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Bath International Guitar Festival 24 July - 7 August 2009
Bath International Guitar Festival 24 July - 7 August 2009 www.igf.org.uk Media partner elcome to the Bath WInternational Guitar Festival. This, the 16th edition of Europe’s leading guitar festival offers again something for everybody: concerts in every style known (and some as yet unknown) to man The Vida Guitar Quartet or woman at recession busting ticket prices! Friday 24 July Michael Tippett Centre 8pm Tickets £12, £8 Pick up that guitar and join The Vida Guitar Quartet our workshops or simply A distinctive Andaluz/Andalucian programme come to listen to some of from this new UK guitar supergroup the world’s best players! The Vida Guitar Quartet brings together four guitarists of exceptional ability and virtuosity who share a passion for chamber music. After their spectacular debut at the first World Youth Guitar Festival in 2007, the Quartet are rapidly gaining a reputation as one of the most exciting guitar Saturday 25 July ensembles in the UK. The Quartet consists of the Eden-Stell Guitar Duo, Michael Tippett Centre Helen Sanderson and Mark Ashford. The Vida Guitar Quartet’s debut 4pm-5.20pm Free Entry CD, Love, the Magician, is due for release in summer 2009 on the BGS Andres Segovia and label. The programme includes music by Manuel de Falla: El Amor Brujo; his contemparies El Sombreo de Tres Picos and George Bizet: Carmen Suite. a lecture by Jack Silver It has long been assumed that the classical guitar as a serious concert and recording instrument in the 20th century began with the work of Andres Segovia. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
The New Album “Spirit Bird” Released Via Uma for Australia & New Zealand on June 8Th Released Via Side One Dummy Records for Rest of the World on June 12Th
AVAILABLE IN AUSTRALIA AND NEW ZEALAND: FRIDAY, JUNE 8th 2012 AVAILABLE WORLD WIDE: TUESDAY, JUNE 12th 2012 BIOGRAPHY When he deButed in 2002 with the alBum To Let, Xavier Rudd began a journey that would see him become one of the most iconic voiceS in Australian music, literally and figuratively. With each new alBum, thiS journey haS wound like a river making itS way toward the ocean - twisting and turning, flowing and cascading aS it relentleSSly puSheS forward. Introducing himSelf aS an artist of both imagination and conScience, To Let waS definitive of Rudd’s aBility to marry uplifting muSic with thought-provoking themeS and conceptS. It waS music that, one way or another, made you feel good. With an array of guitarS, didgeridooS, Stomp BoxeS and percuSSion, Xavier Rudd re- introduced a lot of AuStralianS to the soundS and storieS of the land’s original ownerS, while introducing the reSt of the world to an entirely new Sound altogether. Solace, Rudd’s sophomore alBum of 2004, showcased the raw power of hiS SongS by Stripping them back to bare eSSentialS. Recorded in Vancouver with friend and producer Todd Simko, Solace – far more than juSt a singer-songwriter alBum – captured the eSSence of Xavier Rudd’s one-man-band dexterity. Rudd’S spirituality permeated the SongS on Solace with a maSterfully emotional touch. SingleS Let Me Be and Shelter captured a sentimental heart in wonderfully warm songs that resonated strongly with fanS - the album debuting in the top 20 of the ARIA chartS and having three of itS songS voted into triple j’s annual HotteSt 100. -
Doctor of Philosophy
A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences University of Western Sydney March 2007 ii CONTENTS LIST OF TABLES........................................................................................ VIII LIST OF FIGURES ...................................................................................... VIII LIST OF PHOTOGRAPHS ............................................................................ IX ACKNOWLEDGMENTS................................................................................. X STATEMENT OF AUTHORSHIP .................................................................. XI PRESENTATION OF RESEARCH............................................................... XII SUMMARY ..................................................................................................XIV CHAPTER 1 INTRODUCING MUSIC FESTIVALS AS POSTMODERN SITES OF CONSUMPTION.............................................................................1 1.1 The Aim of the Research ................................................................................................................. 6 1.2 Consumer Society............................................................................................................................. 8 1.3 Consuming ‘Youth’........................................................................................................................ 10 1.4 Defining Youth .............................................................................................................................. -
SS&H Journal Lhg.UG S46 the UNIVERSITY of QUEENSLAND
SS&H Journal THE UNIVERSITY LHg.UG S46 OF QUEENSLAND LIBRARY Semper floreiHr; £003 x^ Received on: 04-11-03 SEMPER FLOREAT ENDGAME EDITION 2003 Contents: Indigenous people have been, often violently, dispossessed of their land EDITORIALS and culture. They remain some of the most marginalised in our society. STUFF There can be no social progress without recognition of the Injustices Dream Job in the Last Stalinist State 6 suffered by Indigenous Australians. A Test not Primarily of Speed 7 Interview with John Birmingham 8 Dude, Where's my haggis? 11 The End 12 SEMPER FLOREAT Inconceivable: A life without music 13 THE UQ UNION NEWSPAPER Whinge for a whinge, More Whinging, and Whinge 14 Aunty Jan: I Need a Man 16 Unleash the Gimp 19 Editors: David Lavercombe Shona Nystrom UNION STUFF Jim Wilson Arts Editor: Sofia Ham What you need to know and do when you vote. 20 What student politicians mean when they say 21 Polling places and times 21 Telephone: 3377 2237 President's report 22 Facsimile: 3377 2220 Resignation 25 [email protected] Annual Budget 26 Paying the Printer _ 26 27 Semper Floreat Offices Red Room Incident 27 Union Complex Idle Threats 'Yes' campaign 28 The University of Queensland On being defamed, and Mojo mumbo jumbo 29 St Lucia, 4067 How to Succeed in the UQ Union 30 Quotes from the year 34 The views expressed in Semper Floreat do not necessarily reflect OTHER STUFF those of the editors, the UQ Union, or The University of Queensland. To my friends in the Ministry of Truth. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
SXSW 2008 Showcasing Artists 761 Songs, 1.9 Days, 3.47 GB
Page 1 of 22 SXSW 2008 Showcasing Artists 761 songs, 1.9 days, 3.47 GB Name Time Album Artist 1 American Hearts 4:18 SXSW 2008 Showcasing Artists A.A. Bondy 2 One And Only 3:57 SXSW 2008 Showcasing Artists A.J. Croce 3 Come On, Claire 3:10 SXSW 2008 Showcasing Artists Aberfeldy 4 Trash Can Fire 3:50 SXSW 2008 Showcasing Artists Abigail Warchild 5 Sorry 5:21 SXSW 2008 Showcasing Artists Abra Moore 6 shackle 2:45 SXSW 2008 Showcasing Artists Activator 7 P-Katherine 3:21 SXSW 2008 Showcasing Artists Adam Kesher 8 Shooting Star 4:08 SXSW 2008 Showcasing Artists Air Traffic 9 Wishing Well - Final Mastered 3:59 SXSW 2008 Showcasing Artists The Airborne Toxic Event 10 electro livin (album version) 3:38 SXSW 2008 Showcasing Artists Akala 11 Phenomena 3:47 SXSW 2008 Showcasing Artists Akron/Family 12 Woke Up This Morning 4:09 SXSW 2008 Showcasing Artists Alabama3 13 Stab You 3:45 SXSW 2008 Showcasing Artists Album 14 Tu Boca Lo Quita 2:58 SXSW 2008 Showcasing Artists Alex Cuba 15 Life in Brookfield 3:05 SXSW 2008 Showcasing Artists Alex Khoury 16 Western Sabbath Stomp 5:24 SXSW 2008 Showcasing Artists Alex Skolnick Trio 17 Half My Kingdon 3:29 SXSW 2008 Showcasing Artists Alina Simone 18 Old Song 3:48 SXSW 2008 Showcasing Artists AM 19 Real Love 4:20 SXSW 2008 Showcasing Artists American Princes 20 Coming Home (The Eclipse) 4:01 SXSW 2008 Showcasing Artists Amy Cook 21 Power Supply 2:55 SXSW 2008 Showcasing Artists Anamanaguchi 22 TimeKiller 2:07 SXSW 2008 Showcasing Artists Anavan 23 MISODISKO 7:22 SXSW 2008 Showcasing Artists aonami 24 Apache -
Stuart Ayres MEDIA RELEASE
Stuart Ayres Minister for Jobs, Investment, Tourism and Western Sydney MEDIA RELEASE Saturday 17 October, 2020 TICKETS ON SALE NOW FOR HUNDREDS OF GREAT SOUTHERN NIGHTS GIGS More than 2,500 artists and 300-plus live music venues across NSW are primed for the Australian-first music event, Great Southern Nights, with tickets for over 900 gigs now on sale. A NSW Government initiative, Great Southern Nights has been created to kick-start the recovery of the live music, hospitality and tourism industries in a COVID-safe environment. Minister for Jobs, Investment, Tourism and Western Sydney Stuart Ayres said Great Southern Nights would provide music lovers from across the country many reasons to get out in NSW this November. “NSW will come alive with great Australian music in November with gigs taking place in many of the state’s best music venues, pubs, bars, bowling clubs and wineries,” Minister Ayres said. “With 2,500 artists performing in 300-plus venues across Sydney and more than 130 NSW towns, there is a gig spanning every genre and destination – check out the gig guide for details, book your tickets and start planning your Great Southern Nights adventure now. “Shows range from Jimmy Barnes playing The Sydney Coliseum in Western Sydney, Tones And I performing at the Civic Theatre in Newcastle, Ian Moss at Lizotte’s Restaurant, Matt Corby embracing the North Coast vibe at Brunswick Heads and Shannon Noll rocking out in Deniliquin. “The NSW Government is proud to be getting artists, roadies, venues, hospitality staff and tourism businesses back to work through this ambitious initiative and now it’s over to the public to show their support by booking tickets to a gig or two, or more.” Joining the feature artist line-up are Lime Cordiale, Jessica Mauboy, Vera Blue, Hoodoo Gurus and Ruel, keeping company among Australian music champions Kasey Chambers and Troy Cassar-Daley, The Angels, Thirsty Merc and Kate Ceberano. -
(26Th DEC) – Triplej.Net.Au
1 of 12 [Is] (aka Tom Ugly) - Cult Romance Autokratz - Stay The Same A Little Dragon - Twice Autumn Isles - It's Been A While A Skillz - Happiness Awesome Color - Already Down A.C.Newman - There Are Maybe 10 or 12 Baddies - The - Battleships Abbe May - Howl And Moan Bag Raiders - Turbo Love Acorn , The - The Flood Bamboos , The - Can't Help Myself (Ft. Ty) Adam Green - Festival Song Band Of Horses - Ode To LRC After The Fall - Cut Your Losses Band Of Horses - No One's Gonna Love You After The Fall - Break Me Bang! Bang! Eche! - 4 To The Floor Albert Hammond Jr - GFC Bank Holidays , The - Cheating - Cheating Alkaline Trio - Help Me Basement Jaxx - Wheel N Stop Amanda Palmer - Leeds United Be Your Own Pet - The Kelley Affair Amity Affliction - Fruity Lexia Beach House - Gila An Horse - Postcards Beaches - Sandy Anberlin - Feel Good Drag Beck - Chemtrails Andrew Bird - Oh No Beck - Orphans Andy Clockwise - My Generation Beck - Gamma Ray Animal Collective - Water Curses Behind Crimson Eyes - Addicted Anti-Flag - Bright Lights Of America Belles Will Ring - Priest Coats Antony & The Johnsons - Another World Ben Ely's Radio Five - I'm Psyched Aquasky - The Day (Ft. Blu Rum 13) Ben Folds - You Don't Know Me (Ft. Regina Spektor) Arcade Made - Sudoku Ben Folds - Hiroshima (B-B-Benny Hit His Architecture In Helsinki - Beef In Box Head) Architecture In Helsinki - That Beep Ben Folds - Dr Yang Arms - Whirring Ben Folds - Brainwascht Art Vs Science - Flippers Ben Folds - Bitch Went Nuts Art Vs Science - Hollywood Ben Kweller - Sawdust Man Ash Grunwald - The Devil Called Me A Liar Beni - My Love Sees You Ash Grunwald - Breakout Biffy Clyro - Mountains Ashes Divide - The Stone Bird And The Bee , The - Polite Dance Song Aston Shuffle - Stomp Yo Shoes (Ft. -
Charlie Musselwhite (USA)
Charlie Musselwhite (USA) Harmonica master Charlie Musselwhite’s life reads like a classic blues song: born in Mississippi, raised in Memphis and schooled on the South Side of Chicago. A groundbreaking recording artist since the 1960s, Musselwhite continues to create trailblazing music while remaining firmly rooted in the blues. His worldly-wise vocals, rich, melodic harmonica playing and deep country blues guitar work flawlessly accompany his often autobiographical and always memorable original songs. Musselwhite grew up surrounded by blues, hillbilly and gospel music on the radio and outside his front door. Later Charlie living on the South Side, Chicago hung out in blues clubs, developing close friendships with blues icons Little Walter, Big Walter, Sonny Boy Williamson, Muddy Waters and Howlin’ Wolf. Before long, he was sitting in at clubs with Muddy and others, building an impressive word-of-mouth reputation. During his career Musselwhite has guested on numerous recordings, as a featured player with Tom Waits, Eddie Vedder, Ben Harper, John Lee Hooker (personal friend and best man at his wedding), Bonnie Raitt, The Blind Boys of Alabama, INXS and most recently Cyndi Lauper. He has shared stages with countless blues and rock musicians. He was inducted into the Blues Foundation’s Blues Hall Of Fame in 2010, has been nominated for six Grammy Awards and has won 24 Blues Music Awards. Musselwhite’s blues, imparting his hard-won knowledge and working class wisdom, are a window into the deep well of his Mississippi soul. Mia Dyson MIA DYSON “THE MOMENT” You are Mia Dyson and you’ve worked your ass off the past decade to be heard on the Australian continent. -
2019 Annual Report
annual2019 report Photo by Duncographic at Strawberry Fields 2019 Contents Acknowledgement of Country 1 Year in review 2 Letter from the outgoing & incoming Chairs of the Board of Directors 4 Acknowledgement Letter from our Co-CEOs, Emma Bosworth and Berish Bilander 6 to Country Our Journey 8 Campaigns 10 Green Music Australia acknowledges the Traditional Custodians of the land on which we work and meet and BYO Bottle 11 recognises their continuing connection to land, waters and Refill not Landfill library 14 culture. We pay our respects to Elders past, present and Party with the Planet 16 emerging, and appreciate the pivotal role that Aboriginal and Torres Strait Islander people continue to play within the Water in the Arts 21 Australian community. We would also like to acknowledge Music Scene Climate Change Declaration 22 that this land – which we benefit from occupying – was Musicians to the Frontline 23 stolen, and that sovereignty was never ceded. Operations 25 Partnerships 26 Media / Items of interest 26 Operational sustainability 27 Our Board 29 Ambassadors and supporters 30 The year ahead 32 Directors report 34 Financials’ 38 Statement of profit and loss 39 Auditor’s independence declaration 40 i GREEN MUSIC annual report 2019 1 GREEN MUSIC annual report 2019 Music Scene Climate Change A year in review Declaration Our Supporters » signed by 110 musicians and industry representatives » 127 #BYOBottle » shared with over artist ambassadors 460K people via social media touring plastic-free » 574 artists and industry workers helped