Benny Golson Turning Point Mp3, Flac, Wma

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Benny Golson Turning Point mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Turning Point Country: Japan Released: 1977 MP3 version RAR size: 1313 mb FLAC version RAR size: 1180 mb WMA version RAR size: 1831 mb Rating: 4.6 Votes: 873 Other Formats: MOD DXD RA MP3 VOX ADX APE Tracklist A1 How Am I To Know A2 (I'm Afraid) The Masquerade Is Over A3 Dear Kathy A4 Three Little Words B1 Turning Point B2 Stella By Starlight B3 Alone Together Companies, etc. Manufactured By – Nippon Phonogram Co., Ltd. Credits Bass – Paul Chambers Drums – Jimmy Cobb Illustration – Roth* Piano – Wynton Kelly Producer – Jack Tracy Tenor Saxophone – Benny Golson Notes Original Japanese 1st pressing. Released with OBI + Insert. Other versions Category Artist Title (Format) Label Category Country Year SR 60801 Benny Golson Turning Point (LP, Album) Mercury SR 60801 US 1963 Turning Point (CD, EJD-3044 Benny Golson Mercury EJD-3044 Japan 1989 Album, RE) Turning Point (CD, UCCM-9070 Benny Golson Mercury UCCM-9070 Japan 2002 Album, Ltd, RE, RM, Pap) Turning Point (LP, Album, New MG 20801 Benny Golson Mercury MG 20801 1963 Mono) Zealand Turning Point (LP, Album, EXPR-1021 Benny Golson Mercury EXPR-1021 Japan Unknown RE) Related Music albums to Turning Point by Benny Golson Turning Point - Find Your Way Art Farmer / Benny Golson Jazztet - Blues March Turning Point - Its Always Darkest...Before The Dawn Benny Golson Funky Quintet - That's Funky Benny Golson - Gone With Golson The Jazztet / Art Farmer & Benny Golson - Big City Sounds Various - The Compositions Of Benny Golson Art Farmer, Benny Golson - Meet the Jazztet Benny Golson Quartet - Free Benny Golson Featuring Freddie Hubbard - Stardust Art Farmer - Benny Golson - Meet The Jazztet Mack Simmons - Turning Point.

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Benny Golson (* 25
JAMU 20150408-2 – Benny Golson (* 25. 1. 1929) 6 Along Came Betty 581030 6:08 9 Blues March 581030 6:13 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Van Gelder Studio, Hackensack, New Jersey, October 30, 1958. LP Blue Note BST 84003 „Moanin’“ / CD Blue Note 7243 4 95324 2 7. 3 I Remember Clifford (1957) (138) 581122 5:36 10 Blues March 581122 5:46 1 Whisper Not (1956) (297) 581122 7:11 Art Blakey and the Jazz Messengers: Lee Morgan-tp; Benny Golson-ts; Bobby Timmons-p; Jymie Merritt-b; Art Blakey-dr. Live at the Olympia, Paris, November 22 / December 17, 1958. LP Fontana 680 202 and EP Fontana 460 642 / CD Gitanes 832 659-2. 4 I Remember Clifford 600206 3:10 11 Blues March 600206 5:17 13 Killer Joe (1959) (628) 600206 4:58 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Curtis Fuller-tb; Benny Golson-ts; McCoy Tyner-p; Addison Farmer-b; Lex Humphries-dr. New York City, February 6, 9 and 10, 1960. LP Argo 664 „Meet the Jazztet“ / CD Mosaic MD7-225. 2 Whisper Not 620302 5:20 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr. New York City, March 2, 1962. LP Mercury SR 60698 „Here and Now“ / CD Mosaic MD7-225. 7 Along Came Betty 620621 5:29 Art Farmer-Benny Golson Jazztet: Art Farmer-tp; Grachan Moncur III-tb; Benny Golson-ts; Harold Mabern-p; Herbie Lewis-b; Roy McCurdy-dr.
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Late Night Jazz: Benny Golson
Late Night Jazz: Benny Golson Samstag, 27. Januar 2018, 22.05 - 24.00 Uhr Es gibt wenige Jazzmusiker, die so viele Standards geschrieben haben, wie der Saxophonist Benny Golson. Am Anfang seiner Karriere war er Musical Director von Art Blakey’s Jazz Messengers, und er komponierte: «Blues March», «I Remember Clifford», «Along Came Betty», «Wisper Not» und viele andere Tunes erblickten das Licht der Welt. Und Benny Golson hörte bis heute nicht auf mit schreiben, - nächstes Jahr wird er neunzig! Redaktion: Beat Blaser Moderation: Annina Salis Art Farmer & Benny Golson: Meet The Jazztet (1960) Label: MCA / Chess Track A5: Blues March Elsie Bianchi Trio: Fly Me To The Moon (1962) Label: Sonorama Track 1: I Remember Clifford Lew Tabackin: Pyramid. Netherlands Metropole Orchestra (1990) Label: Koch Jazz Track 7: Are You Real? Chet Baker: In New York (1958) Label: Riverside Track 5: Blue Thoughts Track 1: Fair Weather Mark Murphy: Beauty and the Beast (1985) Label: Vogue Track 8: Along Came Betty Joey Defrancesco: Wonderful! Wonderful!(2012) Label: High Note Track Five Spot After Dark Paquito D'Rivera: Manhattan Burn (1986) Label: CBS Track 6: Feelings Of The Heart Benny Golson + Shirley Horn: One Day, Forever (1999) Label: Arkadia Track 1: One Day, Forever Track 5: Sad To Say Benny Golson: New Time, New’tet (2009) Label: Concord Track 8: Gypsy Jingle Jangle Hank Crawford: After hours (1966) Label: Atlantic Track 2: Junction The Manhattan Transfer: Vocalese (1985) Label: Atlantic Track 1: That’s Killer Joe Quincy Jones: The Quintessence (1961)
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The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H.
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Read the Preface and the Introduction (Pdf)
Excerpt • Temple University Press Preface FIRST HEARD Benny Golson’s exotic sound my freshman year at Princeton when Meet The Jazztet was published. Two years later, I Turning Point, his classic Mercury album with Miles Davis’s rhythm section—Wynton Kelly, Paul Chambers, and Jimmy Cobb—appeared and I became a lifelong admirer. Across more than five decades my respect has grown exponentially. In human terms, that’s a long time, merely a blink in eternity, which is what Benny Golson’s music addresses with relaxed, artistically precise lyric means. Maestro Golson is a deeply philosophical man. When you know him—and readers of his autobiography will learn from and about him in greater detail than the majority of his peers and predecessors have revealed about themselves—you soon recognize that the serious, contemplative fellow is counterbalanced by a jubilant, at moments hilarious, fellow. For a good chunk of his eighty-six years, Benny Golson was a prankster extraordinaire, the guy in the hood and in road bands who kept things on track by keeping everyone loose. Someone has to do that, and our man was among the comically best at making a positive difference with Art Blakey’s Jazz Messengers as well as with The Jazztet, which he co-led with Art Farmer. His presence was decisively felt, also, in Dizzy Gillespie’s late 1950s big band and, before that, in Earl Bostic’s aggregation. For anyone not yet aware of the profound and seminal friendship that Benny shared to the very end with John Coltrane, the narrative of two Golson_final text to MP_xvi_1_336_041116.indd 11 4/11/16 10:07 AM Excerpt • Temple University Press xii / Preface young musicians who matured together across their formative years is utterly beguiling.
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The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. Keith Jackson, DMA, Committee Chair Constinia Charbonnette, EDD David Taddie, Ph.D. Michael Vercelli, DMA Mitchell Arnold, DMA Music Morgantown, West Virginia 2019 Keywords: Hard Bop, Trombone, Jazz, Jazz Improvisation Copyright 2019 Emmett C. Goods The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964). Emmett C. Goods This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, Julian Priester and Grachan Moncur III from 1955 through 1964. In part one of this study, each musician is presented through their improvisational connections to J.J. Johnson, the leading trombonist of the Bebop era. His improvisational signatures are then traced through to the musical innovations of the Hard-Bop Trombone Era. Source material for this part of the study includes published books, dissertations, articles, online sources, discographies and personal interviews. Part two of this paper analyzes selected solos from each of the four subjects to identify the defining characteristics of the Hard-Bop Trombone Era. Evidence for these claims is bolstered by interviews conducted with the four men and their protégés. In a third and final part, a discography has been compiled for each artists during the defined era. Through historical analysis of these four artists’ music and recording of first-hand accounts from the artists themselves, this document attempts to properly contextualize the Hard-Bop Trombone Era as unique and important to the further development of the jazz trombone.
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Finding Aid to the Historymakers ® Video Oral History with Mccoy Tyner
Finding Aid to The HistoryMakers ® Video Oral History with McCoy Tyner Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Tyner, McCoy Title: The HistoryMakers® Video Oral History Interview with McCoy Tyner, Dates: September 16, 2004 Bulk Dates: 2004 Physical 5 Betacame SP videocasettes (2:09:48). Description: Abstract: Jazz pianist McCoy Tyner (1938 - ) is a legendary jazz musician and was a member of the famed John Coltrane Quartet. Tyner has made over eighty recordings and has won ﬁve Grammy Awards. Tyner was interviewed by The HistoryMakers® on September 16, 2004, in New York, New York. This collection is comprised of the original video footage of the interview. Identiﬁcation: A2004_164 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Phenomenal jazz pianist McCoy Tyner was born December 11, 1938, in Philadelphia, Pennsylvania, of parents with roots in North Carolina. Tyner attended Martha Washington Grade School and Sulzberger Jr. High School. Tyner, with the encouragement of his teacher Ms. Addison and his mother, Beatrice Stephenson Tyner, began taking beginning piano lessons from a neighbor, Mr. Habershaw. Later, a Mr. Beroni taught Tyner classical piano. Although inspired by the music of Art Tatum and Thelonius Monk, it was his neighborhood Philadelphia musicians that pushed Tyner’s musical development. He engaged in neighborhood jam sessions with Lee Morgan, Bobby Timmons and Reggie neighborhood jam sessions with Lee Morgan, Bobby Timmons and Reggie Workman. Tyner was hand picked by John Coltrane in 1956, while still a student at West Philadelphia High School.
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Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol.
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The Life and Music of Mccoy Tyner
THE LIFE AND MUSIC OF MCCOY TYNER AN EXAMINATION OF THE SOCIOCULTURAL INFLUENCES ON MCCOY TYNER AND HIS MUSIC by Alton Louis Merrell II Bachelor of Music, Youngstown State University, 2000 Master of Music, Youngstown State University, 2002 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013i UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Alton Louis Merrell II It was defended on March 28, 2013 Committee Members: Mathew Rosenblum, PhD, Professor, Department of Music Laurence Glasco, PhD, Associate Professor, Department of History Eric Moe, PhD, Professor, Department of Music Dissertation Advisor: Nathan Davis, PhD, Professor, Department of Music ii Copyright © by Alton Louis Merrell II 2013 iii Nathan T. Davis, PhD THE LIFE AND MUSIC OF MCCOY TYNER: AN EXAMINATION OF THE SOCIOCULTURAL INFLUENCES ON MCCOY TYNER AND HIS MUSIC Alton Louis Merrell II, PhD University of Pittsburgh, 2013 This study is a historical, sociocultural and analytical examination of McCoy Tyner’s life and music. McCoy Tyner is a preeminent voice in the history of modern jazz piano performance, and his style is not only one of the most recognizable in jazz history, it has been studied and assimilated into the musical vocabulary of renowned pianists worldwide. Although Tyner’s influence is vast, there is a paucity of research on how he achieved his signature style, and the sociocultural and musical influences that cultivated his early musical talent and signature piano style have not been researched.
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演奏者（ｱﾙﾌｧﾍﾞｯﾄ）タイトル名 Anita O'day Anita Sings The
演奏者（ｱﾙﾌｧﾍﾞｯﾄ）タイトル名 1 AL COHN COHN ON THE SAXOPHONE 2 ANDY LAVERNE TRIO CAPTAIN VIDEO 3 ANITA O'DAY ANITA SINGS THE MOST 4 ART BLAKEY LES LIAISONS DANGEREUESES 5 ART BLAKEY CARAVAN 6 ART BLAKEY olympia concert 7 ART BLAKEY AND THE JAZZ MESSENGERS A NIGHT IN TUNISIA 8 ART BLAKEY QUINTET A NIGHT AT BIRDLAND 9 ART FARMER 0b 10 ART FARMER MODERN ART 11 ART FARMER and BENNY GOLSON Meet The Jazztet 12 ART FARMER QUINTET The Time And The Place 13 ART TATUM, ERROLL GARNER GIANTS OF THE PIANO 14 BARNEY KESSEL EASY LIKE 15 BARNEY KESSEL to swing or not to swing 16 BARRY HARRIS TRIO Magnificent ! 17 BENNY CARTER AUTUMN LEAVES 18 BENNY GOODMAN BENNY IN BRUSSELS 19 BENNY GOODMAN TRIO PLAYS FOR THE FLETCHER HENDERSON FUND 20 BEST COAST JAZZ BEST COAST JAZZ 21 BETTY CARTER AND RAY BRYANT MEET BETTY CARTER AND RAY BRYANT 22 BILL EVANS & JIM HALL BILL EVANS & JIM HALL UNDERCURRENT 23 BILL EVANS TRIO Sunday at the Village Vangard 24 BILL REINHARDT'S JAZZ LTD 25 BLUE MITCHELL BLUE'S MOODS 26 BOB JAMES AND EARL KLUGH ONE ON ONE 27 BOBBY BLAND DREAMER 28 BOBBY TIMMONS THIS HERE IS BOBBY TIMMONS 29 BRILLIANT CORNERS THELONIOUS MONK 30 BUD POWELL SWINGIN WITH BUD 31 BUD POWELL CLEOPATRA'S DREAM 32 BUD POWELL THE AMAZING BUD POWELL 33 BUD POWELL bud! 34 BUD POWELL THE AMAZING BUD POWELL 35 BUD POWELL THE AMAZING BUD POWELL 36 BUD POWELL THE BUD POWER TRIO 37 BUD POWELL THE AMAZING BUD POWELL 38 BUDDY RICH BUDDY RICH/CLSS OF’７８ 39 CANNONBALL ADDERLEY SOMETHIN' ELSE 40 CANNONBALL ADDERLEY BIG MAN 41 CANNONBALL ADDERLEY アット・シェリーズ・マン・ホール 42 CANNONBALL ADDERLEY Lovers 43 CANNONBALL ADDERLEY LIVE 44 CANNONBALL ADDERLEY SAN FRANCISCO 45 CHARLES MINGUS CHARLES MINGUS PRESENTS CHARLES MINGUS 46 CHARLIE MARIANO CHARLIE MARIANO 47 CHARLIE PARKER THE COMPLETE CHARLIE PARKER 48 CHARLIE PARKER BIRD IS FREE 49 CHARLIE PARKER CHARLIE PARKER PLAYS COLE PORTER 50 CHARLIE PARKER APRIL IN PARIS 51 CHARLIE PARKER BIRD SYMBOLS 52 CHARLIE PARKER bird and diz 53 CHARLIE PARKER THE HAPPY BIRD 54 CHARLIE PARKER CHARLIE PARKER ON SAVOY VOL.
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Benny Golson
1 The TENORSAX of BENNY GOLSON Solographer: Jan Evensmo Last update: April 8, 2016 2 Born: Philadelphia, Pennsylvania, Jan. 25, 1929 Introduction: We always appreciated Benny Golson’s warm tenor saxophone sound and soon realized he was one of the major soloists on his instrument in the period 1955-1965. Later he visited Norway several times. Early history: Studied piano at 9 and switched to tenorsax at 14. Attended Harvard University in Washington and stated to gig around Philadelphia late 40's. Numerous recordings in Philadelphia ca. 1950 under the leadership of Tiny Grimes and Jimmy Preston. Left Philadelphia with Bull Moose Jackson 1951. This band included Tadd Dameron who encouraged him to study arranging and composing. Two years later he played in a band led by Dameron. Left Dameron to join Lionel Hampton (1953). Several short stays with Johnny Hodges 1954, Earl Bostic 1954-56’ but began to make a name for himself as a member of Dizzy Gillespie’s orchestra (1956-57). With Art Blakey’s Jazz Messengers (1958-59). He then worked as a freelance in New York and studied with the composer Henry Brant. From 1959 to 1962, with Art Farmer, he was the leader of the Jazztet, a group with varying personnel that proved a successful vehicle for Golson’s writing. Message: Benny Golson was an important composer and arranger, it is enough to mention “Stablemates”, “I Remember Clifford”, Whisper Not?”, “Along Came Betty”, “Blues March” and “Are You Real?”. However, this fact and the results are outside this tenor saxophone solography. 3 BENNY GOLSON SOLOGRAPHY TINY GRIMES / BENNY GOLDSON AND HIS ROCKIN' HIGHLANDERS Philadelphia, 1950 Benny Golson (ts), Freddie Redd (p), Tiny Grimes (g), Ike Isaacs (b), unknown (dm), George "Haji Baba" Grant (vo).
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Cassette Catalog - Pdf Edition
arvard Square Records, Inc. P.O. Box 381975, Cambridge, MA 02238 Year 2001 Rare And Out Of Print CASSETTE CATALOG - PDF EDITION •Order Toll Free:1-877-465-7669 (GOLPNOW) •Customer Service:(617) 868-3385 •Fax: (617) 547-2838 • Email: [email protected] For vinyl please contact us, or visit our website LPnow.com arvard Square Records, Inc. P.O. Box 381975, Cambridge, MA 02238 Year 2001 Rare And Out Of Print CASSETTE CATALOG - PDF EDITION •Order Toll Free:1-877-465-7669 (GOLPNOW) •Customer Service:(617) 868-3385 •Fax: (617) 547-2838 • Email: [email protected] For vinyl please contact us, or visit our website LPnow.com Special Note on Reserving Stock and Song Titles: Customer Info We do not reserve any stock nor do we have the song titles of any title available to us. Please do not call or email to see if something is in stock or Please read this before calling with questions. what songs are on any title. Everything in this catalog is available to us at press time, but we cannot guarantee the availability of any title on the HI! HI! phone. Placing an order is the best and fastest way to insure you get the Welcome to our year 2001 Sealed Cassette Catalog. titles you want. Orders begin only when payment or credit card # is received. We had no 1999/2000 Cassette catalog (sorry) so this is our 1st cassette The sooner you order, the sooner you will get your order. catalog since our 1998 one, which is now void. This catalog will be good We have many sources for most of the titles listed, but some titles have no until the end of 2001.
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Mccoy TYNER NEA Jazz Master (2002)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. McCOY TYNER NEA Jazz Master (2002) I nter viewee: McCoy Tyner (December 11, 1938 - ) I nter viewer : Dr. Anthony Brown with engineer Ken Kimery Date: December 7-8, 2011 R epositor y: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 76 pp. B r own: Today is the 7th of December 2011 and this is the Smithsonian Jazz Oral History interview with NEA Jazz Master, pianist, composer, arranger, bandleader, and humanitarian, McCoy Tyner at the Blue Note club in New York City. Good afternoon Mr. McCoy Tyner. T yner : Good afternoon. B r own: And I also want to acknowledge that his wife, Aisha is present and this interview is being conducted by Anthony Brown, with Ken Kimery. So, if we could start from the beginning, if you could tell us your given birth name, birthplace, and birthdate please. T yner : I was born Alfred McCoy Tyner and I was born December 11, 1938. B r own: And where? T yner : Philadelphia, Pennsylvania. B r own: OK, now could you give us your parents’ names? T yner : OK, my mother’s name was Beatrice Tyner and my fathers name is Jarvis Tyner. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 B r own: And your father’s occupation? T yner : My father worked in a company that made medicated cream. As a matter of fact, I got a job there.
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