An Analysis of Woman Speech Features Used by Bella Swan in Twilight Breaking Dawn Ii Movie
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Twilight Book Talk
Twilight by Stephenie Meyer About: Twilight, published in 2005, is the fi rst of a four-book Young Adult series. Written by Stephenie Meyer, the book tells a Romeo and Juliet-esque love story between a teenage girl, Bella, and a Vampire, Edward. Th e book has spent several weeks/months on the New York Times best-seller list, as well as received many other praises. Twilight has also recently been made into a major motion picture that will be avail- able on DVD in March. Meyer, a mother of three and member of the church of Jesus Christ of Latter-day Saints, said the idea for the book came to her in a dream, “In my dream, two people were having an intense conversation in a meadow in the woods. One of these people was just your average girl. Th e other person was fantastically beautiful, sparkly, and a vampire. Th ey were discussing the diffi culties inherent in the facts that A) they were falling in love with each other while B) the vampire was particularly attracted to the scent of her blood, and was having a diffi cult time restraining himself from killing her immediately.” (www.stepheniemeyer.com) Length: 498 Pages Location: Mostly Forks, WA, and surrounding area, but some time spent in Phoenix, AZ Recommended Reading Age: 13-14 years old and up (due to some graphic violence and some mature content) Characters: Th e Humans: Isabella “Bella” Swan: 17 years old. Th e main female character of the story. Perceptive to the needs of others, introverted, awkward, curious, self-described as “average-looking.” Daughter of divorced parents, Charlie and Renee. -
New Moon Book Talk
New Moon by Stephenie Meyer About: New Moon is the sequel to Twilight. Meyer, a mother of three and member of the church of Jesus Christ of Latter-day Saints, said the idea for the book came to her in a dream, “In my dream, two people were having an intense conversation in a meadow in the woods. One of these people was just your average girl. Th e other person was fantastically beautiful, sparkly, and a vampire. Th ey were discussing the diffi culties inherent in the facts that A) they were falling in love with each other while B) the vampire was particu- larly attracted to the scent of her blood, and was having a diffi cult time restraining himself from killing her immediately.” (www.stepheniemeyer.com) Length: 563 Pages Location: Mostly Forks and La Push, WA, and some time spent in Italy Recommended Reading Age: 13-14 years and up (due to some graphic violence and mature content) Characters: Th e Humans: Isabella “Bella” Swan: 17 years old. Th e main female character of the story. Perceptive to the needs of others, introverted, awkward, curious, self-described as “average-looking.” Daughter of divorced parents, Charlie and Renee. Charlie Swan: Father of Bella and Police Chief of Forks, WA. Quiet, loves to fi sh and watch sports. Renee: Bella’s mother. Flighty and a worrywart. Married to Phil. Lives in Florida. Angela, Mike, Lauren, Jessica, Tyler, and Eric: Students at Forks High School and friends of Bella’s. Th e Quileute Tribe/Werewolves: All the members of the Quileute tribes live on a reservation near La Push, WA. -
Twilight Saga
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Tracing Female Subjectivity and Self-affirmation in Stephenie Meyer’s Twilight Saga Verfasserin Astrid Ernst angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik (Diplom) Betreuerin Ao. Univ.- Prof. Mag. Dr. Eva Müller-Zettelmann 1 Table of Contents 1. Introduction.......................................................................................................3 2. Tracing Bella’s Subjectivity: Ideal Love as the Only Way Out..........................4 3. Edward and Jacob: Magnets with reversed polarities or two poles of Bella’s existence?.......................................................................................................12 4. The Cullen Vampires: the ideal family and its enemies..................................20 4.1. Carlisle Cullen......................................................................................20 4.2. Esme Cullen.........................................................................................23 4.3. Rosalie Cullen......................................................................................25 4.4. Alice Cullen..........................................................................................28 4.5. The Cullens’ Enemies..........................................................................30 5. Quileute Legends: -
CHAPTER I INTRODUCTION A. Background of the Study Twilight Is One of the Most Popular Movies of This Year That Ever Produced. Th
1 CHAPTER I INTRODUCTION A. Background of the Study Twilight is one of the most popular movies of this year that ever produced. The screenplay of this film is adapted from the novel with the same title written by Stephenie Meyer. Stephenie Meyer is an American author best known for her vampire romance series Twilight who was born on December 24, 1973 in Hartford. The Twilight novels have gained worldwide recognition, won multiple literary awards and sold over 85million copies worldwide, with translation into 37 different languages. Meyer is also the author of the adult science-fiction novel The Host (2008). Following the success of Twilight (2005), Meyer expended the story into a series three more books: New Moon (2006), Eclipse (2007), and Breaking Down (2008). She also writes short stories which one of them published in Prom Nights from Hell, a collection stories about bad prom nights with supernatural effects. It has been released in April 2007. Twilight movie is directed by Catherine Hardwicke, an American production designer and film director and screenplay by Melissa Rosenberg. Twilight is better known as the maker romance and fantasy film, sometimes centering on vampire society’s life. Twilight is a 2008 romantic fantasy film. It is the first film in The Twilight saga film series. Twilight focuses on the development of a personal relationship between human teenager Bella Swan and vampire Edward Cullen and the subsequent efforts of Cullen and his family to keep Swan safe from a separate group of hostile vampires. Seventeen-year-old Isabella "Bella" Swan moves to Forks, a small town near Washington State’s rugged coast, to live with her father, Charlie, after her mother remarries to a minor league baseball player. -
Breaking Dawn Stephenie Meyer
Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13. -
Joseph Smith Sparkles: Twilight and Mormon Theology
The Kabod Volume 6 Issue 2 Spring 2020 Article 3 February 2020 Joseph Smith Sparkles: Twilight and Mormon Theology Natalie Hathcote [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/kabod Recommended Citations MLA: Hathcote, Natalie "Joseph Smith Sparkles: Twilight and Mormon Theology," The Kabod 6. 2 (2020) Article 3. Liberty University Digital Commons. Web. [xx Month xxxx]. APA: Hathcote, Natalie (2020) "Joseph Smith Sparkles: Twilight and Mormon Theology" The Kabod 6( 2 (2020)), Article 3. Retrieved from https://digitalcommons.liberty.edu/kabod/vol6/iss2/3 Turabian: Hathcote, Natalie "Joseph Smith Sparkles: Twilight and Mormon Theology" The Kabod 6 , no. 2 2020 (2020) Accessed [Month x, xxxx]. Liberty University Digital Commons. This Individual Article is brought to you for free and open access by Scholars Crossing. It has been accepted for inclusion in The Kabod by an authorized editor of Scholars Crossing. For more information, please contact [email protected]. Hathcote: Joseph Smith Sparkles: <i>Twilight</i> and Mormon Theology Hathcote 1 Natalie Hathcote Dr. Prior ENGL 306—Women’s Literature 3 December 2019 Joseph Smith Sparkles: Twilight and Mormon Theology Few works inspired as much contention as Stephenie Meyer’s The Twilight Saga, a tetralogy expanded annually from 2005 to 2008. The books, which follow the passionate relationship between Bella Swan, an average human girl, and Edward Cullen, a heavily idealized vampire, boast a somewhat complex critical and cultural history. What began as a popular series among young women turned into a veritable pop culture phenomenon, leading to a tug of war between consumers and critics: the books were instant, record-setting bestsellers with a large, dedicated, and obsessive fanbase. -
Sacrificial Scripts, Blood Values and Gender in the Twilight Vampire Narrative
Sacrificial Scripts, Blood Values and Gender in the Twilight Vampire Narrative Grietje Dresen 1 Introduction I’d never given much thought to how I would die. But dying in the place of someone I love seems like a good way to go. These sentences, pronounced by protagonist Bella Swan in the overture to the first Twilight film, are a forecast of things to come. Above all, they forecast the role Bella is going to play throughout the Twilight Saga, willingly sacrificing (or at least risking) her life for the ones she loves: For her mother, her beloved vampire fiancé Edward, and her unborn, half-vampire child. The sentences in the overture echo the Preface in the first Twilight novel, where the same thoughts are expressed in the context of a mysterious scene in which the ‘I’-figure (appear- ing to be Bella) is being threatened by a ‘hunter’. In the prologue to the film, this impression of being hunted is symbolized by the accompanying imagery, show- ing a defenceless deer chased through a dark wood. In this chapter, I intend to analyse the sacrificial scripts that underlie the storyline in the Twilight Saga, an immensely popular vampire narrative devoured by millions of mainly female adolescents all over the world. From the moment I saw the first Twilight screenplay together with my daughter, I was struck by Bella’s unhesitating willingness to sacrifice her life, announced (in Bella’s voice) in the prologue. Of course my view is affected by the fact that I am a scholar of religion, and a gender scholar too. -
ANXIETY of ISABELLA SWAN on LOOSING HER LOVE in CHRIST WEITZ’S NEW MOON MOVIE: a PSYCHOANALYTIC APPROACH
ANXIETY OF ISABELLA SWAN ON LOOSING HER LOVE IN CHRIST WEITZ’s NEW MOON MOVIE: A PSYCHOANALYTIC APPROACH RESEARCH PAPER Submitted as Partial Fulfillment of Requirement for Getting Bachelor Degree of Education in English Department by: APRILIANI DEVI TUNJUNGSARI A 320 060 066 ENGLISH DEPARTEMENT SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 APPROVAL ANXIETY OF ISABELLA SWAN ON LOOSING HER LOVE IN CHRIST WEITZ’s NEW MOON MOVIE: A PSYCHOANALYTIC APPROACH by: APRILIANI DEVI TUNJUNGSARI A 320 060 066 Approved to be Examined by Consultant Team Consultant I Consultant II Drs. Abdillah Nugraha, M. Hum Titis Setyabudi, S.S NIK. 589 NIK. 948 ii ACCEPTANCE ANXIETY OF ISABELLA SWAN ON LOOSING HER LOVE IN CHRIST WEITZ’s NEW MOON MOVIE: A PSYCHOANALYTIC APPROACH by: APRILIANI DEVI TUNJUNGSARI A 320 060 066 Accepted by the Board of Examiners School of Teacher Training and Education Muhammadiyah University of Surakarta Teams of Examiners 1. Drs. Abdillah Nugraha, M. Hum ( ) Chair Person 2. Titis Setyabudi, S.S ( ) Secretary 3. Dr. Phil. Dewi Candraningrum, S.Pd, M. Ed ( ) Member School of Teacher Training and Education Dean, Dr. H Sofyan Anif, M.Si NIP. 547 iii TESTIMONY Herewith, I testify that in this research paper, there is no plagiarism of the previous literary work which has been raised to obtain bachelor degree of university, nor there are opinions of masterpiece which have been written or published by others, except those which the writing are referred in the manuscript and mention in literature review and bibliography. If only there is any incorrectness proved in the future in the writer statements above, she will be fully responsible. -
Crisis and Liminality in Irish and North American Vampire Stories: “Interviewing Contemporary Vampires”
Departamento de Filoloxía Inglesa e Alemá FACULTADE DE FILOLOXÍA Crisis and Liminality in Irish and North American Vampire Stories: “Interviewing Contemporary Vampires” Aitana Acuña Rodríguez TRABALLO FIN DE GRAO GRAO EN LINGUA E LITERATURA INGLESAS DIRECTORA: MARGARITA ESTÉVEZ-SAÁ LIÑA TEMÁTICA: ESTUDOS EN LITERATURA IRLANDESA FACULTADE DE FILOLOXÍA UNIVERSIDADE DE SANTIAGO DE COMPOSTELA CURSO 2018/ 2019 1 ACKNOWLEDGMENTS First and foremost, I would like to express my gratitude to my supervisor, Margarita Estévez-Saá, for her continuous support and encouragement. It has been a pleasure working with her; I have learnt many things during this last year of university thanks to her and I will be taking this experience with me during the rest of my academic life. My deepest gratefulness goes, moreover, to Laura María Lojo Rodríguez, a lecturer belonging to the English and German Philology Department, who prompted my deepest devotion to literature and who has been of great support during the four years I have known her. I will never be able to thank her enough, and, in fact, I feel that I am not only leaving behind a wonderful teacher, but a dear friend. I would also like to thank Constante González Groba, an excellent lecturer who has encouraged me to love North- American literature and whose lessons I will carry with me forever. A special mention is likewise made to Ignacio Palacios, who has always encouraged me to take this degree that I am now glad to finish. And last, but not least, I would like to extend my sincere gratitude to my parents and my brother, who have always supported me with their enthusiasm since the beginning of this adventure. -
Fragile Bodies in Stephenie Meyer's Twilight Series
Cultivating Perspectives: Fragile Bodies in Stephenie Meyer’s Twilight Series by Heather Simeney MacLeod A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Heather Simeney MacLeod, 2014 ABSTRACT This dissertation project exposes the troubling engagement with classifications of materiality within text and bodies in Stephenie Meyer’s contemporary American vampire narrative, the Twilight Series (2005-2008). It does so by disclosing the troubling readings inherent in genre; revealing problematic representations in the gendered body of the protagonist, Bella Swan; exposing current cultural constructions of the adolescent female; demonstrating the nuclear structure of the family as inextricably connected to an iconic image of the trinity— man, woman, and child; and uncovering a chronicle of the body of the racialized “other.” That is to say, this project analyzes five persistent perspectives of the body—gendered, adolescent, transforming, reproducing, and embodying a “contact zone”—while relying on the methodologies of new feminist materialisms, posthumanism, postfeminism and vampire literary criticism. These conditions are characteristic of the “genre shift” in contemporary American vampire narrative in general, meaning that current vampire fiction tends to shift outside of the boundaries of its own classification, as in the case of Meyer’s material, which is read by a diverse readership outside of its Young Adult categorization. As such, this project closely examines the vampire exposed in Meyer’s remarkably popular text, as well as key texts published in the late twentieth and early twenty-first centuries, such as Joss Whedon’s television series Buffy the Vampire Slayer (1997-2003), Alan Ball’s HBO series True Blood (2009-2014), Kathryn Bigelow’s Near Dark (1987) and Joel Schumacher’s The Lost Boys (1987). -
Femininity and Agency in Young Adult Horror Fiction June Pulliam Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Monstrous bodies: femininity and agency in Young Adult horror fiction June Pulliam Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Pulliam, June, "Monstrous bodies: femininity and agency in Young Adult horror fiction" (2010). LSU Doctoral Dissertations. 259. https://digitalcommons.lsu.edu/gradschool_dissertations/259 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. MONSTROUS BODIES: FEMININITY AND AGENCY IN YOUNG ADULT HORROR FICTION A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy in The Department of English by June Pulliam B. A., Louisiana State University, 1984 M. A., Louisiana State University, 1987 August 2010 Acknowledgements I would like to thank my family for their patience as I completed this dissertation. In particular I would like to thank my husband Anthony Fonseca for suggesting titles that were of use to me and for reading my drafts. I would also like to express my heart-felt gratitude to Professors Malcolm Richardson, Michelle Massé and Robin Roberts for their confidence in my ability to embark on my program of study. -
1 Approvement Character Analysis of Isabella Swan In
APPROVEMENT CHARACTER ANALYSIS OF ISABELLA SWAN IN STEPHENIE MEYER’S TWILIGHT A Thesis Submitted to Letters and Humanities faculty In Partial of Requirements for Strata-1 Degree Akhmad Yunus NIM. 102026024513 Approved by: Elve Oktafiyani, M. Hum. NIP.150 317 725 ENGLISH LETTERS DEPARTMENT ADAB AND HUMANITIES FACULTY SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2009 1 2 ABSTRACT Akhmad Yunus, Character Analysis of Isabella Swan in Stephenie Meyer’s Twilight. Thesis. Jakarta: English Letters Department, Letters and Humanities Faculty. Syarif Hidayatullah State Islamic University Jakarta, May 2009. The research concerns with one of intrinsic elements, namely character. The writer analyzes the characteristics of the main character in Stephanie Meyer’s novel Twilight, Isabella Swan. The data are obtained by a comprehensive reading. The compiled data area analyzed with descriptive qualitative analysis method. The result of this research shows that the main character Isabella Swan is depicted physically and psychologically. Her physical characteristics are beautiful with brown hairs and eyes, and a heart shaped face. Psychologically she is self control, curious, honest, brave, introvert, and sometimes she lies. 3 ACKNOWLEDGEMENT In the name of Allah, the Most Gracious, the Most Merciful. I would like to say thanks to Allah SWT who has given the writer power to finish this term thesis. Peace be upon our great Prophet Muhammad SAW, his family, companions, and all followers in the world. The enormous thanks I dedicate to my beloved mother, Siti Ropiah, my sister Eli Sufiati, my brother Tanuri, Yusuf Attariq, Muhammad Daud, who support and give the writer spirit on facing this task.