Evaluation of Arastas and Bazaars of Ottoman Cities Within the Context of Construction Materials and Architectural Typologies
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Ayasofya.Pdf
AYASOFYA CAMİİ HAGIA SOPHIA MOSQUE مسجدآيا صوفيا FATIH SULTAN MEHMED HAN’IN EMANETI, INSANLIĞIN ORTAK HAZINESI THE TRUST OF FATIH SULTAN MEHMED KHAN, THE COMMON HERITAGE OF HUMANITY آمانة السلطان الفاتح محمد خان، كنز اإلنسانية املشرتك AYASOFYA CAMİİ HAGIA SOPHIA MOSQUE مسجد آيا صوفيا FATIH SULTAN MEHMED HAN’IN EMANETI, INSANLIĞIN ORTAK HAZINESI THE TRUST OF FATIH SULTAN MEHMED KHAN, THE COMMON HERITAGE OF HUMANITY آمانة السلطان الفاتح محمد خان، كنز اإلنسانية المشترك ISBN: 978-605-06504-3-3 AYASOFYA CAMİİ FATIH SULTAN MEHMED HAN’IN EMANETI, INSANLIĞIN ORTAK HAZINESI HAGIA SOPHIA MOSQUE THE TRUST OF FATIH SULTAN MEHMED KHAN, THE COMMON HERITAGE OF HUMANITY مسجد آيا صوفيا آمانة السلطان الفاتح محمد خان، كنز اإلنسانية المشترك © 2020 TÜRKIYE CUMHURIYETI CUMHURBAŞKANLIĞI ILETIŞIM BAŞKANLIĞI PRESIDENCY OF THE REPUBLIC OF TURKEY DIRECTORATE OF COMMUNICATIONS رئاسة إدارة اإلتصال برئاسة الجمهورية التركية CUMHURBAŞKANLIĞI ILETIŞIM BAŞKANLIĞI YAYINLARI PUBLICATIONS BY PRESIDENCY’S DIRECTORATE OF COMMUNICATIONS منشورات رئاسة إدارة اإلتصال برئاسة الجمهورية التركية Yayıncı Sertifika No: 45482 الطبعة األولى، إسطنبول | Baskı, Istanbul, 2020 | 1st Edition, Istanbul .1 لالتصال | İletişim | Contact Ceyhun Atuf Kansu Caddesi No: 122 Balgat/Ankara/TÜRKİYE T +90 312 583 60 00 | [email protected] | www.iletisim.gov.tr الطباعة | Baskı | Print Prestij Grafik Rek. ve Mat. San. ve Tic. Ltd. Şti. T +90 212 489 40 63, İstanbul Matbaa Sertifika No: 45590 AYASOFYA CAMİİ FATIH SULTAN MEHMED HAN’IN EMANETI, INSANLIĞIN ORTAK HAZINESI ÖNSÖZ 10 Temmuz 2020 tarihinde Danıştay’ın, Ayasofya’yı camiden Ayasofya Camii, ülkemizdeki dini özgürlüklerin çerçevesinin müzeye dönüştüren 1934 tarihli Bakanlar Kurulu düzenlemesini de ne denli genişlediğinin de bir göstergesidir. -
70353,16-Utks-Ozetlerpdf.Pdf
16th INTERNATIONAL CONGRESS OF TURKISH ART: ABSTRACTS 16. ULUSLARARASI TÜRK SANATLARI KONGRESİ: ÖZETLER MINISTRGENERALY OF DIRECTORATECULTURE HACETTEPE KÜLTÜR VE GÜZELTURİZM SANATLAR BAKANLIĞI HACETTEPE AND OFTOURISM FINE ARTS UNIVERSITY GÜZEL SANAGENELTLAR GENEL MÜDÜRLÜĞÜ MÜDÜRLÜĞÜ ÜNİVERSİTESİ GENERAL DIRECTORATE OF FINE ARTS T.C. Kültür ve Turizm Bakanlığı Yayınları, No: 3642 Editor / Editör Serpil Bağcı Translation and proof reading / Çeviri ve Düzelti Serpil Bağcı Lâle Uluç Graphic design and application / Graf ik tasarım ve uygulama Yasin Büyüktaşkapulu Printing / Baskı Önka Matbaa www.onkamatbaa.com +90 312 3842685 © Scientif ic responsibility of the abstracts belongs to the authors © Özetlerin bilimsel sorumluluğu yazarlarına aittir. ISBN 978-975-17-4291-9 Print run / Baskı adedi 300 Ankara, September / Eylül 2019 The Local Organization Committee is grateful to the following for their collaboration and contribution to the16th International Congress of Turkish Arts: Members of the International and National Committees of the International Congress of Turkish Arts; the Turkish Ministry of Culture and Tourism, Directorate General of Fine Arts, Directorate General for Copyright; Hacettepe University, Faculty and Students of the Art History Department, Max van Berchem Foundation; Anatolian Civilizations, Cermodern, Erimtan Archeology and Art, and Rahmi Koç Museums, Vehbi Koç Ankara Studies Research Center; Mehmet Nuri Ersoy, Turkish Minister of Culture and Tourism, Deputy Minister Özgül Özkan Yavuz; Prof. Dr. Haluk Özen, Rector of the Hacettepe University, Deputy Rector Prof. Dr. Rahime Nohutçu, Dean of the Faculty of Letters Prof. Dr. Sibel Bozbeyoğlu; Member of the Presidential Council of Culture and Art Policies Havva Hümeyra Şahin; Turkish Ministry of Culture and Tourism, General Director of Fine Arts Assoc. -
Turkish Studies International Periodical for the Languages, Literature and History of Turkish Or Turkic Volume 12/13, P
Turkish Studies International Periodical for the Languages, Literature and History of Turkish or Turkic Volume 12/13, p. 71-94 DOI Number: http://dx.doi.org/10.7827/TurkishStudies.11755 ISSN: 1308-2140, ANKARA-TURKEY This article was checked by iThenticate. UNUTULMAYA YÜZ TUTMUŞ BİR TİCARET HANI: YENİ HAN Gülberk BİLECİK* ÖZET Makalenin konusunu oluşturan Yeni Han, Haliç kıyısı ve yamaçlarında hanlar bölgesi olarak isimlendirilen alanda, Tahtakale’de bulunmaktadır. Tahtakale ve çevresi, liman içi bir semt ve en önemli ticaret iskelelerinin hemen arkasında uzanan bir bölge olarak hem Bizans hem de Osmanlı dönemi boyunca ticaret alanı olma özelliğini devam ettirmiştir. Hasırcılar Caddesi üzerinde bulunan yapı, Tahmis Çıkmazı ve Fındıkçılar Sokağı ile çevrelenmiştir. Yaklaşık 1366.5 m2’lik bir alanı kaplamaktadır. Hasırcılar Hanı, Emin Hanı ve Tahmis Hanı gibi değişik isimlerle de anılmaktadır. Çalışmada ilk olarak Yeni Han’ın da içinde bulunduğu Tarihi Yarımada’daki ticaret bölgesi hakkında, fetih öncesi ve fetih sonrası olmak üzere kısa bir bilgi verilecektir. Fetihten sonra İstanbul’da görülen ticaret yapıları kısaca tanıtıldıktan sonra çalışmanın konusunu oluşturan Yeni Han’ın konumu, yeri ve günümüzdeki durumu incelenecektir. Yeni Han’ın inşa tarihi, yaptıranı ve mimarı hakkında kesin bir bilgi yoktur. Makalede binanın tarihlendirilmesine çalışılmıştır. Bunun için bölgede bulunan ve çeşitli yüzyıllara tarihlenen hanlar incelenmiştir. Birçok hanın duvar işçilikleri, plan ve cephe kuruluşları, avlu sayıları ve mimari ögeleri araştırılmıştır. Toplanan veriler ışığında sonuç olarak yapının 18. yüzyıla tarihlendirilmesi uygun görülmüştür. Bu makale ile bugüne kadar hakkında herhangi bir araştırma bulunmayan İstanbul’un önemli bir ticaret hanı, detaylı bir şekilde incelenmiş ve bilim dünyasına tanıtılmaya çalışılmıştır. Anahtar Kelimeler: İstanbul, Tarihi Yarımada, Ticaret, Han * Yrd. -
I SAINT G SOPHIA Ä MUSEUM
i SAINT g SOPHIA Ä MUSEUM TÜRKİYE TURİNG VE OTOMOBİL KURUMU YAYINI t t- y SAINT SOPHIA MUSEUM FERİDUN DİRİMTEKİN TOURING AND AUTOMOBILE CLUB OF TURKEY ISTANBUL Ş.İ-- MESSAGE TO TRAVELLERS COMING TO ISTANBUL Istanbul is, without a doubt, the only city in the world which adds to its incomparable natural beauties, so admirably described by numerous writers such as Lamartine, Théophile Gautier, Henri de Régnier and Loti, not simple vestiges, but intact mas terpieces of so many different civili zations; the only city in the world which, since over fifteen centuries, has uninterruptedly been not only the capital of the largest states, but the center of gravity of the synthesis of both European and Asian art. While the whole of Turkey is a land of legends and history which preserves imperishable souvenirs from Antioch and Tarsus to Ephesus, from Konya to Edirne, of Christianity as well as of Islam, Istanbul embraces in its bosom live images of the most brilliant periods of the Roman, By zantine and Turco-Ottoman Empires. Istanbul is not, such as certain other cities of the Orient a city of myths which childish imaginations nebuloously evoke. It is a city of poe tic reality or of real poetry, of beauty, of harmony and of majesty which are actually alive, visible, tangible. In no other metropolis of the old continent, including Rome and At hens, can one observe, study and compare simultaneous, side by side in one expanse, the most varied ma nifestations of social and artistic evo lutions throughout the centuries. With St. Sophia -splendid Byzan tine edifice of the VI th Century built by two Anatolian architects, restored several times and surprisingly well preserved by the Turks- and the mag- nific'ent Suleymaniye - which, like all imperial mosques, towers, in its so ber majesty, over its numerous ap purtenances which form a vast city of schools, libraries, hospitals, hotels, ppblic kitchens, caravanserais, hans, mausoleums, baths and fountains - Is tanbul obviously remains the world’s richest center of historical monu ments. -
Ottoman History of South-East Europe by Markus Koller
Ottoman History of South-East Europe by Markus Koller The era of Ottoman Rule, which began in the fourteenth century, is among the most controversial chapters of South-East European history. Over several stages of conquest, some of them several decades long, large parts of South-Eastern Europe were incorporated into the Ottoman Empire, or brought under its dominion. While the Ottomans had to surrender the territories north of the Danube and the Sava after the Peace Treaty of 1699, the decline of Ot- toman domination began only in the nineteenth century. Structures of imperial power which had been implemented in varying forms and intensity in different regions were replaced by emerging nation states in the nineteenth century. The development of national identities which accompanied this transformation was greatly determined by the new states distancing themselves from Ottoman rule, and consequently the image of "Turkish rule" has been a mainly negative one until the present. However, latest historical research has shown an increasingly differentiated image of this era of South-East European history. TABLE OF CONTENTS 1. Military and Political Developments 2. The Timar System 3. Ottoman Provincial Administration 1. Regional Differences in the Ottoman Provincial Administration 4. Islamisation 5. Catholic Christianity, Orthodox Christianity and Judaism 6. Urban Life 7. Appendix 1. Bibliography 2. Notes Indices Citation Military and Political Developments The Ottoman Empire had its roots in North-West Anatolia where in the thirteenth century the Ottoman Emirate was one of numerous minor Turkmen princedoms.1 The expansion of territory started under the founder of the dynasty, Osman (ca. -
Growing Through Values ANNUAL REPORT 2018 ANNUAL
KUVEYT REPORT 2018 TÜRK ANNUAL Growing through values that bind us together Head Office Büyükdere Cad. No: 129/1 Esentepe 34394 Şişli/Istanbul Tel: +90 212 354 11 11 (pbx) www.kuveytturk.com.tr Call Center: 444 0 123 ANNUAL REPORT 2018 Contents SECTION 1: INTRODUCTION 18 Summary of Financial Indicators 19 Shareholding and Capital Structure 20 Agenda of the Ordinary General Assembly 21 Amendments to the Articles of Association 22 Kuveyt Türk in Brief 28 The Story of 29 Successful Years 32 About Kuveyt Türk 34 Message from the Chairman 36 Message from the CEO SECTION 2: ACTIVITIES IN 2018 42 Retail Banking 48 SME Banking 52 Corporate and Commercial Banking 54 Treasury and International Banking 60 Loans 62 Law and Risk Follow-up Group 66 Strategy 78 Banking Services Group 93 Financial Affairs 98 Risk, Control and Compliance Group 101 Internal Audit and Inspection Department 102 Awards SECTION 3: MANAGEMENT AND CORPORATE GOVERNANCE PRACTICES 108 Board of Directors 111 Senior Management 115 Organizational Chart 116 Summary Report of the Board of Directors Submitted to the General Assembly 117 Executives within Internal Systems 118 Senior Management Committees 120 Related Party Transactions 120 Outsourced Services SECTION 4: FINANCIAL INFORMATION AND RISK MANAGEMENT PRACTICES 124 Annual Report Compliance Opinion 125 Review of the Audit Committee on Internal Systems 128 Assessment on Financial Status, Profitability and Solvency 128 Ratings of Kuveyt Türk by International Rating Agencies 129 Information on Risk Management Policies 131 Five-Year Summary Financial Information 133 Independent Auditor’s Report, Consolidated Financial Statements and Notes to Financial Charts 206 Contact Information and Branch Directory Proudly produced by FİNAR. -
Multicultural Exchange in the Norman Palaces of Twelfth
A Changing Mosaic: Multicultural Exchange in the Norman Palaces of Twelfth-Century Sicily by Dana Katz A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Art University of Toronto © Copyright by Dana Katz 2016 A Changing Mosaic: Multicultural Exchange in the Norman Palaces of Twelfth-Century Sicily by Dana Katz Doctor of Philosophy Graduate Department of Art University of Toronto 2016 Abstract This dissertation examines the twelfth-century residences associated with the Norman Hautevilles in the parklands that surrounded their capital at Palermo. One of the best-preserved ensembles of medieval secular architecture, the principal monuments are the palaces of La Zisa and La Cuba, the complexes of La Favara and Lo Scibene, the hunting lodge at Parco, and the palace at Monreale. The Norman conquest of Sicily in the previous century dramatically altered the local population’s religious and cultural identity. Nevertheless, an Islamic legacy persisted in the park architecture, arranged on axial plans with waterworks and ornamented with muqarnas vaults. By this time, the last Norman king, William II, and his court became aligned with contemporaries in the Latin West, and Muslims became marginalized in Sicily. Part One examines the modern “discovery” and reception of the twelfth-century palaces. As secular examples built in an Islamic mode, they did not fit preconceived paradigms of medieval Western architecture in the scholarly literature, greatly endangering their preservation. My examination reconstructs the vast landscape created by the Norman kings, who modified their surroundings on a monumental scale. Water in the parklands was harnessed to provide for ii artificial lakes and other waterscapes onto which the built environment was sited. -
Values of the Historic Urban Form of Skopje's Old Bazaar Based On
Values of the Historic Urban Form of Skopje's Title Old Bazaar Based on Analysis of the Ottoman Urban Strategy Author(s) Krstikj, Aleksandra Citation Issue Date Text Version ETD URL https://doi.org/10.18910/34483 DOI 10.18910/34483 rights Note Osaka University Knowledge Archive : OUKA https://ir.library.osaka-u.ac.jp/ Osaka University Doctoral Dissertation Values of the Historic Urban Form of Skopje’s Old Bazaar Based on Analysis of the Ottoman Urban Strategy Krstikj Aleksandra December・2013 Graduate School of Engineering Osaka University Doctoral Dissertation Values of the Historic Urban Form of Skopje’s Old Bazaar Based on Analysis of the Ottoman Urban Strategy Krstikj Aleksandra December・2013 Graduate School of Engineering Osaka University Acknowledgments I would like to dedicate this study to my uncle Aleksandar Kondev. It was him who first sparked my interest in the history of my hometown Skopje, where our family has lived and worked for generations. His stories, together with time spent in my grandfather’s shop in the Old Bazaar, formed my strong personal connection with the place. During my university years at Faculty of Architecture-Skopje, I got interested in our Macedonian architectural and urban heritage owing to the inspiring lectures of my Professor Jasmina Hadzieva. Later, with her support, I made the first steps in the research of Skopje’s Bazaar urban environment and prepared my bachelor thesis. Several years after, the remarkable opportunity to do research and study in Japan renew my professional interest in Skopje’s Bazaar. With amazing dedication and kindness, my Professor Hyuga Susumu from the Kyoto Institute of Technology made possible four field surveys in Skopje’s Bazaar with the graduate students from his laboratory. -
The Ottoman Commercial Buildings in Istanbul: a Study According to Writings and Paintings of Travelers
12-14 October 2015- Istanbul, Turkey Proceedings of ADVED15 International Conference on Advances in Education and Social Sciences THE OTTOMAN COMMERCIAL BUILDINGS IN ISTANBUL: A STUDY ACCORDING TO WRITINGS AND PAINTINGS OF TRAVELERS Mohamed Hamza Al-Hadad1 and Mohamed Ahmed Malaka2* 1Prof. Dr., Cairo University, Egypt, [email protected] 2Demonstrator., Cairo University, Egypt, [email protected] *Corresponding author Abstract The commercial buildings in the capital of Ottoman Empire have a great importance, as it played an important role in the social and commercial life in the Ottoman period. This paper aims to shed the light upon this great importance through the writings and paintings of the Travellers, who visited or passed through the Ottoman lands. This paper reveals also the different styles of these commercial buildings in Ottoman period; such as Khans, Arastas, and Bedestens. A lot of these buildings were mentioned in the writings and paintings of the Travellers; such as, the French Traveller “Guillaume Grelot”, who painted and noted the Egyptian Bazaar, which was joined in the New Mosque "Yeni Cami" complex in Istanbul 1680 A.D as an example for the Arasta that contains a central corridor surrounded by shops on its sides. Most of the old writings of the Historian and the Turkish Traveller Evliye Çelebi in the 17th century spoke about the covered Bazaar and its core as an example for the Bedesten, that consisted of halls covered by domes and used to keep precious products, which was built in the reign of sultan Mohammed II “Conqueror”, who constructed the interior Bedesten in (1461). -
İstanbul Kapalıçarşı'nın Çekirdeği Eski Bedesten'de Tarih, Kültür, Mimari
MAKALE ISSN 2651 - 5210 MODULAR 2019;2(1):1-11 İstanbul Kapalıçarşı’nın Çekirdeği Eski Bedesten’de Tarih, Kültür, Mimari Yapı ve İşlev Değişimleri Üzerine Bir İnceleme An Examination on History, Culture, Architecture, and Function Transformation of Old Bedesten, İstanbul Grand Bazaar Atlıhan Onat KARACALI1 Gönderilme Tarihi: 15.04.2019 - Kabul Tarihi: 17.05.2019 Özet Makalenin amacı; İstanbul’un kentsel tarihi içerisinde anahtar bir alışveriş çevresi örneği olan Kapalıçarşı üzerinden çarşının çekirdeği ve çalışmanın odağı olan Eski Bedesten ünitesinin coğrafi ve tarihsel bağlantılarını, kültürel ve tasarımsal ilişkilerini, mimari özelliklerini ve işlev değişimlerini incelemektir. Bu bağlamda, Eski Bedesten’in; coğrafi konum gereği fetih öncesi yerleşim ile olan tarihsel bağlantısı, kültürel konum gereği öncülü olan İslam toplumlarında kullanılagelmiş olan değişik ticari strüktür örnekleri ile olan tasarımsal ilişkisi, mimari sistemi gereği yapısal ve yapım amacına uygun kullanıldığı dönemdeki işlevsel yönleri, geçirdiği işlev değişimleri ve sanayi sonrası toplumlarda değişen alışveriş alışkanlıkları sonucu işlevini tümüyle yitirişi çalışmanın ana unsurlarını, kapsamını oluşturmaktadır. Tarihi Yarımada’nın, Kapalıçarşı’nın bulunduğu çevre dışındaki kısımları çalışma kapsamının dışında tutulmuştur. Kapalıçarşı geneli ve Sandal Bedesteni’ne, ayrıca Eski Bedesten’deki gündelik yaşantıya ise sınırlı ölçüde değinilmiştir. Mimari yapı ile ilgili bölümde, “asıl işlev” ifadesinin kullanılmasındaki amaç; Eski Bedesten’in, yapısal özelliklerini -
KÜLTÜR Başkenti
AVRUPA KÜLTÜR BAŞKENTi Kasım 2010 - Nisan 2011 Yıl: 12 Sayı: 47-48 Cilt: I İstanbul 201 O Avrupa Kültür Başkenti İstanbul Özel Sayısı November 201 O - April 201 1 Volume: 12 Number: 47-48 lstanbu.1 201 O European Capital of Culture lstanbul Special lssue Akademik Araştırmalar Dergisi, Sayı 47-48, 2010-20 ı 1, s. 1-24 İstanbul: An ısıamic Citv* Halil İnalcık** CONQUEST AS AN ACT OF FAITH Tb.e Prophet bimself is said to have ordered the first military action of Muslims against the Byzantines, namely in Palestine in the year 624. ı A mere twenty-six years after that, a Muslim army approached the Gates of Constantinople. In some sense, from a Western viewpoint, the forces of Islam may be regarded as having espoused the ancient struggle of -Sassanid Persia against the Greek empire. However, among Muslims it was a conviction, from the time of the Prophet onward, that the con quest of Constantinople was predestined for them by God. The Otto mans adopted that conviction as their own. Altogether the Muslims had organised twelve separate expeditions against the Byzantine capital be fore Melımed II eventually took it in ı453. 2 Constantinople was so powerful a symbol of resistance to the expan sion of Islam that a whole series of ahadith, some authentic and some not, as well as legendary and folk-epic material, spread about the future Muslim conquest of the city. The Ottomans would recall, and cite on every appropriate occasion, one of these ahadith which said: 'üne day Constantinople will definite ly be conquered. -
The View of Ankara in Memory of Prof
Conference The View of Ankara In Memory of Prof. Dr. Semavi Eyice Program October 18, 2018 Rahmi M. Koç Museum Ankara, Conference Room 16:00 - 16:15 Opening Speeches Mine Sofuoğlu, Rahmi M. Koç Museum Ankara, Museum Administrator & Curator Prof. Dr. Filiz Yenişehirlioğlu, Koç University, VEKAM Director Erik Weststrate, Deputy Head of Mission, Embassy of the Kingdom of the Netherlands in Turkey 16:15 - 18:30 Moderator Prof. Dr. Günsel Renda 16:15- 16:50 Some thoughts on the history and possible first owner of ‘The view of Ankara’. Eveline Sint Nicolaas, Curator of History, Rijksmuseum Amsterdam 16:50 - 17:00 Q&A and Discussion 17:00 - 17:15 Coffee Break 17:15 - 17:45 Ankara and its Mohair Industry as Reflected in ‘The View of Ankara’ of the Rijksmuseum, Amsterdam Erman Tamur, Researcher, Author 17:45 - 18:15 View of Ankara: The Story of a Painting Dr. Feyza Akder, Post-Doctoral Research Fellow 18:15 - 18:30 Q&A and Discussion 18:30 - 18:45 Exploring ‘The View of Ankara’ on Display 18:45 - 20:00 Reception at Divan Çukurhan Foreword ‘The View of Ankara’ from the Rijksmuseum collection has been one of the key paintings regarded as a historical document revealing the 18th century Ankara’s topography and the mohair production since the 1970’s. It has gained attention with the contribution of Prof. Dr. Semavi Eyice who described the painting as “a view of Ankara” rather than the view of the city of Aleppo which was described as such before his study of the painting. The View of Ankara is not only important for Ankara studies as being the oldest painting of Ankara that is known but also it depicts various stages of mohair manufacture and the Angora goats being shorn on the foreground and points to the mohair trade which had been central to the economy of the city of Ankara.