DOCSLIB.ORG

Some Dates for Your Diary

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Some Dates for Your Diary The Blue Note The Official Newsletter of the Launceston Blues Club March 2019 Some dates for your diary: Sun 10th March LBC Jammers Blues Band + Café Noir Royal Oak 2pm Free Entry Fri 15th & Saturday 16th March Forth Valley Blues Festival Sat 23rd March Blues Dusters – Launceston Workers Club Sunday 31st March 2019 Next LBC Blues Jam Free entry 1-4 pm at the Royal Oak Hotel All welcome BYO Instrument(s) th Tuesday 12 March 2019 Next LBC General Committee Meeting 7.00pm Royal Oak Hotel. All financial members welcome Coming up: Fri 5th April FUSION-Combined Blues & Jazz Clubs Event See inside this issue for lots more of what’s ahead. ABOUT THE LAUNCESTON BLUES CLUB The Launceston Blues Club is a non-profit organisation run by volunteers whose sole aim is to promote and present Blues and Roots music to the music lovers of Launceston. LBC Committee meetings are held on 2nd Tuesday of the month, 7:00pm, at the Royal Oak Hotel. All financial members welcome. The club also runs a Jam Day on the last Sunday of the month, 1pm-4pm, at the Royal Oak Hotel, for those who wish to gain stage experience, as well as the opportunity to play with musicians of varying levels. We encourage musicians of all ages and accomplishment to attend. Audiences greatly appreciated. LBC membership entitles the holder to a monthly newsletter and discounts at participating businesses. Corporate members can also advertise their services through the Blue Note. LBC CONTACT INFORMATION: Email: [email protected] https://www.launcestonbluesclub.org/ https://www.facebook.com/Launceston.Blues.Club MAIL: P.O.BOX 7683, LAUNCESTON. 7250 LBC COMMITTEE 2018-19 President: Karin Grant Newsletter items – we would welcome your contribution 0414 350 470 Articles from our members are invited and most welcome. These Vice President: may be in the form of comments, letters, profiles, CD reviews, Victoria Wardlaw concert or gig reviews, interviews or news items. Treasurer: All articles, including details of upcoming gigs should be received Erica Maxwell no later than the 25th of the month. Please send to Secretary: [email protected] Karin Grant The views expressed within the Blue Note submitted items are not Membership Officer: necessarily those of the LBC, committee members or the editor. Erica Maxwell **LBC Blue Note Committee reserves the right to decide what of Public Officer: any contribution is or is not published. Alan Purdey ____________________________________________________ Acting Bluenote Editor: Karin Grant The following businesses provide discounts to Launceston Blues General Committee: Club members upon sighting of current membership card Kay Maloney Royal Oak Hotel – 10% off main meal at ALL times John Lovell CD Centre – Kings Meadows – 10% off purchases Susan Crave Dobson Guitar Services – 10% off parts & strings Jean-Charles Crave other services negotiable Julie Roach The Coin and Stamp Place (Hobart) also offers discounts on medal Dave Keller mounting and selected products Create Communicate (Phil Dean) is offering half price music videos to club members, starting at $100. Hello all Starting off with some rather sombre news, it is with great sadness that I notify you all of the recent passing of Rayma Wilson. Rayma became our President back in 2017 and was very enthusiastic about becoming part of shaping the future of the LBC, sadly she became quite ill and had to relinquish her role after a few months at the helm. On behalf of the LBC I would like to convey our sincere condolences to all her family and loved ones. May you now Rest in Peace, Rayma. The sold out LBC Rhythm & Blues Cruise was a great success and everyone I spoke with said they had a great time. A big thank you to John Lovell for doing 99% of the event organising and for acting as the host with the most for the afternoon. Chester Draws and the Lowboys were fantastic and they informed us of another gig coming up at the AIC – The Australian Italian Club, Prospect on 28th April. Some of our committee members, club members and friends have formed a couple of bands, check The LBC Jammers Blues Band at the Royal Oak on Sunday 10th March at 2pm – free entry. On Saturday 23rd March at 7.30pm the Blues Busters will be performing at Launceston Workers Club 22 Elizabeth St, Launceston. Hoping you can support our local musicians, both first gigs for each band. The Forth Valley Blues Festival is almost upon us and their committee have organised a discount ticket rate for our current members, this information has been sent to your emails around a month ago (please email if you did not receive the discount code and I can send again), another good reason to become an LBC member. Thank you Forth Valley Blues Festival. They also invited us to showcase what we do at the LBC to help open the Festival on the Saturday morning, so we have rustled up a band of committee members to play a few tunes to promote what we do at our jams. “The LBC Jammers Blues Band” comprises of Susan Crave on vocals, Jean-Charles Crave on guitar, John Lovell on bass and Dave Keller on drums. Also harmonica player, Phil Dean (one of our Corporate members) will be joining the band on the day. Rehearsals have been going well by all accounts, so get up early on the Saturday to catch their performance, set time 12.10pm. They are also doing a special pre festival performance at the Royal Oak on Sunday 10th March at 2pm. On Friday 5th April, we are combining with the Launceston Jazz Club to bring you all a night of great music with two bands. Venue at the Boathouse on Northbank and will be early start around 5.30 doors for a 6.00pm performance. The band for the Launceston Jazz Club will be the Spike Mason Quartet and for the Launceston Blues Club, we will be presenting the Billy Whitton Trio. Tickets will be $10 for all. Lock this date into your diaries, it will be a real treat. I would also like to thank David Grey for providing a great CD Review for Pete Cornelius Band’s newest release, don’t miss reading all about it. I also have a copy and it’s fabulous. Have a great month. Cheers Kaz …… Karin Grant – President Vale Rayma Wilson We at the LBC were very saddened to hear of the recent passing of our past president Rayma. She was a very enthusiastic committee member until ill health caused her to relinquish her role. Sincere condolences to all who were close to Rayma. Below is a snippet from Oct 2017 Newsletter introducing herself, when she took over the role at a time when the LBC was in great need of committee. We were glad she made the decision to come on board. “I chanced upon the LBC, Sunday Jam Session, about 4 months ago, and knew I wanted to be involved. I have a love of music and dance. In September all members received a notice seeking Expressions of Interest to fill some of the Committee’s roles. I value the importance for LBC to continue to make a contribution to the Launceston community, so I thought I would attend the meeting as see if I could help in some way.” Around April or May 2018 Stephen Phillips took over as acting President. Special event - Band premiere at the Royal Oak The LBC Jammers Band will perform on Sunday 10/03 at the Royal Oak in the afternoon, starting at 2pm. Come along for an afternoon of great music and encourage our own Club musicians at their inaugural gig prior to their showcase performance at the upcoming Forth Valley Blues Festival. You will be the first to see this great new band. Café Noir will be providing a support set. The bar will be open as usual. Please support the venue that supports the Launceston Blues Club. An exciting new event, be part of history in the making FUSION 5th April 2019 We are excited to bring you our first ever combined gig with the Launceston Jazz Club. Volunteers are needed, two able bodied people with a ute who are free on the Friday (5/4) during the day and also on Saturday morning. We need stage sections (4) dropped off and returned. We also need one or two able bodied people to assist with the load in of the sound and stage equipment from JC’s car during Friday afternoon and load out again Saturday morning. No technical knowledge required. Neither of these roles are expected to take up too much of your time. Without helpers the costs of putting such events increase, making them harder to bring to you at an affordable price. We of course will offer you free tickets into the event as a thank you. Please email your contact details to [email protected] and they will be passed on to JC to co-ordinate times etc. Thank you There’s a First Time for Everything The LBC in conjunction with the Launceston Jazz Club are bringing you for the first time, a special event from both of our Clubs. A musical extravaganza where Jazz and Blues collide, we present to you the Spike Mason Quartet and the Billy Whitton Trio. Guaranteed to be a great night of jazz and blues. Put Friday 5th April in your diaries. It will be an early start with doors at 5.30pm and music from 6.00pm. Door charge is just $10 for all. To be held at the Boathouse Function Rooms at 55a Lindsay St, Invermay.
Load more

Recommended publications
  • 1974 Tour with the Band
    BOB DYLAN / THE BAND (a collectors guide to the 74 Tour) BOB DYLAN / THE BAND - a collectors guide to the 74 Tour “There are two problems with the 1974 tour: the tapes are crap and Dylan‟s performances are crap.” – C. Heylin, Telegraph 32 pg 86. Introduction This booklet / File (like the anonymous companion volume “Songs of the Underground” for RTR) is intended to document the audio resources available to collectors concerning the 1974 tour with the Band. It is intended to supplement and possibly correct the three major resources available to collectors (Krogsgaard, Dundas & Olof‟s files). Several PA tapes have emerged since Krogsgaard was last updated, and (I believe) there are errors in Dundas (concerning the PA tapes from 11 Feb 1974) that I wished to address. Additionally, none of these references (except for one full listing in Krogsgaard) include the Band sets. While details are difficult to obtain, I have included details of about three- quarters of the Band sets. It is hoped that readers on the web may contribute more information. I believe that the Band was a significant contributor to the 1974 Tour and should be included in any 1974 Tour documentation. I have also identified the sources for the Vinyl and CD bootlegs, where my resources allowed. Often the attributions on Bootlegs are misleading, incomplete or wrong. As an example „Before and After the Flood‟ claims to be from MSG NYC 30.1.1974 when it is actually a combination of the PA tapes from 31.1.74 (evening) and 11.2.74 (evening).
    [Show full text]
  • View the Full Song List
    PARTY WITH THE PEOPLE 2020 Song List POPULAR SONGS & DANCE HITS ▪ Lizzo - Truth Hurts ▪ The Outfield - Your Love ▪ Tones And I - Dance Monkey ▪ Vanilla Ice - Ice Ice Baby ▪ Lil Nas X - Old Town Road ▪ Queen - We Will Rock You ▪ Walk The Moon - Shut Up And Dance ▪ Wilson Pickett - Midnight Hour ▪ Cardi B - Bodak Yellow, I Like It ▪ Eddie Floyd - Knock On Wood ▪ Chainsmokers - Closer ▪ Nelly - Hot In Here ▪ Shawn Mendes - Nothing Holding Me Back ▪ Lauryn Hill - That Thing ▪ Camila Cabello - Havana ▪ Spice Girls - Tell Me What You Want ▪ OMI - Cheerleader ▪ Guns & Roses - Paradise City ▪ Taylor Swift - Shake It Off ▪ Journey - Don’t Stop Believing, Anyway You Want It ▪ Daft Punk - Get Lucky ▪ Natalie Cole - This Will Be ▪ Pitbull - Fireball ▪ Barry White - My First My Last My Everything ▪ DJ Khaled - All I Do Is Win ▪ King Harvest - Dancing In The Moonlight ▪ Dr Dre, Queen Pen - No Diggity ▪ Isley Brothers - Shout ▪ House Of Pain - Jump Around ▪ 112 - Cupid ▪ Earth Wind & Fire - September, In The Stone, Boogie ▪ Tavares - Heaven Must Be Missing An Angel Wonderland ▪ Neil Diamond - Sweet Caroline ▪ DNCE - Cake By The Ocean ▪ Def Leppard - Pour Some Sugar On Me ▪ Liam Payne - Strip That Down ▪ O’Jay - Love Train ▪ The Romantics -Talking In Your Sleep ▪ Jackie Wilson - Higher And Higher ▪ Bryan Adams - Summer Of 69 ▪ Ashford & Simpson - Ain’t No Stopping Us Now ▪ Sir Mix-A-Lot – Baby Got Back ▪ Kenny Loggins - Footloose ▪ Faith Evans - Love Like This ▪ Cheryl Lynn - Got To Be Real ▪ Coldplay - Something Just Like This ▪ Emotions - Best Of My Love ▪ Calvin Harris - Feel So Close ▪ James Brown - I Feel Good, Sex Machine ▪ Lady Gaga - Poker Face, Just Dance ▪ Van Morrison - Brown Eyed Girl ▪ TLC - No Scrub ▪ Sly & The Family Stone - Dance To The Music, I Want ▪ Ginuwine - Pony To Take You Higher ▪ Montell Jordan - This Is How We Do It ▪ ABBA - Dancing Queen ▪ V.I.C.
    [Show full text]
  • Popular Music, Stars and Stardom
    POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona .
    [Show full text]
  • Bath International Guitar Festival 24 July - 7 August 2009
    Bath International Guitar Festival 24 July - 7 August 2009 www.igf.org.uk Media partner elcome to the Bath WInternational Guitar Festival. This, the 16th edition of Europe’s leading guitar festival offers again something for everybody: concerts in every style known (and some as yet unknown) to man The Vida Guitar Quartet or woman at recession busting ticket prices! Friday 24 July Michael Tippett Centre 8pm Tickets £12, £8 Pick up that guitar and join The Vida Guitar Quartet our workshops or simply A distinctive Andaluz/Andalucian programme come to listen to some of from this new UK guitar supergroup the world’s best players! The Vida Guitar Quartet brings together four guitarists of exceptional ability and virtuosity who share a passion for chamber music. After their spectacular debut at the first World Youth Guitar Festival in 2007, the Quartet are rapidly gaining a reputation as one of the most exciting guitar Saturday 25 July ensembles in the UK. The Quartet consists of the Eden-Stell Guitar Duo, Michael Tippett Centre Helen Sanderson and Mark Ashford. The Vida Guitar Quartet’s debut 4pm-5.20pm Free Entry CD, Love, the Magician, is due for release in summer 2009 on the BGS Andres Segovia and label. The programme includes music by Manuel de Falla: El Amor Brujo; his contemparies El Sombreo de Tres Picos and George Bizet: Carmen Suite. a lecture by Jack Silver It has long been assumed that the classical guitar as a serious concert and recording instrument in the 20th century began with the work of Andres Segovia.
    [Show full text]
  • 1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
    1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE
    [Show full text]
  • Just the Right Song at Just the Right Time Music Ideas for Your Celebration Chart Toppin
    JUST THE RIGHT SONG AT CHART TOPPIN‟ 1, 2 Step ....................................................................... Ciara JUST THE RIGHT TIME 24K Magic ........................................................... Bruno Mars You know that the music at your party will have a Baby ................................................................ Justin Bieber tremendous impact on the success of your event. We Bad Romance ..................................................... Lady Gaga know that it is so much more than just playing the Bang Bang ............................................................... Jessie J right songs. It‟s playing the right songs at the right Blurred Lines .................................................... Robin Thicke time. That skill will take a party from good to great Break Your Heart .................................. Taio Cruz & Ludacris every single time. That‟s what we want for you and Cake By The Ocean ................................................... DNCE California Girls ..................................................... Katie Perry your once in a lifetime celebration. Call Me Maybe .......................................... Carly Rae Jepson Can‟t Feel My Face .......................................... The Weeknd We succeed in this by taking the time to get to know Can‟t Stop The Feeling! ............................. Justin Timberlake you and your musical tastes. By the time your big day Cheap Thrills ................................................ Sia & Sean Paul arrives, we will completely
    [Show full text]
  • [Warning - This Film Contains Nudity and References to Drugs]
    [Warning - This film contains nudity and references to drugs] [What A Life! Rock Photography by Tony Mott - a free exhibition until 7 February 2016. Solid Gold - Jeff Apter & Philip Morris, Metcalfe Theatre, State Library of NSW, 5th December 2015] [Dressed in a black shirt and dark jeans, grey-haired Philip Morris sits beside his interviewer Jess Apter, a bald man dressed casually] [JEFF APTER] Thank you. Before starting, I want to say I was really fortunate to be able to work with Philip on this book. [Jeff Apter holds up a coffee table book] [JEFF APTER] And it was one of the more interesting exercises, wasn't it? Because we were given a directive to come up with... Was it 200 photos? ..for this book. [PHILIP MORRIS] That's right. [JEFF APTER] And Philip's archive is so fantastic and so rich, that I think we got it down to, what, 600? [PHILIP MORRIS] Yeah. [Audience laughs] [JEFF APTER] Was it 600 to start with? It was something like that. And it's staggering, really. It's a really great document of Australian rock history at a really interesting turning point. So to get it down to this... It's begging for a second edition, by the way. There's so many great photos. So it was a real honour to be able to... to do that. It was a lot of fun. [PHILIP MORRIS] Yeah, it was. [JEFF APTER] We actually had built into our contract... Our agreement was an understanding that we would never work in a boring situation.
    [Show full text]
  • Big Blast & the Party Masters
    BIG BLAST & THE PARTY MASTERS 2018 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat.
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]
  • View Song List
    Brickhouse TRAVIS ALLISON Covers (by Genre) KC & the Sunshine Band Boogie Shoes That’s the Way I Like It Motown/Oldies/Beach/Soul Ben E. King Earth, Wind & Fire Stand By Me September Sing a Song Jackie Wilson (Your Love is Lifting Me) Higher and Higher Sam and Dave Soul Man Chairmen of the Board Hold On I’m Comin’ Give Me Just a Little More Time The Temptations Sam Cooke Ain’t Too Proud to Beg Another Saturday Night My Girl What a Wonderful World (This Could Be) Just My Imagination Twistin’ the Night Away Cupid James Brown Bring It On Home To Me I Feel Good King Harvest Stevie Wonder Dancing in the Moonlight Signed, Sealed, Delivered Superstition Righteous Brothers Boogie on Reggae Woman You’ve Lost that Lovin’ Feeling I Wish Isn’t She Lovely Blue Swede / BJ Thomas You Are the Sunshine of My Life Hooked on a Feeling Jackson 5 The Platters I Want You Back With This Ring I’ll Be There Mungo Jerry Isley Brothers In the Summertime Shout Music Explosion The Foundations Little Bit of Soul Build Me Up Buttercup The Tymes Sister Sledge Ms. Grace We Are Family Bill Withers Commodores Lean On Me Easy Just the Two of Us Use Me Ain’t No Sunshine Elvis Presley Suspicious Minds Looking Glass Blue Suede Shoes Brandy (You’re a Fine Girl) That’s Alright Mama Hound Dog Wilson Pickett Jailhouse Rock Mustang Sally I Can’t Help Falling in Love In the Midnight Hour Burning Love Land of 1000 Dances Be Bop a Lula Lloyd Price Smokey Robinson Stagger Lee I Second That Emotion The Tracks of my Tears Sly & The Family Stone If You Want Me to Stay The Drifters Under
    [Show full text]
  • Still on the Road: 1974 Tour of America with the Band
    STILL ON THE ROAD 1974 TOUR OF AMERICA WITH THE BAND JANUARY 3 Chicago, Illinois Chicago Stadium 4 Chicago, Illinois Chicago Stadium 6 Philadelphia, Pennsylvania The Spectrum – Afternoon 6 Philadelphia, Pennsylvania The Spectrum – Evening 7 Philadelphia, Pennsylvania The Spectrum 9 Toronto, Ontario, Canada Maple Leaf Gardens 10 Toronto, Ontario, Canada Maple Leaf Gardens 11 Montreal, Quebec, Canada Forum de Montreal 12 Montreal, Quebec, Canada Forum de Montreal 14 Boston, Massachusetts Boston Gardens – Afternoon 14 Boston, Massachusetts Boston Gardens – Evening 15 Largo, Maryland Capital Centre 16 Largo, Maryland Capital Centre 17 Charlotte, North Carolina Coliseum 19 Hollywood, Florida Hollywood Sportatorium – Afternoon 19 Hollywood, Florida Hollywood Sportatorium – Evening 21 Atlanta, Georgia The Omni 22 Atlanta, Georgia The Omni 23 Memphis, Tennessee Mid-South Coliseum 25 Fort Worth, Texas Tarrant County Convention Center Arena 26 Houston, Texas Hofheinz Pavilion – Afternoon 26 Houston, Texas Hofheinz Pavilion – Evening 28 Nassau, New York Nassau County Coliseum 29 Nassau, New York Nassau County Coliseum 30 New York City, New York Madison Square Garden 31 New York City, New York Madison Square Garden – Afternoon 31 New York City, New York Madison Square Garden – Evening FEBRUARY 2 Ann Arbor, Michigan Crisler Arena, University Of Michigan 3 Bloomington, Indiana Assembly Hall, Indiana University 4 St. Louis, Missouri Missouri Arena – Afternoon 4 St. Louis, Missouri Missouri Arena – Evening 6 Denver, Colorado Coliseum – Afternoon 6 Denver,
    [Show full text]
  • “Covering” the Bluesman from a Distance
    Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago.
    [Show full text]