Ricky FUNG CEO

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Ricky FUNG CEO International Federation of the Phonographic Industry (Hong Kong Group) ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Ricky T.C. Fung is synonymous with the modern Canto Pop era that first emerged in the early ’70s. This phenomenon eventually made Hong Kong a creative regional music centre in Asia. With background as a musician in a famous local band the Mystics, Ricky grasped the intricacies of American soul and country music, British pop culture and Chinese traditions. This translated to a highly successful career as a talent scout and record producer for the very top artists that emerged in Hong Kong. These included Sam Hui, The Wynners (Alan Tam, Kenny Bee), Leslie Cheung, Teresa Teng, Michael Kwan, Annabelle Louie, Priscilla Chan, Albert Au, Jacky Cheung and Andy Lau, plus other big names in the business he’d work with like Roman Tam, Danny Chan, Cui Jian, Patricia Chan and Cally Kwong. He’d served in executive positions in major recording companies that included PolyGram and EMI. He was equally active in industry matters. As a well-known songwriter at that time, he was a founding member of the Composers and Authors Society of Hong Kong back in 1977. His efforts in building the Hong Kong home repertoire earned him a Ten Outstanding Young Persons Award in 1984. He served as a member of the Copyright Tribunal from 1997 to 1999. Recently, Ricky took up the post of CEO of the International Federation of the Phonographic Industry (Hong Kong Group), continuing the quest in advancing the Hong Kong music industry. Page 30.

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j：,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ； , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films.
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