Sam Pritchard

Total Page：16

File Type：pdf, Size：1020Kb

Sam Pritchard Full-Time 2010-12 New Writing Associate, Royal Exchange Theatre - running the theatre’s new writing programme - development of new plays and writer relationships - running the Bruntwood Prize for Playwriting As Director 2014 Anna, Aix-en-Provance Festival (new opera workshop) 2014 Buy Nothing Day, Company of Angels/ALRA 2013 There Has Possibly Been An Incident, Royal Exchange/Edinburgh/Soho Theatre/Berlin Theatertreffen 2012 Fireface, Young Vic (winner of the JMK Award for Young Directors 2012) 2011 Galka Motalka, Royal Exchange As Dramaturg 2015 Hamlet, Barbican/Sonia Friedman (dir. Lyndsey Turner) As Assistant Director 2015 A View from the Bridge, Young Vic at the Wyndham’s Theatre (dir. Ivo van Hove) 2013 A Doll’s House, Duke of York’s Theatre and BAM New York (as Associate, dir. Carrie Cracknell) 2013 Wozzeck, English National Opera (as Staff Director, dir. Carrie Cracknell) 2013 A Doll’s House, Young Vic (dir. Carrie Cracknell) 2013 Paper Dolls, Tricycle Theatre (dir. Indhu Rubasingham) 2010 Comedy of Errors, Royal Exchange (dir. Roxana Silbert) 2010 1984, Royal Exchange (dir. Matthew Dunster) 2009 Blithe Spirit, Royal Exchange (dir. Sarah Frankcom) 2009 The Entertainer, Royal Exchange (dir. Greg Hersov) 2009 The Miser, Royal Exchange (dir. Helena Kaut-Hawson) Education Work 2016 National Theatre, Connections Director 2016 Young Vic, mentor and workshop leader on the Fresh Direction Project 2015 National Theatre, director of Dissonant (Temporary Theatre), winner of NT New Views 2015 Young Vic, mentor and workshop leader on the Fresh Direction Project 2015 Young Vic, mentor on the 5 Plays Project 2015 Birkbeck College, tutor on the ‘Introduction to New Writing’ module (Theatre Directing MFA) 2012 National Theatre, Connections Director 2011 Manchester University, tutor on the ‘Writing for Performance’ module Education 2012 NT Studio Director’s Course 2008-2010 Birkbeck College London, MFA Theatre Directing, Distinction 2005-2008 Magdalen College Oxford, BA English Literature, First Class Contact email: [email protected] mobile: 07779 020 878 Referees Sarah Frankcom - Artistic Director, Royal Exchange Theatre Carrie Cracknell – Associate Artist, Royal Court & Young Vic .

Copy Link

Recommended publications

Young Vic Announces New Dates for Cush Jumbo in Hamlet
Press Release 19 March 2021 Young Vic sets new dates for Cush Jumbo in Hamlet HAMLET By William Shakespeare Directed by Greg Hersov Young Vic Main House From 27 September – 13 November 2021 Press Night 4 October The Young Vic announces their highly anticipated production of Hamlet, starring Cush Jumbo and directed by Greg Hersov, will begin previews from 27 September 2021, with Press Night 4 October. This new version of Shakespeare’s great tragedy will see Cush Jumbo (The Good Wife, The Good Fight) make her YV debut as a new kind of Hamlet, reuniting with her long-time collaborator Greg Hersov, to bring us this tale of power, politics and desire. Kwame Kwei-Armah, Artistic Director of the Young Vic, said: “I am delighted that this extraordinary new version of Hamlet will play at the YV this autumn. I want to take this opportunity to thank each audience member who kept their tickets in the show through this period of uncertainty; I can’t wait to have you back into our house, to step into the extraordinary world Cush, Greg and the company will create. Finally, I look forward to sharing more detail on the rest of our 2021 season, including more imminent plans for welcoming you back to the YV, very soon. Until then, peace and love.” Further Hamlet cast and creative team to be announced. Hamlet is currently sold out, but to be the first to hear about future ticket releases, sign up to receive email alerts here. ENDS For more information, contact Emma Hardy: [email protected] For images, click here.
[Show full text]
Rapid Write Response: J'ouvert
ACT 1 Mash Rapid Write Response: J’Ouvert Written by Yasmine Lever Directed by Emma Wilkinson These pieces are written by 7 writers in response to J’Ouvert by Yasmin Cast: Kate Reid (9653-7868-6998) and Ray Sesay (5819-7831-7622) Joseph The Number 82 Written by Adanna Oji Directed by Nkechi Nwobani Akanwo Cast: Yvonne Campbell (0535-6751-0964) Funmi Florence Cole and Heather Lewis Upcoming Rapid Write Response Dates Wine Down Check back on the Theatre503 website for our next Rapid Write Response in our Autumn season. Until then, here’s what’s coming up this Summer at Written by Ekene Okobi Directed by Kaleya Baxe Cast: Angelina Chudi (2058-8972-5714) Janani Rajendra and Aïsha Kent (1410-8970-2592) Theatre503: By Way of Kensal Green FOLK THE POLICE REHEARSED READING. 24 JUN Written by James Directed by Alessandra Davison Reynolds A TINDER TRILOGY 25 – 29 JUN Cast: Arthur Velarde (9856-3494-6667) and Mercy Philips DRIP 26 – 27 JUN VOICES FROM HOME 30 JUN – 1 JUL MOTHERHOOD WEEK 02 – 06 JUL ACT 2 EDFRINGE PREVIEWS 15 – 28 JUL Dutty Wind Written by Nicole Latchana Directed by Kelechi Okafor More information about how to get involved can be found on our website Cast: Bruna Campos and Diana Yekinni (0457-9083-8923) www.theatre503.com or email [email protected] to join our writers’ mailing list. Poles Apart Written by Martin Edwards Directed by Shayde Sinclair Cast: Steffi Igbinovia and Shem Hamilton Curated by Leian Darell Queen (of) B(acchanal) Written by Hassan Govia Directed by Leian Darell Leian uses his work to explore identity, the black image and experience.
[Show full text]
Dialect Coaching for Screen 2014/2015/2016 Dialect and Voice
Dialect Coaching for Screen 2014/2015/2016 Nov 16 – Feb 2017 Roseline Productions Dialect Coach for Will Ferrell, John C Reilly: Holmes and Watson Nov 2016 Sky Dialect Coach Bliss Nov 2016 BBC Dialect Coach for Zombie Boy: Silent Witness Aug 2016 Sky Dialect Coach for Iwan Rheon and Dimitri Leonidas: Riviera Jan/Feb 2016 Channel 4 Dialect Coach: ADR: Raised By Wolves directed by Ian Fitzgibbon Oct 2015 Jellylegs/Sky 1 Dialect Coach: Rovers directed by Craig Cash Oct 2015 Channel 4 Dialect Coach: Raised By Wolves directed by Ian Fitzgibbon Sept 2015 LittleRock Pictures/Sky Dialect /voice coach: Elizabeth, Michael and Marlon (Joseph Fiennes, Stockard Channing, Brian Cox) January – May 2015 BBC2/ITV, London Dialect Coach (East London): Cradle to Grave – directed by Sandy Johnson January – April 2015 Working Title/Sky Dialect Coach (Gen Am, Italian): You, Me and the Apocalypse – TV directed by Michael Engler/Saul Metzstein September 2014 Free Range Films Ltd, London Dialect/voice coach (Leeds): The Lady in the Van – Feature directed by Nicholas Hytner May 2014 Wilma TV, Inc. for Discovery Channel, New York Dialect Coach (Australian): Amerikan Kanibal - Docudrama February/March 2014 Mad As Birds Dialect Coach (Various Period US accents): Set Fire to the Stars - Feature directed by Andy Goddard February and June 2014 BBC 3 Dialect Coach (Liverpool and Australian): Crims - TV directed by James Farrell Dialect and Voice Coaching for theatre 2016 Oct 2016 Park Theatre, Dialect support (New York: Luv directed by Gary Condes Oct 2016 Kings Cross
[Show full text]
Custodians for Covid, Theatres Press Release
Oxford-based photographer Joanna Vestey and collaborator Tara Rowse have set up a bold fundraising initiative, Custodians for Covid, to raise funds for threatened arts institutions. Its ﬁrst edition focuses on raising money for theatres currently in crisis due to the Covid-imposed lockdown. This includes world renowned theatres such as the National Theatre, the Roundhouse and the Young Vic. (L) Deborah McGhee, Head of Building Operations, The Globe. London, June 2020 © Joanna Vestey (R) Charlie Jones, Building Services Manager, The Royal Albert Hall. London, June 2020 © Joanna Vestey Vestey has produced a collection of 20 photographs, each featuring an affected London theatre, portraying the custodian who is charged with its care during this time of crisis. The photographs are being sold in limited editions to raise funds for each theatre. The target is to raise £1million in charitable donations for the 20 London theatres, amounting to £50,000 per theatre. Each image in the series features an iconic theatre space in which Vestey has highlighted a custodian. The custodian’s presence brings the setting to life and celebrates the often-unknown role of the guardians who continue to maintain these institutions. The series explores themes such as heritage, stewardship, identity and preservation, which feel even more poignant given the isolation so many are currently experiencing and the uncertainties so many face. The images are for sale through Joanna Vestey's website and build on her widely acclaimed series custodians, the first of which focused on the hallowed institutions of Oxford, together with the custodians responsible for them. The series was exhibited at the Venice Biennale, Oxford Biennale as well as published by and exhibited at The Ashmolean Museum, Oxford.
[Show full text]
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
[Show full text]
Press Release
PRESS RELEASE Shakespeare’s Globe announces casting for The Taming of the Shrew and Women Beware Women 10 January 2020 Shakespeare’s Globe is delighted to announce full casting for the next two productions opening in the candlelit Sam Wanamaker Playhouse in February: The Taming of the Shrew, directed by Maria Gaitanidi, and Thomas Middleton’s Women Beware Women, directed by Amy Hodge. In an exciting and experimental production, roles for The Taming of the Shrew are to be played by different company members at different performances. The full company comprises: Raymond Anum: Raymond graduated from RADA last year and recently appeared in Youth Without God at The Coronet Theatre. Theatre credits while training include Love and Money, Romeo & Juliet, Philistines and The Last Days of Judas Iscariot (RADA). Ryan Ellsworth: Ryan returns to the Globe, having performed in a Read Not Dead rehearsed reading of The Custom of the Country in 2017. Other recent theatre work includes The Wizard of Oz (Sheffield Crucible), Labyrinth (Hampstead Theatre), Henry V (Regent’s Park Open Air Theatre) and Cat on a Hot Tin Roof (Theatr Clwyd). Television includes Angel of Darkness (Netflix) and Island at War (ITV). Film includes A Royal Winter and Bel Ami. Mattia Mariotti: Mattia’s recent theatre work includes La Mai Banale Banalità del Male (Teatro Instabile Genoa), The Temptation of St Anthony (Venue 45, Edinburgh Fringe Festival) and We Long Endure (Barron Theatre, St Andrews). Television includes Invisible Milk. Evelyn Miller: Evelyn returns to the Playhouse having appeared in Deep Night Dark Night earlier this year. She was also part of the Globe on Tour 2019 company, where she performed around the world in Pericles, Comedy of Errors and Twelfth Night.
[Show full text]
The Inside Guide to Directing
THE INSIDE GUIDE TO DIRECTING Introduction by 02 Katy Rudd What is Directing? 06 Artist profile: 08 Ashen Gupta Pre-Rehearsals 12 Artist Profile: 16 GUIDE Ebenezer Bamgboye Guide compiled by Euan Borland Rehearsal Room 20 Directing Exercises by Roberta Zuric Photography Credits Artist Profile: 24 Joanna Higson Manuel Harlan Sean Linnen EDUCATION & COMMUNITY How to be a Leader 28 Director of Education & Community Hannah Fosker Education Manager Top Tips for Directing 30 Euan Borland Young Person’s Programme Manager Naomi McKenna Lawson Further Reading, 32 Education & Community Coordinator Kate Lawrence-Lunniss Watching & Listening Education & Community Intern Annys Whyatt Abena Obeng Glossary of Terms 34 With generous thanks to Old Vic staff and associates Next Steps 36 If you would like to learn more about our education programmes please contact [email protected] CONTENTS 1 When I left university, I knew that I wanted to During this time I had the good fortune to be a director but I had no idea how, or where, meet Marianne Elliott who kindly had a cup to start. At university I wrote and directed of tea with me – she gave me some advice plays as part of my course and I was given and told me to go to the regions and learn a good introduction to making theatre. your craft. Then she wished me good luck. In our spare time we put on our own shows rehearsing after hours in whatever space we So I did. I went to Salisbury Playhouse where could commandeer; empty lecture rooms, I spent three glorious months assisting on communal spaces or failing that our bedrooms.
[Show full text]
Beckett at Theyoungvic
Samuel Beckett Today / Aujourd’hui 29 (2017) 243–255 brill.com/sbt Beckett at the Young Vic From the Marginal to the Major-Marginal Matthew McFrederick Teaching Fellow in Theatre, University of Reading, uk [email protected] Abstract This article will examine the formative years of the Young Vic in London when pro- ductions of Waiting for Godot, Endgame and Happy Days were staged and embraced by a new generation of theatregoers and practitioners in a metropolitan theatre that began at the edge of the city’s mainstream theatre culture. Through a range of archival resources and an interview with the Young Vic’s founding director, this essay will dis- cuss the reception of these performances and their ability to engage with young audi- ences. It will conclude by tracing the YoungVic’s more recent association with Beckett’s drama, as the theatre has grown into an independent force competing with larger, tra- ditional theatre institutions. Résumé Cet article évoque la formation du Young Vic à Londres, plus précisément les années où y ont été réalisées les mises en scène d’En attendant Godot, de Fin de partie et de Oh les beaux jours pour une nouvelle génération de spectateurs ou de gens du théâtre, immédiatement convaincus, dans un théâtre métropolitain mais qui avait débuté en marge de la culture théâtrale traditionnelle. À partir d’un grand nombre d’archives, d’un interview du directeur et fondateur du Young Vic, cet essai traitera de l’accueil qu’ont rencontré ces spectacles et de leur capacité à intéresser les jeunes publics.
[Show full text]
6 May 2021: Young Vic Reopens Doors to Audiences with a New Season Of
Press Release For release: Thursday 6 May 2021 YOUNG VIC REOPENS DOORS TO AUDIENCES WITH NEW SEASON OF WORK FOR 2021 WELCOME BACK AND WELCOME HOME Young Vic Artistic Director Kwame Kwei-Armah announces a new season of work, welcoming theatre-makers and audiences back through the doors to create and experience live performance for the first time since the Young Vic’s 50th Birthday celebrations in October 2020. AT A GLANCE…. LEGENDARY TALES, REIMAGINED The season opens with Changing Destiny, Booker Prize-winner Ben Okri’s stunning new adaptation of the 4,000-year-old Egyptian poem of Sinuhe the Warrior King, directed by Artistic Director Kwame Kwei-Armah and designed by award-winning architect Sir David Adjaye The complete creative team announced for the highly-anticipated Hamlet, with Cush Jumbo in the title role, directed by her long-time collaborator Greg Hersov PLAYS THAT EXPLORE OUR PAST AND SPEAK TO OUR PRESENT Best of Enemies, a new play by Olivier Award-winner James Graham, follows the debates that changed politics and television forever, directed by Jeremy Herrin in a co-production with Headlong Klippies, the acclaimed debut by Jessica Siân, a coming-of-age drama set in the twentieth year of South Africa's democracy about the intensity of first love, directed by Genesis Future Directors Award recipient Diyan Zora PLAYING WITH DIGITAL A unique collaboration between human and computer minds, AI is a play developed by Chinonyerem Odimba and Nina Segal, written alongside GPT-3 OpenAI technology. Using this advanced deep- learning artificial intelligence system to generate human-like script and dialogue, Genesis Fellow and Associate Director Jennifer Tang and Company will create a new play for the stage.
[Show full text]
Barber Shop Chronicles
Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint.
[Show full text]
The Young Vic's Cat on a Hot Tin Roof and the NT And
The National Theatre adds new productions to streaming platform: the Young Vic’s Cat on a Hot Tin Roof and the NT and Out of Joint’s Consent by Nina Raine • Both productions are now available on National Theatre at Home platform to stream worldwide • Cat on a Hot Tin Roof will also be available with audio-description • The NT also becomes the first performing arts organisation featured in the Bloomberg Connects app – a free digital guide to more than 20 cultural organisations around the world. Wednesday 10th March 2021 The National Theatre has today announced that two new filmed productions have been added to its streaming service National Theatre at Home: the Young Vic’s Cat on a Hot Tin Roof and the National Theatre and Out of Joint’s co-production Consent. The Young Vic’s 2017 West End production of Cat on a Hot Tin Roof was directed by Benedict Andrews (A Streetcar Named Desire) with Sienna Miller (21 Bridges, American Woman) as Maggie, Jack O’Connell (Unbroken, Trial by Fire) as Brick and Colm Meaney (Gangs of London) as Big Daddy. Tennessee Williams’ searing, poetic story of a family’s fight for survival is a twentieth century masterpiece. Nina Raine’s play Consent premiered in the Dorfman theatre in 2017, a co-production between the National Theatre and Out of Joint. Following a sold-out run at the National Theatre, it transferred to the Harold Pinter Theatre in 2018. The acclaimed production of this challenging and funny play features the original cast including Anna Maxwell Martin (Motherland, The Personal History of David Copperfield) and Daisy Haggard (Breeders, Back to Life).
[Show full text]
Press Release Lucy Woollatt to Step Down As Executive
PRESS RELEASE LUCY WOOLLATT TO STEP DOWN AS EXECUTIVE DIRECTOR OF YOUNG VIC The Board of the Young Vic announced today that Lucy Woollatt will step down as Executive Director of the Young Vic this December. Lucy will be leaving the company after 10 successful years. Lucy joined the Young Vic as Finance Director in 2008, and was appointed Executive Director in 2010. During her time the company’s income has doubled, the organisation’s structure and profile has been transformed. Four productions have transferred to the West End, one to Broadway and many have toured around the world. The theatre has won six Olivier Awards, four Critics' Circle Awards, four Evening Standard Theatre Awards and won The Stage Theatre of the Year in 2015. This past summer she was Executive Producer on the sold-out production of Cat On A Hot Tin Roof at the Apollo Theatre in the West End. The Young Vic will appoint an interim Executive Director before recruiting for a permanent successor. Lucy Woollatt says: “My decade at the Young Vic has been the most rewarding in my career to date. I’m incredibly proud of what we have achieved night after night at the Young Vic, on tour and in the West End. The appointment of Kwame as Artistic Director is energising and uplifting and I wish him huge success. I would have loved to continue my time at the Young Vic with him, but I have decided that – after 10 years - now is the right time for me to move on to a new challenge.
[Show full text]