiva Maha Purana Wallpapers Shivaratri | Rudraksha | Jyotirlingas | 108 Names of Shiva | Lord Shiva in Nature | Fasting for Lord Shiva Aarti Videos About Lord Shiva ABOUT SHI VA Shiva Stotra Videos Download Shiva Bhajans Shiva (शव) is lord of the lords and it is really not easy to write/explain everything about shiva. However many have tried to explain him and praised him as per their knowledge but the explanation is endless and it is un-imaginable from Shri Guru Gita a human being even devas, asuras and other rishi munis have very little words to explain about the lord almighty. Read Mantras Shiva means the supreme one, the auspicious one, the pure one and for me the beloved one. Shiva is nam ed as Pashupati which means the Lord of all living beings either it is humans, devas, asuras or any creatures. Another name God/ Goddess I mages Mahadeva depicts the great God, supreme in all devas(Gods). -
SHIVAJI UNIVERSITY, KOLHAPUR Provisional Electoral Roll of Registered Graduates
SHIVAJI UNIVERSITY, KOLHAPUR Provisional Electoral Roll of Registered Graduates Polling Center : 1 Kolhapur District - Chh.Shahu Central Institute of Business Education & Research, Kolhapur Faculty - ARTS AND FINE ARTS Sr. No. Name and Address 1 ADAKE VASANT SAKKAPPA uchgaon kolhapur 416005, 2 ADNAIK DEVRAJ KRISHNAT s/o krishnat adnaik ,891,gaalwada ,yevluj,kolhapur., 3 ADNAIK DEVRAJ KRUSHANT Yevluj Panhala, 4 ADNAIK KRISHNAT SHANKAR A/P-KUDITRE,TAL-KARVEER, City- KUDITRE Tal - KARVEER Dist- KOLHAPUR Pin- 416204 5 AIWALE PRAVIN PRAKASH NEAR YASHWANT KILLA KAGAL TAL - KAGAL. DIST - KOLHAPUR PIN - 416216, 6 AJAGEKAR SEEMA SHANTARAM 35/36 Flat No.103, S J Park Apartment, B Ward Jawahar Nagar, Vishwkarma Hsg. Society, Kolhapur, 7 AJINKYA BHARAT MALI Swapnanjali Building Geetanjali Colony, Nigave, Karvir kolhapur, 8 AJREKAR AASHQIN GANI 709 C WARD BAGAWAN GALLI BINDU CHOUK KOLHAPUR., 9 AKULWAR NARAYAN MALLAYA R S NO. 514/4 E ward Shobha-Shanti Residency Kolhapur, 10 ALAVEKAR SONAL SURESH 2420/27 E ward Chavan Galli, Purv Pavellion Ground Shejari Kasb bavda, kolhapur, 11 ALWAD SANGEETA PRADEEP Plot No 1981/6 Surna E Ward Rajarampuri 9th Lane kolhapur, 12 AMANGI ROHIT RAVINDRA UJALAIWADI,KOLHAPUR, 13 AMBI SAVITA NAMDEV 2362 E WARD AMBE GALLI, KASABA BAWADA KOLHPAUR, 14 ANGAJ TEJASVINI TANAJI 591A/2 E word plot no1 Krushnad colony javal kasaba bavada, 15 ANURE SHABIR GUJBAR AP CHIKHALI,TAL KAGAL, City- CHIKALI Tal - KAGAL Dist- KOLHPUR Pin- 416235 16 APARADH DHANANJAY ASHOK E WARD, ULAPE GALLI, KASABA BAWADA, KOLHAPUR., 17 APUGADE RAJENDRA BAJARANG -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
Contextual Water Targets Pilot Study Noyyal-Bhavani River Basin, India
CONTEXTUAL WATER TARGETS PILOT STUDY NOYYAL-BHAVANI RIVER BASIN, INDIA May 2019 Ashoka Trust for Research in Ecology and the Environment (ATREE) 1 Bangalore, India This publication is based on the project report submitted to the Pacific Institute, USA as the result of the study on contextual water targets in the Noyyal-Bhavani river basin, India. Study duration: October 2018 to April 2019 Financial support: Pacific Institute, USA Additional financial support: World Wide Fund for Nature-India (WWF-India). Authors: Apoorva R., Rashmi Kulranjan, Choppakatla Lakshmi Pranuti, Vivek M., Veena Srinivasan Suggested Citation: R. Apoorva, Kulranjan, R., Pranuti, C. L., Vivek, M., and Srinivasan, V. 2019. Contextual Water Targets Pilot Study: Noyyal-Bhavani River Basin. Bengaluru. Ashoka Trust for Research in Ecology and the Environment (ATREE). Front-cover Photo Caption: Noyyal outflows from the Orathupalayam dam, which had become a reservoir of polluted water for years. Front-cover Photo Credit: Apoorva R. (2019) Back-cover Photo Caption: Untreated sewage in a drain flows towards the River Noyyal near Tiruppur city, Tamil Nadu Back-cover Photo Credit: Rashmi Kulranjan (2019) Acknowledgement: We are grateful to Mr. Ganesh Shinde from ATREE for his help and guidance related to land use classification and GIS maps in this project. We would like to thank all the participants of the project consultative meeting held in Coimbatore in March 2019 for sharing their ideas and contributing to the discussion. We are thankful to Ms. Upasana Sarraju for proofreading -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
PHOTO FEATURES of TEMPLES of KHAJURAHO by Dr. Krishna
Episteme: an online interdisciplinary, multidisciplinary & multi-cultural journal Bharat College of Arts and Commerce, Badlapur, MMR, India Volume 6, Issue 4 March 2018 PHOTO FEATURES OF TEMPLES OF KHAJURAHO By Dr. Krishna Chandra Jha The UNESCO World Heritage Site, Khajuraho is a group of Hindu and Jain temples in Madhya Pradesh (India, about 175 kilometers southeast of Jhansi. The temples are famous for their “NAGAR” style (North Indian Temple‟s Architectural Style) and their erotic carvings. Most of the Khajuraho temples were built between 950 and 1050 by the Chandela dynasty. The first recorded mention of Khajuraho temples in accounts of Foreign Albiruni in AD 1022. Local traditions list 85 temples in Khajuraho, out of which 25 temples are surviving & scattered in 20 sq. kilometers area. The temples were built together but were dedicated to two Hinduism & Jainism, suggesting a tradition of acceptance and respect for diverse religious views in the region. 4 Purushartha is an ideal concept of Indian social thinkers since millennium. These are known as Dharma (ethics, duty), Artha (wealth, prosperity), Kama (pleasure, sensual gratification) and Moksha (liberation, spiritual values). These are the blueprint for human fulfillment, signposts and those points us to a successful, satisfying, balanced existence in the world. Working with them can help you to make a balanced life at the deepest and most holistic level. In Indian literature and philosophy, Kama denotes longing and desire, often with a sexual connotation. But the broader concept refers to any wish, passion, and pleasure of the senses, affection, love or enjoyment of life. In the Upanishads (ancient Hindu texts), the term is used in the broader sense of any type of desire. -
Reg. No Name in Full Residential Address Gender Contact No. Email Id Remarks 9421864344 022 25401313 / 9869262391 Bhaveshwarikar
Reg. No Name in Full Residential Address Gender Contact No. Email id Remarks 10001 SALPHALE VITTHAL AT POST UMARI (MOTHI) TAL.DIST- Male DEFAULTER SHANKARRAO AKOLA NAME REMOVED 444302 AKOLA MAHARASHTRA 10002 JAGGI RAMANJIT KAUR J.S.JAGGI, GOVIND NAGAR, Male DEFAULTER JASWANT SINGH RAJAPETH, NAME REMOVED AMRAVATI MAHARASHTRA 10003 BAVISKAR DILIP VITHALRAO PLOT NO.2-B, SHIVNAGAR, Male DEFAULTER NR.SHARDA CHOWK, BVS STOP, NAME REMOVED SANGAM TALKIES, NAGPUR MAHARASHTRA 10004 SOMANI VINODKUMAR MAIN ROAD, MANWATH Male 9421864344 RENEWAL UP TO 2018 GOPIKISHAN 431505 PARBHANI Maharashtra 10005 KARMALKAR BHAVESHVARI 11, BHARAT SADAN, 2 ND FLOOR, Female 022 25401313 / bhaveshwarikarmalka@gma NOT RENEW RAVINDRA S.V.ROAD, NAUPADA, THANE 9869262391 il.com (WEST) 400602 THANE Maharashtra 10006 NIRMALKAR DEVENDRA AT- MAREGAON, PO / TA- Male 9423652964 RENEWAL UP TO 2018 VIRUPAKSH MAREGAON, 445303 YAVATMAL Maharashtra 10007 PATIL PREMCHANDRA PATIPURA, WARD NO.18, Male DEFAULTER BHALCHANDRA NAME REMOVED 445001 YAVATMAL MAHARASHTRA 10008 KHAN ALIMKHAN SUJATKHAN AT-PO- LADKHED TA- DARWHA Male 9763175228 NOT RENEW 445208 YAVATMAL Maharashtra 10009 DHANGAWHAL PLINTH HOUSE, 4/A, DHARTI Male 9422288171 RENEWAL UP TO 05/06/2018 SUBHASHKUMAR KHANDU COLONY, NR.G.T.P.STOP, DEOPUR AGRA RD. 424005 DHULE Maharashtra 10010 PATIL SURENDRANATH A/P - PALE KHO. TAL - KALWAN Male 02592 248013 / NOT RENEW DHARMARAJ 9423481207 NASIK Maharashtra 10011 DHANGE PARVEZ ABBAS GREEN ACE RESIDENCY, FLT NO Male 9890207717 RENEWAL UP TO 05/06/2018 402, PLOT NO 73/3, 74/3 SEC- 27, SEAWOODS, -
Bhajan Blast 7 Lyrics
Bhajan Blast 7 Sunday, July 28, 2013 7 - 8 pm Pacific Lyrics 1. DAMARU BHAJEY Dum Dum Dum Dum Damaru Bhajey (2X) Hara Bhola Natha Siva Shambho Bhajey (2X) Ghana Ghana Ghana Ghana Ghanta Bhajey (2X) Hara Gauri Natha Siva Shambho Bhajey (2X) Hara Sai Natha Siva Shambho Bhajey (2X) Chant the name of the easy-to-please and kind-hearted Lord Siva, whose drum beats “Dum Dum Dum” and whose bells toll “Ghana Ghana Ghana.” Destroy sins by worshipping Lord Sai Natha, Gauri Natha, Siva and Shambo. 2. JAI JAI DURGA Jai Jai Durga, Jai Bhavani (2X) Shambhavi Shankari Jai Dayani (2X) Repeat above two lines Raise arms for next line Jai Jagadambe Maha Kalike (2X) Shambhavi Shankari Jai Dayani (2X) Jai Jai Durga, Jai Bhavani (2X) Shambhavi Shankari Jai Dayani (2X) Raise arms for next line Jai Jaga Janani Jaya Mangaleye Shambhavi Shankari Jai Dayani Hail to Durga! Bestower of devotion, bringer of auspiciousness. 1 3. AARTI OM NAMO BHAGAVATE Om Namo Bhagavate Vasudevaya (2x) Om Namo Bhagavate Vasudevaya (2x) Praises to the Lord Vasudeva, who is Krishna, the one who is immanent in all. 4. NAMAMI SHANKARA UMA MAHESHWARA Namami Shankara Uma Maheshwara (2X) Bhavani Shankara Shivani Shankara (2X) Namami Shankara Uma Maheshwara (2X) Paravati Shankara Pashupati Shankara (2X) Mauliswara Siva Gauri Shankara (2X) I bow to Thee, O Shankara, the lord of Uma (Divine Mother). Shankara, you are the lord of Universal Mother Durga (Bhavani) & Parvati (Shivani). O Siva, who is all auspiciousness to set us free from the bondage of earthly life, I bow to Thee. -
JAY MANGALAMURTI (Aarti to Shri Ganesha)
Aartis 1 JAY MANGALAMURTI (Aarti to Shri Ganesha) Sukha Karta Dukha Harta Varta Vighnachi You are the One who offers happiness and removes sorrows at the time of danger. Nurvi Purvi Prem Krupa Jayachi You offer tender lots of love and blessings Sarvangi Sunder Uti Shendurachi You have red paste on Your body Kanthi Jhalke Mal Mukta Falanchi and wear a pearl necklace. Chorus: Jai Dev., Jai Dev., Jai Mangalamurti Victory to You, most auspicious One! Darshan Matre Mana Kamana Purti Even by Your glance You fulfill the desires in our minds. Jai Dev., Jai Dev. Victory, O God! Ratna Khachita Fara Tuza Gauri Kumara The Goddess Gauri is present by Your side Chandanachi Uti Kumkum Keshara Bedecked with gems and jewellery. Hire Jadita Muguta Shobhato Bara The diamond studded crown on Your head adds to Your gracefulness, Runjhunti Nupure Charni Ghagariya The anklets on Your feet make heavenly music. Lambodar Pitambar Fanivar Bandhana I always have in mind Your long belly, Your pitambar (silk dhoti), Kundalini on Your stomach Saral Sonda Vakratunda Trinayana Your straight trunk, Your innocent face with its three eyes. Das. Ramacha Vat. Pahe Sadana The servant of Shri Rama is waiting for You in this house (body). Sankashti Pavave Nirvani Rakshave Please protect us from calamities and sorrows. O Highest amongst Gods, we bow to You! Survar Vandana Aartis 2 ARATI NIRMALA MATA Chorus: Arati Nirmala Mata ) Aarti to Mother Nirmala > Charni Thevila Me Mata ) (x2) I have surrendered to You Arati Nirmala Mata Aarti to Mother Nirmala Adi Shakti Kundalini Oh Primordial power of the Kundalini who Sarva Vishwachi Janani is the Mother of the Universe Nirguna He Rupa Tuzhe Your form is beyond the Gunas and now Zahli Saguna Tu Ata You have become Saguna (of good qualities). -
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Bala Bhavan Bhajans Contents
Bala Bhavan Bhajans 9252, Miramar Road, San Diego, CA 92126 www.vcscsd.org Bala Bhavan Bhajans Contents GANESHA BHAJANS .................................................................................................. 5 1. Ganesha Sharanam, Sharanam Ganesha ............................................................ 5 2. Gauree Nandana Gajaanana ............................................................................... 5 3. Paahi Paahi Gajaanana Raga: Abheri .......................................... 5 4. Shuklambaradharam ........................................................................................... 5 5. Ganeshwara Gajamukeshwara ........................................................................... 6 6. Gajavadana ......................................................................................................... 6 7. Gajanana ............................................................................................................. 6 8. Ga-yi-yeh Ganapathi Raga: Mohana ........................................ 6 9. Gananatham Gananatham .................................................................................. 7 10. Jaya Ganesha ...................................................................................................... 7 11. Jaya Jaya Girija Bala .......................................................................................... 7 12. Jaya Ganesha ...................................................................................................... 8 13. Sri Maha Ganapathe .......................................................................................... -
CONCEIVING the GODDESS an Old Woman Drawing a Picture of Durga-Mahishasuramardini on a Village Wall, Gujrat State, India
CONCEIVING THE GODDESS An old woman drawing a picture of Durga-Mahishasuramardini on a village wall, Gujrat State, India. Photo courtesy Jyoti Bhatt, Vadodara, India. CONCEIVING THE GODDESS TRANSFORMATION AND APPROPRIATION IN INDIC RELIGIONS Edited by Jayant Bhalchandra Bapat and Ian Mabbett Conceiving the Goddess: Transformation and Appropriation in Indic Religions © Copyright 2017 Copyright of this collection in its entirety belongs to the editors, Jayant Bhalchandra Bapat and Ian Mabbett. Copyright of the individual chapters belongs to the respective authors. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building, 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/cg-9781925377309.html Design: Les Thomas. Cover image: The Goddess Sonjai at Wai, Maharashtra State, India. Photograph: Jayant Bhalchandra Bapat. ISBN: 9781925377309 (paperback) ISBN: 9781925377316 (PDF) ISBN: 9781925377606 (ePub) The Monash Asia Series Conceiving the Goddess: Transformation and Appropriation in Indic Religions is published as part of the Monash Asia Series. The Monash Asia Series comprises works that make a significant contribution to our understanding of one or more Asian nations or regions. The individual works that make up this multi-disciplinary series are selected on the basis of their contemporary relevance.