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Boston Symphony Orchestra Concert Programs, Season 48,1928-1929, Trip

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E. F. ALBEE THEATRE . PROVIDENCE Tuesday Evening, February 19, at 8.15 PR5GR7W1E We Are Exclusive Rhode Island Distributers For These World-Famous PIANOS MhWmw ******' <-0 Established 1823 <gi=» vA r5*? m BREWSTER 1UJJ1C0 Any make of Piano taken in exchange. Convenient Gradual Payments if desired and in addition a guaranteed insurance policy of protection is given without charge. Ask to have it explained to you. (Piano Salons — Fourth Floor) E. F. ALBEE THEATRE PROVIDENCE FORTY-EIGHTH SEASON 1928-1929 INC. SERGE KOUSSEVITZKY, Conductor TUESDAY EVENING, FEBRUARY 19, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1929, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager • THE INSTRUMENT OF THROUGH THE LOOKING GLASS" SUITE, by DEEMS TAYLOR, painted by FRANK MCINTOSH It is almost taken for granted today will last 30, 40, and even 50 years or that a well-appointed home shall more, its real economy becomes ap- contain a fine piano. Among culti- parent. Long after a commonplace vated people it is little short of a instrument has gone its way the necessity. And in every walk of life Steinway will serve you well. it is accepted as an index and war- You need never buy another piano. rant of good taste. In homes of this sort the numeri- A new Steinway piano can be cal superiority of the Steinway is bought from overwhelming. And its margin of physical superiority is no less strik- $875 up ing. There is no other piano to com- Any Steinway piano may be purchased with pare with it in the depth and beauty a cash deposit of 10%, and the balance will be extended over a period of two years. of its tone ... its power ... its Used pianos accepted in partial exchange. sensitive and incredibly fluent action. A few completely rebuilt Steinways are Yet for all its obvious advantages, available at special prices. the Steinway is not an expensive Steinway & Sons, Steinway Hall piano. When one considers that it 109 West 57th Street, New York Represented by foremost dealers everywhere 2 Forty-eighth Season, 1928-1929 SERGE KOUSSEVITZKY, Conductor • Violins. Burgin, R. Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, P. Concert-master Kreinin, B. Kassman, N. Hamilton, V. Eisler, D. Theodorowicz, J. Hansen, E. Lauga, N. Fedorovsky, P. Leibovici, J. Pinfield, C. Mariotti, V. Leveen, P. Tapley, R. Jacob, R. Zung, M. Knudsen, C. Gorodetzky, L. Mayer, P. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L. Messina, S. Murray, J. Del Sordo R. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Van Wynbergen, C. Grover, H. Fiedler, A. Artieres, L. Cauhap6, J. Werner, H. Shirley, P. Avierino, N. Gerhard t, S. Bernard, A. Deane, C. Violoncellos. BedettiJ. Langendoen, J. Chardon, Y. Stockbridge, C. Fabrizio, E. Zighera, A. Barth, C. Droeghmans, H. Warnke, J. Marjollet, L. Basses. Kunze, M. Lemaire, J. Ludwig, 0. Girard, H Kelley, A. Vondrak, A. Oliver, F. Frankel, I. Dufresne, G. Demetrides, L Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Hamelin, G. Laus, A. Bladet, G. Devergie, J. Arcieri, E. Allard, R. Amerena, P. Stanislaus, H. Allegra, E. Bettoney, F. {E-flat Clarinet) Piccolo. English Horn. Bass Clarinet. Contra-Bassoon. Battles, A. Speyer, L. Mimart, P. Piller.B. Horns. Horns. Trumpets. Trombones. r Boettcher, G. Valkenier, W . Mager, G. Rochut, J. Pogrebniak, S. Schindler, G Voisin, R. Hansotte, L. Van Den Berg, C. Lannoye, M. Lafosse, M. Kenfield, L. Lorbeer, H. Blot, G. Perret, G. Raichman, J. Mann, J. Adam, E. Tubas. Harps. Timpani. Percussion. Sidow, P. Zighera, B. Ritter, A. Ludwig, C. Adam, E. Caughey, E. Polster, M. Sternburg, S. White, L. Organ. Celesta. Librarian. Snow, A. Fiedler, A. Rogers, L. J. 3 For Helpful Suggestions in Interior Decorating and Furnishing We offer you a most unique service, based upon Ion£ experience and a thorough knowledge of modern requirements. Under one management our many special- ized departments have solved, each its own particular furnishing or decorating problem, and the combined knowledge thus gained, makes our service of the greatest value to you. It is yours for the asking, and we hope to make our shop an interesting, friendly place for frequent visits, to discuss your various problems. Wall Paper, Painting, Cabinet Work, Tile Work, Parquet Floors, Lighting Fixtures, Draperies, Furniture, Fire- place Furnishings, Upholstering, Gifts, Pictures Agents for Westinfehouse Mazda Lamps Crooklr Company Weybosset at Richmond Street Established 1887 Incorporated 1896 Studios : 230-232 Weybosset Street Factories : 1 94 Pine Street 232 Aborn Street E. F. ALBEE THEATRE . PROVIDENCE Two Hundred and Sixth Concert in Providence Forty-eighth Season, 1928-1929 SERGE KOUSSEVITZKY, Conductor THIRD CONCERT TUESDAY EVENING, FEBRUARY 19 AT 8.15 PROGRAMME Schubert .... Symphony in B minor ("Unfinished") I. Allegro moderato. II. Andante con moto. Ravel . "La Valse," Choregraphic Poem Bloch . • . "America," An Epic Rhapsody In Three Parts I. Poco lento. ( -1620) The Soil—The Indians—(England)—The Mayflower—The Landing of the Pilgrims. II. Allegretto. (1861-1865) Hours of Joy—Hours of Sorrow. III. Allegro con spirito. (1926- ) The Present—The Future. A mixed Chorus, directed by John B. Archer There will be an intermission of ten minutes after Ravel's "La Valse" For the music on these programmes, visit the Music Department at the Providence Public Library The smaller places are a joy of travel By all means visit the smaller places in Europe. The great capitals of the world are much alike, but the small cities and the towns are stamped with the characteristics of their countries and with their own distinct individuality. Each, with its own people, its own architecture, its own customs, its own history, offers to the discerning traveler a new world. Consult Raymond-Whitcomb For Raymond-Whitcomb knows the smaller places—is familiar with their different qualities of appeal and charm, with their weather and seasons, and especially their hotels. The Raymond-Whitcomb Individual Travel Service plans individual trips to meet individual desires in route and other details; and makes complete advance arrangements for them, securing steamship and railroad tickets, reserving rooms at hotels, engaging automobiles and local guides. Mediterranean Spring Cruise April 8, 1929—$725 and upward Tours in Europe Land Cruises in America RAYMOND & WHITCOMB COMPANY CHURCH TICKET AGENCY, 54 EXCHANGE STREET AYLSWORTH TRAVEL SERVICE, 36 WEYBOSSET STREET Unfinished Symphony in B minor . Franz Schubert (Born at Lichtenthal, near Vienna, January 31, 1797 ; died at Vienna, November 19, 1828) Two brothers, Anselm and Joseph Hiittenbrenner, were fond of Schubert. Their home was in Graz, Styria, but they were living at Vienna. Anselm was a musician; Joseph was in a government office. Anselm took Schubert to call on Beethoven, and there is a story that the sick man said, "You, Anselm, have my mind; but Franz has my soul." Anselm closed the eyes of Beethoven in death. These brothers were constant in endeavor to make Schubert known. Anselm went so far as to publish a set of "Erlking Waltzes," and assisted in putting Schubert's opera, "Alfonso and Estrella" (1822), in rehearsal at Graz, where it would have been performed if the score had not been too difficult for the orchestra. In 1822 Schubert was elected an honorary member of musical soci- eties of Linz and Graz. In return for the compliment from Graz, he began the Symphony in B minor, No. 8 (October 30, 1822). He finished the Allegro and the Andante, and he wrote nine measures 675 will buy a new Brambach Grand Piano The outstanding achievement of fine piano production. Built to a standard of quality never before attempted at this price. Possesses distinctive char- acteristics found in no other piano. Meiklejohn Pawtucket 297 Weybosset St., Providence Woonsocket "MUSICAL? PLACE THE PLACE—IT'S PLACE'S PLACE' of the Scherzo. Schubert visited Graz in 1827, but neither there nor elsewhere did he ever hear his unfinished work. Anselm Huttenbrenner went back to his home about 1820. II was during a visit to Vienna that he saw Beethoven dying. Joseph remained at Vienna. In 1860 he wrote from the office of th( Minister of the Interior a singular letter to Johann Herbeck, whc then conducted the concerts of the Gesellschaft der Musikfreunde He begged permission to sing in the concerts as a member of the society, and urged him to look over symphonies, overtures, songs quartets, choruses by Anselm. He added towards the end of th( letter, "He [Anselm] has a treasure in Schubert's B minor sym phony, which we put on a level with the great Symphony in C, his instrumental swan-song, and any one of the symphonies bj Beethoven." Herbeck was inactive and silent for five years, although he visitet Graz several times. Perhaps he was afraid that if the manuscripi came to light, he could not gain possession of it, and the symphony like the one in C, would be produced elsewhere than in Vienna Perhaps he thought the price of producing one of Anselm Htitten brenner's works in Vienna too dear. There is reason to believ< that Joseph insisted on this condition. (See "Johann Herbeck,' by L. Herbeck, Vienna, 1885, page 165.) In 1865 Herbeck was obliged to journey with his sister-in-law WASSILI LEPS, Director PIANO DEPARTMENTS THEORY COURSE Kindergarten—Elementary POST GRADUATE COURSE Advanced—Artist Course TEACHER'S NORMAL COURSE GRADUATE TEACHERS IN PIANO: Ida Haminovitz, Mary Bradley, Fannie Buonfiglio, Lorette Gagnon, Berthe E.
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  • Dalibor Davidović After the End of the World on Music

    Dalibor Davidović After the End of the World on Music

    Dalibor Davidović After the End of the World On Music in Hans Jürgen Syberberg's Café Zilm “Because I desire to reveal myself, to stop being too easy a riddle for you to solve.” (Gombrowicz 2012: 44) Entering the square from the southern side, I immediately found what I was looking for: a scaffold construction made of metal planks partially covered by plastic sheeting. Since I approached it laterally, I could see something like a marquee inside, like those which can be found on city squares during Christmas time. The front of the marquee was not visible. At the plastic sheeting there was a printed photograph of an old building, possibly from the nineteenth century, which had the inscription “Café Zilm” on the facade. The front door in the photograph had been replaced with a real wooden front door in front of which stood a chalkboard with the following inscription: “Today, on Friday October 13 from 4 PM on coffee and cake - homemade! - At 7 PM: Live! For and with Marlies Hamann (94) Songs for singing along. The Café Zilm is heated.” Inside the marquee there were some round tables with tableclothes made of white damask and small flower arrangements. The carpet, the chandelier and the elegant chairs gave an impression of a certain age. Next to the entrance there was a table with the different sorts of cakes, a coffee machine and the accessories. I introduced myself to the hosts and we sat at one of the tables. That evening the music which formed part of the programme was announced, and the programme itself was dedicated to Marlies Hamann, whose name I was until that moment unfamiliar with.