Fafnir Becomes First Academic Journal to Win a World Fantasy Award
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Progress Report #1
Welcome to the first progress report for the 2021 World Fantasy Convention! We are pressing on, in times of Covid, and continuing to plan a wonderful in person convention in Montréal, Canada. We have a stunning guest list and a superlative team for both planning and the creation of the gathering not to be missed. We will be at the Hôtel Bonaventure, an iconic landmark in the city. The hotel is located in the heart of downtown and just outside the Old Port of Montréal. It is near major roads, right across the street from Gare Centrale, the Montréal train station, and is directly connected to two Metro stations, making it easily accessible for both motorists and public transport users. We will be able to enjoy a lavish 2.5 acres of gardens with streams inhabited by ducks and fish as well as a year-round outdoor heated pool. Our committee is busy excitedly planning a convention that will surpass your every expectation. Our theme will be YA fantasy. The field of young adult fantasy has grown from being popular to becoming a dominant category of 21st century literature, bringing millions of new readers to hundreds of new authors. We are working on a diverse program that will explore this genre that celebrates fantasy fiction in all of its forms: epic, dark, paranormal, urban, and other varieties. We invite members to share what they enjoy, what they have learned, what they have written themselves, and what they hope to see coming in the field of young adult fantasy fiction. We look forward to seeing you all in Montréal! Diane Lacey Chair Diversity Statement The committee for the 2021 World Fantasy Convention is unconditionally devoted to promoting diversity within our convention. -
Award Winning Books in the Library Click+Cntrl on Title to Link to Resource A
Award Winning Books in the Library Click+cntrl on Title to Link to resource A Author Title CK: Awards and honors Subject Adventure and adventurers › Carnegie Medal (1972) Rabbits › Legends and stories Adams, Watership Down Waterstones Books of the Century 1997 Richard Survival › Guardian First Book Award Longlist Ahlberg, Boyhood of Buglar (2007) Thief Allan Bill Guardian Children's Fiction Prize Moral Conscience Longlist (2007) The Black Cauldron Alexander, Newbery Honor (1966) (The Chronicles of Fantasy Lloyd A Horn Book Fanfare Best Book (1966) Prydain) Author Title CK: Awards and honors Subject The Book of Three Alexander, A Horn Book Fanfare Best Book (1965) (The Chronicles of Fantasy Lloyd Prydain Book 1) A Horn Book Fanfare Best Book (1967) Alexander, Castle of Llyr Fantasy Lloyd Princesses › A Horn Book Fanfare Best Book (1968) Taran Wanderer (The Alexander, Fairy tales Chronicles of Lloyd Fantasy Prydain) Carnegie Medal Shortlist (2003) Whitbread (Children's Book, 2003) Boston Globe–Horn Book Award Almond, Cuban Missile Crisis, 1962 › The Fire-eaters (Fiction, 2004) David Great Britain › History Nestlé Smarties Book Prize (Gold Award, 9-11 years category, 2003) Whitbread Shortlist (Children's Book, Adventure and adventurers › Almond, 2000) Heaven Eyes Orphans › David Zilveren Zoen (2002) Runaway children › Carnegie Medal Shortlist (2000) Amateau, Chancey of the SIBA Book Award Nominee courage, Gigi Maury River Perseverance Author Title CK: Awards and honors Subject Angeli, Newbery Medal (1950) Great Britain › Fiction. › Edward III, Marguerite The Door in the Wall Lewis Carroll Shelf Award (1961) 1327-1377 De A Horn Book Fanfare Best Book (1950) Physically handicapped › Armstrong, Newbery Honor (2006) Whittington Cats › Alan Newbery Honor (1939) Humorous stories Atwater, Lewis Carroll Shelf Award (1958) Mr. -
Progress Report Four
World Fantasy Convention 2014 6 November - 9 November 2014 Washington, D.C. Progress Report Four World Fantasy Convention 2014 6 November - 9 November 2014 Our gathering — the 40th World Fanasy Convention – will take place at the Hyatt Regen- cy Crystal City in Arlington, Virginia, and will culminate in a banquet where the 2014 World Fantasy Awards will be presented. Guests of Honor Guy Gavriel Kay Les Edwards Stuart David Schiff Special Guest Lail Finlay Toastmaster Mary Robinette Kowal World Fantasy Convention 2014 Post Office Box 314 Annapolis Junction, MD 20701-0314 worldfantasy2014.org • [email protected] Facebook: WorldFantasy40 • Twitter: @WorldFantasy40 Contact Sam Lubell at [email protected] to volunteer 1 Jane Yolen We regret to report Jane Yolen will not be able to be the Toastmaster for this year’s World Fantasy Convention. She is undergoing major back surgery that will have a six-month recovery period followed by six months of physical therapy. Jane had to cancel all of her 2014 travel plans and she is very sorry since she was looking forward to joining everyone at WFC 2014. Hugo-Award winning author, professional puppeteer, voice actor, and Emergency Holographic Toastmaster. In addition to co-hosting our Wednesday evening Scotch Tasting with Guy Gavriel Kay, Mary Robinette Kowal has kindly agreed take over Jane Yolen’s toast mastering duties for WFC 2014. Jane Yolen Exhibit There will be a special exhibit of Jane Yolen’s work featuring international editions and cover artwork for many of her novels. 2014 World Fantasy Lifetime Achievement Award Our heartfelt congratulations to Ellen Datlow and Chelsea Quinn Yarbro for winning the 2014 World Fantasy Lifetime Achievement Award! We will post the nominees for the other awards to our web site once the list has been published. -
Waking up the Gods Sandman Series (And Legions of Other Similar Publications) Neil Gaiman Has Also Written Numerous Short Stories and Essays
BOOKWORLD INCWADI YELIZWE tion of the minds of these two authors here truly produces a hugely entertaining read. Besides his acclaim as the author of The Waking up the gods Sandman series (and legions of other similar publications) Neil Gaiman has also written numerous short stories and essays. An excel- The unusual world of Neil Gaiman lent selection of these may be found in the 1999 publication Smoke and mirrors: short fiction and illusions. As its title suggests, the ALEXANDER VAN DER POLL #19 became the first (and only) comic pieces collected within it are all about illusion. Correspondent (graphic novel) to be awarded a literary Often Gaiman uses traditional imagery and prize (The World Fantasy Award) in 1991, ideas, or even fables and then adds his unique ‘Saying Neil Gaiman is a writer, is like the ‘underground’ author took his first otherworldly touch to them. The text itself is saying Da Vinci dabbled in the arts.’ steps toward world acclaim. very varied, ranging from a mere paragraph to (Minneapolis Star Tribune) Today he is hailed by many as an excit- a dozen or more pages. Yet, whether long or ing new voice in English fiction, and even short, the stories, poems and essays included doll with hollowed out eyes is best-selling author Stephen King, has high are always stimulating and tend to linger in the pinned to the wall. An ‘expression’ praise for his work. The dictionary of liter- mind. A of horror fills its lifeless face. A tie ary biography lists Gaiman as one of the And not only in the mind of the reader! is wrapped around its neck. -
Spaceship Creole Nalo Hopkinson, Canadian-Caribbean Fabulist Fiction, and Linguistic/Cultural Syncretism
GORDON COLLIER ] Spaceship Creole Nalo Hopkinson, Canadian-Caribbean Fabulist Fiction, and Linguistic/Cultural Syncretism ALO HOPKINSON is the daughter of the Guyanese poet, play- wright and actor Abdur–Rahman Slade Hopkinson (1934–1993), N whose lasting influence on her ideas of craft and the Caribbean is everywhere discernible in her work. She has harvested numerous awards and prestigious nominations in the field of science fiction and the category of most promising young writer, and is becoming something of a cult figure in North America.1 Hopkinson has produced an impressive body of work, including Brown Girl in the Ring and Midnight Robber – the two novels I wish to discuss here – a collection of short stories, published at the end of 2001 under the title Skin Folk, and two edited anthologies – one of Caribbean 1 She has received the World Fantasy Award, the John W. Campbell Award, the Locus First Novel Award, the Warner Aspect First Novel Contest, the Philip K. Dick Award for science fiction in paperback original and the Ontario Arts Council Foun- dation Award, and has been a juror for the James Tiptree Memorial Award for specu- lative fiction exploring gender and for the William Crawford Award (first fantasy novel). Hopkinson is a graduate of the Clarion Science Fiction and Fantasy Writers’ Workshop (1995), and of the Masters programme in Writing Popular Fiction from Seton Hill University (2002), at which she is currently a student mentor. © A Pepper-Pot of Cultures: Aspects of Creolization in the Caribbean, ed. Gordon Collier & Ulrich Fleischmann (Matatu 27–28; Amsterdam & New York: Editions Rodopi, 2003). -
Women of Color in Speculative Fiction: Speculative Fiction Awards
Author: Marrall, R. M. Spec. Fiction Awards Last Updated: Sept. 22, 2016 Women of Color in Speculative Fiction An Annotated Bibliography of Authors Speculative Fiction Awards in North America Author’s Note: This list is limited to current awards, and will not feature ceased awards such as the Balrogs. Furthermore, in keeping with the scope of the project, this list focuses on North American Speculative Fiction literary awards. For more information on current and ceased awards around the world, please visit the Science Fiction Awards Database. Author Emeritus Website: http://bit.ly/2d4eflp Details: “SFWA inaugurated the Author Emeritus program in 1995 as a way to recognize and appreciate senior writers in the genres of science fiction and fantasy who have made significant contributions to our field but who are no longer active or whose excellent work may no longer be as widely known as it once was.” Source: Science Fiction & Fantasy Writers of America / SFWA. (n.d.). Author emeritus. Accessed Sept. 23, 2016. Retrieved from http://bit.ly/2d4eflp Ray Bradbury Award Website: http://nebulas.sfwa.org/award/ray-bradbury-award/ Details: “…the Bradbury Award is for excellence in screenwriting. It was named in acknowledgement of Ray Bradbury's contributions to the fields of science fiction and screenwriting.” Source: Science Fiction & Fantasy Writers of America / SFWA. (2002). “Bradbury Award.” Accessed Sept. 23, 2016. Retrieved from http://bit.ly/2dulstm John W. Campbell Award for Best New Writer Website: http://www.writertopia.com/awards/campbell Details: “The John W. Campbell Award is given to the best new science fiction or fantasy writer whose first work of science fiction or fantasy was published in a professional publication in the previous two years.” Source: Writeropia. -
Towards a Cognitive Theory of (Canadian) Syncretic Fantasy By
University of Alberta The Word for World is Story: Towards a Cognitive Theory of (Canadian) Syncretic Fantasy by Gregory Bechtel A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English English and Film Studies ©Gregory Bechtel Fall 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Abstract Unlike secondary world fantasy, such as that of J.R.R. Tolkien, what I call syncretic fantasy is typically set in a world that overlaps significantly with the contemporary "real" or cognitive majoritarian world in which we (i.e. most North Americans) profess to live our lives. In terms of popular publication, this subgenre has been recognized by fantasy publishers, readers, and critics since (at least) the mid 1980s, with Charles De Lint's bestselling Moonheart (1984) and subsequent "urban fantasies" standing as paradigmatic examples of the type. Where secondary world fantasy constructs its alternative worlds in relative isolation from conventional understandings of "reality," syncretic fantasy posits alternative realities that coexist, interpenetrate, and interact with the everyday real. -
The Awards Tehanu: the Last Book of Earthsea, by Ursula K
The Awards Tehanu: The Last Book of Earthsea, by Ursula K. Le Guin When Sparrowhawk, the Archmage of Earthsea, The Nebula Awards returns from the dark land stripped of his magic The Nebula Awards are the Oscars of the Science powers, he finds refuge with the aging widow Tenar Fiction and Fantasy awards, presented by and a crippled girl child who carries an unknown professionals to professionals. They were created destiny. in the mid-1960s, by the newly formed Science Fiction Writers of America. They are currently The Dispossessed, by Ursula K. Le Guin awarded by The Science Fiction and Fantasy Shevek is a brilliant physicist, and as such he must Writers ofAmerica. question the unthinkable, and attempt to tear down Full Name Nebula Awards the walls of hatred that have isolated his planet of anarchists from the rest ofthe "civilized" universe. First year given 1966, for works published in 1965 He decides to make the unprecedented journey from his home planet Annarres to the utopian mother Who The Science Fiction and Fantasy Writers ofAmerica planet, Urras, giving up family and possibly his own What Lucite trophy, originally designed by Kate Wilhelm and Judy Wish Scope Works published or released in the US The World Fantasy Award Created in the mid-1970s, the World Fantasy Categories Novel, novella, novelette, short Awards, associated with the annual World Fantasy story; in some years, screenplay Conventions, were established as a fantasy Fantasy Winners American Gods; Tehanu: The Last counterpart to the Science Fiction oriented Hugo Book of Earthsea; The Awards. The World FantasyAwards are nominated Dispossessed by members of the World Fantasy Convention and selected by a panel of judges to acknowledge Nebula Award Winning YA Titles excellence in fantasy writing. -
Firebird: Where Fantasy Takes Flight™
Firebird: Where Fantasy Takes Flight™ Although the recent resurgence of interest in fantasy—as seen with the success of the Harry Potter books and the film version of Lord of the Rings—has brought the genre into the public eye in a big way, there have always been wonderful fantasy and science fiction novels and devoted readers. It is writing that transports both its author and its audience into another world, with remarkable heroes and heroines, heartstopping conflicts, and inventive magic. Firebird titles are not any one particular kind of fantasy or science fiction. There are books set in “our” world; those full of sword and sorcery in other worlds; animal epics; and those set far in the future, on other planets. No matter what sort of book you choose for your classroom or reading group, you’ll find that there is much to discuss. I’ve provided some general questions to get you started—tailor them as you see fit. And have a wonderful time! Sharyn November Editor Firebird Discussion questions that can be used with any Firebird title: 1. What defines a title as a “fantasy” or “science fiction” book? 2. Fantasy novels are frequently divided by genre—“high” and “low” fantasy. High fantasy is set in a world other than our own, and characterized by sword and sorcery. Low fantasy is based in our world, and turns on the device of everyday things imbued with magic. How would you classify the book you’re reading? Why? 3. Often, fantasy novels contain an object or objects that are considered symbols of power, or are set in a place that is a nexus of power. -
NOTES on PETER STRAUB "Houses Without Doors"
PETER STRAUB: A MAGELLAN OF THE INTERIOR By John C. Tibbetts Providence RI, 1990 Peter Straub is one of America's most successful and esteemed contemporary writers of imaginative fiction. He was born in l943 in Milwaukee, Wisconsin. After receiving his BA at the University of Wisconsin and his MA at Columbia University, he taught English at a boys’ school in Milwaukee in l966-68. (“It was my only real job,” he says.) During subsequent travels in Dublin and London, he wrote a volume of poetry, Open Air (l973), and his first novels, Marriages (l973), i (l975), and If You Could See Me Now (l977). In his “breakthrough” novel, Ghost Story (l979), he took the elements of fantasy and horror that had been present in his earlier work and developed them into the full-throated gothic expression that has marked all of his subsequent writing. Shadowland (l982), Floating Drago (1982), The Talisman (l984)—co-written with Stephen King, perhaps his only competitor in the American popular horror fiction market—Koko (l988), Mystery (l989), and, most recently, Black House (2001, a re-teaming with Stephen King), The Lost Boy (2003), and In the Night Room (2004). Straub has edited the Library of America volume of H.P. Lovecraft (2005), and he has confirmed that he and Stephen King will begin work on another collaboration late in 2010. In most of his works the webs and complexes of a past, or repressed, evil inevitably surface to threaten our well-ordered, “normal” world. These long and intricate novels may be read on many levels—as psychological studies, scary horror thrillers, or simply as richly allusive literary entertainments. -
The Orphan Figure in Latter Twentieth Century Anglo-American Children's
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-1-2016 In Absentia Parentis: The Orphan Figure in Latter Twentieth Century Anglo-American Children’s Fantasy James Michael Curtis University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Children's and Young Adult Literature Commons, and the Modern Literature Commons Recommended Citation Curtis, James Michael, "In Absentia Parentis: The Orphan Figure in Latter Twentieth Century Anglo- American Children’s Fantasy" (2016). Dissertations. 322. https://aquila.usm.edu/dissertations/322 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. IN ABSENTIA PARENTIS: THE ORPHAN FIGURE IN LATTER TWENTIETH CENTURY ANGLO-AMERICAN CHILDREN’S FANTASY by James Michael Curtis A Dissertation Submitted to the Graduate School and the Department of English at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved: ________________________________________________ Dr. Jameela Lares, Committee Chair Professor, English ________________________________________________ Dr. Eric Tribunella, Committee Member Associate Professor, English ________________________________________________ Dr. Charles Sumner, Committee Member Associate -
About This Volume Gary Hoppenstand
About This Volume Gary Hoppenstand Much has been published over the past several decades about both the pulpPaJa]ine ¿ction oI the s and s and Weird Tales, one of the Post faPous and inÀuential pulps to have been published durinJ this tZodecade period 7he dif¿cult\ of editinJ a voluPe that both brieÀ\ outlines the heiJht of the pulpPaJa]ine era and speci¿call\ examines an important title of this era was in deciding what to exclude, rather than what to include. M\ solution to the dilemma was to provide a timeline of popular ¿c- tion following the Industrial Revolution and leading up to the pulps. I wanted to discuss the cultural and social dynamics of the invention and evolution of popular ¿ction over a period of approximately years in both England and the United States, being sure to cover such topics as social class, education, the rise of the city, and printing technology as important elements of the discussion. I also wanted to cover the historical sequence of working-class ven- ues for popular ¿ction that led to the creation of the pulp maga]ines in general and Weird Tales speci¿cally. It is important for the contempo- rary reader to understand that historical sequence and to realize that publications such as Weird Tales did not spring fully grown onto the newsstand without an extended lineage. Beginning with the story pa- pers and penny dreadfuls and leading up to the dime novels and early decades of the pulps, each iteration of working-class popular ¿ction was essential in leading to the conception of the next iteration.