Walking with Bilbo : a Devotional Adventure Through J

Total Page:16

File Type:pdf, Size:1020Kb

Walking with Bilbo : a Devotional Adventure Through J For my husband, Tom, my treasured companion for the journey Visit Tyndale’s thirsty Web site at areUthirsty.com Visit www.saraharthur.com to learn more about Sarah Arthur. Copyright © 2005 by Sarah Arthur. All rights reserved. Cover photo copyright © by Tyndale House Publishers, Inc. All rights reserved. Author photo copyright © by Tom Arthur. All rights reserved. thirsty(?) and the thirsty(?) logo are trademarks of Tyndale House Publishers, Inc. Designed by Luke Daab Scripture quotations are taken from the Holy Bible, New Living Translation, copyright © 1996. Used by permission of Tyndale House Publishers, Inc., Wheaton, Illinois 60189. All rights reserved. Arthur, Sarah. Walking with Bilbo : a devotional adventure through J. R. R. Tolkien’s The Hobbit / Sarah Arthur. p. cm. Includes bibliographical references. ISBN 1-4143-0131-6 (sc) 1. Tolkien, J. R. R. (John Ronald Reuel), 1892-1973. Hobbit. 2. Tolkien, J. R. R. (John Ronald Reuel), 1892-1973—Religion. 3. Fantasy fiction, English—History and criticism. 4. Middle Earth (Imaginary place) 5. Spiritual life in literature. 6. Religion in literature. I. Title. PR6039.O32H63 2005 823′.912—dc22 2004018964 Printed in the United States of America 10 09 08 07 06 05 654321 What’s Inside A Note from the Author. vii Read This First. xiii How to Use This Book. xix 1 Looking for a Few Good Men (or Hobbits). 1 2 Job Description, Please . 9 3 Sheer Madness . 19 4 Traveling Light . 27 5 Now You See Him, Now You Don’t . 35 6 Plans Go Astray . 43 7 Going On . 51 8 Seeking and Finding . 59 9 For Pity’s Sake . 67 10 Portents of Great Significance . 75 11 Between a Rock and a Hard Place . 83 12 Help Un-looked For . 91 13 Choose Your Own Adventure . 99 14 Stick to the Path! . 107 15 The Unlikely Hero . 117 16 Good Luck? . 125 17 Decent Companions . 133 18 Living Legends. 143 19 True Identity. 151 20 Where Your Treasure Is . 161 21 Adventure’s End . 171 22 Home at Last . 179 Quick Reference Guide: A Glossary of Terms . 186 Notes . 192 Read This First “It’s a dangerous business, Frodo, going out of your door,” he used to say. “You step into the Road, and if you don’t keep your feet, there is no knowing where you might be swept off to.” Frodo, quoting Bilbo in The Fellowship of the Ring, Book One, Chapter Three If you prefer a safe, comfortable existence, by all means don’t read this book. Seriously. Shut it right now and step away. xiv SARAH ARTHUR On the other hand, if you’re ready for a riot- ous romp through the uncharted territory over the Edge of the Wild, into the landscape of your own soul: GET READY. It’s a dangerous busi- ness opening the pages of a book—even more dangerous than stepping out your front door. Your life may never be the same again. Bilbo should know. Many decades before the events of The Lord of the Rings, when he was still considered a fairly “young” hobbit (midfifties!), adventure came—literally—knocking at his door. Not just any adventure, mind you, but a treasure hunt in which one of two outcomes was inevitable: (1) death, or (2) riches beyond his wildest dreams. Considering the odds, a “sensi- ble” fellow would have stayed at home in his snug hobbit-hole. But Bilbo, in spite of himself, took the plunge, though he wasn’t keen on it at first. Upon learning that the dwarves were preparing to leave without him, he ran out of the front door of Bag-End at a full sprint, and so begins the story known as The Hobbit. We have much to learn from Bilbo. Who said WALKING WITH BILBO xv life was about being sensible and snug, anyway? Backpackers know you don’t get the really cool views staying down in the valley, all cozy in your cabin. The unforgettable adventures with bears and eagles and (dare we say) dragons don’t happen when you’re cuddled up on the couch, snoozing in front of the fire, or sitting at the kitchen table, casually enjoying Second or Third Breakfast. You have to be willing to take the risk, pack your bags, hit the road, even miss a good meal or two, in order to have the kinds of experiences that will rock your world and change your life. In short, you must be willing to set out on an adventure, not necessarily a real expedition involv- ing maps and transportation and luggage and accommodations (though some of us are called to that kind of experience as well), but an inward journey of the soul. It’s the kind that involves confronting your own weaknesses as well as strengths, going on when you’re discouraged, telling the truth when you don’t want to, taking responsibility for situations that require action, overcoming the greedy desire to have the coolest xvi SARAH ARTHUR stuff, and sticking to the wisest path in the midst of conflict. These experiences test the very foun- dation of what you believe about who you are. Not only that, but they test what you believe about the One who got you started on this adventure in the first place: God. Simply put, God specializes in sending people on adventures. We see this throughout the Bible: We have Abram (Abraham) and Sarai (Sarah), instructed to pack up house and move to a foreign country. Then there’s Joseph, sold into slavery by his brothers and sent to Egypt; and Moses, chosen by God to free the Hebrew slaves and take them to the Promised Land. Or Jonah, the guy who was swallowed by a great fish when he attempted to flee in the direction opposite what God had in mind. And we can’t forget Paul who went on a spiritual quest of inner transfor- mation before being sent to the far corners of the known world as the first Christian missionary. Most important, we have Jesus himself, who was on the road continually throughout the years of his ministry. Right from the start, he hand- WALKING WITH BILBO xvii selected a group of unlikely heroes for the expe- dition—disciples who left their safe, predictable existence in order to plunge over the Edge of the Wild. It’s an invitation he extends to each of us today. Faith is an ongoing adventure, not just a one- time choice: “The road goes ever on and on,” as Bilbo regularly reminded Frodo. Once we hear the knock on the door and step onto the road, there’s no turning back. Life will never be the same again. Are you ready for the adventure? Look! Here I stand at the door and knock. If you hear me calling and open the door, I will come in, and we will share a meal as friends. Revelation 3:20 How to Use This Book For those who first encountered Tolkien’s imagi- nary world through The Lord of the Rings, reading The Hobbit is the next logical step in attempting to quench a thirst for more of Middle-earth. And it’s much less involved! Tolkien originally wrote it as a children’s story, so it’s a quick, fun read. If you’ve never read it before, find a copy at your local bookstore or library, grab yourself a hot mug of tea, and settle in for an unforgettable xx SARAH ARTHUR adventure. And if you have read it before, it wouldn’t hurt to peruse it again as you dive into Walking with Bilbo. As you read, give yourself time to reflect on Bilbo’s journey from a spiritual perspective. That’s where Walking with Bilbo comes in. It can help guide you in the process of reflection as it follows the basic outline of Bilbo’s adventure from beginning to end. From a biblical perspec- tive, it also explores the experiences of the dis- ciples who set out on the adventure of faith with Jesus about two thousand years ago. While Tolkien clearly didn’t intend direct parallels between Bilbo and those first Christians, we can see many of the same principles at work in their experiences—and in our own as dis- ciples today. Walking with Bilbo is created to be a devotional guide, which means there are short readings based on events in The Hobbit, followed by “Going Further” questions for reflection, and related Bible passages. You will want to (a) be familiar with The Hobbit, as already mentioned; WALKING WITH BILBO xxi (b) grab a pen or pencil to jot down your thoughts for the “Going Further” questions; and (c) have a Bible handy (the New Living Translation is used for this book). If at times you can’t keep track of characters or places in Tolkien’s stories, there is a “Quick Reference Guide” in the back of this book. It’s also essential to be familiar with the books or movies of The Lord of the Rings trilogy, particularly The Fellowship of the Ring. There we see Bilbo many years after his adventures in The Hobbit; there too we see the inevitable results of his “accidental” finding of the Ring. And finally, for a wonderful explanation from Gandalf ’s point of view regarding his selection of Bilbo for the expedition to the Lonely Mountain, Tolkien’s tale “The Quest of Erebor” is also highly recommended.5 Thoughts to Get You Started What lessons or opportunities would Bilbo have missed out on if he had decided to stay home instead of accepting the journey’s challenge? xxii SARAH ARTHUR What are some of the ways Bilbo’s journey changed him? How do you know when God is calling you to the adventure of faith? What does his “knock” sound like on the door of your soul? How do you hear his voice? What does following Jesus look like today? How tempting is it to maintain a “safe, comfort- able existence” rather than follow Jesus? What might someone miss out on if he or she doesn’t choose to follow Jesus? What are you going to do about it? CHAPTER ONE Looking for a Few Good Men (or Hobbits) “I am looking for someone to share in an adventure that I am arranging, and it’s very difficult to find anyone.” Gandalf, Chapter One of The Hobbit Remember those awful middle school gym classes when the teacher selected two captains and told them to take turns picking their team- mates, one at a time? Either the captains’ voices 2 SARAH ARTHUR were drowned by the clamoring throng (“Pick me! Pick me!”), or their words echoed in an uncomfortable silence (“I want her but not him; and you, over there—No, not you.”).
Recommended publications
  • Silmarillion
    No. 5 / April 2015 Ecdysis About Jonathan Crowe (editor) now reviews books for AE: The Canadian Science Fiction Review. Jennifer Hurd, a doctoral student in English literature at Oxford, appeared on Canada’s Smartest Person last year. Simon McNeil’s first novel, The Black Trillium, will Ecdysis be published by Brain Lag on June 24. No. 5 / April 2015 Jennifer Seely (art) successfully finished cancer Send hate mail, letters of comment, and treatment in November and is now back in the submissions to: classroom. mail PO Box 473 Tamara Vardomskaya’s first two short stories have Shawville QC J0X 2Y0 been published. See page 18 for details. CANADA e-mail [email protected] All content is copyright © their respective contributors. Grungy paper texture (page 38) by Back issues are available for free download at Dan Bashie Larsen, used under a Creative mcwetboy.net/ecdysis. Commons Licence. 2 EDITORIAL Breaking (Down) the Hugo Nominations LATE DOESN’T BEGIN TO DESCRIBE this issue of many people are doing it already that one ex- Ecdysis: I’d originally hoped to have it out at tra denunciation is hardly necessary—than I the end of December. But life got in the way, am in understanding how it happened. as it often does; and here we are. I think several structural factors have One of the problems with being this late contributed to the current mess. is having to rewrite this editorial. Timely has a First, as I’ve argued before, is the outsized limited shelf life. Last fall I planned to write a importance that the sf field places on awards.
    [Show full text]
  • Unfinished Tales of Middle- Earth and Numenor JRR Tolkien
    Unfinished Tales of Middle- Earth And Numenor JRR Tolkien CONTENTS INTRODUCTION page 1 PART ONE: THE FIRST AGE I OF TUOR AND HIS COMING TO GONDOLIN 19 Notes 54 II NARN I HÎN HÚRIN 61 The Childhood of Túrin 61; The Words of Húrin and Morgoth 70; The Departure of Túrin 72; Túrin in Doriath 81; Túrin among the Outlaws 90; Of Mîm the Dwarf 101; The Return of Túrin to Dorlómin 110; The Coming of Túrin into Brethil 115; The Journey of Morwen and Nienor to Nargothrond 118; Nienor in Brethil 127; The Coming of Glaurung 132; The Death of Glaurung 139; The Death of Túrin 147 Notes 153 Appendix 158 PART TWO: THE SECOND AGE I A DESCRIPTION OF THE ISLAND OF NÚMENOR 173 Notes 180 II ALDARION AND ERENDIS: The Mariner's Wife 181 Notes 222 III THE LINE OF ELROS: KINGS OF NÚMENOR 228 Notes 234 IV THE HISTORY OF GALADRIEL AND CELEBORN and of Amroth King of Lórien 239 Notes 264 Appendices (Appendix A, The Silvan Elves and their Speech 268; Appendix B, The Sindarin Princes of the Silvan Elves 270; Appendix C, The Boundaries of Lórien 272; Appendix D, The Port of Lond Daer 274; Appendix D, The Names of Celeborn and Galadriel 278) PART III: THE THIRD AGE I THE DISASTER OF THE GLADDEN FIELDS page 283 Notes 290 Appendix (Númenórean Linear Measures) 297 II CIRION AND EORL AND THE FRIENDSHIP OF GONDOR AND ROHAN 301 (i) The Northmen and the Wainriders 301 (ii) The Ride of Eorl 308 (iii) Cirion and Eorl 313 (iv) The Tradition of Isildur 322 Notes 324 III THE QUEST OF EREBOR 335 Notes 341 Appendix (Note of the text, and extracts from the earlier version) page 341
    [Show full text]
  • The Medieval Cardinal Virtues in Tolkien's the Hobbit
    The Medieval Cardinal Virtues in Tolkien’s The Hobbit BA Thesis Anne Sieberichs Student Number: 1271233 Online Culture: Art, Media and Society / Global Communication / Digital Media Department of Culture Studies School of Humanities and Digital Sciences Date: July 2020 Supervisor: Dr. Inge van der Ven Second Reader: Dr. Sander Bax ‘There is a lot more in him than you guess, and a deal more than he has any idea of himself.’1 1 J.R.R Tolkien, The Hobbit, or There and Back Again (United Kingdom: HarperCollinsPublishers, 2011), 19. 2 Table of contents 1.0 Introduction……………………………………………………………………………………. 4 1.1 Method………………………………………………………………………………… 5 1.2 Previous Research on Tolkien………………………………………………………….7 1.3 Tolkien’s Opus and The Hobbit………………………………………………………. 8 2.0 A Short History of Cardinal Virtues in the Middle Ages………………………………………9 3.0 Medieval Cardinal Virtues in Tolkien’s opus………………………………………………….11 3.1 Christianity and Tolkien……………………………………………………………….11 3.2 Prudence: ‘For even the very wise cannot see all ends.’2……………………………...12 3.2.1 Gandalf the prudent in The Hobbit………………………………………….15 3.3 Justice: ‘There is more in you of good than you know, child of the kindly West.’ 3….17 3.3.1 the case of Justice through the Arkenstone in The Hobbit………………….18 3.4 Fortitude: ‘But I expect they had lots of chances, like us, of turning back, only they didn’t.’4…………………………………………………………………………………….21 3.4.1. Fortitude: A case study of Bilbo’s Fortitude in The Hobbit………………… 24 3.5 Temperance: ‘If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.’5……………………………………………………………….
    [Show full text]
  • The Enigma of Radagast: Revision, Melodrama, and Depth
    Volume 26 Number 1 Article 8 10-15-2007 The Enigma of Radagast: Revision, Melodrama, and Depth Nicholas Birns New School, NY Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Birns, Nicholas (2007) "The Enigma of Radagast: Revision, Melodrama, and Depth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 26 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol26/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Investigates the tangled textual history of Radagast, a much-neglected character, and what it says about Tolkien’s writing technique and care in making revisions. Investigates changes in his function between The Hobbit and The Lord of the Rings, and why and how he disappears from the later story.
    [Show full text]
  • Press Release for the Annotated Hobbit Published by Houghton
    Press Release The Annotated Hobbit by Douglas A. Anderson • Introduction • About the Author • A conversation with Douglas A. Anderson • Other Resources • Bestseller position for Tolkien-related titles January 2002 Introduction Since 1937, few books have provided more pleasure than J.R.R. Tolkien's The Hobbit. Originally published in England with a first printing of 1,500 copies, The Hobbit is now nearing its 65th anniversary, with fifty million of copies in more than forty languages. For readers throughout the world, this classic novel offers an enchanting introduction to the imaginary world of Middle-earth, home of the fantastical creatures depicted in The Lord of the Rings, The Silmarillion, and Tolkien's other captivating tales. But The Hobbit is more than an entertaining fantasy adventure story; it has significant roots in European folklore, mythology, fairy story, and language. In The Annotated Hobbit, renowned Tolkien scholar Douglas A. Anderson expertly explores these roots. Newly expanded, revised, and completely redesigned for a new generation of readers, The Annotated Hobbit is the authoritative explication of the sources, references, characters, places, and things of Tolkien's timeless novel. The many new annotations in this edition reflect more than a decade's additional scholarship on the history and evolution of The Hobbit. The Annotated Hobbit shows how Tolkien worked as a writer; what his interests and inspirations were (literary, linguistic, and otherwise); and how these pertain to the fascinating particulars of Middle-earth.
    [Show full text]
  • List of Articles
    list of articles Abercrombie, Lascelles Barrie, James Matthew Ace Books controversy Barrowclough, Sidney Acocks Green (Warwickshire) The Battle of Maldon Acta Senatus The Battle of the Eastern Field Adaptations The Battles of the Fords of Isen The Adventures of Tom Bombadil (poem) Baynes, Pauline Diana The Adventures of Tom Bombadil Bedford (Bedfordshire) and Other Verses from the Red Book ‘Of the Beginning of Days’ Ae Adar Nín ‘Of Beleriand and Its Realms’ Ainulindalë Belgium Akallabêth: The Downfall of Númenor Bennett, Henry Stanley Alcar mi Tarmenel na Erun Bennett, Jack Arthur Walter Aldarion and Erendis: The Mariner’s Wife Beowulf Aldershot (Hampshire) Beowulf: A Translation and Commentary Allegory Together with The Sellic Spell The ‘Alphabet of Dairon’ Beowulf: The Monsters and the Critics Aman ‘Of Beren and Lúthien’ Ambarkanta: The Shape of the World Beren and Lúthien (book) ‘The Ambidexters Sentence’ Berkshire Ancrene Riwle Bibliographies Ancrene Wisse and Hali Meiðhad The Bidding of the Minstrel, from the Annals of Beleriand Lay of Eärendel Annals of Valinor Bilbo’s Last Song (at the Grey Havens) Appearance Biographies An Application for the Rawlinson and Birmingham and environs Bosworth Professorship of Anglo-Saxon Birmingham Oratory . Oxford Blackwell, Basil Henry Art Bliss, Alan Joseph The Art of The Hobbit by J.R.R. Tolkien ‘The Bodleian Declensions’ The Art of The Lord of the Rings by Bombadil Goes Boating J.R.R. Tolkien The Book of Lost Tales Arthur and the Matter of Britain The Book of Lost Tales, Part One Athrabeth Finrod
    [Show full text]
  • Tolkien's Mythic Meaning
    TOLKIEN’S MYTHIC MEANING: THE READER’S ONTOLOGICAL ENCOUNTERS IN THE LORD OF THE RINGS A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2020 Quinn A J Gervel School of Arts, Languages and Cultures Research carried out at Nazarene Theological College, Manchester, UK 2 Table of Contents Table of Contents .............................................................................................................. 2 Abbreviations of Tolkien Works ........................................................................................ 4 Abstract ............................................................................................................................. 5 Declaration ........................................................................................................................ 6 Copyright Statement .......................................................................................................... 7 Dedication ......................................................................................................................... 8 Acknowledgements............................................................................................................ 9 Introduction ..................................................................................................................... 10 Chapter 1: Sub-Creativity and Ontological Experience .................................................... 27 Introduction.........................................................................................................
    [Show full text]
  • Peter Jackson's Transformation Of
    Volume 32 Number 2 Article 8 4-15-2014 From Children’s Book to Epic Prequel: Peter Jackson’s Transformation of Tolkien’s The Hobbit Frank P. Riga (retired) Canisius College in Buffalo, NY Maureen Thum University of Michigan-Flint Judith Kollmann (emeritus) University of Michigan-Flint Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Riga, Frank P.; Thum, Maureen; and Kollmann, Judith (2014) "From Children’s Book to Epic Prequel: Peter Jackson’s Transformation of Tolkien’s The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 32 : No. 2 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol32/iss2/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Makes the case that Jackson’s sometimes controversial screenwriting decisions actually echo Tolkien’s own abortive attempt to revise and change The Hobbit to bring it into line with the mood and milieu of The Lord of the Rings.
    [Show full text]
  • Thorin Oakenshield a Character Analysis
    University of Iceland School of Humanities Department of English Thorin Oakenshield A Character Analysis ENS241L Thesis for a BA degree in English Nuchjarin Punnapoptaworn Kt.: 241190-3319 Supervisor: Valgerður Guðrún Bjarkadóttir May 2015 I dedicate this thesis to my husband and my family, who supported me every step of the way. Abstract Today the world has limited resources such as energy, minerals and clean water. People become increasingly selfish and greedy as the resource become scarce. Money becomes so important in our life that we often forget that there is more to life than material wealth, such as happiness. Tolkien wrote down moral lessons in his children’s story called The Hobbit. One of the important protagonists is the dwarven king Thorin Oakenshield, which this thesis will analyze in detail. It compares him with other characters, examines his actions throughout the story and his death. Tolkien shows that the crownless king (Thorin) has so much weight on his shoulders that his only desire is to take back that which rightfully belongs to him. He becomes blind to the presence of the people around him and focuses only on Erebor and the great jewel called the Arkenstone. These factors lead to his fall into ‘dragon-sickness’. Those who fall into its grips will become oblivious to anything but their own advancement in wealth. Thorin’s actions lead him to his doom in the end. However, he manages to free himself from the dragon-sickness before his death at which time he admits his wrongs to Bilbo; the world would be a better place if people cherished friendship and joy over wealth and success, as the hobbits do.
    [Show full text]
  • A Hypothetical Timeline for the Hobbit by Douglas Wilhelm Harder July 24, 2018 Version 1.1
    A hypothetical timeline for The Hobbit by Douglas Wilhelm Harder July 24, 2018 Version 1.1 1. Introduction When Tolkien wrote The Lord of the Rings, he used the 1941 and 1942 Almanacs to ensure that the phases of the moon and other celestial events were internally consistent throughout the story. Years earlier, when he wrote The Hobbit, his purpose was not to create a book that stood up to critical analysis, but rather he was writing a children’s book, and in that he succeeded. Since then, however, there have been attempts to reconcile the celestial events reported in The Hobbit so as to make sense of them. This article will, after describing the terminology to be used, first describe an irreconcilable problem appearing in The Hobbit. This problem cannot be solved with any interpretation no matter how nuanced or subtle or clever, for it requires the moon to shift from an almost new moon to an almost full moon within one day. In order to correct this, this requires changes to the story. Consequently, we will continue by giving criteria by which any amendments or interpretations are to be judged. Following this, we will list three constraints that must be satisfied by any proposed amendments or interpretations. Finally, we propose a solution that requires a minor amendment to the text, and while that amendment is significant, we proceed to show that the amendment does not significantly affect the storyline in any way, that the amendment satisfies the constraints given, and that the amendments do not force an unreasonable interpretation of other events within the storyline.
    [Show full text]
  • Noms De Guerre: the Power of Naming in War and Conflict in Middle-Earth
    Please do not remove this page Noms de Guerre: The Power of Naming in War and Conflict in Middle-earth Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643386840004646?l#13643538100004646 Croft, J. B. (2015). Noms de Guerre: The Power of Naming in War and Conflict in Middle-earth. Mythlore, 34(1), 105–115. https://doi.org/10.7282/T3VH5QRG This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/09/28 13:23:59 -0400 OMS DE GUERRE: THE POWER OF NAMING IN WAR AND CONFLICT IN MIDDLE -EARTH JANET BRENNAN CROFT .R.R. TOLKIEN SKILLFULLY DEPLOYS A DEEP UNDERSTANDING of the mythic and J psychological power of names and naming throughout his legendarium. Among other aspects of naming, his stories highlight many ways in which names, naming, re-naming, and un-naming can be used as strategies in war and conflict. Names are, in one sense, the outward indication of a power negotiation. The namer, the one who bestows a new name or uses an already- given name, reveals, through the choice of name they use, their relationship to that which they name. It may be a more or less equal relationship; it may be one of exerting power over someone or something by imposing a name on it or by using a name that will influence those who hear it; or it may be one of subordination, using a name to flatter or placate someone or something more powerful.
    [Show full text]
  • Vývoj Bilba Pytlíka
    Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce HOBIT ANEB CESTA TAM A ZASE ZPÁTKY: VÝVOJ BILBA PYTLÍKA Tereza Pecková Plzeň 2012 University of West Bohemia Faculty of Education Undergraduate Thesis THE HOBBIT OR THERE AND BACK AGAIN: THE DEVELOPMENT OF BILBO BAGGINS Tereza Pecková Plzeň 2012 Tato stránka bude ve svázané práci Váš původní formulář Zadáni bak. práce (k vyzvednutí u sekretářky KAN) Prohlašuji, že jsem práci vypracoval/a samostatně s použitím uvedené literatury a zdrojů informací. V Plzni dne 18. dubna 2012 ……………………………. Jméno Příjmení ACKNOWLEDGMENTS I would like to thank Mgr. Libuše Lišková, M.A., the supervisor of my undergraduate thesis, for her guidance of my work, especially for her co-operative approach. Furthermore, my thanks belong to my family for their patience and support during my studies. ABSTRACT Pecková, Tereza. University of West Bohemia. April, 2012. The Hobbit or There and Back Again: The Development of Bilbo Baggins. Supervisor: Mgr. Libuše Lišková, M.A. The following thesis focuses on Tolkien’s The Hobbit or There and Back Again, published in 1937, and partially on The Lord of the Rings, published in 1954, especially on the character named Bilbo Baggins and his psychological development. Its aim is to observe and subsequently delineate changes in the main character’s mental processes and behaviour caused by the key points in his life. The thesis is divided into four major parts. The first part delineates the hobbits in general as it is important to have knowledge of the whole group before the deep analysis of one representative. The second section renders information about the main character, Bilbo Baggins, and clarifies his decision to join the dwarves in their quest.
    [Show full text]