DOCSLIB.ORG

HONG KONG LAWN BOWLS ASSOCIATION Mixed Fours Competition 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HONG KONG LAWN BOWLS ASSOCIATION Mixed Fours Competition 2021 HONG KONG LAWN BOWLS ASSOCIATION Mixed Fours Competition 2021 1. Two bowls per player, 15 ends 2. Burnt end to be re-played. 3. Winner must notify results to LBA Office by email ([email protected]) or fax (2577 5621) by 12:00 noon on the day following the match. 4. All matches must start on time unless otherwise agreed by the opponents and allowed by the Bye-laws. 5. LBA Office must be notified of any substitution prior to a match. Updated on 30 September, 2021 Round 3 5 October, 2021 (Tuesday) at 7pm Ref Player 1 Player 2 Player 3 Player 4 Club Score Vs Score Player 1 Player 2 Player 3 Player 4 Club Venue 301 JAMES LAW JUDY KWAI KEVIN CHAN KELVIN KWAI CCC vs CHENG MAI YUNG BEN LAI C Y YU LINDA LEE FC CCC Indoor 302 LEE CHI TAT JACKIE POON JOHNNY LAW SZETO CHI TMSA vs MARK LI MT LAM ALAN LO EUNICE NG HKCC TM (Changed to 7:30pm) 303 HELEN CHAN AMELIA CHAN ANNIE TAM EDWARD HUNG CdeR vs ANGEL KWAN KONG CHI MING WILBERT LEUNG JENNY MIU TKOBC CdeR Indoor 304 POWELL CHENG STEPHEN YEUNG VIVIAN WONG BORIS CHOI FC vs ALICE CHAN P A CHAN NICHOLAS TSANG IRENE CHOW HKCC FC 305 SIMON LAI CANDY AU WILLIAM WONG CHAN YAT SANG GLBC vs ALBERT KWOK ANITA LEUNG ESTHER CHAN F C LI GBLBC SLY 306 MIKE NG SYLVIA HO ANTHONY KAN ANDY HUI IRC vs FIONA NG MARK MAK JOHN CHONG CARRIE MOK STSA IRC 307 QUEENIE SHUM KELLY YU H C FOK Y Y WONG SBI vs CHRISTINA YEUNG PHOEBE HO PATRICK CHOI C T WONG HKFC SBI (Changed to 7:30pm, 8 October) 308 WONG PAK LIN KONG SHEK KWAN BALBIR KAUR REX FONG STSA vs W / O 216 SLY CCC Indoor 309 VIVIAN YIP ANTHONY YIP ROBIN CHOK ALEX LEUNG CCC vs ALBERT LO SUSANNA LO JOHN NG HELEN CHEUNG CCC (Changed to 3pm, 2 October) 310 PIAN LI ANTONIO CHEAH GILBERT LAU SANDY LAU USRC vs KING SUM CORA NG KRISTIN SALVADOR TERENCE LUK CdeR USRC 311 AUDREY LAI ABBIE CHAN GLORIA HA ALAN YUEN HKYDT vs JOANNE LEUNG KIT HUI TERRENCE TAM JASON LI FC VP 312 TERRY CHIANG CLARA YEUNG CHAN WAH PATRICK LO TPLBC vs CONNIE CHUNG TIMOTHY OR KEN FONG WARREN CHEUNG HKFC TP 313 AMY CHOI PO TING HEI JAMES PO JASON CHOI KCC vs SANDY WONG TOM CHOY WU KIN CHUNG SANDY HO LCN KCC 314 ERICA LEUNG JESSIE LAM O B ADEM WONG PING TAK FC vs TERESA SIU YAN PUN DOUGLAS CHEN FRANK IP TMSA FC 315 SZETO WAI CHING MAYDA TAM NGAN HOI TIN WONG WING FAI TKOBC vs MAGGIE LAM MABLE CHAN CANDY LEUNG DESMOND HAU KCC TKO 316 JOSEPHINE LAM STEPHEN SY RITA SHEK TONY CHEUNG HKFC vs STANLEY CHAN ANGEL CHU SHIRLEY HEUNG LIZ LUI YLLBC HKFC Indoor 317 CHAN LOK CHEE EVA KWOK MAX LEE DENNIS YIU TMSA vs BARBARA LAM GINNY CHAO AU YEUNG PUI YEE PETER CHEUNG ELBC TM 318 ANDIE CHEUNG GORAN FONG GEORGE LEUNG ANDY CHAN HKPBC vs EVA LEUNG W.K. MAK CHI KWONG CHRIS CHOW DOLPHIN KWAN STSA PSRC (Changed to 7:15pm, 4 October) 319 ANNA YIU WAN LAU EDDY FAN KENNY SO STSA vs SYLVIA CHEUNG KENNETH SO CHIU CHUN HUNG SHARON KUOK VLBC SLY 320 ANNA TO BERNARD YOUNG THOMAS TAM MARSHALL TO HKFC vs CHERYL CHAN ESTHER YU TAN HA JAMES MOK CHAU WING HON STSA HKFC Indoor 321 TERESA LAU CYZONIA YU ANDY CHENG WILLIAM NG IRC vs KAN YIU LAM RACHEL SIU SAMMY LAW PETE LEUNG ILBC IRC 322 KENT CHAN JOANNE HO KENNETH LO WILSON POON FC vs FRANCES CHAW SIAN HUNG PETER WONG GEORGE LAW TKOBC FC 323 AMY TANG LEUNG YAU ON LI YING WING DENISE WU HKSAP vs TONY KU BRANDO SZETO TERESA YUNG TERESA CHEUNG HKCC SLY 324 KENNETH CHIU TINA NG STEPHEN K M CHAN ANDY TANG KBGC vs POLLY MAK EDWARD LI BRANDON LAW JOSEPH LEE GBLBC KBGC 325 SHIRLEY KO ERIC WONG LIANA LEE GEORGE CHAN SBI vs NG KA KI JAIMEE MO PAUL N H LEE T P CHOI FC SBI 326 W / O 251 vs BONNIE LAI ALBERT LEE HUI CHI KEUNG ALBERT LEUNG TPLBC TBA 327 W / O 253 vs QUEENIE LAI WESLEY CHAN ALAN TAM DREAMY NG SBSC TBA 328 CHARLES C Y CHAN LAM WAI LING KATRINA WONG WILLIAM LAM TMSA vs TIMMY KWONG CANDY NG RAYMOND HO DANNY HO KCC TM 329 RUBY LAI RHODA LAW JOHNNY FAN DANNA CHIU KBGC vs CHAN E HONG GRACE CHENG FRANCIS YAU WONG YIU HUNG ILBC KBGC 330 DANIEL LEUNG FANNY YIP WALLACE LAM ARTHUR CHEUK VLBC vs BARRY LAI JUDE YEUNG DEBBIE CHAN LO KA HING ABC VP 331 KENNETH FUNG EVA YU MAY POON ESMOND LEE HKFC vs POLLY LO FRED MAN PHILIP CHAN ERIC LAM KBGC HKFC Indoor HKFC Outdoor 332 EDMUND YIU EDMOND CHAN CAMILLA LEUNG WILSON KWONG HKFC vs DOMINIC KWONG CHARLENE KWONG CYNTHIA CHAN DOMINIC CHAN CCC (Changed to 7:30pm, 5 October) HONG KONG LAWN BOWLS ASSOCIATION Mixed Fours Competition 2021 1. Two bowls per player, 15 ends 2. Burnt end to be re-played. 3. Winner must notify results to LBA Office by email ([email protected]) or fax (2577 5621) by 12:00 noon on the day following the match. 4. All matches must start on time unless otherwise agreed by the opponents and allowed by the Bye-laws. 5. LBA Office must be notified of any substitution prior to a match. Updated on 29 September, 2021 Round 2 28 September, 2021 (Tuesday) at 7pm Ref Player 1 Player 2 Player 3 Player 4 Club Score Vs Score Player 1 Player 2 Player 3 Player 4 Club Venue 201 JAMES LAW JUDY KWAI KEVIN CHAN KELVIN KWAI CCC 20 vs 6 SUKI SIT OLIVIA LEE RIVER HUI BRUCE LO HKPBC CCC Indoor 202 CHENG MAI YUNG BEN LAI C Y YU LINDA LEE FC 17 vs 7 HEIDEN LEUNG GILLIAN NG CORRINE CHAN ARNOLD LEUNG HKYDT FC 203 LEE CHI TAT JACKIE POON JOHNNY LAW SZETO CHI TMSA 17 vs 9 CHERRY TSOI KENNETH YIU ADRIAN YAU DICKY MAK HKYDT TM (Changed to 7:30pm) 204 STELLA LO CINDY CHENG SUNNY WONG BILL SHUM KBGC 7 vs 16 MARK LI MT LAM ALAN LO EUNICE NG HKCC KBGC 205 RICKI LI JASON LANG KATTIE CHAN ERIC CHOI SBI 12 vs 15 HELEN CHAN AMELIA CHAN ANNIE TAM EDWARD HUNG CdeR SBI (Changed to 7:30pm, 28 September) 206 ANGEL KWAN KONG CHI MING WILBERT LEUNG JENNY MIU TKOBC 21 vs 12 DEREK CHAN DAISY CHAN AUSTINE TAM SIMON TO HKPBC TKO 207 POWELL CHENG STEPHEN YEUNG VIVIAN WONG BORIS CHOI FC 18 vs 10 ROB GILL ANDREW ROBERTSON LINDA ROBERTSON MICHAEL DOWIE KCC FC 208 ALICE CHAN P A CHAN NICHOLAS TSANG IRENE CHOW HKCC 23 vs 8 DAVID CHEUNG FREDERICK CHAN HELEN LO RICKY MAK USRC HKCC 209 SIMON LAI CANDY AU WILLIAM WONG CHAN YAT SANG GLBC 10 vs 9 ADA LAI FRED LAM HOWARD POON IMEN TANG CCC SLY 210 CATHY CHIU AUGUSTINE LAI DAISY YU AMY LUK CLBC 7 vs 17 ALBERT KWOK ANITA LEUNG ESTHER CHAN F C LI GBLBC VP 211 MIKE NG SYLVIA HO ANTHONY KAN ANDY HUI IRC 17 vs 8 KAREN CHOI RAY LEUNG CHAN PO YA ANTHONY CHENG STSA IRC (Changed to 3pm, 29 September) 212 FIONA NG MARK MAK JOHN CHONG CARRIE MOK STSA 17 vs 9 MIRANDA PUN SUSANA SHEA GARY PUN RICKY WONG CCC SLY 213 QUEENIE SHUM KELLY YU H C FOK Y Y WONG SBI 18 vs 12 EDNA LAU WILLIAM TO CHUI KAM SANDRA HO CdeR SBI (Changed to 7:30pm) 214 SANDY YUET SINDY LEE NIK CHEUNG PETER K W CHAN KBGC 8 vs 22 CHRISTINA YEUNG PHOEBE HO PATRICK CHOI C T WONG HKFC KBGC 215 WONG PAK LIN KONG SHEK KWAN BALBIR KAUR REX FONG STSA 17 vs 11 OLIVIA TANG MANDY WONG TRACY LEUNG MARTIN YEUNG ILBC SLY 216 ALEX CHAN KITTY MAK K K HO TERENCE CHEUNG TVLBC vs MARIA LI CEVIA HUI RAYMOND LI O ADEM CCC VP (Changed to 7pm, 2 October) 217 VIVIAN YIP ANTHONY YIP MARTIN SHAM ALEX LEUNG CCC 27 vs 2 JOYCE AU YEUNG MANDY YU K K LO SAM CHAN ELBC CCC Indoor 218 ALBERT LO SUSANNA LO JOHN NG HELEN CHEUNG CCC 25 vs 8 LAM YUEN LING SO YIU WAI CHAN WUN CHING WINDY NG HKPBC CCC Indoor 219 LEO LI LYNDA TAI ESTHER CHAN ANNA LUK HKCC 6 vs 15 PIAN LI ANTONIO CHEAH GILBERT LAU SANDY LAU USRC HKCC 220 BENNY IM CHI HA STANLEY WONG KELVIN LIU KFLBC 9 vs 19 KING SUM CORA NG KRISTIN SALVADOR TERENCE LUK CdeR YCK 221 GRACE LAM CAROL TSE JOSEPH YEUNG CHRIS TSANG TPLBC 7 vs 18 AUDREY LAI ABBIE CHAN GLORIA HA ALAN YUEN HKYDT TP 222 JOANNE LEUNG KIT HUI TERRENCE TAM JASON LI FC 15 vs 11 ALAN OLSSON JUNE OLSSON BOBBY WONG SAM LEE GBLBC FC 223 TERRY CHIANG CLARA YEUNG CHAN WAH PATRICK LO TPLBC 14 vs 9 MATTHEW LEE RAPHAEL CHAN PHYLLIS WONG K H WONG HKFC TP 224 BANNY YEUNG VESTA CHUNG AU KWOK HUNG MAGGIE CHENG LBTC 6 vs 22 CONNIE CHUNG TIMOTHY OR KEN FONG WARREN CHEUNG HKFC TKO 225 AMY CHOI PO TING HEI JAMES PO JASON CHOI KCC 17 vs 11 LEE KA HO ANGEL SO ANDREA CHAN KEVIN FUNG CCC KCC (Changed to 7:30pm) 226 SANDY WONG TOM CHOY WU KIN CHUNG SANDY HO LCN 13 vs 9 JOE LIU SANDY LAU KEN KUM GARY LAM YLLBC TKO (Changed to 6pm, 24 September) HONG KONG LAWN BOWLS ASSOCIATION Mixed Fours Competition 2021 1.
Load more

Recommended publications
  • Hong Kong Filmmakers Search: Eric TSANG
    Eric TSANG 曾志偉（b. 1953.4.14） Actor, Director, Producer A native of Wuhua, Guangdong, Tsang was born in Hong Kong. He had a short stint as a professional soccer player before working as a martial arts stuntman at Shaw Brothers Studio along with Sammo Hung. In 1974, he followed Lau Kar-leung’s team to join Chang Cheh’s film company in Taiwan, and returned to Hong Kong in 1976. Tsang then worked as screenwriter and assistant director for Lau Kar-leung, Sammo Hung and Jackie Chan in companies such as Shaw Brothers and Golden Harvest. Introduced to Karl Maka by Lau, Tsang and Maka co-wrote the action comedy Dirty Tiger, Crazy Frog! in 1978. Tsang made his directorial debut next year with The Challenger (1979). In 1980, Tsang was invited by Maka to join Cinema City. He became a member of the ‘Team of Seven’, participating in story creation. He soon directed the record shattering Aces Go Places (1982) and Aces Go Places II (1983), while he also produced a number of movies that explored different filmmaking approaches, including the thriller He Lives by Night (1982), Till Death Do We Scare (1982), which applied western style make-up and special effects, and the fresh comedy My Little Sentimental Friend (1984). Tsang left Cinema City in 1985 and became a pivotal figure in Hung’s Bo Ho Films. He was the associate producer for such films as Mr. Vampire (1985) and My Lucky Stars (1985). In 1987, Tsang co-founded Alan & Eric Films Co. Ltd. with Alan Tam and Teddy Robin.
    [Show full text]
  • Music from the 1990S to the Present
    j：,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ； , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films.
    [Show full text]
  • Va.Orgjackie's MOVIES
    Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs.
    [Show full text]
  • Cantopop Songs of All Time!
    THE GREATEST CANTOPOP SONGS OF ALL TIME! Forty years ago, Hong Kong saw the birth of Cantopop, a style of music which would become one of the city’s most iconic cultural offerings. To mark its 40th anniversary, Arthur Tam looks back over the history of the equally loved and derided genre – and explores its evolution and importance through its most beloved songs, one year at a time… 30 timeout.com.hk The early years The Fatal Irony <<啼笑姻緣>> Sandra Lang (仙杜拉) In 1974, during the boom of HK media, 1975 a theme song to a popular drama, << The Fatal Irony <<啼笑姻緣>>, would change everything. It became a massive hit, arguably becoming the 獅 first ever Cantopop song, and starting 子 the procession of not only theme tunes 山 1974 to every TV drama, but a new music 下 genre itself. It retains a resemblance >> to traditional Chinese harmonies and melodies, but enters a new world of pop. bit.ly/fatalirony1974 The first Cantopop songstress Sandra Lang The Chinese-American singer of arguably the first ever Cantopop hit, Fatal Irony <<啼笑姻緣>>, reflects on that song, four decades on… “It was great to have had Cantopop then or else the Cantonese language would have died. I was very Sam Hui (許冠傑) lucky to have Fatal Irony <<啼笑姻緣>>. It was a The Genius and the Idiot Featuring in the titular movie, which was gift from God. No one had ever done a song like this popularised due to its slapstick humour, before and it became popular because people are good listeners. I never claimed that Fatal Irony was the first Cantopop song, but that’s this song features a strong British rock just what people keep telling me.
    [Show full text]
  • A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong B
    Paper Number: 7 January 2003 Between Globalisation and Localisation: A Study of Hong Kong Popular Music Ho Wai Chung Hong Kong Baptist University The author welcome comments from readers. Contact details: Ho Wai Chung, Department of Music & Fine Arts, Hong kong Baptist University Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. The preferred type is Times New Roman, not less than 11 point.
    [Show full text]
  • A Different Brilliance—The D & B Story
    1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From
    [Show full text]
  • Institution Information 2017/2018
    Institution Information 2017/2018 Membership List of Council, Boards, Committees and Sub-committees COUNCIL EXECUTIVE Journal Editorial Committee Ir Thomas CHAN Kwok Cheung President Ir Thomas CHAN Kwok Cheung President Ir David CHANG Chung Hung Chairman Ir Dr Joseph CHOI Kin Hung Immediate Past President Ir Dr Joseph CHOI Kin Hung Immediate Past President Ir Prof LAM Cheuk Fung Deputy Chairman Ir Dr Philco WONG Senior Vice President Ir Dr Philco WONG Senior Vice President Ir Dr LEE Wai Ling Members Ir Ringo YU Shek Man Vice President Ir Ringo YU Shek Man Vice President Ir Derrick LEUNG Hung Kwong Ir Dr YUEN Pak Leung Vice President Ir Dr YUEN Pak Leung Vice President Ms Angela TAM (June 2017 – January 2018) Ir Elvis AU Wai Kwong Members Ir HO Siu Kwong Members Ms Selina TUNG Ir Richard CHAN Chi Wai Ir Sidney TONG Pui Keung Mrs Monica YUEN Ir Geoffrey CHAN Loong Ir Ricky YIM Wai Kit Ir CHAN Siu Hung Ir Dr the Hon LO Wai Kwok Legislative Councillor Ir Prof Christopher CHAO Yu Hang (Engineering), Observer Staff Resources Committee Ir Ambrose CHEN Hao Ting Ir Raymond CHAN Kin Sek Observer Ir CHENG Tim Ir Prof CHOY Kin Kuen Observer Ir HO Kwong Wai Chairman Ir Jovian CHEUNG Man Chit Ir Prof Adam CHOY Siu Chung Observer Ir Joseph LEUNG Chi Ming Deputy Chairman Ir Prof Joseph CHI Wuh Jian Ir HON Chi Keung Observer Ir Prof Joseph CHI Wuh Jian Members Ir Prof Adam CHOY Siu Chung Miss Marion KAN Ka Wing Observer Ir Stephen CHIK Wai Keung Ir HO Sau Chiu Ir Peter Y WONG Observer Ir Prof Adam CHOY Siu Chung Ir HO Siu Kwong Mrs Monica YUEN Ir Alfred
    [Show full text]
  • Line Walker Flagship Entertainment Lnaugural Press Conference
    Line Walker Flagship Entertainment lnaugural Press Conference Singers of The Voice Entertainment Group 24 Television Broadcasts Limited Annual Report 2015 REVIEW OF OPERATIONS OTHER HONG KONG OPERATIONS HONG KONG PAY TV PLATFORM As announced on 4 August 2015, our net interest in INVESTMENTS IN MOVIE BUSINESSES the Hong Kong pay TV platform, TVBPVH, was fully FLAGSHIP ENTERTAINMENT GROUP impaired as at 30 June 2015. Operating under the name of TVB Network Vision, this business is being As announced in September 2015, TVB has partnered progressively downsized, in view of the development of with CMC and Warner Bros. Entertainment in investing the new OTT service. Subscribers on this platform shall in a new platform Flagship Entertainment Group for gradually be migrated into the new OTT service. During the purpose of developing and producing a slate of the year, TVB continued to equity pick-up a net loss of Chinese-language films, including global tent poles TVBPVH in the amount of approximately HK$33 million for distribution in Mainland China and internationally. (2014: HK$72 million). Through a joint venture with CMC, TVB has an effective 5% interest in Flagship Entertainment Group. MUSIC ENTERTAINMENT SHAW BROTHERS PICTURES Operating under a wholly-owned subsidiary, The Towards the end of 2015, a new movie Line Walker Voice Entertainment Group Limited engages in which is a spin-off from another hit TVB drama serial artistes’ sound recordings, music productions, music commenced production, with a strong line-up of major copyrights management, music publishing and artistes stars including Louis Koo, Nick Cheung, Francis Ng, management, which comprise primarily the production Charmaine Sheh, Zhang Huiwen and Li Guangjie.
    [Show full text]
  • Distinction in China— the Rise of Taste in Cultural Consumption
    The London School of Economics and Political Science Distinction in China— the rise of taste in cultural consumption Gordon C. Li A thesis submitted to the Department of Sociology of the London School of Economics and Political Science for the degree of Doctor of Philosophy, London, May 2020 Distinction in China—the rise of taste in cultural consumption 2 Declaration I certify that the thesis I have presented for examination for the Ph.D. degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others. The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgment is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorization does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 90,363 words. Distinction in China—the rise of taste in cultural consumption 3 Abstract This research studies how cultural consumption draws cultural distinctions in the most developed megacities in China. This research examines the pattern of music consumption to examine distinction—which types of music are used, how they are used, who are using them, and what are the sources of those tastes. Although some theories, such as the cultural omnivore account, contend that the rise of contemporary pop culture implies a more open-minded pursuit of taste, this research argues that popular culture draws distinction in new ways.
    [Show full text]
  • Limited Pidgin‑Type Patois? Policy, Language, Technology, Identity and the Experience of Canto‑Pop in Singapore
    This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. Limited pidgin‑type patois? policy, language, technology, identity and the experience of canto‑pop in Singapore Liew, Kai Khiun 2003 Liew, K. K. (2003). Limited Pidgin‑Type Patois? Policy, Language, Technology, Identity and the Experience of Canto‑Pop in Singapore. Popular Music, 22(2), 217‑233. https://hdl.handle.net/10356/92192 https://doi.org/10.1017/S0261143003003131 © 2004 Institution of Engineering and Technology. This is the author created version of a work that has been peer reviewed and accepted for publication by IEE Proceedings Circuits Devices and Systems, Institution of Engineering and Technology. It incorporates referee’s comments but changes resulting from the publishing process, such as copyediting, structural formatting, may not be reflected in this document. The published version is available at: http://dx.doi.org/10.1049/ip‑cds:20040226. Downloaded on 26 Sep 2021 22:06:06 SGT Popular Music (2003) Volume 22/2. Copyright 2003 Cambridge University Press, pp. 217–233. DOI:10.1017/S0261143003003131 Printed in the United Kingdom Limited pidgin-type patois? Policy, language, technology, identity and the experience of Canto-pop in Singapore LIEW KAI KHIUN Abstract This article explores the interactions and tensions arising from a vibrant Canto-pop industry exported from Hong Kong to an interventionist nation-state of Singapore bent on discouraging the use of dialects by its ethnic Chinese population. Aside from highlighting the roles of technological and com- mercial factors behind the regional music networks, it seeks further to position this contemporary relationship within the larger historical and cultural context.
    [Show full text]
  • Alan Tam and Hacken Lee Perform at the Venetian Macao Hong Kong’S Most Prominent Duo Celebrates 10Th Anniversary at Cotai Arena
    Alan Tam and Hacken Lee Perform at The Venetian Macao Hong Kong’s most prominent duo celebrates 10th anniversary at Cotai Arena (Macao, July 26, 2014) – Formed by Hong Kong music legend Alan Tam and Cantopop superstar Hacken Lee, “Alan & Hacken” played the Cotai Arena at The Venetian® Macao with their Suncity Group presents Alan & Hacken 10th Anniversary Live in Macau 2014 concert Saturday, celebrating the group’s 10th anniversary with fans. Having last performed at The Venetian Macao at the New Year’s Eve 2014 countdown event, the ultimate duo returned to the integrated resort Saturday with a rousing performance, delighting fans with their classic hits, including Root of Love, Flying Flower, and Day Dreaming. The two superstars took the glitzy central stage of Cotai Arena, leading fans to indulge in memories with their perfect vocals, enthralling the appreciative crowd the entire evening. First collaborating in 2003, the duo of “Alan & Hacken” has performed over 100 concerts around the world, including in mainland China, Hong Kong, Taiwan, Macao, Southeast Asia, Australia, the U.S. and Canada. Page 1 of 3 Photo caption: Hong Kong Cantopop singers Alan Tam (right) and Hacken Lee performed at the Cotai Arena stage at The Venetian Macao Saturday night for Suncity Group presents Alan & Hacken 10th Anniversary Live in Macau 2014. ### Entertainment at Sands China Ltd. Properties Sands China Ltd. has as a clear vision to establish Macao as Asia’s top entertainment destination. The 15,000-seat Cotai Arena is the only venue in Asia ranked in Pollstar’s Top 100 Worldwide Arena Venues based on ticket sales.
    [Show full text]
  • Ricky FUNG CEO
    Ricky FUNG CEO International Federation of the Phonographic Industry (Hong Kong Group) ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Ricky T.C. Fung is synonymous with the modern Canto Pop era that first emerged in the early ’70s. This phenomenon eventually made Hong Kong a creative regional music centre in Asia. With background as a musician in a famous local band the Mystics, Ricky grasped the intricacies of American soul and country music, British pop culture and Chinese traditions. This translated to a highly successful career as a talent scout and record producer for the very top artists that emerged in Hong Kong. These included Sam Hui, The Wynners (Alan Tam, Kenny Bee), Leslie Cheung, Teresa Teng, Michael Kwan, Annabelle Louie, Priscilla Chan, Albert Au, Jacky Cheung and Andy Lau, plus other big names in the business he’d work with like Roman Tam, Danny Chan, Cui Jian, Patricia Chan and Cally Kwong. He’d served in executive positions in major recording companies that included PolyGram and EMI. He was equally active in industry matters. As a well-known songwriter at that time, he was a founding member of the Composers and Authors Society of Hong Kong back in 1977. His efforts in building the Hong Kong home repertoire earned him a Ten Outstanding Young Persons Award in 1984. He served as a member of the Copyright Tribunal from 1997 to 1999. Recently, Ricky took up the post of CEO of the International Federation of the Phonographic Industry (Hong Kong Group), continuing the quest in advancing the Hong Kong music industry. Page 30.
    [Show full text]