DOCSLIB.ORG

TRICHY 396 Metres 758 758 Ice Kc Is) /S) 6.40 COMMERCIAL NEWS A.M

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TRICHY 396 Metres 758 758 Ice Kc Is) /S) 6.40 COMMERCIAL NEWS A.M THURSDAY, MAYMAX 3a THE INDIAN LISTENtitLISTEN EH MADRAS TRICHY 396 metres 758758 icekc Is)/s) 6.40 COMMERCIAL NEWS a.m. TRANSMISSION I inin TamilTamil byby N. N. R. R.SUBRAHMANIAN; SUBRAHMANLAN; His-His­ 6.40 COMMERCIAL NEWS a.m.TRANSMISSIONI torytory is made:made: TalkTalk inin TamilTamil byby P.P. SIVASIVA MADRAS 1I 16.506.50 S. RAJESWARAR A JE S W A R A RAOR A O 7.457.45* * MUSICAL PRELUDE *% PICHAI 211 metres (1,420 kc/s) (With Orchestral accompaniment)accompaniment) T. K.K. RANGACHARY RANGACHARY 2.30 * * CloseClose down 7.15 T. RAJARAJESWARIRAJARAJESWARI EvartkaiE v a rik a i Devamanohari a.m. TRANSMISSION I TThoodu hoodu nni-Manirangu-Adi i—Manirangu—Adi 7.50 NEWS IN TAMILTAMIL TRANSMISSION IIIill 7.30 ** SWAGATAMSWAGATAM Aparadamula-Rasali-AdiAparadamula— Rasali— A d i 5.0 ** T. R.R. SANTHANAMSANTHANAM V adera— Pantuvarali— A d i Ramabhirama—Ramabhirama-Dhanyasi-AdiDhanyasi—Adi Vadera-Pantuvarali-Adt 8.0 SAKUNTALAISAKUNTALAI ft P a h im a m JanaranjanlJanaranjani 7.45 NEWS IN TAMIL Pahirnam Nikelanayeda—Nikelanayeda-Devamanohari-AdrDeva.manoha.ri—Adi 7.45 NEWS IN TAMIL Engum nirai;niral; Anandam;Anandam; Sukumara;Sukumara; MaMa namename Kondodiva mayile PharasPharaz 7.40 K. V.V. KESAVAKESAVA BHAGAVATARBHAGAVATAR f j 8.0 "PITCHIDAMPATULU"“PITCHIDAMPATULU” 8.15 NEWS IN ENGLISHENGLISH Mahatripura Bhairavi Ma madura;madura; Venuganaloluni;Venuganalolunl; Inda paramu-paramu- I Sketch inin TeluguTelugu J Paraloka bhayabhaya Mandari Unnai tudikka Kuntalavarali kkham h a m Presented by RaiRai Bahadur BELLARY T. 8.30 A. SUNDARAM IYER Veena Unnai tudikka RAGHAVA; Featuring BELLARY T. RAG­ 8.30 A. SUNDARAMIYER: Veena NiraimadiN ira im ad i HarrisanandiHamsanandi 7.50 NEWS IN TAMILTAMIL RAGHAVA; Featuring BELLARY T. RAG- G aulipantu HAVA and C. PADMAVATHI DEVI Tarunam idammaidamma Gaulipantu 5.40 LEARN TO SING 8.0 VADYA SANGITAM HAVA and C. PADMAVATHI DEVI Sankarabharanam 5.40 LEARN TO SING 8.0 VADYA SANGITAM 8.15 S. R A JE S W A R A R A O Annai janakijanaki Sankarabharanam TyagaraTyagaraja-Goula-Adi j a—G ou la—Adi 8.15 S. RAJESWARA RAO Syama sundarasundara Dhanyo.slDhanyasi 6.0 S. PADMAP A D M A Nidumahima—Nidumahima-Eamsanandt-AdiEamsanandi—Adi (With(With orchestral accompaniment) Brihaspate AtoneAtana TirupatiTirupatl venkatesa VasantaV asa nta 8.15 NEWS 1NIN ENGLISHENGLISH 8.45 SAHITYASAHITYA PRADHANYAMUPRADHANYAMU Va va hanumanehanumane Khamas Gnanamosagarada PurvikalyaniPurvikalvani Punnagaiyal endan NadanarnakrivaNadanamakrvja 8.30 H A R I BRO T H E RS: Violin Programme illustrating the importance of9.0 ** Close downdown Punnagaiyal endan 8.30 HARI BROTHERS: Violin samtyasan.tya in Ca.natCarnat cc music:m usic: TalkT alk by M.M. D. Garvam kolladekollade MohanornMohannm NNinnuvina-Nayarasakannada-Rupakam in n u v in a — Nayarasakannada—Rupakam PARTHASARATHY Padmanabha pahipahi HindolamH indolam Neebakti-Jayamanohari-RupakarnN e eba kti— Jayamanohari—Rupakam p.m. TRANSMISSION II 9.09 0 ECONOMICSECONOMICS OF WARTIMEWARTIME p.m.TRANSMISSIONII 6.30 NEWS IN ENGLISHENGLISH Marugelara-Jayantasri-AdiMarugelara— Jayantasri—Adi 1.0 * KADAMBAM f Regulation of prices: TalkTalk inin EnglishEnglish LO * KADAMBAM t 6.40 FOR THE VILLAGES 9.0 * * CloseClose down ‘KUBERA KUCHELA”: Vasantan; Andarul 6.40 FOR THE VILLAGES 9.159.15* * LOCAL ANNOUNCEMENTSANNOUNCEMENTS "KUBERA KUCHELA":Vasantan; Andarul Sivane deivamenru; Food and nutrition; Sita •‘SIVALINGA SAKSHI”: ParamadayalaParamadayala Be;ne; Sivane delvamenru; Food and nutrition; Sita p.m. TRANSMISSION I/II 9.20 NEWS IN ENGLISH "SIVALING A SAKSHI": madiyadu; Kettaya sangati; Nandabaia- 9.20 NEWS IN ENGLISH MangalameM angalam e madiyadu; Kettaya sangati; Nanaabaia- 1.0 S. JAYALAKSHMIJAYALAKSHMI 9.30 B B C NEWSNEWS RELAYRELAY 'SATI•SATI MAHANANDA":MAHANANDA”: Kattida;Kattida; MayameMayame gopala t Entanerchina SudhadhanvasiSudhadhanyasi Entanerchina 9.45 WARWAR ININ THE AIR "SUMATI":•SUMATI”: Marimi;Marimi; NinnaNinna 7.15 READINGS FROM THETHE Kamalappada HarikarnHarikambhoji bhoji • JAWAB”: Dulhania; Loot raha halhai Vasanta Commentary J "JAWAB": Dulhania; Loot raha CLASSICSCLA SSICS Lalitalavanga Vasanta 1.30 NEWS IN ENGLISHENGLISH 1.30 NEWS IN ENGLISHENGLISH 10.0 B. V.V. LAKSHMANANLAKSHMANAN I "Tyagam":"Tyagam” : BBy y V.V. S. P. MANICKAMMANICKAM Sri venkatesam-Todi-Rupakumvenkatesam— Todi—Rupakam (7.30*7.30 * LOCALLOCAL ANNOUNCEMENTSANNOUNCEMENTS 1.40 FILMFILM FAREFARE tt Tyagarajaya— Begada—Rupakam 1.40 T. R.R. SANTHANAMSA N T H A N A M Tyagarajaya-Begada-Rupakam 7.35 VARUMUN KAPPU LAKSHMII.AKSHMI RAJYAM: Ramanuja TTillana-Bilahari-Adl illan a— Bilahari—Adi Nidu murtimurti NatakuranfiNatakuranji 7.35 VARUMUN KAPPU SHANTA KUMARI: UgaveuyyalaUgaveuyyala 10.30 * * CloseClose down Varuvar azhaittuvadi BegadaBegada Sketch in TamilTamil TT. R. MAHALINGAM:MAHALINGAM: Devaki tanaya KridatiICridati vanamali SindhubhairaviSindhubhairavi 7.45 NEWS IN TAMILTAMIL M. S.S. SUBBLTLAKSIIMI:SUBBULAKSHMI: AgniyenrarlyayoAgniyenrariyayo 5.08.0 KALLIDAIKURICHI S. KOTHAMANGALAM SRINIVASAN: TedinumTedmum MADRAS 22 2.0 NEWS IN TAMIL SNEHSNEHAPRABHA APR ABHA PRADHAN:PRADHAN: KaleonaKaleona bulayabulaya 2.0 NEWS IN TAMIL HARIHARAN 2.0 NEWSNEWS ININ TAMILTAMIL a.m.а.m. TRANSMISSIONTRANSMISSION I I 2.5 SUMMER SCHOOLSCHOOL Natamadi TirindaTirinda KambodtKambodi Vetrikku vazhi: The > ’u sa highway:highway: Talk 2.5 VEENA: AA IRI R ARTISTARTIST 60.98 metresmetres (4,920(4,920 ke/s)kc/s; Vetrikkuvazhi:Thesa. JananiJananl pahipahi Suddhasaveri 7.30 toto 7.40 AAS S IN MADRASM A D R A S 11 NittiraiwiiNittiraiwll Pantuvarali 2.10 HARIHARI BROTHERS:BROTHERS: ViolinViolin Andarama soundaryamsoundaryam HadarKedaragaula agaula Chintayanam-Bhairavi-RupakamChintayanam—Bhairavi—Rupakam ! 7.40 NEWS IN TELUGUTELUGU Kasiki poyyenepoyyene Mukhari NNidichala-Kalyani-Chapu id ic h a la —Kalyani—Chapu 7.50 MORNING VARIETYVARIETY ft Ragamalika 2.30 B. V.V. LAKSHMANANLAKSHMANAN j 8.0 to 9.09.0 AS.AS ININ MADRASMADRAS 11 9.20 NEWS IN ENGLISHENGLISH Bruhaspate—Bruhaspate-Atana-TriputaAtana—Triputa 9.30 B B C NEWS RELAY 9.0 * Close down 9.30 B B C' NEWS RELAY Nibhajana—NayakiNtbhajana--:Nayakt-Adi—Adi 9.0 * Close down SSivanal-Hamirkalyant-Adi iva n ai— Hamirkalyani— A d i p.m. TRANSMISSION IlII 9.4.19.40 WAR WAR ININ THE AIR:AIR: CommentaryCommentary p.m.TRANSMISSION SARAS- OrOr WOODWIND WOODWIND 3.0 T. C.C. MEENAKSHIM E E N A K S H I 41.27 metres (7,270(7,270 kckc's) 's) T. G. SA R A S- Entanerchina— Udayaravichandrika—A di VATHI. who Entanerchina-Udayaravichandrika-Adt 1.0 to 2.02.0 AS ININ MADRASMADRAS 11 VATHI. who 10.0 MELODYMELODY TIME TIME ft AAparadamu-Latangi-Adi p a ra d a m u —Latangi— A d i )ften takes part ARIYAKUDIARIYAKUDI RAMANUJARAMANUJA IYENGARIYENGAR SrishtiSrishtl stiti-Pantuvarali-Rupakarnstiti—Pantuvarali—Rupakam 2.0 VEENA: AA I RR ARTISTARTIST n Telugu features KadaikkanK____________ a d a ik k a n TodiToth Sri parameswami-Khamas-Adiparameswami— Khamas—Adi 2.5 NEWS ININ TELUGUTELUGU oroadcast from KamalambarnKamalambam Kalyani 8.303.30 ** Close down 2.10 to 3.303.30 AS ININ MADRASMADRAS 11 Madras. TURAIYUR RAJAGOPALA SARMASARMA Vinata suta HarikaMbodiHarikambodi TRANSMISSION h i Vinata suta TRANSMISSION III 3.30 ** Close down PakkalaP a k ka la Kharaharapriya 4.304.30* * T.T. C.C. MEENAKSHIM E E N A K S H I TRANSMISSION III MUDICONDAN VENKATARAMIERVENKATARAMIER Rama ika nannu— — A d i Innamum oruthalamoruthalam Yadukulakambodi Rama ika nannu-Sahana-AdiSahana 41.27 metres (7,270 kc/s) NNinnamam-Nt/ambarl-Chapu in n a m a m — Nilambari—Chapu 41.27 metres (7,270 kc/s) CHEMBAI VAIDYANATHAVAIDYANATHA BHAGAVATARBHAGAVATAR YYadupana-Kambholi-Adi a d u p a n a — Kambhoji—Adi 4.30 toto 6.0 AS IN MADRASMADRAS 11 Arumponne Tayumanavar PadalPadal 5.0 TEATEA-TIME -TIME MUSICMUSIC -I'+ 6.0б.0 SANGITHASANGITHA ABYASAMUABYASAMU 10.30 * * CloseClose downdown Accent on rhythmrhythm 6.15 LOKAVARTAL O K A V A R T A Programme of swing musicmusic DUKE ELLINGTON'S ORCHESTRA NewsNews-talk -talk in MalayalamMalayalam DUKE ELLINGTON'S ORCHESTRA 6.22 KALACHAKRA It doesn’tdoesn't mean aa thing 6.22 KALACHAKRA ADDITIONAL SOUTHSOUTH INDIANINDIAN LOUIS ARMSTRON'SARMSTRONG HOT SEVENSEVEN News-talkNews -talk in KannadaKannada Ory's creolecreole trombonetrombone 6.30 toto 7.0 AS IN MADRASMADRAS 11 SERVICE JOHN KIRBY'SKIRBY'S ORCHESTRA:ORCHESTRA: MilumbuMilumbu 7.0 SATRU PRACHARA PARI- SERVICE MOKINNEY'S COTTON PICKERSPICKERS 7.0 SATRU PRACHARA PARI- Shim-me-sha-wabble . SEELANASEELAN A TRANSMISSION I Endukuniradaya HarikambhollHarikambhoji BENNY CARTER'SCARTER'S ORCHESTRA:ORCHESTRA: Midnight Talk in TeluguTelugu a.m. TRANSMISSIONI | Smarajanaka BehagBe teg JIMMY LUNCEFORD'SLUNCEFORD’S ORCHESTRAORCHESTRA 7.15 FOR THE VILLAGESVILLAGES (Telugu)(Telugu) 30.99 metresmetres (9,680(9,680 kc/s) i 3.0 Close downdown MMix ix upu p i Ramanagar Sabha: Appireddi asayalu:asayalu: Vidya-Vidya- 7.30 MUSICAL PRELUDE + LISTENERS’ REQUESTS 7.30 MUSICAL PRELUDE t LISTENERS' REQUESTS vidhanamu; NamasankeertanaNamasankeertana Yararivar; Paramakripakarane; DamodaranD am o daran TRANSMISSION IIIIII 5.30 S. JA Y A L A K S H M I Yararivar; Paramakripakarane; 5.30 S. JAYALAKSHMI 7.30 NEWS IN TELUGUTELUGU marugam aruga 30.99 metres (9,680(9,680 kc/s)kc/s) Pakkalanilabadi—Pakkalanilabadi-KKharaharapriya—Triputa haraliarap riya-T riputa 7.45 RURAL NOTES (Telugu) 7.40 NEWS IN TELUGU Ksheenamai—Mukhari—Adi 7.45 RURAL NOTES (Telugu) 7.40 NEWS IN TELUGU 8.30 SUSHILA ACHYUTARAMANACHYUTARAMAN * Ksheenarnal-Mukhari-Adi Violin interlude; Vigyana viseshalu Market PPreetl-Yaman-T re e ti—Yaman—Trital rital Violininterlude;Vigyana viseshalu: 7.50 NEWS ININ TAMILTAMIL SrlmahaganapatiSrimahaganapati
Load more

Recommended publications
  • Syllabus for Post Graduate Programme in Music
    1 Appendix to U.O.No.Acad/C1/13058/2020, dated 10.12.2020 KANNUR UNIVERSITY SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: MA MUSIC DEPARTMENT OF MUSIC KANNUR UNIVERSITY SWAMI ANANDA THEERTHA CAMPUS EDAT PO, PAYYANUR PIN: 670327 2 SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: M A (MUSIC) ABOUT THE DEPARTMENT. The Department of Music, Kannur University was established in 2002. Department offers MA Music programme and PhD. So far 17 batches of students have passed out from this Department. This Department is the only institution offering PG programme in Music in Malabar area of Kerala. The Department is functioning at Swami Ananda Theertha Campus, Kannur University, Edat, Payyanur. The Department has a well-equipped library with more than 1800 books and subscription to over 10 Journals on Music. We have gooddigital collection of recordings of well-known musicians. The Department also possesses variety of musical instruments such as Tambura, Veena, Violin, Mridangam, Key board, Harmonium etc. The Department is active in the research of various facets of music. So far 7 scholars have been awarded Ph D and two Ph D thesis are under evaluation. Department of Music conducts Seminars, Lecture programmes and Music concerts. Department of Music has conducted seminars and workshops in collaboration with Indira Gandhi National Centre for the Arts-New Delhi, All India Radio, Zonal Cultural Centre under the Ministry of Culture, Government of India, and Folklore Academy, Kannur.
    [Show full text]
  • CARNATIC MUSIC (CODE – 032) CLASS – X (Melodic Instrument) 2020 – 21 Marking Scheme
    CARNATIC MUSIC (CODE – 032) CLASS – X (Melodic Instrument) 2020 – 21 Marking Scheme Time - 2 hrs. Max. Marks : 30 Part A Multiple Choice Questions: Attempts any of 15 Question all are of Equal Marks : 1. Raga Abhogi is Janya of a) Karaharapriya 2. 72 Melakarta Scheme has c) 12 Chakras 3. Identify AbhyasaGhanam form the following d) Gitam 4. Idenfity the VarjyaSwaras in Raga SuddoSaveri b) GhanDharam – NishanDham 5. Raga Harikambhoji is a d) Sampoorna Raga 6. Identify popular vidilist from the following b) M. S. Gopala Krishnan 7. Find out the string instrument which has frets d) Veena 8. Raga Mohanam is an d) Audava – Audava Raga 9. Alankaras are set to d) 7 Talas 10 Mela Number of Raga Maya MalawaGoula d) 15 11. Identify the famous flutist d) T R. Mahalingam 12. RupakaTala has AksharaKals b) 6 13. Indentify composer of Navagrehakritis c) MuthuswaniDikshitan 14. Essential angas of kriti are a) Pallavi-Anuppallavi- Charanam b) Pallavi –multifplecharanma c) Pallavi – MukkyiSwaram d) Pallavi – Charanam 15. Raga SuddaDeven is Janya of a) Sankarabharanam 16. Composer of Famous GhanePanchartnaKritis – identify a) Thyagaraja 17. Find out most important accompanying instrument for a vocal concert b) Mridangam 18. A musical form set to different ragas c) Ragamalika 19. Identify dance from of music b) Tillana 20. Raga Sri Ranjani is Janya of a) Karahara Priya 21. Find out the popular Vena artist d) S. Bala Chander Part B Answer any five questions. All questions carry equal marks 5X3 = 15 1. Gitam : Gitam are the simplest musical form. The term “Gita” means song it is melodic extension of raga in which it is composed.
    [Show full text]
  • 1 ; Mahatma Gandhi University B. A. Music Programme(Vocal
    1 ; MAHATMA GANDHI UNIVERSITY B. A. MUSIC PROGRAMME(VOCAL) COURSE DETAILS Sem Course Title Hrs/ Cred Exam Hrs. Total Week it Practical 30 mts Credit Theory 3 hrs. Common Course – 1 5 4 3 Common Course – 2 4 3 3 I Common Course – 3 4 4 3 20 Core Course – 1 (Practical) 7 4 30 mts 1st Complementary – 1 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 1 (Theory) 2 2 3 Common Course – 4 5 4 3 Common Course – 5 4 3 3 II Common Course – 6 4 4 3 20 Core Course – 2 (Practical) 7 4 30 mts 1st Complementary – 2 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 2 (Theory) 2 2 3 Common Course – 7 5 4 3 Common Course – 8 5 4 3 III Core Course – 3 (Theory) 3 4 3 19 Core Course – 4 (Practical) 7 3 30 mts 1st Complementary – 3 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 3 (Theory) 2 2 3 Common Course – 9 5 4 3 Common Course – 10 5 4 3 IV Core Course – 5 (Theory) 3 4 3 19 Core Course – 6 (Practical) 7 3 30 mts 1st Complementary – 4 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 4 (Theory) 2 2 3 Core Course – 7 (Theory) 4 4 3 Core Course – 8 (Practical) 6 4 30 mts V Core Course – 9 (Practical) 5 4 30 mts 21 Core Course – 10 (Practical) 5 4 30 mts Open Course – 1 (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 1 2 1 Core Course – 11 (Theory) 4 4 3 Core Course – 12 (Practical) 6 4 30 mts VI Core Course – 13 (Practical) 5 4 30 mts 21 Core Course – 14 (Practical) 5 4 30 mts Elective (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 2 2 1 Total 150 120 120 Core & Complementary 104 hrs 82 credits Common Course 46 hrs 38 credits Practical examination will be conducted at the end of each semester 2 MAHATMA GANDHI UNIVERSITY B.
    [Show full text]
  • Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan
    Table of Contents From the Publications & Outreach Committee ..................................... Lakshmi Radhakrishnan ............ 1 From the President’s Desk ...................................................................... Balaji Raghothaman .................. 2 Connect with SRUTI ............................................................................................................................ 4 SRUTI at 30 – Some reflections…………………………………. ........... Mani, Dinakar, Uma & Balaji .. 5 A Mellifluous Ode to Devi by Sikkil Gurucharan & Anil Srinivasan… .. Kamakshi Mallikarjun ............. 11 Concert – Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan ..... 14 A Grand Violin Trio Concert ................................................................... Sneha Ramesh Mani ................ 16 What is in a raga’s identity – label or the notes?? ................................... P. Swaminathan ...................... 18 Saayujya by T.M.Krishna & Priyadarsini Govind ................................... Toni Shapiro-Phim .................. 20 And the Oscar goes to …… Kaapi – Bombay Jayashree Concert .......... P. Sivakumar ......................... 24 Saarangi – Harsh Narayan ...................................................................... Allyn Miner ........................... 26 Lec-Dem on Bharat Ratna MS Subbulakshmi by RK Shriramkumar .... Prabhakar Chitrapu ................ 28 Bala Bhavam – Bharatanatyam by Rumya Venkateshwaran ................. Roopa Nayak ......................... 33 Dr. M. Balamurali
    [Show full text]
  • Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms
    CHARACTERIZATION OF INTONATION IN CARNATIC MUSIC BY PARAMETRIZING PITCH HISTOGRAMS Gopala K. Koduri1, Joan Serra`2, and Xavier Serra1 1 Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain. 2 Artificial Intelligence Research Institute (IIIA-CSIC), Bellaterra, Barcelona, Spain. [email protected], [email protected], [email protected] ABSTRACT on the artist and the raaga [8, 15]. The study of intona- tion differs from that of tuning in its fundamental empha- Intonation is an important concept in Carnatic music that sis. When we talk about tuning we refer to the discrete is characteristic of a raaga, and intrinsic to the musical ex- frequencies with which we tune an instrument, thus it is pression of a performer. In this paper we approach the de- more of a theoretical concept than the one of intonation, scription of intonation from a computational perspective, with which we focus in the pitches used during a perfor- obtaining a compact representation of the pitch track of a mance. The two concepts are basically the same when we recording. First, we extract pitch contours from automat- study instruments that can only produce a fixed set of dis- ically selected voice segments. Then, we obtain a a pitch crete frequencies, like the piano. histogram of its full pitch-range, normalized by the tonic Given than in Indian music there is basically no instru- frequency, from which each prominent peak is automati- ment with fixed frequencies (the harmonium is an impor- cally labelled and parametrized. We validate such parame- tant exception), in practice tuning and intonation can be trization by considering an explorative classification task: considered the same.
    [Show full text]
  • CARNATIC MUSIC (CODE – 032) CLASS – X (Melodic Instrument) 2020 – 21 Sample Question Paper
    CARNATIC MUSIC (CODE – 032) CLASS – X (Melodic Instrument) 2020 – 21 Sample Question Paper Time - 2 hrs. Max. Marks : 30 Part A Multiple Choice Questions: Attempts any of 15 Question all are of Equal Marks : 1. Raga Abhogi is Janya of a) Karaharapriya b) NataBhiravi c) HariKambhoji d) DheeraSankaraBharanam 2. 72 Melakarta Scheme has a) 6 Chakaras b) 9 Chakras c) 12 Chakras d) 36 Chakras 3. Identify AbhyasaGhanam form the following a) Kriti b) Raga Malika c) Tillana d) Gitam 4. Idenfity the VarjyaSwaras in Raga SuddoSaveri a) Madhyama – Nisha Dam b) GhanDharam – NishanDham c) NishaDham- Rishabam d) Dhaviatam – Nadgtanan 5. Raga Harikambhoji is a a) Audava Raga b) Shadava Raga c) Bhashanga Raga d) Sampoorna Raga 6. Identify popular vidilist from the following a) S BalaChander b) M. S. Gopala Krishnan c) G. N. BalaSubrmanyam d) PopanasamSiram 7. Find out the string instrument which has frets a) Violin b) Thanpur c) Sarangi d) Veena 8. Raga Mohanam is an a) Audav-Shadava Raga b) Shadava – Audava Raga c) Janaka- Raga d) Audava – Audava Raga 9. Alankaras are set to a) 9 Talas b) 5 Talas c) 6 Talas d) 7 Talas 10 .Mela Number of Raga Maya MalawaGoula a) 22 b) 28 c) 20 d) 15 11. Identify the famous flutist a) LalgadiJayaraman b) Papanaseem Sivan c) S. BalaChander d) T R. Mahalingam 12. RupakaTala has AksharaKals a) 3 b) 6 c) 9 d) 12 13. Indentify composer of Navagrehakritis a) Balamurali Krishna b) KoliswaraIyer c) MuthuswaniDikshitan d) G. N. Balasubramanam 14. Essential angas of kriti are a) Pallavi-Anuppallavi- Charanam b) Pallavi –multifplecharanma c) Pallavi – MukkyiSwaram d) Pallavi – Charanam 15.
    [Show full text]
  • University of Kerala Ba Music Faculty of Fine Arts Choice
    UNIVERSITY OF KERALA COURSE STRUCTURE AND SYLLABUS FOR BACHELOR OF ARTS DEGREE IN MUSIC BA MUSIC UNDER FACULTY OF FINE ARTS CHOICE BASED-CREDIT-SYSTEM (CBCS) Outcome Based Teaching, Learning and Evaluation (2021 Admission onwards) 1 Revised Scheme & Syllabus – 2021 First Degree Programme in Music Scheme of the courses Sem Course No. Course title Inst. Hrs Credit Total Total per week hours credits I EN 1111 Language course I (English I) 5 4 25 17 1111 Language course II (Additional 4 3 Language I) 1121 Foundation course I (English) 4 2 MU 1141 Core course I (Theory I) 6 4 Introduction to Indian Music MU 1131 Complementary I 3 2 (Veena) SK 1131.3 Complementary course II 3 2 II EN 1211 Language course III 5 4 25 20 (English III) EN1212 Language course IV 4 3 (English III) 1211 Language course V 4 3 (Additional Language II) MU1241 Core course II (Practical I) 6 4 Abhyasaganam & Sabhaganam MU1231 Complementary III 3 3 (Veena) SK1231.3 Complementary course IV 3 3 III EN 1311 Language course VI 5 4 25 21 (English IV) 1311 Language course VII 5 4 (Additional language III ) MU1321 Foundation course II 4 3 MU1341 Core course III (Theory II) 2 2 Ragam MU1342 Core course IV (Practical II) 3 2 Varnams and Kritis I MU1331 Complementary course V 3 3 (Veena) SK1331.3 Complementary course VI 3 3 IV EN 1411 Language course VIII 5 4 25 21 (English V) 1411 Language course IX 5 4 (Additional language IV) MU1441 Core course V (Theory III) 5 3 Ragam, Talam and Vaggeyakaras 2 MU1442 Core course VI (Practical III) 4 4 Varnams and Kritis II MU1431 Complementary
    [Show full text]
  • Vol.74-76 2003-2005.Pdf
    ISSN. 0970-3101 THE JOURNAL Of THE MUSIC ACADEMY MADRAS Devoted to the Advancement of the Science and Art of Music Vol. LXXIV 2003 ^ JllilPd frTBrf^ ^TTT^ II “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; (but) where my Bhaktas sing, there be /, N arada !” Narada Bhakti Sutra EDITORIAL BOARD Dr. V.V. Srivatsa (Editor) N. Murali, President (Ex. Officio) Dr. Malathi Rangaswami (Convenor) Sulochana Pattabhi Raman Lakshmi Viswanathan Dr. SA.K. Durga Dr. Pappu Venugopala Rao V. Sriram THE MUSIC ACADEMY MADRAS New No. 168 (Old No. 306), T.T.K. Road, Chennai 600 014. Email : [email protected] Website : www.musicacademymadras.in ANNUAL SUBSCRIPTION - INLAND Rs. 150 FOREIGN US $ 5 Statement about ownership and other particulars about newspaper “JOURNAL OF THE MUSIC ACADEMY MADRAS” Chennai as required to be published under Section 19-D sub-section (B) of the Press and Registration Books Act read with rule 8 of the Registration of Newspapers (Central Rules) 1956. FORM IV JOURNAL OF THE MUSIC ACADEMY MADRAS Place of Publication Chennai All Correspondence relating to the journal should be addressed Periodicity of Publication and all books etc., intended for it should be sent in duplicate to the Annual Editor, The journal o f the Music Academy Madras, New 168 (Old 306), Printer Mr. N Subramanian T.T.K. Road, Chennai 600 014. 14, Neelakanta Mehta Street Articles on music and dance are accepted for publication on the T Nagar, Chennai 600 017 recommendation of the Editor. The Editor reserves the right to accept Publisher Dr.
    [Show full text]
  • CARNATIC MUSIC (VOCAL) (Code No
    CARNATIC MUSIC (VOCAL) (code no. 031) Class IX (2020-21) Theory Marks: 30 Time: 2 Hours No. of periods I. Brief history of Carnatic Music with special reference to Saint 10 Purandara dasa, Annamacharya, Bhadrachala Ramadasa, Saint Tyagaraja, Muthuswamy Dikshitar, Syama Sastry and Swati Tirunal. II. Definition of the following terms: 12 Sangeetam, Nada, raga, laya, Tala, Dhatu, Mathu, Sruti, Alankara, Arohana, Avarohana, Graha (Sama, Atita, Anagata), Svara – Prakruti & Vikriti Svaras, Poorvanga & Uttaranga, Sthayi, vadi, Samvadi, Anuvadi & Vivadi Svara – Amsa, Nyasa and Jeeva. III. Brief raga lakshanas of Mohanam, Hamsadhvani, Malahari, 12 Sankarabharanam, Mayamalavagoula, Bilahari, khamas, Kharaharapriya, Kalyani, Abhogi & Hindolam. IV. Brief knowledge about the musical forms. 8 Geetam, Svarajati, Svara Exercises, Alankaras, Varnam, Jatisvaram, Kirtana & Kriti. V. Description of following Talas: 8 Adi – Single & Double Kalai, Roopakam, Chapu – Tisra, Misra & Khanda and Sooladi Sapta Talas. VI. Notation of Gitams in Roopaka and Triputa Tala 10 Total Periods 60 CARNATIC MUSIC (VOCAL) Format of written examination for class IX Theory Marks: 30 Time: 2 Hours 1 Section I Six MCQ based on all the above mentioned topic 6 Marks 2 Section II Notation of Gitams in above mentioned Tala 6 Marks Writing of minimum Two Raga-lakshana from prescribed list in 6 Marks the syllabus. 3 Section III 6 marks Biography Musical Forms 4 Section IV 6 marks Description of talas, illustrating with examples Short notes of minimum 05 technical terms from the topic II. Definition of any two from the following terms (Sangeetam, Nada, Raga,Sruti, Alankara, Svara) Total Marks 30 marks Note: - Examiners should set atleast seven questions in total and the students should answer five questions from them, including two Essays, two short answer and short notes questions based on technical terms will be compulsory.
    [Show full text]
  • Raga (Melodic Mode) Raga This Article Is About Melodic Modes in Indian Music
    FREE SAMPLES FREE VST RESOURCES EFFECTS BLOG VIRTUAL INSTRUMENTS Raga (Melodic Mode) Raga This article is about melodic modes in Indian music. For subgenre of reggae music, see Ragga. For similar terms, see Ragini (actress), Raga (disambiguation), and Ragam (disambiguation). A Raga performance at Collège des Bernardins, France Indian classical music Carnatic music · Hindustani music · Concepts Shruti · Svara · Alankara · Raga · Rasa · Tala · A Raga (IAST: rāga), Raag or Ragam, literally means "coloring, tingeing, dyeing".[1][2] The term also refers to a concept close to melodic mode in Indian classical music.[3] Raga is a remarkable and central feature of classical Indian music tradition, but has no direct translation to concepts in the classical European music tradition.[4][5] Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience.[1][2][5] A raga consists of at least five notes, and each raga provides the musician with a musical framework.[3][6][7] The specific notes within a raga can be reordered and improvised by the musician, but a specific raga is either ascending or descending. Each raga has an emotional significance and symbolic associations such as with season, time and mood.[3] The raga is considered a means in Indian musical tradition to evoke certain feelings in an audience. Hundreds of raga are recognized in the classical Indian tradition, of which about 30 are common.[3][7] Each raga, state Dorothea
    [Show full text]
  • The Journal of the Music Academy Devoted to the Advancement of the Science and Art of Music
    ISSN. 0970 -3101 THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXVI 1995 »T5CtCT w qrafor w fagffa w * II "/ dwell not in Vaikuntha, nor in the hearts o f Yogins nor in the Sun; (but) where my bhaktas sing, there be I, NaradaV' Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014. Annual Subscript sign $ 3-00 THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXVI 1995 t TOTfiT 1 V f t I *nr nurfer w ftgrfir h r * n "I dwell not in Vaikuntha, nor in the hearts o f Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014. Annual Subscription - Inland oreign $ 3-00 r OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewritten (double -spaced and on one side of the paper only) and should be signed by the writer (giving his or her address in full). The Editor of the Journal is not responsible for the views expressed by contributors in their articles.
    [Show full text]
  • CARNATIC MUSIC (VOCAL) (Code No
    CARNATIC MUSIC (VOCAL) (code no. 031) Class IX (2021-22) Theory Marks: 30 Time: 2 Hours No. of periods I. Brief history of Carnatic Music with special reference to Saint 10 Purandara dasa, Annamacharya, Bhadrachala Ramadasa, Saint Tyagaraja, Muthuswamy Dikshitar, Syama Sastry and Swati Tirunal. II. Definition of the following terms: 12 Sangeetam, Nada, raga, laya, Tala, Dhatu, Mathu, Sruti, Alankara, Arohana, Avarohana, Graha (Sama, Atita, Anagata), Svara – Prakruti & Vikriti Svaras, Poorvanga & Uttaranga, Sthayi, vadi, Samvadi, Anuvadi & Vivadi Svara – Amsa, Nyasa and Jeeva. III. Brief raga lakshanas of Mohanam, Hamsadhvani, Malahari, 12 Sankarabharanam, Mayamalavagoula, Bilahari, khamas, Kharaharapriya, Kalyani, Abhogi & Hindolam. IV. Brief knowledge about the musical forms. 8 Geetam, Svarajati, Svara Exercises, Alankaras, Varnam, Jatisvaram, Kirtana & Kriti. V. Description of following Talas: 8 Adi – Single & Double Kalai, Roopakam, Chapu – Tisra, Misra & Khanda and Sooladi Sapta Talas. VI. Notation of Gitams in Roopaka and Triputa Tala 10 Total Periods 60 CARNATIC MUSIC (VOCAL) Format of written examination for class IX Theory Marks: 30 Time: 2 Hours 1 Section I Six MCQ based on all the above mentioned topic 6 Marks 2 Section II Notation of Gitams in above mentioned Tala 6 Marks Writing of minimum Two Raga-lakshana from prescribed list in 6 Marks the syllabus. 3 Section III 6 marks Biography Musical Forms 4 Section IV 6 marks Description of talas, illustrating with examples Short notes of minimum 05 technical terms from the topic II. Definition of any two from the following terms (Sangeetam, Nada, Raga,Sruti, Alankara, Svara) Total Marks 30 marks Note: - Examiners should set atleast seven questions in total and the students should answer five questions from them, including two Essays, two short answer and short notes questions based on technical terms will be compulsory.
    [Show full text]