Blues Miles Davis

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Stand Dezember 2019 - All Blues Miles Davis - Ain’t No Mountain High Enough Nicolas Ashford, Valerie Simpson - A Night Like This Caro Emerald - Automn Leaves Joseph Kosma - Back At The Chicken Shack Jimmy Smith - Blue Bossa Kenny Dorham - Beautiful Love Wayne King / Victor Young / Egbert Van Alstyne - Box Paradox Rolf Büschi - Calypso Blue Rolf Büschi - Chain Gang Sam Cooke - Cold Cold Heart Hank Williams / Norah Jones - Don’t Worry Be Happy Bobby Mc Ferrin - Doxy Sonny Rollins - Einerlei Rolf Büschi - Frankie And Johnny Traditional - Heartaches Al Hofmann - Here’s That Rainy Day Jimmy Van Heusen - I Say A Little Prayer For You Burt Bacharach / Hal David - Isn’t She Lovely Stevie Wonder - Just The Two Of Us Bill Withers - Killing Me Softly Charles Fox - Let’s Get It On Marvin Gaye - Lullaby Of Birdland George Shearing - Mack The Knife Kurt Weill - Manha Da Carneval Antonio Carlos Jobim - Mercy Mercy Mercy Joe Zawinul - Mo Better Blues Brandford Marsalis / Rolf Büschi - Moanin Bobby Timmons - My Guy William “Smokey” Robinson - No More Blues (Chega de Saudade) Antonio Carlos Jobim - Not So Hard Times Rolf Büschi - Now Or Never Billie Holliday / Curtis Reginald Lewis - Over The Rainbow Harold Arlen / E.Y. Harburg - Poinciana Nat Simon / Buddy Bernier - Samba De Orfeu Antonio Maria / Luis Bonfá - Smooth Operator Sade - So Nice (Summer Samba) Marcos Valle / Norman Gimbel - So Long Russ Morgan - Somewhere Birds Sing For You Maura Grassi - Son Of A Preacherman Dusty Springfield - Song For My Father Horace Silver - Soul Serenade King Curtis / Rolf Büschi - St Thomas Sonny Rollins - Summertime George Gershwin - Sunshine Superman Donovan - Sway Pablo Beltrán Ruiz - Tequila Chuck Rio - The Beat Goes On Sonny Bono - The Days Of Wine And Roses Henry Mancini - The Jody Grind Horace Silver - They Can’t Take That Away From Me George & Ira Gershwin - Things Ain’t What They Used To Be Mercer Ellington - This Masquerade Leon Russell - Watermelon Man Herbie Hancock - Warwick Avenue Duffy - Wave Antonio C Jobim .

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Bomb Scare Clears Kirkbride Therapy for Accident Victim "If It's on Camous and It's by KEN MAMMARELLA Threat Procedure of Leaving the Suspected Karen Seitz
Bulk Rate U.S. Postage PAID ff>ermit No.320 Newark, DE. Friday. April6. 1979 By DEBORAH PETIT MIDDLETOWN, Pa.,- With a potential core melt-down now greatly reduced, officials at the Three Mile Island Nuclear Reactor Site are turning their attention to the pro blems of cleaning up radioactive substances left by the re cent reactor accident. Upon analysis of the extent of damage incurred in the mishap and the level of radioactive contamination left in the reactor, experts will determine the fate of the Three Mile site. An evaluation of the costs involved will leave the officials with the options of either refurbishing or decommissioning the plant. Both of which would require large amounts of time and money. · The projected time for complete decontamination of the reactor now stands at least one to two years. Additional time beyond ~hat estimate would be required to bring the plant back to operational levels. Cost estimates for the refurbishment of the reactor can not be determined from present data. The costs and time involved in decommissioning the site, however, can be more accurately determined from previous studies done by the Nuclear Regulatory Commis sion (NRC). Most data points to a dismantling cost estimate of roughly Review photo by Andy Cline 5 percent to 10 percent of the original construction costs. "THEY'VE PUSHED THE PANIC BUTTON as HAROLD DENTON, Director of the NRC's of The NRC conducted a study of the Trojan reactor site in far as I'm concerned," Mitzi Krause said of fice of Nuclear Reactor Regulation, and Oregon and came up with a dismantling cost in 1978 of just the nuclear accident on near by Three Mile NRC spokesman Joseph Fouchard {left) aid- over $42 million to level the plant.
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The Money Band Songlist
THE MONEY BAND SONGLIST 50s Bobby Darin Mack the Knife Somewhere Beyond the Sea Ben E King Stand By Me Carl Perkins Blue Suede Shoe Elvis Presley Heartbreak Hotel Hound Dog Jailhouse Rock Frank Sinatra Fly Me To The Moon Johnny Cash Folsom Prison Blues Louis Armstrong What A Wonderful World Ray Charles I Got A Woman Wha’d I Say 60s Beach Boys Surfing USA Beatles Birthday Michelle Norwegian Wood I Feel Fine I Saw Her Standing There Bobby Darin Dream Lover Chantays Pipeline Chuck Berry Johnny B Good Dick Dale Miserlou Wipe Out Elvis Presley All Shook Up Can’t Help Falling In Love Heartbreak Hotel It’s Now or Never Little Less Conversation Little Sister Suspicious Minds Henri Mancini Pink Panther Jerry Lee Lewis Great Balls of Fire Whole Lotta Shakin Jimi Hendrix Fire Hey Joe Wind Cries Mary Johnny Rivers Secret Agent Man Johnny Cash Ring of Fire Kingsmen Louie Louie Otis Redding Dock of the Bay Ricky Nelson Hello Marylou Traveling Man Rolling Stones Paint It Black Jumping Jack Flash Satisfaction Cant Always Get What You Want Beast of Burden Sam the Sham & the Pharaohs Wooly Bully Tommy James Mony Mony Troggs Wild Thing Van Morrison Baby Please Don’t Go Brown Eyed Girl Into The Mystic The Who My Generation 70s Beatles Get Back Imagine Something Bee Gees You Should Be Dancing Staying Alive Carl Douglas Kung Foo Fighting Cat Stevens Wild World The Commodores Brick House David Bowie Rebel, Rebel Diana Ross Upside Down Donna Summer Hot Stuff Doors LA Woman Love Me Two Times Roadhouse Blues The Eagles Hotel California Elvis Presley Steamroller
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Mancini Sample.Indd
Prologue n a trip to Pennsylvania in 1988 to conduct the Pittsburgh OSymphony Orchestra, Henry Mancini felt an unmistak- able tug luring him back to West Aliquippa, the town where he’d grown up. It had been decades since Henry had been back to see what had become of the place where his life and musical journey began. The musician friends traveling with him from Los Angeles were happy to accompany their beloved bandleader on the impromptu roots trip. Henry shared some of his personal history with his com- panions on the drive. He told them how West Aliquippa was once a thriving steel town where the Jones and Laughlin Steel Company employed the majority of the town’s residents, includ- ing his father. It was not unlike other Rust Belt towns of that era, filled with hard-working immigrant families. As they pulled into what was left of the town, it was clear that Henry had not prepared himself for the level of economic devastation that had befallen West Aliquippa, which seemed to have been reduced to dust and broken glass. There were no people on the street—just a feral cat that darted out in front of their car. They drove around until Henry was able to trace his steps back to Beaver Avenue, which took longer than it should have because things were not all where they used to be. As they turned a corner, he felt a bit disoriented as he searched for numbers on the houses. Then he finally found it: 401, his childhood home.
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Henry Mancini Fellowship Official Award Rules
The ASCAP Foundation Henry Mancini Music Fellowship The specific rules and requirements of The ASCAP Foundation Henry Mancini Music Fellowship (the “Award”), including but not limited to, eligibility, winner selection process, and award criteria, are set forth below (the “Award Requirements”). These Award Requirements are supplemented by the general rules and regulations attached as Schedule A (the “General Terms” and collectively with the “Award Requirements”, the “Official Rules”), which are incorporated by reference. By participating in the Award process, all entrants agree to be bound by these Official Rules and the decisions of The ASCAP Foundation (the “Foundation”) and the American Society of Composers, Authors and Publishers (“ASCAP”), which are final and binding in all respects. To the extent not specifically defined below, all capitalized terms have the meaning set forth in the General Terms. About the Award Named for Henry Mancini, whose credits include acclaimed soundtracks such as Days of Wine and Roses and Breakfast at Tiffany's, this fellowship is generously funded by Ginny Mancini to honor the memory of her husband. This fellowship provides support for a composer, arranger, orchestrator who demonstrates talent and exceptional career potential participating in the ASCAP/Columbia University Film Scoring Workshop. The Award will be presented to one (1) aspiring film composer who will be participating in the 2020 ASCAP Columbia University Film Scoring Workshop, to be conducted during the Spring 2020 semester at Columbia University, New York City (the “Composers’ Workshop”). The recipient selected by the ASCAP Creative Services Executives in consultation with industry executives. Workshop meets once per week from late January until mid-April.
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
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Senior Recital: Alex Nash, Guitar Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 4-24-2006 Senior Recital: Alex Nash, guitar Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Senior Recital: Alex Nash, guitar" (2006). Music Department Concert Programs. 393. https://scholarship.richmond.edu/all-music-programs/393 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND DEPARTMENT oF Musrc CoNCERT SERIES UNIVERSITY OF RICHMOND LIBRARIES 1111111111111111111111111111111111111111111111111111111111111111 3 3082 00942 2873 SENIOR RECITAL Alex Nash, guitar assisted by Chris Chandler, guitar Margaux LeSourd, voice Andrew Schutte, bass Michael Davison, trumpet APRIL 24, 2006, 7:30PM PERKINSON RECITAL HALL PROGRAM Have You Met Miss Jones Richard Rodgers (1902-1979) Lorenz Hart (1895-1943) My Romance Rodgers Hart Stella By Starlight Victor Young (1900-1956) Chris Chandler, guitar Anything Goes Cole Porter (1891-1964) Body and Soul Edward Heyman (1907-1981) Johnny Green (1908-1989) Margaux LeSourd, voice No Moon At All Redd Evans (1912-1972) David Mann (1916-2002) My Funny Valentine Rodgers Hart Andrew Schutte, bass Days of Wine and Roses Henry Mancini (1924-1994) Johnny Mercer (1909-1976) Scrapple From the Apple Charlie Parker (1920-1955) Michael Davison, trumpet NOTES Richard Rodgers and Lorenz Hart were a famous songwriting team during the 1920s and 1930s.
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1 Hey Jude the Beatles 1968 2 Stairway to Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5
1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 6 Da Ya Think I'm Sexy? Rod Stewart 1979 7 Jailhouse Rock Elvis Presley 1957 8 (I Can't Get No) Satisfaction Rolling Stones 1965 9 Tragedy Bee Gees 1979 10 Le Freak Chic 1978 11 Macho Man Village People 1978 12 I Will Survive Gloria Gaynor 1979 13 Yesterday The Beatles 1965 14 Night Fever Bee Gees 1978 15 Fire Pointer Sisters 1979 16 I Want To Hold Your Hand The Beatles 1964 17 Shake Your Groove Thing Peaches & Herb 1979 18 Hound Dog Elvis Presley 1956 19 Heartbreak Hotel Elvis Presley 1956 20 The Twist Chubby Checker 1960 21 Johnny B. Goode Chuck Berry 1958 22 Too Much Heaven Bee Gees 1979 23 Last Dance Donna Summer 1978 24 American Pie Don McLean 1972 25 Heaven Knows Donna Summer & Brooklyn Dreams 1979 26 Mack The Knife Bobby Darin 1959 27 Peggy Sue Buddy Holly 1957 28 Grease Frankie Valli 1978 29 Love Me Tender Elvis Presley 1956 30 Soul Man Blues Brothers 1979 31 You Really Got Me The Kinks 1964 32 Hot Blooded Foreigner 1978 33 She Loves You The Beatles 1964 34 Layla Derek & The Dominos 1972 35 September Earth, Wind & Fire 1979 36 Don't Be Cruel Elvis Presley 1956 37 Blueberry Hill Fats Domino 1956 38 Jumpin' Jack Flash Rolling Stones 1968 39 Copacabana (At The Copa) Barry Manilow 1978 40 Shadow Dancing Andy Gibb 1978 41 Evergreen (Love Theme From "A Star Is Born") Barbra Streisand 1977 42 Miss You Rolling Stones 1978 43 Mandy Barry Manilow 1975
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Pre-Assessment
Name: _________________________________________________ Date: ____________________________ Film Music Unit Pretest 6th Grade Music Multiple Choice 1. What is a melody? a. The main line in music b. The background line in music c. A song that we sing d. The rhythmic drive in music. 2. The line of music associated with Luke Skywalker in the movie Star Wars is called a ___________________. a. Sequence b. Ostinato c. Leitmotif d. Melody 3. What was the first movie with an entire original score? a. Gone with the Wind b. King Kong c. Casablanca d. Star Wars 4. What year did synthesizers become introduced as a part of film music? a. 1958 b. 1968 c. 1978 d. 1980 True or False 5. Music was included as a part of film starting with the first motion picture. True False 6. Film composers are not always well-respected in their careers. True False 7. Film music is played by a symphony. True False 8. Ascending melodies are generally happy, while descending melodies are generally sad. True False Matching Match each film with the composer who wrote the film score. 9. ___________ Star Trek a) Hans Zimmer 10. ___________ Edward Scissorhands b) Jerry Goldsmith 11. ___________ Titanic c) Max Steiner 12. ___________ The Lion King d) Danny Elfman 13. ___________ The Pink Panther e) John Williams 14. ___________ King Kong f) James Horner 15. ___________ Star Wars g) Henry Mancini Name: _________________________________________________ Date: ____________________________ Fill in the Blank Insert the best word into each blank. Not all words will be used. character consonance dissonance geographic harmony historic piano tension timbre 16.
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Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
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B Clarice K Artist Album Publisher
List of music albums from Bob Witte for the New York Folk Music Society Charlene K-Clarice K B Artist Album Publisher Year $40.00 $210.00 Acrobates et Musiciens Lo Jai Shanachie Records 1987 Anderson, Eric Blue River Wind & Sand Music Anderson, Pink Carolina Blues Man Volume I Prestige/Bluesville Anthology of American Folk Music 6 CD Set, Edited by Harry Smith Smithsonian Folkways $10.00 Assorted Artists The Eastern Shores, Southern Journey Prestige 1960 $15.00 Assorted Artists Music of the World's Greatest Composers Readers Digest Assorted Artists The Roots of Modern Jazz Olympic Records $15.00 Assorted Artists Music of the World's Greatest Composers RCA Victor Assorted Artists Golden Ring Folk-Legacy Assorted Artists The Koto Music of Japan Elektra Records Assorted Artists Drums of the Yoruba of Nigeria Ethnic Folkways Library Assorted Artists Scottish Tradition 2- Music of Western Isles Univ. Edinburgh Assorted Artists Scottish Tradition 4- Shetland Fiddle Music Univ. Edinburgh Assorted Artists Scottish Tradition 6- Gaelic Psalms from Lewis Univ. Edinburgh Assorted Artists Scottish Tradition 7- Callum Ruadh Univ. Edinburgh Assorted Artists Scottish Tradition 8- James Campbell of Kintail Univ. Edinburgh Assorted Artists Scottish Tradition 9- The Fiddler & His Art Univ. Edinburgh Assorted Artists Songs & Dances of Scotland Murray Hill Records Assorted Artists Songs of the Lincoln Brigade Stinson Recordings Assorted Artists Southern Mountain Hoedowns Stinson Recordings Assorted Artists; Fox Hollow 1967 Pitter, Poon, The Rain Came Doon-Vol.I
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LA VIE EN ROSE LIVIN’ and LOVIN’ with LOUIS ARMSTRONG
LA VIE EN ROSE LIVIN’ and LOVIN’ with LOUIS ARMSTRONG Words are completely inadequate when attempting to convey the spirit of Louis Armstrong to anyone unfamiliar with his genius. It is far better to learn about Armstrong, also known as Satchmo, Pops, Papa Dip, through his music. And yet, to define his accomplishment solely through music is to overlook the totality of his unique contributions to the world. There is much to discover when we widen our focus. Through his story, we can examine how technology can be used to document change through the lens of a single person’s life. His long career spans the timeline of developing media: print media, photography, sound recordings, radio and television broadcasting, and film. Even today his legacy is spread through developing new media. With Internet access, any student can get their daily dose of Satchmo through iTunes, YouTube, Facebook, or Twitter. Satchmo used every means possible to create and communicate, and he was truly a pioneer exploring new technologies. Armstrong was constantly recording his story, first with pen and paper, next using with his trusty typewriter to write memoirs, essays and letters. He took to lugging around a reel‐to‐reel tape recorder on tour. He tucked scissors and scotch tape in his pockets to make collages whenever he had a spare moment. He amassed a personal collection of 1,600 recordings, 650 home recorded tapes in hand‐decorated boxes, 5,000 photographs, and 86 scrapbooks. He was often the first African American performer to break through racial barriers — in radio programs, animated shorts, early soundies, television shows, commercial advertisements, and in full‐length feature films — in a time when people of color could not walk through the front door of many public establishments, sit in the front of the bus, or go to an integrated school.
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The Jazz Triangle - Programm 2021
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