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Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
Doctor Who: the Smugglers
A 17th century Cornish town – villainous pirates roam the seas searching for treasure while the townspeople have turned to smuggling, wheeling and dealing in contraband. Into this wild and remote place the TARDIS materialises and the Doctor and his companions find themselves caught up in the dubious activities of the locals. When the Doctor is unwittingly given a clue to the whereabouts of the treasure the pirates are determined to extract the information – whatever the cost . Distributed by USA: LYLE STUART INC, 120 Enterprise Ave, Secaucus, New Jersey 07094 USA CANADA: CANCOAST BOOKS LTD, Unit 3, 90 Signet Drive, Weston, Ontario M9L 1T5 Canada AUSTRALIA: HODDER & STOUGHTON (AUS) PTY LTD, Rydalmere Business Park, 10-16 South Street, Rydalmere, N.S.W. 2116 Australia NEW ZEALAND: MACDONALD PUBLISHERS (NZ) LTD, 42/44 View Road, Glenfield, AUCKLAND 10, New Zealand ISBN 0- 426-20328-3 UK: £1.99 *USA: $3.95 CANADA: $4.95 NZ: $8.99 ,-7IA4C6-cadcif- *AUSTRALIA: $4.95 *RECOMMENDED PRICE Science Fiction/TV Tie-in DOCTOR WHO THE SMUGGLERS Based on the BBC television serial by Brian Hayles by arrangement with the BBC Books, a division of BBC Enterprises Ltd TERRANCE DICKS Number 133 in the Doctor Who Library A TARGET BOOK published by The Paperback Division of W. H. Allen & Co. PLC A Target Book Published in 1988 by the Paperback Division of W. H. Allen & Co. Plc 44 Hill Street, London W1X 8LB Novelisation copyright © Terrance Dicks, 1988 Original script copyright © Brian Hayles, 1964 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1966, 1988 The BBC producers of The Smugglers was Innes Lloyd The directors were Julia Smith Printed and bound in Great Britain by Cox & Wyman Ltd, Reading ISBN 0 426 20328 3 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Doctor Who: the Legends of River Song Pdf, Epub, Ebook
DOCTOR WHO: THE LEGENDS OF RIVER SONG PDF, EPUB, EBOOK Jenny T. Colgan | 224 pages | 02 Jun 2016 | Ebury Publishing | 9781785940880 | English | London, United Kingdom Doctor Who: The Legends of River Song PDF Book The hosts and I disagreed on the other two stories, that were there favourites but not mine. By using this site, you agree to this use. Not you? A story that could only happen in Doctor Who which works brilliantly. Showing Trusted site. The idea with the captured Time Lord was a nice touch. This is a collection of five stories that follow the character River Song. For Whovians A great addition for any Dr Who library. I was intrigued with what was happening and it kept me wanting to know how it ended. Every word in this online book is packed in easy word to make the readers are easy to read this book. Whoever she really is, this archaeologist and time traveller has had more adventures and got into more trouble than most people in the universe. Single Digital Issue I thought this story was a lot of fun. She's such an elsive character and I love her flirty attitude and that she doesn't see herself short. Afterwards, the Doctor gives Mure a blunted sword that shoots tiny fireworks and Postumus keeps the emptied park open for the two of them alone, allowing them to have a picnic and enjoy the park's attractions. Well, when you re married to a Time Lord or possibly not , you have to keep track of what you did and when. -
Digital Booklet
ORIGINAL TELEVISION SCORE ADDITIONAL CUES FOR 4-PART VERSION 01 Doctor Who - Opening Theme (The Five Doctors) 0.36 34 End of Episode 1 (Sarah Falls) 0.11 02 New Console 0.24 35 End of Episode 2 (Cybermen III variation) 0.13 03 The Eye of Orion 0.57 36 End of Episode 3 (Nothing to Fear) 0.09 04 Cosmic Angst 1.18 05 Melting Icebergs 0.40 37 The Five Doctors Special Edition: Prologue (Premix) 1.22 06 Great Balls of Fire 1.02 07 My Other Selves 0.38 08 No Coordinates 0.26 09 Bus Stop 0.23 10 No Where, No Time 0.31 11 Dalek Alley and The Death Zone 3.00 12 Hand in the Wall 0.21 13 Who Are You? 1.04 14 The Dark Tower / My Best Enemy 1.24 15 The Game of Rassilon 0.18 16 Cybermen I 0.22 17 Below 0.29 18 Cybermen II 0.58 19 The Castellan Accused / Cybermen III 0.34 20 Raston Robot 0.24 21 Not the Mind Probe 0.10 22 Where There’s a Wind, There’s a Way 0.43 23 Cybermen vs Raston Robot 2.02 24 Above and Between 1.41 25 As Easy as Pi 0.23 26 Phantoms 1.41 27 The Tomb of Rassilon 0.24 28 Killing You Once Was Never Enough 0.39 29 Oh, Borusa 1.21 30 Mindlock 1.12 31 Immortality 1.18 32 Doctor Who Closing Theme - The Five Doctors Edit 1.19 33 Death Zone Atmosphere 3.51 SPECIAL EDITION SCORE 56 The Game of Rassilon (Special Edition) 0.17 57 Cybermen I (Special Edition) 0.22 38 Doctor Who - Opening Theme (The Five Doctors Special Edition) 0.35 58 Below (Special Edition) 0.43 39 The Five Doctors Special Edition: Prologue 1.17 59 Cybermen II (Special Edition) 1.12 40 The Eye of Orion / Cosmic Angst (Special Edition) 2.22 60 The Castellan Accused / Cybermen -
Eco-Activism in Doctor Who During the 1970S
Author: Jørgensen, Dolly. Title: A Blueprint for Destruction: Eco-Activism in Doctor Who during the 1970s A Blueprint for Destruction: Eco-Activism in Doctor Who during the 1970s Dolly Jørgensen Umeå University In 1972, the editors of a two-year old environmentalist magazine named The Ecologist published a special issue titled A Blueprint for Survival, which subsequently sold over 750,000 copies as a book. This manifesto of the early eco-activist movement lamented the unsustainable industrial way of life that had developed after WWII and proposed a new 'stable society' with minimal ecological destruction, conservation of materials and energy, zero population growth, and a social system that supported individual fulfillment under the first three conditions (Goldsmith et al. 30). Blueprint received tremendous attention in the British press and became a seminal text for the British Green movement (Veldman 227–236). This environmental movement of the 1960s and 1970s was substantially different from traditional environmentalists of the early twentieth century who tended to be conservationists interested in wildlife and landscapes. The new environmentalists, whom Meredith Veldman labels eco-activists, "condemned not only environmental degradation but also the society that did the degrading" (210). They combined critiques against pollution with calls for limited population growth and refinement of social systems. Although the early eco-activist movement in Britain petered out politically in the late 1970s (it arose again in the mid-1980s), its radical environmental ideas had begun to permeate society. Vol 3 , At the same time that eco-activists were establishing their agenda, the BBC serial No television drama Doctor Who was enjoying its successful establishment in British 2 popular culture. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
Doctor Who, Steampunk, and the Victorian Christmas Mcmurtry, LG
Doctor Who, Steampunk, and the Victorian Christmas McMurtry, LG Title Doctor Who, Steampunk, and the Victorian Christmas Authors McMurtry, LG Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/44368/ Published Date 2013 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Leslie McMurtry Swansea University Doctor Who, Steampunk, and the Victorian Christmas “It’s everywhere these days, isn’t it? Anime, Doctor Who, novel after novel involving clockwork and airships.” --Catherynne M. Valente1 Introduction It seems nearly every article or essay on Neo-Victorianism must, by tradition, begin with a defence of the discipline and an explanation of what is currently encompassed by the term— or, more likely, what is not. Since at least 2008 and the launch of the interdisciplinary journal Neo-Victorian Studies, scholars have been grappling with a catch-all definition for the term. Though it is appropriate that Mark Llewellyn should note in his 2008 “What Is Neo-Victorian Studies?” that “in bookstores and TV guides all around us what we see is the ‘nostalgic tug’ that the (quasi-) Victorian exerts on the mainstream,” Imelda Whelehan is right to suggest that the novel is the supreme and legitimizing source2. -
Download Doctor Who: Remembrance of the Daleks: 50Th
DOCTOR WHO: REMEMBRANCE OF THE DALEKS: 50TH ANNIVERSARY EDITION DOWNLOAD FREE BOOK Ben Aaronovitch | 224 pages | 23 Apr 2013 | Ebury Publishing | 9781849905985 | English | London, United Kingdom ‘Doctor Who’: ‘Remembrance of the Daleks’ (50th Anniversary Edition) book review It includes the effects that were mistakenly left out and songs by The Beatles that weren't clearable for the original release but subsequently fall under a blanket music licensing agreement for the UK. Paul CornellMartin Dayand Keith Topping wrote in The Discontinuity Guide"The best Doctor Who story in some considerable time, Remembrance of the Daleks reintroduced mystery and magic into the series with much intelligence and revisionist continuity". Remembrance of the Daleks was the only novelisation in the range. Retrieved 24 March He was also critical of the supporting characters and McCoy and Ace; he felt McCoy "struggles to convey gravitas" in the changes that had been made to his character, and while Aldred brought "gusto", Ace was "a peculiarly safe, middle-class rendering of a streetwise kid". The Imperial Daleks take the Hand to the mothership, leaving for their home planet, Skaro. Dennis Publishing. The Discontinuity Guidewhich counts the four segments of The Trial of a Time Lord as four separate stories and also counts the unbroadcast serial Shadalists this story as number Early this century Enrico, a young intellectual, leaves the abundantly diverse Doctor Who: Remembrance of the Daleks: 50th Anniversary Edition city of Gorizia Retrieved 28 November Sinnot also felt the Daleks Doctor Who: Remembrance of the Daleks: 50th Anniversary Edition "stupid" in some scenes, and wrote that the relationship between Ace and Mike was "clumsy and awkward". -
Ascension of the Cybermen
DOCTOR WHO SERIES 12 EPISODE NINE ASCENSION OF THE CYBERMEN PROGRAMME NUMBER: DRAA752W/01 10:00:00 BBC WORLDWIDE STING 10:00:05 EXT. SPACE 10:00:05 Music in ‘M1 That Which is Dead Can Live Again’ Deep space. Hold on it. Stars, distant planets. But mostly, nothingness. A lone male voice on the soundtrack. ASHAD (V.O.) The Cybermen were defeated. (Beat) The victors of a billion battles, broken. An empire of might and terror, fallen. And as we move through space, we see a small distant object. It is gradually moving closer. As it gets closer we realise it is: A Cyberhead floating through space. Disembodied. Smashed up, burned out. It floats slowly closer to us. Slowly. ASHAD Their weaknesses exploited. Their armies outfought. Their conquests surrendered. And now we're closer on the head. Now it's almost looking at us. ASHAD (CONT'D) Every Empire has its time. And every Empire falls. And now we're closing further in on the detail of the Cyber head -- we can see the detail and precision of its work. The thing of beauty, that has been burned out. And we close in even further on the face -- and now slowly closing in on the eyes. Those haunting eyes. Grilles -- and behind them, we see fire -- ASHAD (CONT'D) But that which is dead, can live again. (Beat) In the hands of a believer. And we go through the eyes of the Cyberhead -- and the shape of the eye becomes – 10:00:44 Music out ‘M1 That Which is Dead Can Live Again’ CUT TO: 10:00:44 OPENING TITLES 10:00:44 Music in ‘M2 Opening Titles’ 10:00:51 Caption 'Jodie Whittaker' 10:00:53 Caption 'Bradley Walsh' 10:00:55 Caption ‘Tosin Cole 10:00:56 Caption ‘Mandip Gill’ 10:00:58 Caption 'BBC Doctor Who' 10:01:06 Caption 'Series Producer Nikki Wilson’ 10:01:09 Caption 'Director Jamie Magnus Stone’ 10:01:14 Caption ‘Ascension of the Cybermen, Written by Chris Chibnall’ 10:01:17 Music out ‘M2 Opening Titles’ CUT TO: 10:01:17 EXT. -
Diary of the Doctor Who Role-Playing Games, Issue
VILLAINS ISSUE The fanzine devoted to Doctor Who Gaming ISSUE # 14 CONTINUITY„THIS IN GAMINGMACHINE - KILLSCH FASCISTS‰ ADVENTURE MODULE NEW FASA„MORE VILLAIN THAN STATS MONEY‰ - CREATING ADVENTURE GOOD VILLAINS MODULE and MORE...ICAGO TARDIS 2011 CON REPORT 1 EDITOR’S NOTES CONTENTS Hi there, Some of our issues feature a special theme, so we EDITOR’S NOTES 2 welcome you to our “Villains Issue”. This is a fanzine that REVIEW: The Brilliant Book 2012 3 concentrates on helping GMs create memorable and ef‐ Angus Abranson Leaving Cubicle 7 4 fective villains in their game. Villain motivations, villain Face to Face With Evil 5 tools and more can be found in these pages. Neil Riebe Not One, But Two, Episodes Recovered 11 even gives us retro FASA stats for Androgums, who can Why Are Your Doing This?! 12 be used as villains or standard characters. Hopefully Gamer Etiquette 105 14 there will be something fun for you to use in your next The Villain’s Toolkit 15 adventure. Continuity in Gaming 16 A review of the Chicago TARDIS 2012 convention New FASA Villain Stats: Androgums 18 is included in this issue, where our staff did a session on REVIEW: Everything I Need to Know I Learned From Doctor Who RPGs and also ran an adventure using the Dungeons & Dragons 23 Cubicle 7 DWAiTS rules as well. Staff member Eric Fettig MODULE: “This Machine Kills Fascists” 24 made it his first official Doctor Who convention (having EVENT REPORT: Chicago TARDIS 2011 Con 28 attended many gaming conventions before that) and Viewpoint of a First Time Who Con Attendee 43 gives us a look from his first timer’s perspective. -
''Doctor Who'' - the First Doctor Episode Guide Contents
''Doctor Who'' - The First Doctor Episode Guide Contents 1 Season 1 1 1.1 An Unearthly Child .......................................... 1 1.1.1 Plot .............................................. 1 1.1.2 Production .......................................... 2 1.1.3 Themes and analyses ..................................... 4 1.1.4 Broadcast and reception .................................... 4 1.1.5 Commercial releases ..................................... 4 1.1.6 References and notes ..................................... 5 1.1.7 Bibliography ......................................... 6 1.1.8 External links ......................................... 6 1.2 The Daleks .............................................. 7 1.2.1 Plot .............................................. 7 1.2.2 Production .......................................... 8 1.2.3 Themes and analysis ..................................... 8 1.2.4 Broadcast and reception .................................... 8 1.2.5 Commercial releases ..................................... 9 1.2.6 Film version .......................................... 10 1.2.7 References .......................................... 10 1.2.8 Bibliography ......................................... 10 1.2.9 External links ......................................... 11 1.3 The Edge of Destruction ....................................... 11 1.3.1 Plot .............................................. 11 1.3.2 Production .......................................... 11 1.3.3 Broadcast and reception ...................................