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Rabindra Sangeet
UNIVERSITY GRANTS COMMISSION NET BUREAU Subject: MUSIC Code No.: 16 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music www.careerindia.com -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. www.careerindia.com -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
The West Bengal College Service Commission State
THE WEST BENGAL COLLEGE SERVICE COMMISSION STATE ELIGIBILITY TEST Subject: MUSIC Code No.: 28 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
GST Notifications (Rate) / Compensation Cess, Updated As On
Updated schedule of CGST rates on goods, as on 31.03.2021 For ease of reference only The GST rates on certain goods have under gone changes since the introduction of GST. The rate changes are given effect through amending notifications issued from time to time. Requests have been received for publishing a consolidated rate schedule incorporating all the changes. According, this document has been prepared indicating updated rate schedules prescribed vide notification No. 1/2017- Central Tax (Rate) dated 28th June, 2017, notification No.2/2017-Central Tax (Rate) dated 28th June, 2017 and notification No.1/2017- Compensation Cess (Rate) dated 28th June, 2017 as on 31.03.2021 This document is only for ease of reference and relevant notification will only have legal authority. 1. CGST rates on goods as on 31.3.2021 [notification No.1/2017-Central Tax (Rate), dated 28th June, 2017, as amended from time to time]. Schedule I – 2.5% S. Chapter / Description of Goods Rate No. Heading / Sub-heading / Tariff item (1) (2) (3) (4) 1. 0202, 0203, All goods [other than fresh or chilled] and put up in 2.5% 0204, 0205, unit container and,- 0206, 0207, (a) bearing a registered brand name; or 0208, 0209, (b) bearing a brand name on which an actionable claim or 0210 enforceable right in a court of law is available [other than those where any actionable claim or enforceable right in respect of such brand name has been foregone voluntarily], subject to the conditions as in the ANNEXURE] 2. 0303, 0304, All goods [other than fresh or chilled] and put up in 2.5% 0305, 0306, unit container and,- 0307, 0308 (a) bearing a registered brand name; or (b) bearing a brand name on which an actionable claim or enforceable right in a court of law is available [other than those where any actionable claim or enforceable right in respect of such brand name has been foregone voluntarily], subject to the conditions as in the ANNEXURE 3. -
MUSIC Hindustani
The Maharaja Sayajirao University of Baroda, Vadodara Ph. D Entrance Tet (PET) SYLLABUS Subject: MUSIC PET ExamCode : 21 Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
DU MA Percussion Music
DU MA Percussion Music Topic:- DU_J19_MA_PM 1) Which of the following is not a Yati? इनमे से कौन यत नहं ह? [Question ID = 213] 1. Pipilika / पपीलका [Option ID = 850] 2. Mridanga / मदृ ंगा [Option ID = 849] 3. Anagat / अनागत [Option ID = 852] 4. Sama / समा [Option ID = 851] Correct Answer :- Mridanga / मदृ ंगा [Option ID = 849] 2) Which artist was famous for ‘Dance Accompaniment? नयृ के साथ संगत करने म कौन से कलाकार स थे? [Question ID = 186] 1. Pt. Pagal Das / पं. पागल दास [Option ID = 742] 2. Pt. Birju Maharaj / पं. बरज ू महाराज [Option ID = 743] 3. Pt. Kudau Singh / पं. कु दऊ सहं [Option ID = 744] 4. Pt. Kishan Maharaj / पं. कशन महाराज [Option ID = 741] Correct Answer :- Pt. Kishan Maharaj / पं. कशन महाराज [Option ID = 741] 3) Which gharana plays with variation of ‘Theka’ ? ‘ठेके ’ के वतार के साथ कस घराने का वादन होता है:- [Question ID = 215] 1. Delhi gharana / दल घराना [Option ID = 857] 2. Ajrada Gharana / अजराड़ा घराना [Option ID = 858] 3. Banaras Gharana / बनारस घराना [Option ID = 860] 4. Lucknow gharana / लखनऊ घराना [Option ID = 859] Correct Answer :- Delhi gharana / दल घराना [Option ID = 857] 4) Which Gharana is influenced by the compositions of Pakhawaj ? कौन सा घराना पखावज़ क बंदश से भावत है? [Question ID = 249] 1. Delhi / दल [Option ID = 993] 2. Ajrada / अजराड़ा [Option ID = 996] 3. -
The Arunachal Pradesh Gazette EXTRAORDINARY PUBLISHED by AUTHORITY
The Arunachal Pradesh Gazette EXTRAORDINARY PUBLISHED BY AUTHORITY No. 411, Vol. XXIV, Naharlagun, Wednesday, October 4, 2017 Asvina 12, 1939 (Saka) GOVERNMENT OF ARUNACHAL PRADESH DEPARTMENT OF TAX & EXCISE ITANAGAR ————— Notification No. 28/2017-State Tax (Rate) The 26th September, 2017 No. GST/24/2017.— In exercise of the powers conferred by sub-section (1) of Section 11 of the Arunachal Pradesh Goods and Services Tax Act, 2017 (7 of 2017), the State Government, on the recommendations of the Council, hereby makes the following amendments in the notification of the Government of Arunachal Pradesh, Department of Tax & Excise, No.2/2017-State Tax (Rate), dated the 28th June, 2017, published in the Extra ordinary Gazette of Arunachal Pradesh, vide number 192, Vol XXIV, dated the 30th June, 2017, namely:- In the said notification,- (B) in the Schedule,- (i) against serial number 27, in column (3), for the words “other than put up in unit containers and bearing a registered brand name”, the words, brackets and letters “other than those put up in unit container and,- (a) bearing a registered brand name; or (b) bearing a brand name on which an actionable claim or enforceable right in a court of law is available [other than those where any actionable claim or enforceable right in respect of such brand name has been foregone voluntarily, subject to the conditions as in the ANNEXURE I]”, shall be substituted ; (jj) against serial numbers 29 and 45, in column (3), for the words “other than put up in unit container and bearing a registered brand -
Yojana Magazine Summary for August 2020 Issue
Philosophical Nature of Indian Music • The Indian classical music, be it Hindustani or Carnatic, has essentially got a spiritual component inherent in it. Reasons for the development of spiritual component are: o Temples provided a platform where these arts flourished; o Bhakti or selfless devotion that was the underlying essence; o The artistic principles of Indian classical music are formulated and structured in such a way that it becomes an inward journey for its practitioners so that they get intimately connected with their within. Spiritual Features of Indian Music A. Nadopasana - The Invocation of the Primordial Sound • For a true practitioner of classical music, the approach used to be Nadopdsana – the invocation of the primordial sound. For these practitioners, music became an internal journey for the realisation of the ultimate truth. • Even the selection of the Raga and the composition at the time of a performance was a result of the intuition and the inspiration of the moment. B. The Guru-Shishya and Gharana tradition • It is another crucial feature which is common for all the classical music traditions of India. For centuries, this Guru-shishya transmission has made it possible to carry forward the intense experiences innately embedded in this great tradition of enlightened practitioners of music. • The musical gharanas of north Indian or Hindustani classical music have also contributed to the diversity of their form of music by presenting a distinct style of it. The Origin and Historical Development of Different Forms of Indian Music • The origin of Indian music can be traced back to the chanting of Vedic hymns and mantras. -
Yojana Kurukshetra GIST – AUGUST 2020 IASBABA
Yojana Kurukshetra GIST – AUGUST 2020 IASBABA www.iasbaba.com Page 1 Yojana Kurukshetra GIST – AUGUST 2020 IASBABA Preface This is our 65th edition of Yojana Gist and 56th edition of Kurukshetra Gist, released for the month of August 2020. It is increasingly finding a place in the questions of both UPSC Prelims and Mains and therefore, we’ve come up with this initiative to equip you with knowledge that’ll help you in your preparation for the CSE. Every issue deals with a single topic comprehensively sharing views from a wide spectrum ranging from academicians to policy makers to scholars. The magazine is essential to build an in-depth understanding of various socio-economic issues. From the exam point of view, however, not all articles are important. Some go into scholarly depths and others discuss agendas that are not relevant for your preparation. Added to this is the difficulty of going through a large volume of information, facts and analysis to finally extract their essence that may be useful for the exam. We are not discouraging from reading the magazine itself. So, do not take this as a document which you take read, remember and reproduce in the examination. Its only purpose is to equip you with the right understanding. But, if you do not have enough time to go through the magazines, you can rely on the content provided here for it sums up the most essential points from all the articles. You need not put hours and hours in reading and making its notes in pages. We believe, a smart study, rather than hard study, can improve your preparation levels. -
I. Pre-GTS Tax Incidence Vis-À-Vis GST Rate for Goods: S. No. Chapter
I. Pre-GTS tax incidence vis-à-vis GST rate for goods: S. Chapter Description of goods Pre-GST GST Rate No. Tax Incidence* Food & Beverage 1. 4 Milk powder 6% 5% 2. 4 Curd, Lassi, Butter milk put up in unit 4% 0% container 3. 4 Unbranded Natural Honey 6% 0% 4. 0401 Ultra High Temperature (UHT) Milk 6% 5% 5. 801 Cashew nut 7% 5% 6. 806 Raisin 6% 5% 7. 9 Spices 6% 5% 8. 9 Tea 6% 0% 9. 10 Wheat 2.5% 0% 10. 10 Rice 2.75% 0% 11. 11 Flour 3.5% 0% 12. 15 Soyabean oil 6% 5% 13. 15 Groundnut oil 6% 5% 14. 15 Palm oil 6% 5% 15. 15 Sunflower oil 6% 5% 16. 15 Coconut oil 6% 5% 17. 15 Mustard Oil 6% 5% 18. 15 Sunflower oil 6% 5% 19. 15 Other vegetable edible oils 6% 5% 20. 17 Sugar 6% 5% 21. 1704 Sugar confectionery 21% 18% 22. 21 Sweetmeats 7% 5% 23. 2103 Ketchup & Sauces 12% 12% 24. 2103 30 00 Mustard Sauce 12% 12% 25. 2103 90 90 Toppings, spreads and sauces 12% 12% 26. 22 Mineral water 27% 18% Household goods of daily use 27. 33 Agarbatti 10% 5% 28. 33 Tooth powder 17% 12% 29. 33 Hair oil 27% 18% 30. 33 Toothpaste 27% 18% 31. 34 Soap 27% 18% 32. 4823 Kites 11% 5% 33. 64 Footwear of RSP upto Rs. 500 per pair 10% 5% 34. 64 Other footwear 21% 18% 35. 73 LPG Stove 21% 18% 36. 76 Aluminium foils 19% 18% 37. -
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8s6 (16) ufmjrd rrdqr, A{is 27 fqqgt 2ol7 l:9. 3rs{id-B-n+q-fd' 130. fuar - ReMra l3l. eirfr - qra E-ie 132. ,TE6IqTE-4TS 132. .imriq, siq * !6 !16rr t34. 6?n?i?r\iTr. rrfi !F6R .Fr idd-a 2. {6 3Tfuqq-dr ffiq 22-09-2017 t velrd?trfr 4rft GIR.rfr I ercA€-rr6 * {rscrd * arq $ den 3IresrtrgR, u. fr. Ecr8I, frrlq' qft'd'. 4qr {rsT, 8f,i6. 25 R-trtr{ 2017 Fqi6 (rs-10-757261raH/qiar(130). - erl{f, +. difirrd fr 3qzda 348 * ris (3) *' 3r";r€{or d, g ham 61 3rfu{'{ar *-4b (rF-10-75l2o17tdrstcrq(130), trdi6 25-09-2017 qrfr'6r{ 61 3j+S 3qsr6 {Gqqrd * e', w-< -ram c-flQra fr-qr drdr tr s-cfr'gaE t'{=qqrd + arq t dfi :+r*rr+gn rr. fr. Fdttr&, ft?)q sfud. Naya Raipur, the 25th September 2017 NOTIFICATION No. 2 8/201 ?-State Tax (Rate) No. F-10- 75/201'llCTlV (130). - In exercise ofthe powers conferred by sub-section (l) ofsection ll of thechhattisgarh Coods and Services Tax Act, 2017 (7 of 2017), the State Government, on the recommendations of the Council, hereby makes the foliowing amendments in the notification of the State Govemment, in the Commercial Tax Department, No. 2/2017-State Tax (Rate) notification No. F-10- 43/2017/CTN (70), dated the 28th June, 2017, published in the Gazette (Extraordinary) of Chhattisgarh, No. 252, daled the 29lh June, 2017, namely :- In the said notification,- (A) in the Schedule,- (i) against serial numbers27,29,45,65,66,6'7,68,69,'70"71,72,'73,74,'75,77,'l8, 10l and 108, in column (3), for the words "other than put up in unit container and bearing a registered brand name", the words, brackets and letters "other than put up in unit container and,- (a) bearing a registered brand name; or (b) bearing a brand name on which an actionable claim or enforceable right in a court of law is available lother than those where any actionable claim or enforceable right in respect ofsuch brand name has been foregone voluntarily, subject to the conditions as in the ANNEXURE Il", shall be substituted; *2301,2302,2308,2309", (ii) in S. -
P壓 闋lp G縴 蛻 瞭i斂p 民獝 S鍊母p髻擬 C瑰繗 母j鬆扚 (P 補m
PÀ£ÁðlPÀ gÁdå ¸ÀºÁAiÀÄPÀ ¥ÁæzsÁå¥ÀPÀgÀÀ CºÀðvÁ ¥ÀjÃPÉë (PÉ-¸Émï) KARNATAKA STATE ELIGIBILITY TEST (K-SET) FOR ASSISTANT PROFESSOR SYLLABUS Subject: MUSIC Subject Code: 40 Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga- Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. Aesthetics according to Indian and western Philosophers. General knowledge of 64 kalas according to Vatsyayan General history of Raga-Ragini Paintings and Raga Dhayana. -
Indian Musical Instruments Recognition Using LPC and LPI
ISSN (Online) 2278-1021 IJARCCE ISSN (Print) 2319 5940 International Journal of Advanced Research in Computer and Communication Engineering Vol. 4, Issue 12, December 2015 Indian Musical Instruments Recognition Using LPC and LPI 1 2 3 Satish R.Sankaye ,U.S.Tandon , S.C.Mehrotra Department of CS &IT, Dr.Babasaheb Ambedkar Marathwada University, Aurangabad, India1 Department of Physics, College of Natural and Computational Sciences Haramaya University, Dire Dawa, Ethiopia2 Ramanujan Chair Professor, Dept. of C.S.& IT, Dr.Babasaheb Ambedkar Marathwada University, Aurangabad India3 Abstract: Most Significant Music Industry is today widely supported by Research in the area of Musical information Processing. In the past decade the growth of Digital Music over internet and our day-to-day life has forced researcher to explorethe diverse area of Musical Instrument Identification, Retrieval, Classification and Recognition of large sets of music. In our paper we have explored the ignored area of Indian Musical Instrument Recognition (IMIR) and attempted to build the database for the same. An innovative technique to classify the IMIR using the Modified Linear Predictor Coefficient (LPC) features and Log-Power-Intensity (LPI) is discussed. The proposed method has been tested with experimental results and technique has an accuracy of 96.11% for instrument and 92.45 for individual sound. Keywords: Indian Musical Instrument Recognition, Linear Predictor Coefficient, Log Power Intensity, Music Instrument Identification, Principle component Analysis, Best First Decision Tree Algorithm I. INTRODUCTION Music is said to be universal language, as it is not restricted Recognition (MIR) using set of different features and many by caste, community or country neither by cultural nor by classification techniques.