American Poetry the Twentieth Century
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Ursula O'farrell
native and a poet of the Central Coast, I have long Further Reading URSULA O’FARREll since abandoned Jeffers as a model of either personal Melba Berry Bennett, The Stone Mason of Tor House: The Life and Works of Robinson Jeffers or poetic conduct. His inhumanism (which is really Charles Bukowski, Selected Letters Volume 4: 1987–1994 Paradise Revisted, 2012 more like antihumanism) wielded as an ideological T. S. Eliot, The Waste Land and Other Poems oil on canvas, 20 x 16 in. bludgeon diminishes much of his writing, just as William Everson, Archetype West: The Pacific Coast as a Rich’s genderism and Pablo Neruda’s communism Literary Region often compromise their imaginations with canned Lawrence Ferlinghetti, A Coney Island of the Mind political formulas, rhetorical evidence of righteous- Dana Gioia, Can Poetry Matter? Essays on Poetry and ness but tedious and redundant as art. Yet Jeffers, as American Culture Pound called Whitman (and like the insufferable Homer, The Iliad, translated by Richmond Lattimore Pound himself), is “a pigheaded father” who despite Randall Jarrell, Poetry and the Age his faults has much to teach. I’ve learned from him Robinson Jeffers, The Beginning and the End to ignore current trends and hold to my own vision __________, Not Man Apart of what must be written; to trust my own voice (as __________, Rock and Hawk, edited by Robert Hass Duncan advised) and to take seriously the truth of my __________, Selected Poems own experience; to attend to the reality of the physical __________, The Selected Poetry of Robinson Jeffers world and attempt to embody it in my writing; to have __________, The Women at Point Sur and Other Poems no patience with vanity and ego (including mine) and James Karman, Robinson Jeffers: Poet of California Stanley Kunitz, A Kind of Order, A Kind of Folly: Essays and to beware of poetic presumptuousness and frivolous- Interviews ness alike. -
Kenneth Patchen Papers
http://oac.cdlib.org/findaid/ark:/13030/kt3r29q25b No online items Guide to the Kenneth Patchen Papers Processed by UCSC OAC Unit. The University Library Special Collections and Archives University Library University of California, Santa Cruz Santa Cruz, California, 95064 Email: [email protected] URL: http://library.ucsc.edu/speccoll/ © 2004 The Regents of the University of California. All rights reserved. Guide to the Kenneth Patchen MS 160 1 Papers Guide to the Kenneth Patchen Papers Collection number: MS 160 The University Library Special Collections and Archives University of California, Santa Cruz Santa Cruz, California Processed by: UCSC OAC Unit Date Completed: 2004 Encoded by: UCSC OAC Unit © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Kenneth Patchen papers, Date (bulk): 1929-1989, (bulk 1929-1972) Collection number: MS 160 Creator: Patchen, Kenneth Extent: 35 linear feet and 151 painted poems Repository: University of California, Santa Cruz. University Library. Special Collections and Archives Santa Cruz, California 95064 Abstract: This collection contains biographical material, correspondence, manuscripts, bound first editions, rare silkscreen and painted book editions, painted poems, works of art including illustrations, paintings, papier-mâché sculptures and decorated furniture, scrapbooks, photographs, slides, recordings, musical scores, and clippings documenting the creative work and literary spirit of Kenneth Patchen, as well as personal triumphs and struggles shared with his wife Miriam Patchen. Physical location: Stored in Special Collections & Archives: Advance notice is required for access to the papers. Language: English. Access Collection is open for research. Access to Series 6: Painted Poems is restricted due to physical condition. -
News, Notes, & Correspondence
News, Notes, & Correspondence The Theatre of E. E. Cummings Published In the News, Notes & Correspondence section of Spring 18, we re- ported that a new edition of The Theatre of E. E. Cummings was in the works, and—behold!—the book appeared on schedule at the beginning of 2013. This book, which contains the plays Him, Anthropos, and Santa Claus, along with the ballet Tom, provides readers with a handy edition of Cummings’ theatre works. The book also has an afterword by Norman Friedman, “E. E. Cummings and the Theatre,” which we printed in Spring 18 (94-108). The Thickness of the Coin In February, 2012 we received a card from Zelda and Norman Fried- man. They wrote: We are okay and want to tell you that the older we get the more skillful and wise E. E. Cummings becomes. Zelda has been trying to locate the line “love makes the little thickness of the coin” and came upon it accidentally in “hate blows a bubble of despair into” across the page in Complete Poems from “love is more thicker than forget”—the poem where she thought it might be. The Cummings-Clarke Papers at the Massachusetts Historical Society *In October 2012, Peter Steinberg of the Massachusetts Historical Society wrote to inform us that some of the Cummings-Clarke family papers con- taining “some materials by E. E. Cummings” had “recently been processed and made available for research.” Peter sent us the following “link to the finding aid / collection guide in hopes that you or your society members might be interested in learning about [the papers and] visiting the MHS”: http://www.masshist.org/findingaids/doc.cfm?fa=fa0367. -
Guide to the Papers of the Summer Seminar of the Arts
Summer Seminar of the Arts Papers Guide to the Papers of The Summer Seminar of the Arts Auburn University at Montgomery Library Archives and Special Collections © AUM Library TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2 Biographical Information 3-4 Scope and Content Note 5 Arrangement 5-6 Inventory 6-24 1 Summer Seminar of the Arts Papers Collection Summary Creator: Jack Mooney Title: Summer Seminar of the Arts Papers Dates: ca. 1969-1983 Quantity: 9 boxes; 6.0 cu. ft. Identification: 2005/02 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Summer Seminar of the Arts Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: Jack Mooney donated the collection to the AUM Library in May 2005. Processing By: Samantha McNeilly, Archives/Special Collections Assistant (2005). Copyright Information: Copyright not assigned to the AUM Library. Restrictions Restrictions on access: There are no restrictions on access to these papers. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. 2 Summer Seminar of the Arts Papers Biographical/Historical Information The Summer Seminar of the Arts was an annual arts and literary festival held in Montgomery from 1969 until 1983. The Seminar was part of the Montgomery Arts Guild, an organization which was active in promoting and sponsoring cultural events. Held during July, the Seminar hosted readings by notable poets, offered creative writing workshops, held creative writing contests, and featured musical performances. -
Imprint: Oregon 1935
Imprint:Oregon 1°A S Fall-Spring 1978-1979 °M z-i William Everson Waldport: an Interview with William Everson Introduction During World War II the problem of what to do with conscientious objectors who refused to engage in certain types of moreor less war-related work was resolved by the establishment of so-called ConscientiousObjectors Camps, more formallyCivilian Public Service Camps. They were sponsored by the "peace churches,"the Brethren, Mennonite and American Friends Service Committee. By 1945 there were more than 110 such camps and sub-camps throughout the United States. The origins and pur- poses of these camps are well described in the interview which follows. There were three such camps in Oregon: No. 21 (Cascade Locks) opened Dec. 5, 1941: No.56 (Waldport) opened Oct. 24, 1942: No.59 (Elkton) opened Nov.?, 1942. All were engaged in forest maintenance directed by the U. S. Forest Service or by the Oregon and California Revested Lands Administration, Such work consisted of tree planting, blister rust control, fire fighting and trail building, a continuation, essenti- ally, of work done formerly by the receniiy defunct Civilian Conservation Corps. In the usual manner of all such camps, the CO camps produced house organs, usual- ly weekly or monthly mimeographed newspapers. These papers were sponsoredand encouraged by the camp administration itself. winch regarded them as a harmless and even useful outlet for expression. There were, however, some exceptions tothis expec- tation. Among Oregon camps, for example, there wasa proliferation of camp newspapers out of Elkton. This may be partially explainedbythe fact that Elkton was operated as aheadquarters camp and sent contingentsto sub-camps located as far south as Kiam. -
Alexander Literary Firsts & Poetry Rare Books
CATALOGUE THIRTY-TWO Mark Alexander Alexander Rare Books 234 Camp Street ALEXANDER LITERARY FIRSTS Barre, VT 05641 Office: (802) 476-0838 & POETRY RARE BOOKS Cell: (802) 522-0257 [email protected] All items are US, UK or CN First Editions & First Printings unless otherwise stated. All items guaranteed & are fully refundable for any reason within 30 days.; orders subject to prior sale. VT residents please add 6% sales tax. Checks, money orders, most credit cards via electronic invoice (Paypal) accepted. Net so days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. Shipping is free in the US (generally via Priority Mail) & Canada; elsewhere $20 per shipment. Visit AlexanderRareBooks.com for cover scans or photos of most items. We encourage you to visit for the latest acquisitions. ------------- Due to ever increasing inventory, we will be increasing the frequency of electronic catalogues. If you receive our printed catalogues we encourage you to sign up for our electronic catalogues, also. We will continue to mail print catalogues four CATALOGUE THIRTY-TWO times a year. Electronic catalogues will include recently acquired Summer 2013 items as well as sales. Catalogue 32 5. Adam, Helen. Third Eye Shining. [San Francisco]: Intersection, 1980. First edition thus. Illustrated broadside with a poem by Adam. Designed and printed by Arion Press on Arches. Artwork by 1. A. C. D. (ed.); THE 11. Boulder, CO: Summer 1972. First edition. Adam tipped onto the broadside. One of 100 numbered and signed Stapled mimeograph magazine with a cover illustration by Charles diJulio. copies, this copy not numbered (presumably hors commerce), Printed on rectos only. -
Published Occasionally by the Friends of the Bancroft Library University of California, Berkeley, California 94720
PUBLISHED OCCASIONALLY BY THE FRIENDS OF THE BANCROFT LIBRARY UNIVERSITY OF CALIFORNIA, BERKELEY, CALIFORNIA 94720 No. 6l May 197s Dr. and Mrs. David Prescott Barrows, with their children, Anna, Ella, Tom, and Betty, at Manila, ig And it is the story of "along the way" that '111 Along the Way comprises this substantial transcript, a gift from her children in honor of Mrs. Hagar's You Have Fun!" seventy-fifth birthday. In her perceptive introduction to Ella Bar From a childhood spent for the most part rows Hagar's Continuing Memoirs: Family, in the Philippines where her father, David Community, University, Marion Sproul Prescott Barrows, served as General Super Goodin notes that the last sentence of this intendent of Education, Ella Barrows came interview, recently completed by Bancroft's to Berkeley in 1910, attended McKinley Regional Oral History Office, ends with the School and Berkeley High School, and en phrase: "all along the way you have fun!" tered the University with its Class of 1919. [1] Life in the small college town in those halcy Annual Meeting: June 1st Bancroft's Contemporary on days before the first World War is vividly recalled, and contrasted with the changes The twenty-eighth Annual Meeting of Poetry Collection brought about by the war and by her father's The Friends of The Bancroft Library will be appointment to the presidency of the Uni held in Wheeler Auditorium on Sunday IN THE SUMMER OF 1965 the University of versity in December, 1919. From her job as afternoon, June 1st, at 2:30 p.m. -
The Crookeb Lines O~ (Job -- About Tbe Outnou
Bnotben AntoninU5 ((The ultimate) agoniZ!d sincerity that makes jor a truly great personal style ... )) -THENATTON the cRookeb lines o~ (job -- About tbe outnou . .. "Goo writes straight with crooked lines," runs the Portuguese proverb. Claudel made it famous in The ... -.~ .,-""1 ... Satin Slipper, and it has come to stand in men's minds as the epitome of that compelling obliqueness with ~~ )-~. which the divine intent governs the chaos of the human situation. The Crooked Lines oj Cod invokes it well, for ~ that same reverberating urgency troubles the lines of this poetry, as it has haunted the life of the man who wrote It. Brother Antoninus (William Everson), was born in Sacramento, California, in 19 [ 2, and grew up in the town of Selma, where he nlarried, earned his living as a laborer and farmer, read the poetry of Robinson Jeffers, and wrote the series of books which established him as one of the promising poets of the West. Drafted as a conscientious objector during the War, on his release he settled in the San Francisco Bay area and became iden tified wi th the anarcho-pacifist group around the poet Kenneth Rexroth. In 1948 he came into national atten tion with the publication of his book The Residual Years by New Directions. A year later he received a Guggen heim Fellowship. H is moment was brief. The early marriage had not survived the war, and after his release he met a fallen away Catholic whose struggle back to her faith led to his own conversion. They separated to enter the Church in 1949. -
Poem on the Page: a Collection of Broadsides
Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches. -
0403 Plutzik.Pdf
Hyam Plutzik The namesake of the English department’s celebrated reading series, the poet began with readings of his own work as a faculty member from 1945 to 1962. 38 ROCHESTER REVIEW March–April 2012 University LibrAries/DepArtMent of rAre books, speciAL coLLections, AnD preservAtion 4_RochRev_Mar_2012_Features-Plutzik.indd 38 2/28/12 1:43 AM Li Terary LighTs Over the past five decades, the Plutzik Reading Series has brought some of literature’s biggest names to campus to carry on its namesake poet’s mission to share the power of poetry. Anthony Hecht A frequent reader in—and a former director of—the series, Hecht won the Pulitzer Prize for The Hard Hours in 1968 as a Rochester English professor. By Valerie Alhart James Baldwin he roster reads like a Who’s Who of modern literature: A novelist, James Baldwin, Ted Hughes, Robert Lowell, Bernard essayist, poet, Malamud, Michael Ondaatje, Adrienne Rich, Salman and playwright, Rushdie, Allen Ginsberg, Rita Dove, J. M. Coetzee, W. S. Baldwin was Merwin, Elizabeth Bishop, John Ashbery, Anne Sexton, a guest of the and John Updike, to name a few. series in the TSince 1962, more than 300 poets, novelists, and nonfiction spring of 1972. writers have been guests of the English department’s Plutzik Reading Series, sharing their work with students, faculty, and area community members in one of the nation’s longest-running collegiate reading programs. Plutzik, who joined the Rochester English faculty in 1945, made it his mission to ensure that students would be able to appreciate poetry not only on the page, but also as a performative act, in which listeners would experience the excitement of an impassioned author at a podium. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
Edward Estlin Cummings
Classic Poetry Series Edward Estlin Cummings - poems - Publication Date: 2004 Publisher: PoemHunter.Com - The World's Poetry Archive 1(a... (a leaf falls on loneliness) 1(a le af fa ll s) one l iness Edward Estlin Cummings www.PoemHunter.com - The World's Poetry Archive 2 all in green All in green went my love riding on a great horse of gold into the silver dawn. Four lean hounds crouched low and smiling the merry deer ran before. Fleeter be they than dappled dreams the swift red deer the red rare deer. Four red roebuck at a white water the cruel bugle sang before. Horn at hip went my love riding riding the echo down into the silver dawn. Four lean hounds crouched low and smiling the level meadows ran before. Softer be they than slippered sleep the lean lithe deer the fleet flown deer. Four fleet does at a gold valley the famished arrow sang before. Bow at belt went my love riding riding the mountain down into the silver dawn. Four lean hounds crouched low and smiling the sheer peaks ran before. Paler be they than daunting death the sleek slim deer the tall tense deer. Four tall stags at the green mountain the lucky hunter sang before. All in green went my love riding on a great horse of gold into the silver dawn. Four lean hounds crouched low and smiling my heart fell dead before. Edward Estlin Cummings www.PoemHunter.com - The World's Poetry Archive 3 anyone lived in a pretty how town anyone lived in a pretty how town (with up so floating many bells down) spring summer autumn winter he sang his didn't he danced his did.