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Henry James' the Wings of the Dove Henry James’ The Wings of the Dove (1902): Rekonstruktion und vergleichende Interpretation eines intermedialen Adaptationskomplexes Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn vorgelegt von Janine Olzem aus Bonn Bonn 2007 Gedruckt mit der Genehmigung der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität Bonn Zusammensetzung der Prüfungskommission: Prof. Dr. Christian Schmitt (Vorsitzender) Prof. Dr. Franz-Josef Albersmeier (Betreuer und Gutachter) Prof. Dr. Sabine Sielke (Gutachterin) PD Dr. Christian Moser (weiteres prüfungsberechtigtes Mitglied) Tag der mündlichen Prüfung: 21. Juni 2007 Diese Dissertation ist auf dem Hochschulschriftenserver der ULB Bonn http://hss.ulb.uni-bonn.de/diss_online elektronisch publiziert INHALTSVERZEICHNIS 1 EINLEITUNG .................................................................................................................... 1 1.1 Literatur / Theater und Photographie / Film: Henry James im intermedialen Spannungsfeld des beginnenden 20. Jahrhunderts......................................................... 1 1.2 Henry James adaptiert: Chancen und Limitierungen ........................................... 8 2 ZUR VORGEHENSWEISE................................................................................................. 11 2.1 Aufbau und Inhalt der Arbeit............................................................................... 11 2.2 Methodologische Vorüberlegungen zum Medienwechsel .................................... 17 3 DIE LITERARISCHE VORLAGE: WERK, AUTOR, EPOCHE .............................................. 19 3.1 Henry James im Spiegel der wissenschaftlichen Betrachtung............................. 22 3.2 Text: The Wings of the Dove.................................................................................. 24 3.2.1 Die stoffliche Genese........................................................................................ 24 3.2.2 Inhalt und Handlungsverlauf............................................................................. 26 3.2.3 „More telling than showing”: Die James’sche Erzählstruktur............................ 30 3.2.4 „The great empty cup of attention“: Krankheit und Tod.................................... 31 3.2.5 Die Darstellung der Intrige ............................................................................... 34 3.2.6 Figurenkonstellation und -konzeption............................................................... 38 3.2.6.1 Der tektonische Bau als Spiegelung der Figurenkonstellation..................... 38 3.2.6.2 Milly Theale: Ätherisches Fabelwesen oder berechnende Manipulatorin?.. 39 3.2.6.3 Kate Croy: Altruistische Freundin oder egoistische Intrigantin?................. 42 3.2.6.4 Merton Densher: Die Eindimensionalität des männlichen Protagonisten ........................................................................................................... 44 3.2.7 Zeitgenössische Rezeption................................................................................ 46 4 VOM BUCH AUF DIE BÜHNE: SZENISCHE ADAPTATIONEN DER WINGS OF THE DOVE .... 48 4.1 Das Theater – Henry James’ große, unerfüllte Liebe .......................................... 48 4.2 Guy Bolton, Child of Fortune (1956)..................................................................... 50 4.2.1 Inhalt und Handlungsverlauf von Child of Fortune ........................................... 50 4.2.2 Krankheit und Tod in Child of Fortune............................................................. 52 4.2.3 Dramenstruktur................................................................................................. 53 4.2.3.1 Exposition ................................................................................................. 55 4.2.3.2 Der zweite Akt als versteckte Demaskierung der Intrige ............................ 56 4.2.3.3 Von der Lüge zur Wahrheit: Die Umkehrung der Intrige............................ 58 4.2.3.4 Akt III: Milly Temple alias Donna Caterina Sorenzo.................................. 60 4.2.4 Figurenkonstellation und -konzeption............................................................... 62 4.2.4.1 Die Bedeutung der Nebencharaktere .......................................................... 64 4.2.4.2 Millys „Eltern“: Susan Sheperd und Sir Luke Strett ................................... 65 4.2.4.3 Lord Marcus Annersley ............................................................................. 67 4.2.5 Rezeption ......................................................................................................... 68 4.3 Guy Boltons The Wings of the Dove alias Christopher Taylor's The Wings of the Dove? – eine Adaptationsquerele................................................................................... 69 4.4 Christopher Taylor, The Wings of the Dove (1963) .............................................. 71 4.4.1 Inhalt und Handlungsverlauf............................................................................. 72 4.4.2 Divergenzen ..................................................................................................... 73 4.4.3 Krankheit und Tod............................................................................................ 75 4.4.4 Dramenstruktur................................................................................................. 77 4.4.4.1 Exposition: Analyse des ersten Aktes......................................................... 79 4.4.4.2 Steigerung und Klimax: Analyse des zweiten Aktes................................... 81 4.4.4.3 Die Katastrophe: Analyse der zweiten Szene von Akt III ........................... 82 4.4.5 Figurenkonstellation und -konzeption............................................................... 83 i 4.4.5.1 Kate Croy als Spiegelbild Maud Lowders .................................................. 83 4.4.5.2 Merton Denver........................................................................................... 84 4.4.5.3 Milly Theale .............................................................................................. 85 4.4.5.4 Die Funktion der confidante: Susan Shepherd............................................ 86 4.4.6 Rezeption ......................................................................................................... 87 4.5 Jean-Louis Curtis, Les ailes de la colombe (1964)................................................. 89 4.5.1 Divergenzen zu Christopher Taylors The Wings of the Dove............................. 89 4.6 Henry James „veropert”: Douglas Moore, The Wings of the Dove (1961) .......... 92 4.6.1 Inhalt und Handlungsverlauf............................................................................. 94 4.6.2 Divergenzen ..................................................................................................... 96 4.6.3 „Flowers are for gardens out of doors. When they are cut they will not grow again“ – Krankheit und Tod ......................................................................................... 98 4.6.4 Dramenstruktur................................................................................................100 4.6.5 „Aufführungen in der Aufführung”..................................................................101 4.6.5.1 Millys Arie ...............................................................................................102 4.6.5.2 Das Spiel als Spiegel der Intrige: „The Masque of Janus“ .........................104 4.6.5.3 Der sechste Aufzug als Wahrheitsfindung.................................................106 4.6.6 Figurenkonstellation und -konzeption..............................................................107 4.6.6.1 Kate Croy und Milly Theale......................................................................108 4.6.6.2 Miles Dunster ...........................................................................................110 4.6.7 Rezeption ........................................................................................................111 5 VOM BUCH AUF DEN BILDSCHIRM: AUDIOVISUELLE DARSTELLUNGEN DER WINGS OF THE DOVE ...........................................................................................................................112 5.1 Analysemöglichkeiten verfilmter Literatur: Ein historischer Abriss.................112 5.2 Henry James auf „small screen“: The Wings of the Dove als Fernsehspiel der Studio One-Anthologie (1952) .......................................................................................116 5.2.1 Der Beginn der amerikanischen Fernsehära .....................................................117 5.2.2 Kultur trifft Kommerz: Westinghouse Studio One als bilaterale Profitbindung zwischen Elektronik und Entertainment ......................................................................119 5.2.3 Experimentelles Live-Drama ...........................................................................121 5.2.4 Inhalt und Handlungsverlauf............................................................................123 5.2.5 Divergenzen ....................................................................................................124 5.2.6 Krankheit und Tod...........................................................................................125 5.2.7 Erzählstruktur..................................................................................................127 5.2.7.1 Die Expositionssequenz ............................................................................128
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