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Lo Switch Off Delle Regioni Del Nord Italia Rappresenta Una Sfida Formidabile Ma Anche Per Tutti Coloro Che Lavorano Per Fornire Servizi E Assistenza Agli Utenti
Lo switch off delle regioni del Nord Italia rappresenta una sfida formidabile ma anche per tutti coloro che lavorano per fornire servizi e assistenza agli utenti. Crediamo di fare cosa utile fornendo agli antennisti del Nord Italia, grazie alla collaborazione delle Associazioni di categoria, alcune informazioni relative alla sintonizzazione dei canali Rai e alle problematiche più ricorrenti . INDICE LA COMPOSIZIONE DEI MUX RAI ................................................................................................5 L’AREA TECNICA 3 (PIEMONTE ORIENTALE, LOMBARDIA, PROVINCE DI PARMA E PIACENZA)..................................................) .......................................................................................7 LE AREE TECNICHE 5-6-7 (EMILIA-ROMAGNA, VENETO, FRIULI VENEZIA-GIUIA).......12) I “DOPPI” CONTENUTI REGIONALI ............................................................................................19 DECODER DIGITALI TERRESTRI, QUALI SCEGLIERE ............................................................................20 PROBLEMATICHE E RELATIVE SOLUZIONI PER GLI IMPIANTI D’ANTENNA.............................................22 LA PIATTAFORMA SATELLITARE GRATUITA TIVÙ SAT.........................................................................29 I CANALI RAI CHE SARANNO VISIBILI SUL DIGITALE TERRESTRE..................................31E 2 LO SWITCH OFF E IL CALENDARIO DEL PASSAGGIO AL DIGITALE TERRESTRE NELLE REGIONI DEL NORD ITALIA Dal 25 ottobre al 15 dicembre 2010 in Piemonte orientale, Lombardia, -
Il Modo Più Semplice Di Vedere La Tua
Scegli un televisore o un decoder TV DIGITALE TERRESTRE con il bollino DGTVi . e n o i z i u r f i d a e r a ’ l l e d a r u t r e p o c a . v i t i t . t i e v f t f g e ’ l d l . a w i t w a w n o i o t z i i s d l n a o i t c o o d n n o a s g e o l t l n o e c m e a n g u a m p o a c i t o u u t n l e t Per informazioni consulta i siti: e n n o i t c n i e e www.dgtvi.it s d e r e p e r o t www.mediasetpremium.it t s n e e r r m e t a www.digitaleterrestre.rai.it g e l a a p t i a g i i t www.la7.it/cartapiu/ d Scegli il modo giusto l u e n e d t i l www.boingtv.it n a o n c a i per passare alla c e i i www.aeranticorallo.it e l d a n e a n c o i www.frt.it i tv digitale terrestre z a e c c i i f i r r e a V L il modo più semplice di vedere la tua tv! Vai sul sicuro con il marchio DGTVi Bollini DGTVi: Nascono una garanzia per il consumatore il bollino blu e il bollino bianco Il DGTVi, associazione delle televisioni italiane* che ha il compito di promuovere la diffusione del digitale terrestre, ha creato due “bollini” a garanzia delle caratteristiche tecnico-qualitative dei ricevitori ed a tutela del consumatori. -
Il Settembre Della TV Digitale
Il Settembre della TV Digitale Analisi Settembre 2010 Solo canali a rilevazione Auditel giornaliera TV Satellitari Monopiattaforma: Trend Share 9,8% 9,5% 9,5% 8,8% 9,0% 8,1% 7,9% 7,6% 7,6% 7,7% 7,7% 7,6% 7,8% +3% set-09 ott-09 nov-09 dic-09 gen-10 feb-10 mar-10 apr-10 mag-10 giu-10 lug-10 ago-10 set-10 Var% vs omologo 09 Fonte: Elaborazioni Starcom su dati Auditel AGB - Fascia 02.00-02.00; Individui 1 TV DTT Monopiattaforma*: Trend Share 6,1% 5,7% 5,5% 5,1% 4,2% 4,4% 4,4% 3,5% set-09 ott-09 nov-09 dic-09 gen-10 feb-10 mar-10 apr-10 mag-10 giu-10 lug-10 ago-10 set-10 * Rilevazione Auditel da febbraio 2010 Fonte: Elaborazioni Starcom su dati Auditel AGB - Fascia 02.00-02.00; Individui 2 TV Digitali Multipiattaforma: Trend Share 7,8% 7,5% 7,0% 6,7% 5,8% 5,5% 5,7% 5,6% 5,6% 5,1% 4,0% 3,4% 3,4% +98% set-09 ott-09 nov-09 dic-09 gen-10 feb-10 mar-10 apr-10 mag-10 giu-10 lug-10 ago-10 set-10 Var% vs omologo 09 Fonte: Elaborazioni Starcom su dati Auditel AGB - Fascia 02.00-02.00; Individui 3 Totale TV Digitali: Trend Share 23,0% 23,1% 21,9% 21,3% 18,0% 18,0% 16,8% 17,5% 13,8% 12,2% 12,7% 11,3% 11,6% +75% set-09 ott-09 nov-09 dic-09 gen-10 feb-10 mar-10 apr-10 mag-10 giu-10 lug-10 ago-10 set-10 Var% vs omologo 09 Fonte: Elaborazioni Starcom su dati Auditel AGB - Fascia 02.00-02.00; Individui 4 TV Satellitari Monopiattaforma: share per fascia 11,7% 9,9% 10,2% 9,0% 8,2% 8,5% 6,9% +3% +3% +2% +2% +4% +4% -3% 0200 0200 0700 1200 1200 1500 1500 1800 1800 2030 2030 2300 2300 0200 Var% vs omologo 09 Fonte: Elaborazioni Starcom su dati Auditel AGB - Settembre -
Scheda Tivusat 3DGFLEX
Transmodulatore Twin DVBS2 CI - COFDM per TivùSat L'unica con 4 anni di garanzia Transmodulatore twin DVB S2-COFDM per ricevere tutti i programmi provenienti da 3 distinti transponder satellitari e creare fino ad un massimo di 2 mux DTT ad hoc, scegliendo la composizione dei mux a proprio piacimento. Il prodotto è approvato da TivùSat per distribuire i programmi dei propri bouquet satellitari in contesti Hospitality (alberghi, ospedali, condomini, residence, villaggi, etc). Per ogni programma inserito è possibile gestire e modificare l’LCN e tutti i parametri descrittori dei mux generati. Il modulo è alimentato e programmato grazie all’apposito box (3DG-BOX) che consente l’alloggiamento di un massimo di 6 moduli. Prova la centrale! Scopri come nella sezione dedicata del sito web Fracarro cliccando qui. Caratteristiche principali Twin Philosophy: 2 ingressi SAT (DVB-S2), 2 mux DTT overflow), ritornando alla configurazione iniziale appena indipendenti in uscita, 2 Common Interface. il bit rate complessivo rientra nei parametri. “Mux-ad-Hoc”: possibilità di creare il proprio mux Funzione AUTO REMAPPING: possibilità di cambiare in personalizzarto con i programmi dei 2 satelliti ricevuti + tempo reale i canali da distribuire senza risintonizzare i back panel, gestione di tutti i parametri descrittori dei televisore. singoli programmi (LCN, SID, PID, Program name..) e Programmazione da interfaccia WEB inclusa in ogni dei MUX (ONID, TSID, NetID,…). modulo e programmazione base da tastiera e display a Loop-thorugh da back panel dei segnali ricevuti da uno bordo. dei moduli precedenti. Telegestione da remoto inclusa per il monitoraggio o la ARP 2.0 = Automatic Recovery Procedure (Procedura configurazione di tutti i parametri. -
Distribution in Italy
Distribution/Exhibition I 39 TOTAL Theatrical Distributors (24 considering continuity) Very high competition -> high MG 5 US (FOX, BVI, SONY, UIP, WARNER) 2 Italian Distributors part of a broadcasting group 01 Distribution -> owned by RAI Medusa -> same group as MEDIASET 1 State-owned Distributor (Istituto Luce) Distribution/Exhibition II Market share first 10 distributors 2005 MS% UIP 20,1 Warner 14,1 Medusa 10,5 01 Distribution 10,1 First five Buena Vista 9,0 = 63,8% Eagle Pictures 7,4 Sony Pictures 6,7 Filmauro 6,2 Fox 6,0 BIM 1,8 Total 91,9 Distribution/Exhibition III First 20 distributors (independent in bold) UIP 20,1 Lucky Red 1,7 Warner 14,1 Istituto Luce 1,3 Medusa 10,5 Mikado 1,3 01 Distribution 10,1 Moviemax 0,7 Buena Vista 9,0 IIF 0,7 Eagle Pictures 7,4 Mediafilm 0,6 Sony Pictures 6,7 Fandango 0,5 Filmauro 6,2 Nexo 0,4 Fox 6,0 Lady Film 0,2 BIM 1,8 Teodora 0,2 Market share indp distributors: 21,7% Distribution/Exhibition IV Horizontal/Vertical Integration Medusa (Theatrical, HV) -> Mediaset (Free TV) -> Medusa (theatres) 01 (Theatrical, HV)-> RAI (Free TV) Independent: Circuito Cinema (100 theatres controlled by independent distributors) Cinecittà Holding (lab, theatres, fund, distributor) National Exhibitors: distribution or production companies? Nexo (from exhibition to distribution) Lumière (from exhibition to production) Distribution/Exhibition V American Majors directly operating in: Distribution (Warner, Fox, Sony, Buena Vista, UIP) Production (Warner, Sony) Multiplex (Warner, UCI ex-USA) Distribution/Exhibition VI Exhibition -
Channel Switching-Triggered Charging for Pay-TV Over IPTV
Channel Switching-Triggered Charging for Pay-TV over IPTV vom Fachbereich Informatik der Technischen Universitat¨ Darmstadt genehmigte Dissertation zur Erlangung des akademischen Grades eines Doktor-Ingenieurs (Dr.-Ing.) von Dipl.-Inform. Tolga Arul geboren in Frankfurt am Main, Deutschland Referenten der Arbeit: Prof. Dr. Sorin A. Huss Technische Universitat¨ Darmstadt Asst. Prof. Dr. Abdulhadi Shoufan Khalifa University Abu Dhabi Prof. Dr. Stefan Katzenbeisser Technische Universitat¨ Darmstadt Tag der Einreichung: 18.08.2016 Tag der mundlichen¨ Prufung:¨ 06.10.2016 Darmstadter¨ Dissertation D 17 Darmstadt 2017 EHRENWÖRTLICHE ERKLÄRUNG Hiermit versichere ich, die vorliegende Arbeit ohne Hilfe Dritter und nur mit den ange- gebenen Quellen und Hilfsmitteln angefertigt zu haben. Alle Stellen, die aus den Quellen entnommen wurden, sind als solche kenntlich gemacht worden. Diese Arbeit hat in glei- cher oder ahnlicher¨ Form noch keiner Prufungsbeh¨ orde¨ vorgelegen. Darmstadt, 18. August 2016 Tolga Arul CHANNEL SWITCHING-TRIGGERED CHARGING FOR PAY-TV OVER IPTV To my family CONTENTS List of Figures vii List of Tables xi Acknowledgments xv Acronyms xvii 1 Introduction1 1.1 Context2 1.1.1 Pricing for Information Goods4 1.1.2 Charging Models for Pay-TV7 1.2 Short-Interval Charging 10 1.2.1 Consumer Opportunities 10 1.2.2 Consumer Challenges 11 1.2.3 Network Operator Opportunities 12 1.2.4 Network Operator Challenges 14 1.3 Objectives and Organization 15 2 Prospects 19 2.1 Market Participants 20 2.2 Market Background 21 2.3 Consumer Perspective -
Drama Directory
2015 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia ......................................................................... 124 Introduction ................................................................. 3 Lithuania ................................................................... 127 Luxembourg ............................................................ 133 Austria .......................................................................... 4 Malta .......................................................................... 135 Belgium ...................................................................... 10 Netherlands ............................................................. 137 Bulgaria ....................................................................... 21 Norway ..................................................................... 147 Cyprus ......................................................................... 26 Poland ........................................................................ 153 Czech Republic ......................................................... 31 Portugal ................................................................... 159 Denmark .................................................................... 36 Romania ................................................................... 165 Estonia ........................................................................ 42 Slovakia .................................................................... 174 -
Senderliste-Digital-Tv.Pdf
Zusatz-Pakete Alle Preise pro Monat. Premium CHF 33.– Entertainment CHF 22.– Sports CHF 11.– 2 Monate1) gratis Im Premium-Paket erhalten Sie alles in einem: Plus, Entertainment, Sports und den Erotik-Sender Blue Hustler. 188 Nicktoons 271 Eurosport 1 HD 189 Cartoon Netw. HD d/e 272 Eurosport 2 HD 190 Boomerang HD d/e 274 sport1+ HD 194 Fix & Foxi 275 sportdigital HD CHF 5.– Plus 197 Nick Jr. 278 Auto Motor & Sport HD 201 Animal Planet HD 279 Motors TV HD d/f/e Deutschsprachige Sender Weitere Sprachen 202 Nat Geo Wild HD d/e 282 sport 1 US HD e 100 RTL HD 448 Extremadura SAT spa 203 Nat Geo HD d/e 285 Extreme Sports Channel d/f/e 101 SAT.1 HD 494 CT24 Czech News cze 204 Discovery HD 286 Fast&FunBox HD e 102 ProSieben HD 497 Duna TV HD hun PLANET 205 HD Planet HD 287 FightBox HD e 103 VOX HD 498 TVRi Romania Int. rum 206 GEO Television HD d/e 290 Nautical Channel HD e/f 104 RTL 2 HD 501 Slovenija 1 slv 212 Travel Channel HD d/e 105 kabel eins HD 508 Z1 TV Sljeme hrv 219 History HD d/e 107 RTLNITRO HD 509 DM Sat srp 221 A&E d/e 108 n-tv HD 521 RTRS plus bos Adult CHF 24.– 227 Bon Gusto HD 111 Super RTL HD 522 OBN bos 295 Penthouse HD 230 E! Entertainment HD d/e 113 sixx HD 529 RTCG TV Montenegro mon 296 Blue Hustler2) 232 RTL Living HD 124 Anixe HD Serie 536 TVSH Shqiptar alb 297 Hustler TV 233 RTL Passion HD 133 Welt der Wunder 551 TRT 1 HD tur 298 Private TV 236 Romance TV HD 163 Gute Laune TV 557 Kanal D (Euro D) tur 237 Universal Channel HD d/e Sender mit 7 Tage Replay-Funktion auf Verte! TV. -
Relazione Amministratori 2011
_____________________________________________________________________ _________________________________________________________ Annual Financial Report at 31 December 2011 Cairo Communication S.p.A. Head office: Via Tucidide 56, Milan Share Capital € 4,073,856.80 Translation into the English language solely for the convenience of international readers _____________________________________________________________________ Governance ________________________________________________________________________________________ Board of Directors Urbano Cairo * Chairman Uberto Fornara Chief Executive Officer Roberto Cairo Director Marco Janni Director Antonio Magnocavallo Director Marco Pompignoli Director Roberto Rezzonico Director Mauro Sala Director Internal Control Committee Roberto Rezzonico Director Antonio Magnocavallo Director Mauro Sala Director Remuneration Committee Antonio Magnocavallo Director Roberto Rezzonico Director Marco Janni Director Related Party Committee Marco Janni Director Mauro Sala Director Roberto Rezzonico Director ________________________________________________________________________________________ Board of Statutory Auditors Marco Moroni Chairman Marco Giuliani Standing auditor Maria Pia Maspes Standing auditor Mario Danti Alternate auditor Enrico Tamborini Alternate auditor ________________________________________________________________________________________ Audit Firm KPMG S.p.A. * Ordinary and extraordinary executive powers exercised with single signatory, as limited by the Board of Directors. 2 _____________________________________________________________________ -
Florence Tv Guide Italy
Florence tv guide italy Continue Several broadcasters are based in Florence, thanks to which she is always aware of the news, sports spectacle from the region and the world! CHANNEL 10 Is a Television Broadcasting Company based in Florence. He is engaged in sports, news, entertainment and more. All'attivo has several programs, including several programs for the smallest. It covers not only the provinces of Florence, Arezzo, Grosseto, Massa, Lucca, Prato and Pisto. www.canale10.it Italy 7 Issuer of Florentine Television, which always keeps us informed of everything that happens in the province of Florence, Italy and abroad. Its coverage includes the provinces of Florence, Grosseto, Areto, Livorno, Lucca, Pista, La Spezia, Rome, Perugia and Terni. www.italiasette.it NETWORK 37 The issuer of television florence. News, news, sports, programs for children and more for a network that has wide coverage. www.rete37.it TELE 37 TV Florentine offers that all services are a little outdated and spend some time in the company of various programs. Its copoertura equals network 37, even if it can not cover Liguria. www.tele37.it TELEGRANDUCATO OF TUSCANY SRL TV, headquartered in Florence, covering the entire province of Tuscany: Pisa, Lucca, Prato, Versilia, Massa. www.telegranducato.it Florence is known for its Renaissance art and architecture. But the city is not stuck in the past; it is constantly evolving. Presenter Katie McCabe gets to see the restoration of Duomo from a unique perspective - tap! However, she attends the only Last Supper written by a renaissance woman and sees how she lives. Florence is also home to contemporary street artist Clet Abraham, and Katie joins him for artistic capers of sorts. -
Foreign Satellite & Satellite Systems Europe Africa & Middle East Asia
Foreign Satellite & Satellite Systems Europe Africa & Middle East Albania, Austria, Belarus, Belgium, Bosnia & Algeria, Angola, Benin, Burkina Faso, Cameroon, Herzegonia, Bulgaria, Croatia, Czech Republic, Congo Brazzaville, Congo Kinshasa, Egypt, France, Germany, Gibraltar, Greece, Hungary, Ethiopia, Gabon, Ghana, Ivory Coast, Kenya, Iceland, Ireland, Italy, Luxembourg, Macedonia, Libya, Mali, Mauritania, Mauritius, Morocco, Moldova, Montenegro, The Netherlands, Norway, Mozambique, Namibia, Niger, Nigeria, Senegal, Poland, Portugal, Romania, Russia, Serbia, Somalia, South Africa, Sudan, Tanzania, Tunisia, Slovakia, Slovenia, Spain, Sweden, Switzerland, Uganda, Western Sahara, Zambia. Armenia, Ukraine, United Kingdom. Azerbaijan, Bahrain, Cyprus, Georgia, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Oman, Palestine, Qatar, Saudi Arabia, Syria, Turkey, United Arab Emirates, Yemen. Asia & Pacific North & South America Afghanistan, Bangladesh, Bhutan, Cambodia, Canada, Costa Rica, Cuba, Dominican Republic, China, Hong Kong, India, Japan, Kazakhstan, Honduras, Jamaica, Mexico, Puerto Rico, United Kyrgyzstan, Laos, Macau, Maldives, Myanmar, States of America. Argentina, Bolivia, Brazil, Nepal, Pakistan, Phillipines, South Korea, Chile, Columbia, Ecuador, Paraguay, Peru, Sri Lanka, Taiwan, Tajikistan, Thailand, Uruguay, Venezuela. Uzbekistan, Vietnam. Australia, French Polynesia, New Zealand. EUROPE Albania Austria Belarus Belgium Bosnia & Herzegovina Bulgaria Croatia Czech Republic France Germany Gibraltar Greece Hungary Iceland Ireland Italy -
Report Prepared for Mediaset§ 3 June 2016
Development of the audiovisual markets and creation of original contents Report prepared for Mediaset§ 3 June 2016 Lear Via di Monserrato, 48 00186 - Rome tel. +39 06 68 300 530 fax +39 06 68 68 286 email: [email protected] § This is a working translation of the Study “Evoluzione dei mercati dell’audiovisivo e creazione di contenuti originali” dated 16 May 2016. Index 1. Introduction ................................................................................................................................ 1 2. The audiovisual system: the birth of new models ......................................................................... 2 2.1. Media convergence ............................................................................................................................ 2 2.2. Audiovisual business models ............................................................................................................. 6 3. The regulatory asymmetry of the audiovisual markets ................................................................. 9 4. The enforcement of copyright .................................................................................................... 12 4.1. Methods and numbers in piracy ...................................................................................................... 12 4.2. Description of loss of earnings by channel of monetisation ............................................................ 15 4.3. Monitoring costs .............................................................................................................................