April 2008 Alternatilla Is a Multi-Artistic Festival That Opens The
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Adrian Crowley
“The Law of Large Numbers” by Emma Pollock The Law of Large Numbers Emma Pollock returns to Chemikal Underground with The Law of Large Numbers, her second solo outing, and if her ‘repatriation’ to the label she helped to create represents a return to more familiar territory, then the same could also be said for the album itself. The follow-up to 2007’s 4AD-released Watch the Fireworks, Emma’s second solo effort eschews the traditional, accessibly melodic approach of her debut for a more angular musical terrain: The Law of Large Numbers is crammed with unconventional arrangements and by Emma’s own admission, was an almost entirely self-serving project. So if returning to Chemikal Underground and the creative alliances that fuelled The Delgados has restored Emma’s conviction to pursue her own instincts, then we should all be extremely grateful as her new album is a complex, intelligent and hugely compelling piece of work. Recorded throughout 2009 in Chem19 with husband and ex-Delgado Paul Savage producing, The Law of Large Numbers was always going to be a very different prospect. Armed with an open remit and a preparedness to let this album dictate its own course, The Law of Large Numbers arrives with taut, sparse production, hints of Dixieland jazz, abrasive pop songs; programmed drums and improvised vocal loops – in short, and in the words of Emma herself, “The truest representation of me as an individual - whatever that means.” “I feel like I‟m beginning to understand the difference between being a solo artist and being in a band, making music for my own gratification first and foremost. -
Price-Of-The-Ticket-Press-Release-2016
WENDY JAMES THE PRICE OF THE TICKET PRESS RELEASE RANDY BOYD (Cobraside Distribution) [email protected] SEAN COONEY (TV/Radio Promo) [email protected] BARNEY PAUL BARNES (Pledge Campaign Manager) [email protected] IAN J TAYLOR (Website Director thewendyjames.com) [email protected] ALBUM ARRIVES 19/2/16 WENDY JAMES PRESS RELEASE NEW LP ‘THE PRICE OF THE TICKET’ VINYL CD DIGITAL “Wendy James new album ‘The Price Of The Ticket’ is brave and tender, artful and wild, where courage and the dream of love give promise. A wild, moving, shocking, hilarious, raging, exhilarating, giant of an album. A dazzling performance that listeners will delight in, it is intelligent, witty, irresistibly relentless and forthright”. -Village Voice Wendy James new solo LP ’The Price Of The Ticket’ recorded in NYC, mixed in Berkeley CA. The players on this album are a bona-fde line-up from all-time Punk and New Wave bands… Lenny Kaye (The Patti Smith Group) on guitar, Glen Matlock (Sex Pistols) on bass, James Sclavunos (Nick Cave & The Bad Seeds) on drums with tracks 12 and 13 recorded by Wendy James and James Williamson (Iggy and The Stooges), Steve Mackay (Iggy and The Stooges), James Sclavunos (Nick Cave and The Bad Seeds). All songs are written and produced by Wendy James, tracks 12 and 13 are cover versions of songs written Fred ‘Sonic’ Smith (MC5/Sonic’s Rendezvous Band) and Bob Dylan respectively. THE PRICE OF THE TICKET TRACK LISTING 1 PALOMA’S DOWNS 2 INDIGENT BLUES 3 KING RAT 4 LOVE FROM THE 9TH 5 BAD INTENTIONS AND A BIT OF CRUELTY 6 YOU’RE A DIRTBOMB, LESTER 7 SCREAMIN’ BACK WASHINGTON 8 WHY OH WHY DO YOU HURT ME STILL? 9 FAREWELL TO LOVE 10 COWBOY RHYTHM 11 SITUATION NORMAL AT SURFRIDER 12 YOU’RE SO GREAT 13 IT’S ALRIGHT MA PLAYERS: WENDY JAMES VOCALS/RHYTHM GUITAR/KEYS & PIANO LENNY KAYE - RHYTHM/LEAD GUITAR (Patti Smith/Nuggets) GLEN MATLOCK - BASS (Sex Pistols) JAMES SCLAVUNOS - DRUMS (Nick Cave and The Bad Seeds) JAMES WILLIAMSON - GUITAR & BASS. -
Moonlight the Irish Film Institute
FEBRUARY 2017 MOONLIGHT THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s national cultural institution for film. EXHIBIT It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. PETE WALSH AWARD WINE & TAPAS EVENING Don’t forget that the closing date for entries for our Join us for a very special Spanish-themed wine and Annual Pete Walsh Writing Award is February 28th! tapas evening in the IFI Café Bar at 19.30 on Tuesday, The prize will be given for an exceptional piece of critical February 28th. With a selection of exclusive wines writing on any one film theatrically screened in Ireland from Rioja, Ribera del Duero, and Galicia, and delicious during 2016. The winner receives a year’s free entry to tapas, this event is a must for all gourmands. Places are films at the IFI and their piece will be published on the very limited. Tickets are priced €25 and are available IFI website. See www.ifi.ie/writingaward for more details. from the IFI Box Office on 01-6793477. IFI FRENCH FILM CLUB FEAST YOUR EYES This month’s French Film Club screening – where IFI Every month we pair a new release with a specially devised and Alliance Française members pay just €7.50 per ticket – main course from the IFI kitchen. This month’s film choice is Philippe Claudel's I've Loved You So Long starring Kristin is John Lee Hancock’s The Founder, in which Michael Scott Thomas as Juliette, who goes to stay with her sister Keaton plays Ray Kroc, a catering salesman who discovers Léa (Elsa Zylberstein) and her family after her release from a Californian restaurant named McDonald’s who have prison. -
Issn 1672-8025
Follow us on WeChat Now Advertising Hotline 400 820 8428 城市漫步北京 英文版 03 月份 国内统一刊号: CN 11-5232/GO China Intercontinental Press ISSN 1672-8025 MARCH 2015 主管单位 :中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 :五洲传播出版社 地址 :北京市海淀区北三环中路31 号生产力大楼 B 座 602 邮编 100088 B-602 Shengchanli Building, No. 31 Beisanhuan Zhonglu, Haidian District, Beijing 100088, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department 邓锦辉 Deng Jinhui 编辑 Editor 刘扬 Liu Yang 发行 / 市场 Distribution / Marketing 黄静,李若琳 Huang Jing, Li Ruolin Editor-in-Chief Stephen George Senior Editors Oscar Holland, Will Philipps, Karoline Kan, Marianna Cerini Assistant Editor Vivid Zhu Designers Tin Wu, Qian Nan Yang Staff Photographer Noemi Cassanelli Contributors Andrew Chin, Stan Aron, Alex Taggart, Mia Li, Trevor Marshallsea, Nikolai Blackie Urbanatomy Media Shanghai (Head office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 021-8023 2199 传真 : 021-8023 2190 (From February 13) Beijing 广告代理 : 上海和舟广告有限公司 北京市东城区东直门外大街 48 号东方银座 C 座 9G 邮政编码 : 100027 48 Dongzhimenwai Dajie Oriental Kenzo (Ginza Mall) Building C Room 9G, Dongcheng District, Beijing 100027 电话 : 010-8447 7002 传真 : 010-8447 6455 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 房 邮政编码 : 510095 Room 610, No. 2 Building, Area 42, Lu Yuan Lu, Yuexiu District, Guangzhou, PRC 510095 电话 : 020-8358 6125, 传真 : 020-8357 3859-800 Shenzhen -
Wendy James Bio 2019
WENDY JAMES BIO 2019 WENDY JAMES, born in London, is an English singer- songwriter notable for her work with band Transvision Vamp, collaboration with Elvis Costello, Solo work and further collaboration with James Williamson from Iggy & the Stooges, Lenny Kaye from The Patti Smith Group and James Sclavunos from Nick Cave & The Bad Seeds. TRANSVISION VAMP LP ALBUM: ‘POP ART’ ‘VELVETEEN’ ‘LITTLE MAGNETS VERSUS THE BUBBLE OF BABBLE’ MCA/Universal Records Transvision Vamp was formed by Wendy James and co-writer and guitarist Nick Christian Sayer. In West London they teamed up with Dave Parsons and Tex Axile. The band was signed to MCA records by Dave Ambrose, the notorious A&R man from EMI records who had also signed the Sex Pistols. They recorded their first LP album ‘Pop Art’ and released a first single ‘Revolution Baby’ and then charted with their second single, a cover version of Holly & The Italians ‘Tell That Girl To Shut Up’, followed by a third single ‘I Want Your Love’ which went to No.5 on the UK singles chart. The album ‘Pop Art’ was released later in 1987 and went to No.3 in the UK album chart. Extensive touring of the UK and Europe continued throughout this year as their success grew, starting on the University circuit and ending with playing two sold out gigs at the London Town And Country Club, taking in the Marquee Club along the way with queues two-fold around the block of Wardour Street, London. The album art was done by Jamie Reid, famous for his Sex Pistols artwork. -
Making Music Radio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository MAKING MUSIC RADIO THE RECORD INDUSTRY AND POPULAR MUSIC PRODUCTION IN THE UK James Mark Percival A thesis submitted for the degree of Doctor of Philosophy Department of Film and Media Studies University of Stirling July 2007 J Mark Percival - Making music radio: the record industry and popular music production in the UK For my mother, Elizabeth Ann Percival (née Murphy) (1937-2004) and my father, Stanley Thomas Percival. J Mark Percival - Making music radio: the record industry and popular music production in the UK i ABSTRACT Music radio is the most listened to form of radio, and one of the least researched by academic ethnographers. This research project addresses industry structure and agency in an investigation into the relationship between music radio and the record industry in the UK, how that relationship works to produce music radio and to shape the production of popular music. The underlying context for this research is Peterson's production of culture perspective. The research is in three parts: a model of music radio production and consumption, an ethnographic investigation focusing on music radio programmers and record industry pluggers, and an ethnographic investigation into the use of specialist music radio programming by alternative pop and rock artists in Glasgow, Scotland. The research has four main conclusions: music radio continues to be central to the record industry's promotional strategy for new commercial recordings; music radio is increasing able to mediate the production practices of the popular music industry; that mediation is focused through the social relationship between music radio programmers and record industry pluggers; cultural practices of musicians are developed and mediated by consumption of specialist music radio, as they become part of specialist music radio. -
BBC WEEK 31, 28 July – 3 August 2018
BBC WEEK 31, 28 July – 3 August 2018 Programme Information, Television & Radio BBC Scotland Press Office BBC Media Centre (Scotland) BBC iPlayer (Scotland) BBC Scotland BBC Scotland on Facebook @BBCScotland on Twitter Hilda McLean Jim Gough Julie Whiteside BBC Alba – Isabelle Salter THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 31 _____________________________________________________________________________________________________ TUESDAY 31 JULY Rip It Up: The Story of Scottish Pop LAST IN THE SERIES BBC Two Scotland THURSDAY 2 AUGUST Belladrum: Cridhe Tartan 2018 NEW BBC ALBA FRIDAY 3 AUGUST Snow Patrol – The Quay Sessions NEW BBC Two Scotland _____________________________________________________________________________________________________ Viewers outside Scotland can access BBC One Scotland on Sky 141 (HD) & 951, Freesat 108 (HD) & 960, Virgin Media 108 (HD) & 862. BBC Two Scotland can be viewed on Sky 142 (HD) & 970, Freesat 970. BBC ALBA is on Sky 143, Freesat 110, Virgin Media 188, Freeview 8 (Scotland only). BBC Radio Scotland can be accessed on Sky 0116, Freesat 712, Freeview 719 (Scotland only). BBC One Scotland, BBC Two Scotland and BBC ALBA are also available on the BBC iPlayer bbc.co.uk/iplayer & BBC Radio Scotland on bbc.co.uk/radioscotland SATURDAY 28 JULY TELEVISION & RADIO HIGHLIGHTS / BBC WEEK 31 _____________________________________________________________________________________________________ Live Shinty - Camanachd Beo – Semi Final Saturday, 28 July BBC ALBA, 4.00pm – 6.00pm Kinlochshiel or Newtonmore -
1 Cloudspotting 2016 Music & Arts Festival
Cloudspotting 2016 Music & Arts Festival Festival Programme 29 - 31 July 2016 Cloudspotting 1 29 - 31 July 2016 WE could never have imagined the adventures that were to come when Cloudspotting was first conceived over a few pints down the road in a Little Mitton beer garden back in 2011. To steal a quote from one of our headline acts, ‘the years slip by like sips of water’ – and we now find the metamorphosis from adult music weekender to ‘arts festival with kids’ is complete. While the feel of the festival might have moved on as a new generation shares the fun, we curate the music and arts activities with an open mind and try not to compromise on the original idea to bring original, challenging and imaginative performance to remotest Lancashire. We could not ask for a more unspoiled and intimate location to live the dream. The organisation behind the festival is a non-profit making Community Interest Company and we owe a debt of gratitude to the help of others to run the show. This includes the hard working people of the Forestry Commission and a number of strategic partners and individuals – many of them voluntary - who provide essential grant aid and invaluable support in-kind. Creative Lancashire has been one such partner down the years, supporting emerging musicians to perform at the festival, producing festival CDs and presenting ‘Conversations in Creativity’ with inspirational artists. This year, they have helped us produce the publication of this programme. We hope you like it. Have the best weekend and please tell everyone about it afterwards Helen Ficorilli & Matt Evans Team Cloudspotting “A classic combination of music, lovely food and drink, family and arts activities in a stunning location. -
Chemikal Underground: “Post-Independent” Rock and Pop in Scotland? J. Mark Percival
Chemikal Underground: “Post-Independent” Rock and Pop in Scotland? J. Mark Percival Introduction In the second week of April 2005, Glasgow-based independent band The Delgados announced their decision to split up after eleven years and five critically acclaimed albums, including one Mercury Music Prize nominee. The four members of the band continue to run the Chemikal Underground record label and the company’s recording studio, Chem 19. Co-lead vocalist and guitarist Emma Pollock signed a solo deal with Beggars Banquet with whom she released one album, Watch The Fireworks. She released a second solo album, The Law of Large Numbers, on Chemikal Underground in 2010, and contributed to two musicians collective albums the same year by The Burns Unit and Fruit Tree Foundation. Co-lead vo- calist and guitarist Alun Woodward released a solo album in 2009 under the name Lord Cut-Glass. Other members of the band toured in 2005 as Arab Strap guitarist Malcolm Middleton’s backing band, supporting the Chemikal Underground album release Into The Woods. In 2010, the label reached its fifteenth year and has a rich back catalogue, including material from Mogwai, Arab Strap and Los Angeles-based Radar Brothers. The business practices and ideological approach of Chemikal Underground continue to con- found conventional popular music studies notions of relationships between the “independent” and the “mainstream.” Of course, there are other UK labels that occupy similar spaces, but Chemikal Underground is probably one of the best examples of what I wish to argue here is “post-independence.”1 1 The essence of “post-independence” is the combination of a focused ideo- logical and creative independence, combined with a clear understanding and use of contemporary mainstream music industry business practices. -
Making Music Radio
MAKING MUSIC RADIO THE RECORD INDUSTRY AND POPULAR MUSIC PRODUCTION IN THE UK James Mark Percival A thesis submitted for the degree of Doctor of Philosophy Department of Film and Media Studies University of Stirling July 2007 J Mark Percival - Making music radio: the record industry and popular music production in the UK For my mother, Elizabeth Ann Percival (née Murphy) (1937-2004) and my father, Stanley Thomas Percival. J Mark Percival - Making music radio: the record industry and popular music production in the UK i ABSTRACT Music radio is the most listened to form of radio, and one of the least researched by academic ethnographers. This research project addresses industry structure and agency in an investigation into the relationship between music radio and the record industry in the UK, how that relationship works to produce music radio and to shape the production of popular music. The underlying context for this research is Peterson's production of culture perspective. The research is in three parts: a model of music radio production and consumption, an ethnographic investigation focusing on music radio programmers and record industry pluggers, and an ethnographic investigation into the use of specialist music radio programming by alternative pop and rock artists in Glasgow, Scotland. The research has four main conclusions: music radio continues to be central to the record industry's promotional strategy for new commercial recordings; music radio is increasing able to mediate the production practices of the popular music industry; that mediation is focused through the social relationship between music radio programmers and record industry pluggers; cultural practices of musicians are developed and mediated by consumption of specialist music radio, as they become part of specialist music radio. -
Attempted Rape Raises Crime Awareness Phones
0 0 - Attempted Rape Raises CrIme Awareness By Amelia Sheldon Safety Richard Young. The attempted rape of an 18 year old Sue Riseling, assistant director of the female resident of Wagner College early last Public Safety Department, said that she, the Thursday morning is still under investiga- Vice President for Campus Residences, and tion, according to Public Safety officials. the Eleanor Roosevelt quad director met A white male with dark hair and a bad with students of Wagner and Ernest, complexion attacked the woman shortly Thursday evening to discuss the attempted after 3 am. in the first floor hallway of the rape. Eleanor Roosevelt residence hall, according "Practically the whole building was there to Public Safety reports. There were no wit- [at the building meeting]," said NikaulisVas- nesses to the crime. quez, a junior and a resident in Wagner. Walking down her hallthe victim had "They took the time to come and -speak been touched on the shoulder, she turned to with us," said Maria Brito, also a resident of see who it was and the assailant cut her with Wagner, "I have heard of a lot of things but a sharp object on the arm. The man pushed not of Public Safety coming to talk to stu- the victim to her knees after she kicked him dents - that is really good." in the groin area. When she got up to run, he *There was a very good turn-out, we told grabbed her again on the behind. She turned the students what happened..and took any once again and kicked him in the face and questions they had to ask us," Riseling said, then ran out of the building to her car, ac- adding, "I like to meet with students as soon cording to Public Safety reports. -
Experimenting with the Wacky Side of Chinese Medicine
EXPERIMENTING WITH THE WACKY SIDE OF CHINESE MEDICINE Advertising Hotline 400 820 8428 城市漫步上海 英文版 3 月份 国内统一刊号: CN 11-5233/GO China Intercontinental Press Follow Us on WeChat Now MARCH 2015 that’s Shanghai 《城市漫步》上海版 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 中国北京 北京市海淀区北三环中路 31 号生产力大楼 B 座 7 层 邮编 100088 Published by China Intercontinental Press Address: B-602 Shengchanli Building, No. 31 Beisanhuan Zhonglu, Haidian District, Beijing 100088, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press: 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 主编 Executive Editor: 袁保安 Yuan Baoan 编辑 Editor: 刘扬 Liu Yang 发行 / 市场 Circulation/Marketing: 黄静 Huang Jing, 李若琳 Li Ruolin 广告 Advertising: 林煜宸 Lin Yuchen Chief Editor Marianna Cerini Section Editors Andrew Chin, Erik Crouch, Betty Richardson Events Editors Tongfei Zhang, Zoey Zha Contributors Noemi Cassanelli, Aelred Doyle, Zach Etkind, Pashali Fernando, Steve George, Robert Foyle Hunwick, Ryan Kilpatrick, Trevor Marshallsea, Carlos Ottery, Ian Walker Copy Editor Susie Gordon Cover and illustrations by Katie Morton Urbanatomy Media WE HAVE MOVED! Shanghai (Head office)上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 021-8023 2199 传真 : 021-8023 2190 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 房 邮政编码 : 510095 Room 610, No. 2 Building, Area 42, Lu Yuan Lu, Yuexiu District, Guangzhou, PRC 510095 电话 :