Rock and the Condition of Postmodernity
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The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Should Big Data Change the Modelling Paradigm in Official Statistics?
Statistical Journal of the IAOS 31 (2015) 193–202 193 DOI 10.3233/SJI-150892 IOS Press “Re-make/Re-model”: Should big data change the modelling paradigm in official statistics?1 Barteld Braaksmaa,∗ and Kees Zeelenbergb aInnovation Program, Statistics Netherlands, 2490 HA Den Haag, The Netherlands bMethods and Statistical Policies, Statistics Netherlands, 2490 HA Den Haag, The Netherlands Abstract. Big data offers many opportunities for official statistics: for example increased resolution, better timeliness, and new statistical outputs. But there are also many challenges: uncontrolled changes in sources that threaten continuity, lack of identifiers that impedes linking to population frames, and data that refers only indirectly to phenomena of statistical interest. We discuss two approaches to deal with these challenges and opportunities. First, we may accept big data for what they are: an imperfect, yet timely, indicator of phenomena in society. These data exist and that’s why they are interesting. Secondly, we may extend this approach by explicit modelling. New methods like machine-learning techniques can be considered alongside more traditional methods like Bayesian techniques. National statistical institutes have always been reluctant to use models, apart from specific cases like small-area estimates. Based on the experience at Statistics Netherlands we argue that NSIs should not be afraid to use models, provided that their use is documented and made transparent to users. Moreover, the primary purpose of an NSI is to describe society; we should refrain from making forecasts. The models used should therefore rely on actually observed data and they should be validated extensively. Keywords: Big data, model-based statistics 1. -
02.01.2019 Bis 12.05.2020
Programminfos vom 08.05.2020 bis 12.05.2020 75 Jahre Kriegsende Eigentlich hätte es jetzt auch in Kassel zahlreiche öffentliche Veranstaltungen zum 75. Jahrestag des Kriegsendes in Europa geben sollen – leider wurden sie allesamt vom Virus verspeist. Glücklicherweise verfügt das Freie Radio über ein umfangreiches Archiv mit Vorträgen, Diskussionen und sonstigen Beiträgen aller Art, auf das nun zurückgegriffen werden kann. Zum Jahrestag am 8. Mai senden wir einen Vortrag von Dr. Ulrich Schneider aus dem Jahr 2000, in dem er sich mit der Situation in Kassel und Nordhessen zum Kriegsende befaßt. • Sendetermin: „Themenwechsel“, Freitag, 8. Mai 2020, 18 Uhr Wiedervereinigung des Jahres: Tresenlesen Auch wenn die (West)deutschen mit Wiedervereinigungen ihre traurigen Erfahrungen machen mußten, so sollte man Ereignisse dieser Art nicht pauschal verteufeln. Über eine ebenso erfreuliche wie unerwartete Reunion durften sich die Kabarettfreunde kürzlich freuen: Tresenlesen, das legendäre Duo aus dem Ruhrpott, das in den 90er Jahren die Lesebühnen- Tradition mitbegründete und zu den Pionieren der Komischen Literatur gehört, hat sich kürzlich wieder zusammengetan – nach 20 Jahren. Jochen Malmsheimer und Frank Goosen, die im Jahr 2000 ihre Zusammenarbeit beendeten und jeweils erfolgreiche Solokarrieren starteten, trafen sich am Ostersamstag auf einer Theaterbühne in Bochum und präsentierten dem umständehalber nur virtuell vorhandenen Publikum alte und neue Texte. Und es funktionierte: Die alte Magie war wieder da, die Chemie stimmte, die Interaktion klappte wie in alten Zeiten. Steht nur zu hoffen, daß dies kein einmaliges Ereignis bleibt, sondern daß die beiden Kabarett-Titanen weiterhin gemeinsam ihr Publikum begeistern – vielleicht auch mit einem neuen Bühnenprogramm, sobald es die äußeren Umstände wieder zulassen. -
Binge & Book List the Pandemic Edition, Summer 2020
Binge & Book List The Pandemic Edition, Summer 2020 Or, Stay Home and Read (watching and listening also permitted) This annual list presents suggestions for summer enjoyment from individual faculty of the West Chester University English Department. Read, view, listen! A Gentleman in Moscow Broken Earth trilogy Amor Towles N.K. Jemisin Recommended by Richard Scholl Recommended by Hannah Ashley This is a uniquely brilliant novel about a Russian Jemisin is the only author to have won the Hugo count who is under house arrest in a hotel by the Award for best science fiction novel three years in a Nazis during WW II. It is a story that effectively row. They are about racism, capitalism, climate demonstrates how hope and kindness ultimately change, technology, humanity and you can't put defeat pettiness and evil. them down. Art of Solitude, the Chief Inspector Gamache book series Stephen Batchelor Penny, Louise Recommended by Stacy Esch Recommended by BG Betz I was inspired to read this by Krista Tippet’s This murder mystery series starts with the novel Still conversation with Stephen Batchelor in her ON Life and features a recurring cast of characters BEING podcast, which I also recommend! including Chief Inspector Armand Gamache and Inspector Jean-Guy Beauvoir. On the surface, these books are about solving murders taking place in and Babylon Berlin around Quebec, but the series is really a wonderful Netflix exploration of evolving and soulful characters, an Recommended by Eleanor Shevlin antidote to our jaded times. Be on the lookout for A neo-noir piece set in 1929 Weimer Germany. -
SEE the Glorium-Timeline
Glorium Gigography and Timeline This is a complete list of all Glorium performances, recording sessions and other notable dates. If there is something not listed or you catch any mistakes, please contact us. The bands that Glorium had the pleasure of playing with are also listed, and a set list, where a recording exists. The †(dagger) symbol designates shows that are recorded on standard eighth inch cassette tape. 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2004 2007 2008 2010 2011 2012 2016 MEDIA DATE CITY VENUE / EVENT NOTES SET LIST 1991 08.10.91 San Antonio, TX Ravenfield St. Glorium first gets together in San Antonio 08.28.91 San Antonio, TX Felix's Barber Record 5 songs Demos Shop, Chemical Angel 178 King's Ct. DiveBomb Believe In Nothing Burning Me Down Speed Read(instrum) 1992 † 01.03.92 San Antonio, TX TacoLand Glorium / Debris / Set included Gecko We're Desperate(X) Tatooed Love Boys(The Pretenders) 01.13.92 San Antonio, TX Robbie Dennis Recording Session for My Demolition Chemical Angel tape with Robbie Madonna Dennis Poncé Ground Floor DiveBomb Believe In Nothing Burning Me Down Collision Lost and Found † 01.16.92 San Antonio, TX TacoLand El Santo / Glorium 06.09.92 Austin, TX 946 E 50th St Recording Sessions Glorium begins practicing and recording at the house where Lino, Paul, and George lived in Austin. Demos for Ashes, Poisons, Iced the Swelling, Fearless, My Demolition, Sound Asleep and others were recorded that summer. † 06.10.92 San Antonio, TX TacoLand Glorium / Point of View 06.14.92 San Antonio, TX Wacky's Glorium / Shady Blades / Passage Temple / Peprhed † 07.19.92 Austin, TX Cavity Glorium / El Santo † 07.23.92 Austin, TX Cavity The Meices / Glorium Ryan Richardson of EV Records asks the band to do a single which is released in 1992, Divebomb bw Chemical Angel. -
Roxy Music Limited Yvonne P
Journal of Business Case Studies – Second Quarter 2005 Volume 1, Number 2 A Teaching Case Study: Roxy Music Limited Yvonne P. Shanahan, (E-mail: [email protected]), University of Canterbury, New Zealand Morris W. Shanahan, (E-mail: [email protected]), Christchurch Polytechnic Institute Technology, New Zealand BACKGROUND oxy Music Limited is a wholesale supplier of Compact Discs (CDs), Music Cassettes, Videos and, more recently DVDs, in the New Zealand music and entertainment market. All products are imported R from Germany, the United Kingdom, the United States of America or Holland. Product arrives in boxes of 1,000 units. For the purpose of this case, we are focusing on CD sales. CUSTOMERS Roxy Music distributes its products to a variety of customers, and the major difference between these customers is the volume of product which they order. Roxy Music has one large customer which is a national chain (not only of Roxy Music’s product) - Warehouse Music. Warehouse Music sells approximately 30% of the retail sales volume. This customer always buys in large quantities. For the Top 20 chart hits, they would purchase in volumes of a minimum 1,000 units often up to 10,000 units and they would purchase these quantities in either one, two or three orders, depending on the success of the charted album. They would sell 30,000 units if an Album went platinum. Warehouse Music always pay on time – 20th of the Month following and require no extra administrative effort. At the other end of the continuum, there are a number of small music stores throughout New Zealand. -
Dischord Records 3819 BEECHER ST
FUGAZi "First Demo" dischord rEcords DIS181 DIS181CD 11-song CD DIS181V 11-song LP+MP3 Release Date: November 18, 2014 Ian MacKaye - vocals, guitar Guy Picciotto - vocals Joe Lally - bass Brendan Canty - drums In early January 1988 and after only ten shows, Fugazi decided to go into Inner Ear Studio to see what their music sounded like on tape. Despite the fact that Ian, Joe, and Brendan had been playing together for nearly a year, it was still early days for the band. Guy had only been a full member of Fugazi for a few months and only sang lead on one song ("Break In"). It would be nearly another year before he would start playing guitar with the band. At that time, the studio was still located in the basement of engineer Don Zientara's family house. It was a familiar space as almost all of the members of Fugazi had recorded there with their previous bands (Teen Idles, Minor Threat, Deadline, Insurrection, Rites of Spring, Skewbald, Embrace, and One Last Wish). Joey Picuri (aka Joey P), who would later become one of Fugazi's longtime sound engineers, joined the band for the initial tracking. The sessions only lasted a couple of days, but tour dates and indecision about the tape would delay the final mix for another two months. Though the band was at first pleased with the results, it soon became clear that this tape would remain a demo as new songs were being written and the older songs were evolving and changing shape while the band was out on tour. -
TEACHERS PACK GLAM! the PERFORMANCE of STYLE 8 February – 12 May 2013
TEACHERS PACK 8 February – 12 May 2013 May –12 8 February OF STYLE GLAM! THE PERFORMANCE Peter Hujar Candy Darling on her Deathbed 1974 © The Peter Hujar Archive, LCC; courtesy Pace/MacGill Gallery, New York INTRODUCTION Glam, a visually extravagant pop style The pack is designed to support teachers and exploded across Britain during the years educators in planning a visit to the exhibition 1971–5. The exciting, futuristic sounds, with a collection of ideas, workshops and extravagant fashions and glitter-dappled points for discussion. The activities are personas emerging in this era had their suitable for all ages and can be adapted to roots firmly in British art schools. your needs before, during and after your visit. Glam! The Performance of Style is the A special school group price for exhibitions first exhibition to explore glam style is available if you book and pay at least and sensibility in depth. The exhibition two weeks in advance. Groups of students investigates artistic developments in under 18 years of age £4 and over 18s £4.40. Britain, Europe and North America through Teachers wanting to make a research trip the prism of glam, examining painting, to the exhibition in advance of a visit are sculpture, installation art, film, photography welcome to do so free of charge. Please and performance. book in advance. To book a visit please call 0151 702 7400. Bringing together more than 100 artworks, the exhibition will reveal the genealogy of For further details about visiting glam. Themes of camp, exaggerated identity, Tate Liverpool with your group see: androgyny, eroticism and dandyism will be www.tate.org.uk/learn/teachers/school-visits- explored in the work of David Hockney, tate-liverpool Andy Warhol, Cindy Sherman and many more. -
“Re-Make/Re-Model”: Should Big Data Change the Modelling Paradigm in Official Statistics?
Munich Personal RePEc Archive “Re-make/Re-model”: Should big data change the modelling paradigm in official statistics? Braaksma, Barteld and Zeelenberg, Kees Statistics Netherlands, Statistics Netherlands 2015 Online at https://mpra.ub.uni-muenchen.de/87741/ MPRA Paper No. 87741, posted 26 Jul 2018 12:22 UTC Statistical Journal of the IAOS 31 (2015) 193–202 193 DOI 10.3233/SJI-150892 IOS Press “Re-make/Re-model”: Should big data change the modelling paradigm in official statistics?1 Barteld Braaksmaa,∗ and Kees Zeelenbergb aInnovation Program, Statistics Netherlands, 2490 HA Den Haag, The Netherlands bMethods and Statistical Policies, Statistics Netherlands, 2490 HA Den Haag, The Netherlands Abstract. Big data offers many opportunities for official statistics: for example increased resolution, better timeliness, and new statistical outputs. But there are also many challenges: uncontrolled changes in sources that threaten continuity, lack of identifiers that impedes linking to population frames, and data that refers only indirectly to phenomena of statistical interest. We discuss two approaches to deal with these challenges and opportunities. First, we may accept big data for what they are: an imperfect, yet timely, indicator of phenomena in society. These data exist and that’s why they are interesting. Secondly, we may extend this approach by explicit modelling. New methods like machine-learning techniques can be considered alongside more traditional methods like Bayesian techniques. National statistical institutes have always been reluctant to use models, apart from specific cases like small-area estimates. Based on the experience at Statistics Netherlands we argue that NSIs should not be afraid to use models, provided that their use is documented and made transparent to users. -
Roxy Music to Play a Day on the Green with Original Line up Including the Legendary Bryan Ferry
Media Release: Thursday 18 th November ROXY MUSIC TO PLAY A DAY ON THE GREEN WITH ORIGINAL LINE UP INCLUDING THE LEGENDARY BRYAN FERRY With support from Nathan Haines Roundhouse Entertainment and Andrew McManus Presents is proud to announce that Roxy Music, consisting of vocalist Bryan Ferry, guitarist Phil Manzanera, saxophonist Andy Mackay and the great Paul Thompson on drums, are coming to New Zealand for one A Day On The Green show only at Villa Maria Estate Winery on Sunday 6 th March. Roxy Music will perform material from their entire catalogue including such hits as, Dance Away , Avalon , Let's Stick Together, Take A Chance With Me , Do the Strand , Angel Eyes , Oh Yeah , In the Midnight Hour , Jealous Guy, Love Is The Drug , More Than This and many more. Distinguished by their visual and musical sophistication and their preoccupation with style and glamour Roxy Music were highly influential, as leading proponents of the more experimental element of glam rock as well as a significant influence on early English punk music. They also provided a model for many new wave acts and the experimental electronic groups of the early 1980s. In 2004, Rolling Stone Magazine ranked Roxy Music on its list of the 100 Greatest Artists of All Time and the band are regarded as one of the most influential art-rock bands in music history. Roxy Music exploded onto the scene in 1972 with their progressive self-titled debut album. The sound challenged the constraints of pop music and was lauded by critics and popular among fans, peaking at #4 on the UK album charts.