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Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. -
Kung Fu Panda Movie Download in Tamil
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Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
The Pop Scene Around the World Andrew Clawson Iowa State University
Volume 2 Article 13 12-2011 The pop scene around the world Andrew Clawson Iowa State University Emily Kudobe Iowa State University Follow this and additional works at: http://lib.dr.iastate.edu/revival Recommended Citation Clawson, Andrew and Kudobe, Emily (2011) "The pop cs ene around the world," Revival Magazine: Vol. 2 , Article 13. Available at: http://lib.dr.iastate.edu/revival/vol2/iss1/13 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in Revival Magazine by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Clawson and Kudobe: The pop scene around the world The POP SCENE Around the World Taiwan Hong Kong Japan After the People’s Republic of China was Japan is the second largest music market Hong Kong can be thought of as the Hol- established, much of the music industry in the world. Japanese pop, or J-pop, is lywood of the Far East, with its enormous left for Taiwan. Language restrictions at popular throughout Asia, with artists such film and music industry. Some of Asia’s the time, put in place by the KMT, forbade as Utada Hikaru reaching popularity in most famous actors and actresses come the use of Japanese language and the the United States. Heavy metal is also very from Hong Kong, and many of those ac- native Hokkien and required the use of popular in Japan. Japanese rock bands, tors and actresses are also pop singers. -
Labor Chief Speeds up Work Permit Procedure
Ad-Phuket dot com K. Anna AV Volume 13 Issue 18 News Desk - Tel: 076-236555May 6 - 12, 2006 Daily news at www.phuketgazette.net 25 Baht The Gazette is published in association with Labor Chief Crowne Plaza speeds up work permit IN THIS ISSUE procedure NEWS: THAI and Bangkok Air- sold for B3.7bn By Natcha Yuttaworawit ways sign deal; Beware of fakes cops, Police Chief By Gazette Staff PHUKET CITY: Work permits warns. Pages 2 & 3 are being renewed in just 15 min- INSIDE STORY: Rising oil KARON: The Crowne Plaza utes and new work permits ap- prices and the knock-on effect Karon Beach Phuket resort has proved faster than ever thanks for Phuket. Pages 4 & 5 been bought by Dubai-listed ho- to streamlining of procedures at AROUND THE ISLAND: If the cap tel and resort investment com- the Phuket Provincial Employ- fits… Page 8 pany Kingdom Hotel Invest- ment Office (PPEO). AROUND THE REGION: Revis- ments (KHI), which is headed by PPEO Chief Boonchok iting the Khao Lak blues. Saudi Arabia’s Prince Alwaleed Maneechot explained that before Page 9 Bin Talal Bin Abdul Aziz Al-Saud. implementing the new proce- PEOPLE: Off The Wall. KHI paid US$98.5 million dures he had consulted with em- Pages 10 & 11 (3.7 billion baht) for the property, ployment officers for a month in including US$30.5 million (1.1 order to determine the most effi- LIFESTYLE: Summer fashion. billion baht) in debt. cient way to process work per- Pages 12 & 13 Prince Alwaleed was listed mits. -
All Around the City
9月 SEP | NO. 147 | NO. 2015 ENGLISH VERSION | By Lai Wai Kei (Winner of 2014 Fireworks Photo Competition, Group 2) All Around the City 25/9-28/12 World Tourism Day Family reunions, courting couples, partygoers and moon watchers promises something for every musical taste from A Cappella to - the Mid-Autumn Festival could have been made for Macau, opera via workshops and lectures, while local bands ‘Soler’ Random lucky tourists can receive a complimentary souvenir with half a dozen BIG events scheduled; not to mention and ‘Blademark’ show the musical power of Macau in the upon arrival in Macau on World Tourism Day (27/9). See the Amphitheatre of the Taipa Houses-Museum. More music with city’s hotel and restaurant waiters and waitresses balance a Flash Mob Performances in gardens, squares and open spaces Broadway’s Band on the Run gigs, while mega stars Bon Jovi bottle of beer on a tray whilst running in the annual Tray Race around the city! With the 27th Macau International Fireworks set the stage alight, and Kayhan Kalhor & Friends - Persian (27/9, approx. 3:00 pm, starting point at Ruins of St Paul’s), Display Contest running throughout the month, the nights will Music & Beyond transports us to other-worldly realms. check out amateur dragon boat teams from Asia competing for be ablaze every weekend until China’s National Day on October 1. the World Tourism Day Cup organized by Macau Government Catch the 5-day Fireworks Carnival, too. And this month, the There are lots of street fairs, markets and live performances Tourist Office (MGTO) and Macau Sport Development Board city celebrates World Tourism Day with the traditional Tray throughout the Peninsula and the Islands, while culture vultures during the 2015 Macau Small Dragon Boat Mid-Autumn Race, LEGO exhibitions and more. -
Shanghai and Beijing Travel Report 2010
Shanghai International Film Festival and Market, Shanghai and Beijing meetings Report by Chris Oliver and Ross Matthews To report that the China screen landscape is undergoing change is not new news. All facets of the screen industry development, production, distribution, exhibition and broadcasting are going through change – a change that is in a positive direction. The change in the way the Chinese industry is engaging with the rest of world’s screen industries, including the way Government instrumentalities are relating to other countries (eg treaties) will be of real benefit to the Chinese and the international screen industry. Australia is well placed to benefit from those changes if (that’s capital IF) Australian producers/players understand the rules of engagement with Chinese producers, broadcasters and exhibitors and the Chinese government departments involved in implementing government policy. Why should Australia engage with China? There are obvious commercial reasons. Firstly, the Chinese gross box office (GBO) has increased by at least 30 per cent in the last year to US$909 million – and has now surpassed Australia to be number six in the world. According to those we had discussions with in China and what can be gleaned from the screen press, the China GBO will grow by at least a further 40 per cent in the 2010 calendar year! Secondly, China’s population has an ever-increasing level of Abbreviations disposable income to underpin AIDC Australian International Documentary Conference the cinema ticket price of $6–10: CCTV China Central Television TRAVELREPORT it’s been reported that middle CFCC China Film Co-production Corporation class numbers will exceed those CFGC China Film Group Corporation in the US by 2020. -
Sheung Shui Got T Alent Olympic Spirit
Who wants to be Hong Language matters Secondary School Musical Kong's next top model? 普通話 To switch or not to switch Back C2 YP Issue No.3 All Write Summer 2008 Fung Kai Liu Man Shek Tong Secondary School see updates at www.fklmstss.edu.hk Sheung Shui Got Talent Olympic Spirit Two cats from Sheung Shui spring surprise at the 59th Hong Kong K.Y. Kong Speech Festival. If you think the Olympics are for sports enthusiasts only, take a look at this school where language learners share the passion too. Reuters in the N.T. FKLMSTSS held an English Week from 14th to 18th April featuring the A highlight of this year’s Speech Festival, held between 28 November and 19 December, was the immensely competitive event, dramatic duologue. The adjudicator had a hard Olympics. During the week, time choosing the winner but was particularly impressed with the stunning performance different activities were delivered by two Form Four students from a CMI school in Sheung Shui, Fung Kai Liu organized for students to have Man Shek Tong Secondary School. Lam Hui Tung and Yip Chun Chun staged an episode fun and learn more about of the all-time favourite musical Cats, capturing the audience with their incredibly lively the Games. For example, acting and fabulous costumes. Lam and Yip were awarded second place with only one Form Four and Six students mark separating them from the champion. Their trainer Mrs Lui was very proud of the operated a number of game duo, who shone amongst the 23 teams which were mostly from EMI schools in the city. -
Quarterly Report 2005/2006 Artiste Management the Segment Saw a Drop in Income of 36% to Approximately HK$7.2 Million (2004: HK$11.3 Million)
CHARACTERISTICS OF THE GROWTH ENTERPRISE MARKET (“GEM”) OF THE STOCK EXCHANGE OF HONG KONG LIMITED (THE “STOCK EXCHANGE”) GEM has been established as a market designed to accommodate companies to which a high investment risk may be attached. In particular, companies may list on GEM with neither a track record of profitability nor any obligation to forecast future profitability. Furthermore, there may be risks arising out of the emerging nature of companies listed on GEM and the business sectors or countries in which the companies operate. Prospective investors should be aware of the potential risks of investing in such companies and should make the decision to invest only after due and careful consideration. The greater risk profile and other characteristics of GEM mean that it is a market more suited to professional and other sophisticated investors. Given the emerging nature of companies listed on GEM, there is a risk that securities traded on GEM may be more susceptible to high market volatility than securities traded on the Main Board and no assurance is given that there will be a liquid market in the securities traded on GEM. The principal means of information dissemination on GEM is publication on the internet website operated by the Stock Exchange. Listed companies are not generally required to issue paid announcements in gazetted newspapers. Accordingly, prospective investors should note that they need to have access to the GEM website in order to obtain up-to-date information on GEM-listed issuers. The Stock Exchange takes no responsibility for the contents of this report, makes no representation as to its accuracy or completeness and expressly disclaims any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this report. -
Summary of Complaints Dealt with by the Broadcasting Authority (2000 - 2002)
CB(1)2197/02-03(01) Summary of Complaints Dealt With by the Broadcasting Authority (2000 - 2002) 1. Advice 1.1 Complaint Cases Related to Programmes Broadcast Programme Title Channel Contravention Date 29.11.1999 The Simpsons ATV World The crude language used in the programme was generally unacceptable for broadcast in the family viewing hours. 29.8.2001 Enlightenment Of Who ATV Home The programme provided an incorrect answer Wants To Be A to a question on the meaning of the three- Millionaire asterisks on the Hong Kong Identity Card of an adult. 8-10.10.2001 Broadcast of Teloped ATV Home The repeated and continuous rolling of teloped Message messages not related to the programmes in which they were screened would disrupt viewing pleasure. 6.8.2002 Meteor Garden ATV Home The end credits of the programme contained a sponsor's name which was a foul expression unacceptable for broadcast. 3.11.2002 Cultural Roots Of ATV Home The footage which described in detail the Hong Kong methods of raising a ghost child was unnerving to children and was not suitable for broadcast during the family viewing hours. 8.5.2000 J.S.G. Song Video TVB Jade The music video portrayed a dangerous act Corner which might invite imitation by children, and should not be broadcast within the family viewing hours. 9.6.2000 My Father My Hero TVB Pearl Cantonese instead of English, which was the designated language of TVB Pearl, was transmitted on the conventional sound channel for about four minutes. 14.6.2000 Mojacko TVB Jade The animation was a children’s programme which failed to convey a clear message to children viewers that gambling was undesirable. -
Cantopop Songs of All Time!
THE GREATEST CANTOPOP SONGS OF ALL TIME! Forty years ago, Hong Kong saw the birth of Cantopop, a style of music which would become one of the city’s most iconic cultural offerings. To mark its 40th anniversary, Arthur Tam looks back over the history of the equally loved and derided genre – and explores its evolution and importance through its most beloved songs, one year at a time… 30 timeout.com.hk The early years The Fatal Irony <<啼笑姻緣>> Sandra Lang (仙杜拉) In 1974, during the boom of HK media, 1975 a theme song to a popular drama, << The Fatal Irony <<啼笑姻緣>>, would change everything. It became a massive hit, arguably becoming the 獅 first ever Cantopop song, and starting 子 the procession of not only theme tunes 山 1974 to every TV drama, but a new music 下 genre itself. It retains a resemblance >> to traditional Chinese harmonies and melodies, but enters a new world of pop. bit.ly/fatalirony1974 The first Cantopop songstress Sandra Lang The Chinese-American singer of arguably the first ever Cantopop hit, Fatal Irony <<啼笑姻緣>>, reflects on that song, four decades on… “It was great to have had Cantopop then or else the Cantonese language would have died. I was very Sam Hui (許冠傑) lucky to have Fatal Irony <<啼笑姻緣>>. It was a The Genius and the Idiot Featuring in the titular movie, which was gift from God. No one had ever done a song like this popularised due to its slapstick humour, before and it became popular because people are good listeners. I never claimed that Fatal Irony was the first Cantopop song, but that’s this song features a strong British rock just what people keep telling me. -
A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong B
Paper Number: 7 January 2003 Between Globalisation and Localisation: A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong Baptist University The author welcome comments from readers. Contact details: Ho Wai Chung, Department of Music & Fine Arts, Hong kong Baptist University Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. The preferred type is Times New Roman, not less than 11 point.