Poor Man's Morning and Evening Portions;
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UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Motions of Search: A Korean/American Epistemology Permalink https://escholarship.org/uc/item/9rs1g6kz Author Kim, Anthony Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Motions of Search: A Korean/American Epistemology A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Anthony Yooshin Kim Committee in charge: Professor Zeinabu irene Davis, Co-Chair Professor Luis Martin-Cabrera, Co-Chair Professor Dennis R. Childs Professor Page duBois Professor K. Wayne Yang 2016 Copyright Anthony Yooshin Kim, 2016 All rights reserved The Dissertation of Anthony Yooshin Kim is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2016 iii DEDICATION The Korean poet Ko Un once wrote: To us already a birth place is no longer our home. The place we were brought up is not either. Our history, rushing to us through fields and hills is our home. This dissertation is written for those whose rush of histories I always carry in the dusk of my flesh and the light of my dreams no matter where I am and where I go: My parents, Jim and Sook Young Kim, whose labor and love have made the very alchemy of my existence possible and My Halmoni, Yoo Bock Hee (1923-2008), whose winter passage to haneul-nara I will mourn for the rest of my days. -
The Myth of 9/11
THE MYTH OF 9/11 Zoë Formby Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy July 2011 Abstract Conceptualisations of modern literary history are premised upon a series of dynastic successions, whereby one is able to trace, albeit simplistically, the evolution of the novel through its realist, modernist and postmodernist manifestations. Considered in this linear manner, the emergence of altered cultural movements is ordinarily attributed to a crisis within the former mood; as society ruptures and alters, existing modes of representation prove inadequate to reflect, or else engage with, the emergent structure of feeling. As an event with far-reaching implications, many critics and cultural commentators have attributed the terrorist attacks of September 11, 2001 with the inception of an altered global mood. Moreover, in the days and weeks following 9/11, the publication of a number of articles penned by authors emphasised the extent to which the event had precipitated a profound crisis in representation. As an ever greater number of articles and studies emerged proclaiming the final death knell of postmodernism and the emergence of a more anxious global mood, so the myth of 9/11 quickly developed. The thesis rests upon a very simple question: to what extent has 9/11 precipitated a change in the novel? Through examining a wide range of fictions published largely within Britain in the last fifteen years, the study explores and ultimately dispels the assumptions of the myth. Rather than examining the fictional representation of 9/11, the study’s focus is on assessing the significance of the novel after the event, and moreover on interrogating the manner in which the terrorist attacks might have engendered a shift in the contemporary mood that is reflected in the subsequent novels published. -
Bible and Religion, Fine Arts, Math and Science 1
constant0704final.qxd 8/4/2004 2:37 PM Page 2 By John P. Campbell Campbell’s High School/College Quiz Book Campbell’s Potpourri I of Quiz Bowl Questions Campbell’s Potpourri II of Quiz Bowl Questions Campbell’s Middle School Quiz Book #1 Campbell’s Potpourri III of Quiz Bowl Questions Campbell’s Middle School Quiz Book #2 Campbell’s Elementary School Quiz Book #1 Campbell’s 2001 Quiz Questions Campbell’s Potpourri IV of Quiz Bowl Questions Campbell’s Middle School Quiz Book #3 The 500 Famous Quotations Quiz Book Campbell’s 2002 Quiz Questions Campbell’s 210 Lightning Rounds Campbell’s 175 Lightning Rounds Campbell’s 2003 Quiz Questions Campbell’s 211 Lightning Rounds OmniscienceTM: The Basic Game of Knowledge in Book Form Campbell’s 2004 Quiz Questions Campbell’s 212 Lightning Rounds Campbell’s Elementary School Quiz Book #2 Campbell’s 176 Lightning Rounds Campbell’s 213 Lightning Rounds Campbell’s Potpourri V of Quiz Bowl Questions Campbell’s Mastering the Myths in a Giant Nutshell Quiz Book Campbell’s 3001 Quiz Questions Campbell’s 2701 Quiz Questions Campbell’s Quiz Book on Explorations and U.S. History to 1865 Campbell’s Accent Cubed: Humanities, Math, and Science Campbell’s 2501 Quiz Questions Campbell’s Accent on the Alphabet Quiz Book Campbell’s U.S. History 1866 to 1960 Quiz Book Campbell’s 177 Lightning Rounds Campbell’s 214 Lightning Rounds Campbell’s Potpourri VI of Quiz Bowl Questions Campbell’s Middle School Quiz Book #4 Campbell’s 2005 Quiz Questions Campbell’s High School/College Book of Lists constant0704final.qxd 8/4/2004 2:37 PM Page 3 CAMPBELL’S CONSTANT QUIZ COMPANION: THE MIDDLE/HIGH SCHOOL BOOK OF LISTS, TERMS, AND QUESTIONS REVISED AND EXPANDED EDITION JOHN P. -
THE DEATH and BIRTH of a HERO: the Search for Heroism in British World War One Literature
THE DEATH AND BIRTH OF A HERO: The Search for Heroism in British World War One Literature Cristina Pividori Ph.D. Thesis supervised by Professor Andrew Monnickendam Departament de Filologia Anglesa i Germanística Facultat de Filosofia i Lletres Universitat Autònoma de Barcelona 2012 Acknowledgments I am heartily thankful to my supervisor, Professor Andrew Monnickendam, who has supported me throughout this thesis with his patience and knowledge while giving me the space to develop my own ideas. One simply could not wish for a better supervisor. I would also like to express my thanks to Professor Debra Kelly of the Group for War and Culture Studies for her generosity in allowing me to spend time at the University of Westminster while developing my research and for her kind and constructive encouragement. Many thanks, too, go to Professor Jay Winter for his insightful, witty remarks. I also owe my gratitude to Dr Jessica Meyer, Dr Santanu Das and the International Society for First World War Studies for patiently replying to my enquiries. For access to World War One original documents, published items and digital resources, I would like to thank the staff of the Humanities Reading Room at the British Library and Mr. Roderick Suddaby and his staff, of the Department of Documents, Imperial War Museum. This research project would not have been possible without the financial support of Generalitat de Catalunya (AGAUR, grants FI-DGR 2007-2010 B-00639 and BE- DGR 2010 A-00870), and the Spanish Ministry of Education and Science (grants DCB2005-0181 and TME2009-00547). I am also grateful to my friend Fiona Kelso for her help in proof-reading and for her enthusiastic support. -
The End of the World Apocalypse and Its Aftermath in Western Culture
Maria Manuel Lisboa The End of the World Apocalypse and its Aftermath in Western Culture OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/106 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Maria Manuel Lisboa is Professor of Portuguese Literature and Culture at the University of Cambridge, and a Fellow of St John’s College, Cambridge. She specialises in nineteenth- and twentieth-century Portuguese and Brazilian literature, focusing on gender and national identity. She has written four monographs, including one on the renowned Portuguese artist Paula Rego. Maria Manuel Lisboa received the 2008 Prémio do Grémio Literário. Lisboa.indd 2 10/4/2011 11:34:47 AM The End of the World: Apocalypse and its Aftermath in Western Culture Maria Manuel Lisboa Lisboa.indd 3 10/4/2011 11:34:47 AM Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2011 Maria Manuel Lisboa Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial use, providing author attribution is clearly stated. Details of allowances and restrictions are available at: -
Global Mimesis: the Ethics of World Literature After Auerbach Madigan Keegan Haley
Global Mimesis: The Ethics of World Literature after Auerbach Madigan Keegan Haley Minneapolis, Minnesota Master 2, Université de Paris-7, 2007 BA, University of Wisconsin-Madison, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia August, 2014 i Abstract This project argues that the global in the literary is best approached not as a stable content, imposed ideology, or economic byproduct, but rather as an ethos, which has been at stake and emerging over the past half century in literature from around the world. Reading across genres and continents, it shows how writers such as Samuel Beckett, Nuruddin Farah, J. M. Coetzee, Zoë Wicomb, W. G. Sebald, Orhan Pamuk, Teju Cole, and Naomi Wallace have used literary means to imagine collective life beyond the nation, in the process reconceiving literature’s ethical forms (Bildung, allegory, the sentimental). Attending to how these works refigure the horizon and nature of the common at specific historical junctures, this study proposes a conception of the global as emergent within mimesis and reorients ethics away from the encounter with radical alterity toward the performative ways in which texts and objects contour publicity, give exemplary shape to actions and events, and relate audiences to seemingly distant worlds. In this way, “Global Mimesis: The Ethics of World Literature after Auerbach” addresses contemporary world literature’s ability to figure “a common life” not as a process of cultural and political standardization—as Erich Auerbach influentially argued in Mimesis (1946)—but rather as its ethical potential.